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Barmoire, Bartenders, Best-of lists, Cocktail craft, Cocktails, Dallas, Fancydranks, Follow the bouncing ball, Fort Worth

As we head into 2020, a look at DFW’s 20 best cocktails of the past decade

My favorites of 2019: At center, Homewood’s Golden Amaranth; clockwise from top left, the Inca Knife Fight at Henry’s Majestic; Ruins’ Sierra Outkast; Bourbon and Banter’s Ducktail; Five Sixty’s Paper Crane; Proper’s Pandan Swizzle; the Liberty Spikes at Bourbon and Banter; Midnight Rambler’s Seasick Crocodile; and the Spanish Gin & Tonic at Beverley’s.

DFW, you finally bested me. There was no way to keep up with the flurry of craft cocktails springing forth from the minds of the metropolis’ mix masters in 2019, with newcomers like Deep Ellum’s Ebb & Flow, Las Palmas in Uptown, downtown’s Te Deseo and The Charles in the Design District padding the bounty.

On Fitzhugh, La Viuda Negra executed a Thor-like landing with its urban-Mexico-inspired vibe and a lineup of smartly conceived drinks both agave-centric and photogenic, while Eddie Campbell’s Clover Club debuted with swanky swagger above Cedar Springs in Uptown.

There was seemingly little left under the sun to drive innovation, but surprises flourished nonetheless: At Bourbon and Banter, Hugo Osorio’s Ducktail softened Scotch with sweet citrus while his Liberty Spikes fluttered with coyly bittersweet flavor; both (see photo above) were among my favorite drinks of the year.

At Proper in Fort Worth, so was Lisa Adams’ Pandan Swizzle, which blended the nuttiness of amontillado sherry with the sweetness of its lovely signature herb. At Five Sixty, the always-crafty James Slater also employed pandan in his Paper Crane, a smooth twist on the classic Paper Plane, while Midnight Rambler’s Chad Solomon medicated his absinthe-laden Seasick Crocodile with poblano juice and Thai chile.

At Homewood on Oak Lawn, golden beet and orange leapt like dolphins across an sea of gin in Lauren Festa’s Golden Amaranth, while in Plano, there was definitely Something About Rosemary in Whiskey Cake’s nicely balanced drink of the same name. The Spanish Gin & Tonic at Beverley’s was nothing less than sublime, while in Knox-Henderson, Alex Fletcher’s Inca Knife Fight conquered my palate with coconut Pisco Sour flair.

Rounding out my year’s faves: At Ruins in Deep Ellum, Peter Novotny’s impressive Sierra Outkast — a nod to tiki’s Navy Grog — blended Oaxacan gin and rum with Swedish aquavit and garnished it with tri-color coconut candy. Meanwhile, La Viuda Negra made Mexican magic with the dazzling Purple Drink, featuring Michoacan rum and butterfly pea flower, and the terrific, raicilla-based El Papazote.

The decade saw craft cocktails grow from infancy to maturity in D-FW, led by The Usual in Fort Worth (which just marked its 10th anniversary) and then scattered, early Dallas pioneers like The Cedars Social, Victor Tangos, Bolsa, Private/Social, Windmill Lounge, Black Swan Saloon and The People’s Last Stand, along with Whiskey Cake in Plano. As our palates grew more discerning and adventurous, the quality and quantity of spirits, liqueurs and exotic ingredients grew to meet the demand. And as momentum slowed as talent scattered and pioneering bars fell by the wayside, top-notch newcomers rose up to create new energy, such as Las Almas Rotas in Fair Park; Jettison in West Dallas; Hide, Shoals Sound & Service and Ruins in Deep Ellum.

Bartenders crafted ingredients using chef-driven methods like sous vide and molecular gastronomy; others introduced us to Japanese shochu and sake, Spanish sherries and Mexico’s broad palette of agave-based spirits; we saw cocktails garnished with seaweed and tongue-numbing buzz button; we nibbled on roasted grasshoppers while sipping mezcal.

The community itself became a force, too: We saw the local bar and spirits industry come together to raise thousands of dollars for tornado and hurricane relief, for hospitalized kids and for the medical expenses of those in their own bar community family. In 2018, the scene collectively grieved the loss of three beloved barmen, Armoury’s Chad Yarbrough, Ian Brooks of Brick and Bones and Josh Meeks of Henry’s Majestic. And we saw the industry’s women in DFW become a force for change and advancement, with efforts such as The Shake Up, an all-female competition now in its second year raising money for women’s charities.

You’ve come a long way, DFW. Likewise, my tastes have changed, and over time I grew to appreciate drinks I hadn’t ranked so highly in the past or to reconsider others that I had. Looking back, about 40 of them stood out for their creativity, innovation, timeworn allure, and/or that one ingredient I couldn’t stop thinking about. In the spirit of the New Year, here, in alphabetical order, are my favorite 20 DFW cocktails of the last decade.

ALPINE BLUES – Scott Jenkins, Hide (2018)

Bolivian brandy, amaro, quinquina, walnut liqueur, clarified lemon

Jenkins’ Alpine Blues: A heady expression of forest growth in a glass.

Jenkins, resident mixmaster at Deep Ellum’s Hide, killed it in 2018 with his Oaxacan Shaman, a masterful mezcal-aguardiente mashup, and his lusciously butternutty Quest for the Sun, a sunflower-seed-infused vodka vehicle. But my favorite of all was his Alpine Blues: A whirlwind trip to the mountains had filled him with memories of brisk, chilly air and damp ground covered in foliage. Those longings inspired this reflection of nature’s growth: Nux walnut liqueur, he said, formed the base soil, deep and rich with decomposing nettles; blueberry-influenced Pasubio, an alpine bitter liqueur, was the surface – “earthy and fruity; there’s still some life in it;” Cap Corse, a quinine aperitif, and clarified lemon juice represented new growth, with the bitter citrus of biting into a young stem; Singani 63, a botanical Bolivian brandy, was the blossom. “There were specific slopes and colors in my mind,” he says. “It made me have the blues not to be there.”

AUTUMN IN BRAZIL – Jason Pollard, The Usual (2018)

Aged cachaca, sherry, sweet vermouth, demerara syrup, saffron bitters

I could have waxed all season about Pollard’s luscious Autumn in Brazil.

In 2016, Brazil’s national spirit enjoyed a brief moment in the D-FW sun, with drinks such as Spencer Shelton’s wonderful Rio Julep at Bolsa capitalizing on Amburana’s spiced banana bread notes. Two years later at The Usual, the Magnolia Avenue mainstay in Fort Worth, Pollard built on those caramel, vanilla flavors and added the rich nuttiness of sherry, then rounded it out with Cocchi di Torino sweet vermouth and caramel-esque demerara syrup. With hints of raisin, chocolate and cinnamon and the aroma of musky grapes, this was a sensational seasonal sipper.

BAD SEED – Omar YeeFoon, Bar Smyth (2013)

Aquavit, Italian bitter liqueur, egg white, lemon, root beer, toasted sesame seeds

Omar YeeFoon, Bar Smyth
For too short a time, we sipped many a care away with this caraway-flavored goodness.

By 2013, the scene had seen the rise of its first reservations-only cocktail den with Bar Smyth, which along withe People’s also featured one of the finest compilations of behind-the-bar talent ever seen in Dallas. There was no menu at this dimly lit, short-lived Knox-Henderson speakeasy, so maybe I actually waltzed in and asked YeeFoon, now co-owner of Shoals Sound & Service in Deep Ellum, to make something with aquavit, Scandinavia’s caraway-flavored liqueur. More likely it was something that YeeFoon just happened to be playing with that day. Whatever it was, this frothy number, employing Averna and an egg-white canvas, inspired lasting intrigue with its splash of sarsaparilla and a creative touch of soft sesame on the nose.

BLACK MONK – Creighten Brown, Barter (2014)

Aged Irish whiskey, Italian bitter liqueur, herbal honey liqueur, sarsaparilla bitters

The Black Monk’s aromas and flavors led me on multiple meditative journeys, yet I remained unknowing of all its seductive secrets.

Planted at the bar of this redo of Uptown’s pioneering Private/Social, I pretty much went bonkers trying to decipher the Black Monk’s enigmatic flavor. The smoky-flavored drink was tricky to pin down, greater than the sum of its parts: Brown blended Jameson Black Barrel Reserve Irish Whiskey, bittersweet Averna, the honey-ish Benedictine and a bit of rye-and-sarsaparilla-flavored basement bitters with a tincture made with tonka bean, vanilla bean and lemongrass. Every time I tried it, shoe leather images popped into my head, but in a most comforting way: The notes shuffing across my tongue included molasses, root beer, pecan pie, cooked honey, even smoky flan. The Black Monk was not for everyone – but for those who enjoy a good cigar, this one was a triumph.

BUZZ-CAT – staff at Boulevardier (2015)

Old Tom gin, Earl Grey tea-infused honey syrup, apple bitters, lemon, ginger, baked apple garnish

At Boulevardier, bar manager Eddie Eakin’s 2013 cocktail got a sweet-as-Vermont-honey makeover that was wicked good.

The craft-cocktail renaissance inspired a resurgence of classic spirits, among them Old Tom gin, the spirit’s 18th-century, slightly sweeter cousin. My favorite is the barrel-aged Tom Cat, made by Vermont’s Barr Hill, a former bee farm that infuses its spirits with a signature honey flavor. Tom Cat also happens to be sold in distinctive, small bottles that were just the size that bar manager Eddie Eakin of Bishop Arts’ Boulevardier wanted for his syrups and juices. He ordered a batch of Tom Cat for his bartenders, who began subbing it for standard gin in the Steep Buzz, a celebrated cocktail Eakin had devised in 2013.  With a baked apple slice garnish, the Buzz-Cat was a honey-perfect blend of autumny, apple-pie aroma, herbal Tom Cat spice and lingering lemon-ginger bite. “We were just trying to pour through it,” bartender Ashley Williams said. “And it just caught on.”

DAMNED AND DETERMINED – Brad Bowden, Parliament (2014)

Rum, Green Chartreuse, ancho chile liqueur, egg white, pineapple-vanilla syrup, Angostura bitters

Brad Bowden, Parliament
Sugar and spice and everything nice: Bowden’s divergent path showed quien es mas Ancho.

Bowden, who you’ll find these days at East Dallas’ Lounge Here, didn’t care much for Ancho Reyes, the ancho-chile-flavored liqueur that became my crush of 2014, following in the footsteps of botanical Hum and bitter Suze. But when the slightly spicy, vanilla-tinged blend started earning national recognition, Bowden — then at Uptown’s Parliament — said he felt “damned and determined” to do something with it. Ancho’s bite made it a natural fit for tequila or mezcal, “but that’s what everyone else was doing,” he says (accurately). Instead, he took rum, his preferred spirit, and devised what’s essentially a tiki drink, adding sweetly vegetal Green Chartreuse to Papa’s Pilar blonde – “Rum and Green Chartreuse go together like nobody’s business,” he says – along with egg white and a tropical pineapple-vanilla syrup. The egg white gives the ancho a soft bed to lie on; the syrup binds it all together. A last flourish of Angostura bitters atop makes it a magic carpet ride, frothy and floral with a sweet and spicy descent.

DOUBLE UNDER – Emily Arseneau, H&G Sply (2013)

Beet-infused tequila, triple sec, citrus, rosemary syrup, salt

Emily (Perkins) Arseneau, H&G Sply
Mad beetz: Arseneau’s refreshingly vegetal Double Under at H&G Sply.

Who doesn’t love beets? Okay, a lot of people doesn’t love beets. But properly speaking, for those of us who do, this radiant refresher ably answers the call – a simple mix of lively beet-infused tequila, lime and rosemary syrup. Arseneau – now with liquor giant Remy Cointreau – modified this creation by Portland’s Jacob Wallace for the drink list at Lower Greenville’s H&G Sply, toying with the proportions and adding Cointreau; “it’s supposed to be an earthier Margarita that never feels out of season,” she says. The taste is sour beet moxie and tangy lime, with a slight hint of herb. Unabashedly red with a flirty half-skirt of glittery salt, it was a stunner to look at, too.

EL PAPAZOTE – Saul Avila Hernandez, La Viuda Negra (2019)

Raicilla, lime, sherry, epazote syrup

The funky nature of raicilla, an agave-based spirit produced in Mexico’s Jalisco state, was given wings to fly in La Viuda Negra’s El Papazote. (Photo courtesy of Javier Villalva)

Brothers Javier and Luis Villalva’s La Viuda Negra (“The Black Widow”) on Fitzhugh was my favorite addition to the scene in 2019, with a modern rustic interior and delicious cocktails both inventive and sometimes whimsically presented. My favorite of the bunch was El Papazote, which achieved magnificence with its crafty use of funky raicilla, an agave-based spirit still uncommon beyond its native state of Jalisco. Avila gave La Venenosa’s Costa de Jalisco the sweet-and-sour treatment with lime, a dash of sherry and a syrup made with epazote, a leafy herb found in southern Mexico that accents the raicilla’s fruity-floral earthiness.

FLEUR DE FEU – Austin Millspaugh, The Standard Pour (2017)

Elderflower liqueur, green chile liqueur, Angostura bitters, cream

Austin Millspaugh, The Standard Pour
At Standard Pour, Millspaugh’s Fleur de Feu.

At Uptown’s Standard Pour, this creamy off-menu creation, with a name meaning “flower of fire,” was a low-proof treat, a deceptively sweet drink that actually leaned savory. Millspaugh, whose penchant for cocktail alchemy had previously produced a nifty Cognac spin on the classic gin Bijou, was once again inspired: He mixed St. Germain and Ancho Reyes liqueurs with Angostura bitters and poured them into a nifty Nick and Nora glass, then topped it all with a thin layer of cream that he torched it for a burnt marshmallow effect. The result unveiled a stunning contrast between the foamy top and wine-clear body below; the creamy fats lent texture and depth to a bouquet of floral and spicy flavors with smoky overtones. “You think it’s going to be sweet, but your notions are debunked the second you sip it,” he said.

MADAME HUMMINGBIRD – Lauren Festa, Flora Street Cafe (2016)

Vodka, botanical liqueur, honey-piquillo syrup

Flora Street Cafe
At Flora Street Cafe, Festa’s Madame Hummingbird made Hum liqueur great again.

Way back when Rocco Milano helmed the bar at Private/Social, may it rest in peace, he introduced me to Hum, a remarkably profuse hibiscus cordial offering notes of cardamom, clove, ginger and kaffir lime. A love affair was born; I couldn’t get enough of the stuff, and though the fling ran its course, it was always good to see an old flame. At Stephan Pyles’ then-newly opened (and now newly closed) downtown restaurant, that’s how Festa –now at Homewood — lured me in; her flower-garnished cocktail let sturdy Absolut Elyx act as handler, reining in Hum’s exuberance, but the real dash of brilliance was a chili syrup that added a tantalizing jolt of heat. “Hum and heat go well together,” she said. “It brings out the spices.”

MALTA – James Slater, Network Bar (2017)

Italian bitter liqueur, French bitter ginger liqueur, turbinado sugar syrup, blackberries

James Slater, Network Bar
At members-only Network Bar, James Slater’s Malta was berry, berry good.

Several years earlier, when Slater (now at Five Sixty) helmed the bar at now-defunct Spoon, he wowed with an off-the-cuff, darkly bittersweet Fernet-based creation he ultimately called Blue Moon, and he’s been riffing on it ever since. During a brief stint as bar director for the members-only club at Trinity Groves, his newest spin on the drink was a winner: Still mining the bitter mint depths of Fernet, it subbed blackberries for blue and ginger-forward Amer Gingembre for less aggressive Averna. The lush Gingembre tamed the harshness of its predecessor; think of the Malta as a boozy berry detox juice with a dollop of licorice-like sweetness.

MANGO LASSIE – Jesse Powell, Parliament (2018)

Guyanese aged rum, citrus, mango, yogurt, honey, tajin

Jesse Powell, Parliament
Jesse Powell’s boozy play on the classic Indian refresher was a work of mango-nificence.

During a trip to Chicago’s Pub Royale, an Anglo-Indian-style tavern, in early 2018, Powell  — now a local gin and tequila ambassador– discovered the joys of the mango lassi, India’s traditional mango milkshake. Naturally, as he savored its mix of yogurt, mango, milk and sugar, he wondered: How can I translate this into a cocktail? He came through like a champ, structuring the beverage’s viscous, sour-sweet depths atop a foundation of El Dorado 5-year, then garnishing the Creamsicle-orange drink with cool mint and a clever rim of Mexican tajin, the chili powder that often graces that country’s mango street snacks. Poured over crushed ice, it was a tasty summer refresher I still found myself craving in the cold of winter.

MEZCAL SAZERAC – Hugo Osorio, The Theodore (2017)

Mezcal, tawny port, Peychaud’s bitters, tiki bitters, absinthe

Hugo Osorio, The Theodore
New Orleans met Oaxaca in Osorio’s classic spin.

It was actually bartender Sam Gillespie, then of The Mitchell in downtown Dallas, who introduced me in late 2017 to the notion of a Sazerac built on smoky mezcal rather than the classic rye or cognac. His simple switch of spirit was solid and satisfying — but then, the very next day, I dropped by the Theodore, the former NorthPark Center lair where barman Hugo Osorio was unspooling impressive off-menu creations in his spare time. When I asked what he was working on, he replied: “How about a mezcal Sazerac?” Osorio made the drink his own by adding the wintry cinnamon spice of tiki bitters and replacing sugar with a bit of sweet tawny port, serving up a spectacular cold-weather sipper.

ONE MILLION IN UNMARKED BILLS — Pam Moncrief, The Usual (2014)

Old Tom gin, Hungarian bitter liqueur, dry vermouth, herbal honey liqueur, lemon oils

Pam Moncrief, The Usual
Moncrief’s use of Ransom Old Tom gin inspired the name for this fantastic floral foray.

In 2014, I was deep into herbal liqueur exploration, curious to see what bartenders were doing with amaro and other European-based bottlings. One evening at The Usual, Moncrief , who now runs a cocktail pop-up business in Fort Worth, had been experimenting with a blend of Ransom Old Tom gin, herbal Zwack liqueur, Dolin Blanc vermouth and Benedictine, creating a gentle, well-rounded drink with spicy depths. Floral and grape gave way to a honey-bitter finish with a tang that lingered like nightclub ear, with a dose of lemon oils atop adding a nice citrus nose. “I just really enjoy herbaceousness,” Moncrief said. “Zwack and all those amaros are so herbaceous, and I feel like they don’t show up in cocktails enough.” On that we could agree.

ROME IS BURNING – Robbie Call, Vicini (2016)

French orange bitter liqueur, mezcal, Italian bitter liqueur, anise liqueur

Vicini
Call’s response to bitter and smoky: The marvelous Rome Is Burning.

Vicini, we barely knew ye. The Frisco-based Italian restaurant’s all-too-brief run may have been a flash in the risotto pan, but it was long enough for Call to have some fun behind the stick. One slow Sunday, I put the lanky bar veteran, now assistant food and beverage manager at The Statler Hotel, on the spot by asking for something bitter and smoky. His off-the-cuff answer was genius, possibly my favorite on this entire list: A rush of French China-China and Italian Meletti anchored by mezcal and a rounding touch of Herbsaint – bitter orange and chocolate-caramel, grounded in depths of smoke and anise. Simply garnished with an orange peel, it was all I wanted in a glass, a mirepoix of worldly influences. “I’m a big fan of letting amaro drive the car and having the mezcal creep in,” Call said. So am I, Robbie. So am I.

SEPPUKU REALE – Andrew Stofko, Victor Tangos (2016)

Italian bitter liqueurs, furikake syrup, lemon, seaweed, furikake

Victor Tangos
Stofko’s Guinness-black Seppuku Reale artfully merged Italian and Japanese influences.

Amaro Montenegro is a jewel among Italian bitters; it leans toward sweet and herbal with its acridity evident only in tow. In 2016, Stofko, then at Knox-Henderson’s since-closed Victor Tangos, won a local contest with this unexpectedly intriguing taste detour: He reined in Montenegro’s sweetness with a syrup made from furikake (a Japanese spice mix of sesame seed, seaweed, sea salt and bonito flakes), upped the bitter component with Gran Classico liqueur, then added lemon to round it out.  The citrus, however, turned the drink unpleasantly dark, so Stofko went all-in and added a bit of squid ink to turn it Guinness-black. The garnish was his piece-de-resistance – a sprinkling of roasted sesame seeds on a skiff of seaweed floating atop the inky sea. Bring the drink to your nose and your palate was awakened with hints of savory Japanese; instead, you got something completely different – bewitchingly bittersweet taste tempered with piquant nuttiness. “That’s umami in a glass,” said Stofko, now bar manager at Te Deseo in downtown Dallas. “I’m just glad (Victor Tangos) let me put it on the menu.”

SLEEPY COYOTE – George Kaiho and Andrew Kelly, Jettison (2018)

Coffee-infused Oaxacan rum, cinnamon syrup, ancho chile liqueur, horchata

The Sleepy Coyote, a coffee-infused gem from Jettison’s Kaiho and Kelly, got me woke.

Kaiho and Kelly, the personable one-two punch behind the bar at Jettison, Houndstooth Coffee’s sister bar in West Dallas, wanted to create a cocktail using horchata, the Mexican cinnamon rice milk. Specifically, as a popular after-dinner destination, they wanted to craft a dessert drink, so as fans of The Big Lebowski they devised this buzzy riff on a White Russian, using a base of banana-funky Paranubes infused with coffee, cold-brew style. To that they added cinnamon syrup and a splash of spicy Ancho Reyes liqueur, then poured it over crushed ice to unleash rich, fruity cinnamon coffee with a kick.

SOUTHPAW STREETCAR – Alex Fletcher, Henry’s Majestic (2016)

Cognac, persimmon shrub, citrus, clove dust

Henry's Majestic
Fletcher’s Sidecar variation transported you to a winter wonderland.

With drinks such as his miso-inflected Art of War (2013) and a daiquiri featuring a German smoked beer (2014), Alex Fletcher – now beverage director for Dallas’ Hospitality Alliance and AT&T Discovery District – has proven to be among the cleverest of DFW bartenders. In 2016, he concocted this winter wonder at Knox-Henderson’s Henry’s Majestic, where he was GM. Using a batch of his chef’s foraged persimmons, he crafted a shrub – a fruity, concentrated syrup tanged up with vinegar – and consequently my favorite Sidecar variation ever.  A taste of the Southpaw Streetcar bounced along in tangy sweetness when suddenly, BAM! a burst of clove bathed you in winter-fire warmth. Sugar-plum visions danced in your head; in the distance, the jingling of sleigh bells and the sound of muffled hoofbeats in snow – and wait, was that Nana calling? Are the tamales steamed and ready? Oh wait – that was just Fletcher, asking if everything was OK and why your eyes had been closed for the last 10 minutes.

SPEAK OF THE DEVIL – Peter Novotny, Armoury (2015)

Pisco, plum liqueur, lemon, egg white, simple syrup, Port

Speak of the Devil cocktail
Novotny plum’d the depths of his Hungarian upbringing to create this snazzy riff on the classic Pisco Sour.

At Armoury in Deep Ellum, Novotny’s zippy take on the underappreciated Pisco Sour was inspired by his own Hungarian background. “I grew up on Hungarian liqueurs like Pecsetes,” he said, referring to a native apricot brandy. “It’s basically an eau de vie, like pisco. They’re like Hungarian moonshine.” As a fan of sours, he took the Pisco Sour recipe of un-aged brandy, citrus, simple syrup, egg white and Peruvian chuncho bitters and added Hungarian Slivovitz plum liqueur, with a boost of Pedro Ximenez Port for extra plum flavor. The result was a delightfully fruity-sweet homage to classic and cultural origins.

TIGER STYLE – Chad Solomon, Midnight Rambler (2016)

Batavia arrack, calamansi, palm sugar, pepper tincture, egg white, cassia aromatics

Chad Solomon, Midnight Rambler
Solomon’s Tiger Style was a passion fruit wildcat, my favorite among a stellar lineup of exotic cocktails he debuted in 2016, classified as “gritty tiki.”

Chad Solomon’s seasonal drink menus at this downtown Dallas gem are thoughtfully thematic and often exotic, and he was at the top of his game in 2016; his Coconut Cooler, a gin-and-sherry blend sweetened with Southeast Asian pandan, highlighted spring and offered a hint of what was to come – a powerhouse summer menu of “gritty tiki” drinks reflecting Asian, African and South American influences. The Filipino-Indonesian-accented Tiger Style was my fave, a seemingly light mix incorporating a rum-like Indonesian spirit, passion-fruit-esque calamansi, palm sugar and a tincture made from pippali (Indian long pepper) that nonetheless packed a punch. A spritz of earthy cassia aromatics atop a dehydrated lime made it a triumph of creamy orange spice dashed with a hint of Fireball cologne. “The more you drink it, the more your lips tingle,” Solomon said, quite accurately. “It takes you into the exotic, and intentionally so.”

THE NEXT 10:

  • Colada No. 2, Chad Yarbrough, Armoury D.E. (2017)
  • Delight, Scott Jenkins, Hide (2017)
  • Earth Wind and Fire, George Kaiho, Jettison (2018)
  • Grapes Three Ways, Annika Loureiro, The Cedars Social (2016)
  • Holy Smoke, Hector Zavala, Atwater Alley (2015)
  • I’ll Get To It, Josh Maceachern, The Cedars Social (2013)
  • Monkeying Around, Sam Gillespie, The Mitchell (2018)
  • Sesame Daiquiri, Jordan Gantenbein, Abacus (2015)
  • Stripper Sweat, Jackson Tran, Cosmo’s Bar & Lounge (2012)
  • Two Thirty, Mike Steele, The Cedars Social (2013)
Competitions and Honors, Dallas, Events, General revelry, Giveaways, Margarita, Tequila, West End

Dallas Margarita Competition gives 30-plus bartenders a chance to show they’re worth their salt

The classic Margarita. Image courtesy of LetsGetTwisted.com

In Texas, no drink says summer is almost here better than a Margarita. And in Dallas, nothing puts an exclamation point on the thought like the 7th annual Dallas Margarita Competition, happening this Sunday in the city’s West End District.

Ah, the Margarita. The classic mix of tequila, orange liqueur and lime, rimmed with kosher salt, is among the most legendary and debated of cocktails, with more than a few origin stories to its credit. Rather than try to figure out which one to believe, the Dallas Margarita Competition offers you the opportunity to decide which of the 30-plus versions of the drink you’re going to try. Which will be the best? That’s for you to decide.

At the 2013 event, Armando Guillen and Brian McCullough of The Standard Pour battled the crush in Bishop Arts.

That’s right: At the Dallas Margarita Competition, which runs from 4 to 9 p.m., you are the judge. Your $40 ticket ($50 at the door) gets you samples of Margarita variations created by more than 30 DFW bartenders, along with a scoring card and a wooden chip with which to cast your ballot. (Don’t wait too late, though, or your vote won’t count at all!) The top three bartenders will win prizes of $1,000, $500 and $250, respectively.

Previous first-place winners of the previously named Margarita Meltdown have included Lewisville’s Pie 314, Plano’s Whiskey Cake, and Dallas’ Asador, Iron Cactus, Savor Gastropub and Soleo.

The event will include food and retail vendors, and a DJ. Tickets are available here, but first one to email me at typewriterninja@gmail.com with the year of the very first Margarita Meltdown wins a free pair!

 

Bartenders, Cocktail Nation, Events, Fancydranks, French things, General revelry, New Orleans, Tales of the Cocktail, Texas

“Let’s do this, Texas” — Lone Star bartenders came ready for battle and brotherhood at annual spirits festival in New Orleans

USBG midnight toast
Texas bar peeps putting a Lone Star stamp on Bourbon Street at Tales of the Cocktail 2015.

THEY CAME, they saw, they cocktailed – and by Sunday evening, Tales of the Cocktail 2015 had been conquered. Thousands of bartenders, bar owners, distillers, product reps and cocktail enthusiasts — a good portion of them from Texas — swarmed New Orleans’ French Quarter last week for the spirits industry’s biggest gathering, taking in five days’ worth of workshops, networking, tasting receptions, parties and spirit-paired dinners.

From brand-sponsored cocktail breakfasts to rum seminars to after-party confabs at favorites like Erin Rose (home of the Frozen Irish Coffee), there’s a lot to take in. But most of all, the festival is about camaraderie – a time for those who practice and support the cocktail craft to revel in each other’s knowledge, company and support. Bar staffs get better at their craft – by watching each other work, learning about new products and techniques, discovering the history behind what they do — and as a result, we, the consumers, get a better bar experience. It’s a win-win.

Tales of the Cocktail 2015
Tales’ tasting rooms promoted various brands — or entire spirits, like Thursday’s pisco party, which went all out to evoke Peru.

One big happy family. Except for one thing: While festival rivalries are never bitter, Texas members of the U.S. Bartenders Guild got word that heading into this year’s ritual midnight toast, another USBG chapter had Texas in its sights.

***

AMONG THE MANY traditions of Tales – which last year drew 18,000 people – is the USBG’s annual midnight toast, held on Thursday night of the festival outside the landmark Old Absinthe House, at Bienville and Bourbon streets.

The toast is a quick but raucous affair, a celebration of unity, but of course, Texas can’t help but go big. And having been late to the cocktail game behind places like New York, San Francisco and Chicago – a deficit Lone Star State cities have since made long strides toward closing – maybe there was a little something to prove as the 2014 toast approached.

Either way, forces aligned: With a Texas-staffed event simultaneously happening at a two-story venue across the street, “there were, like, Texas fight songs and Texas flags waving from up on the railing,” remembers Dallas’ Chase Streitz, Bulldog gin’s Texas ambassador. “It was like Texas Mardi Gras for 15 minutes.”

Tales of the Cocktail 2015
Will Croxville of Dallas’ Proof + Pantry offers a hearty welcome during his guest stint at an Edrington Scotch whisky party at New Orleans’ Bourbon Cowboy.

“Texas is kind of the underdog of Tales,” said Alex Fletcher, bar manager at Dallas’ Henry’s Majestic. “So it was kind of, like…. You know. Texas style.”

It was all over quickly. But rumors soon began that a Texan had thrown a rival chapter flag to the ground, and naturally its owners were not amused. When Travis Tober, beverage director at Austin’s VOX Table, heard they were going to come out swinging this year, Texans decided it was time to rally.

***

TEXAS’ MARK ON TALES is huge, given the state’s size and proximity to New Orleans. Festival founder Ann Tuennerman says representation likely lags only behind New York and California, but this year marked the fourth in a row that a Texas-run party helped kick off the week – and as far as I’ve been able to tell, it’s still Tales’ only state-specific event.

Houston cocktail enthusiasts Michelle Mata, Teddy Bucher and Laura Villafranca were making their second, fourth and sixth Tales visits, respectively. At a dinner at famed Commander’s Palace to showcase Maker’s Mark’s new Cask Strength bourbon, the state went four-for-four, with one table seating a Houston-based rep for Beam Suntory spirits, a wine enthusiast from Austin and a pair of spirits writers from San Antonio and Dallas.

Tales of the Cocktail 2015
Hey, House of Angostura Orange is the New Black pool party: You’ve got balls.

One morning in the festival’s pop-up bookstore, bartenders Christian Armando (of Uptown’s Standard Pour) and Austin Gurley (of Plano’s Whiskey Cake) browsed the festival’s ever-increasing stock of spirits-related books and cocktail enhancers, from ginger-turmeric bitters to smoke-and-salt bitters to a $75 bottle of truffle bitters.

And the weather was scorching hot – which made the lavish pool parties thrown by spirits producers such as Trinidad-based House of Angostura – all the more welcome. As an attendee from Austin posted on Facebook: “Never in my life have I felt more confident in my decision to pack 8 undershirts.”

***

THE RALLY PLAN was this: To meet at Thursday night’s High West whiskey-sponsored barbecue dinner at One Eyed Jacks on nearby Toulouse Street. Chris Furtado, High West’s Texas rep, had brought a backpack brimming with Texas flags, ready to distribute. From there the group would move on to Erin Rose, and finally to the Old Absinthe House. “I’m sure I’ll be hoarse by the end of the night,” Furtado said. “I’ve heard they (the other chapter members) have a chant. We’re not that organized.”

Tales of the Cocktail 2015
Accoutrements of drinkdom in Don Julio’s Airstream Speakeasy at the Diageo House Party.

He had big hopes, though, expecting other Texas-based liquor reps and distributors and hordes of bartenders. But by 10:30 p.m., when it was time to move on to Erin Rose, there was just him and a pair of Texas supporters from Reston, Va.

Outside Erin Rose, the passing minutes brought only a trickle, and by 11:15, Furtado seemed concerned.

At last, a handful of others showed, including Austin’s Tober, USBG Austin chapter president Jessica Sanders, North Texas chapter president Brian McCullough and Julian Pagan of The Mitchell in Dallas.

The showdown was barely a half-hour away.

***

THE SPIRITS INDUSTRY is now a $23 billion beast. The category made up 35 percent of alcohol sales last year, a slow but steady rise from 29 percent in 2000, with new products coming out all the time.

Tales of the Cocktail 2015
Making music at the House of Angostura’s Orange is the New Black pool party.

So you can’t blame brands for going all-out to win favor. On top of dozens of Tales tasting rooms, spirit portfolio giants William Grant & Sons, Diageo and Bacardi are known for extravagant parties with multiple drink stations churning out brand-specific cocktails amid the sensory smorgasbord.

Rutte, a Holland-based line of vodka and gins, made its official U.S. launch with a presentation led by master distiller Myriam Hendrickx and packets of the many botanicals that go into its products – juniper, fennel, coriander, cardamom and, interestingly, nuts, which influence its genever (gin’s European precursor). Then came another party, with more drinks handed out, and oysters done Dutch: On the half-shell, with a splash of gin.

With so much liquor flowing freely, it’s wise to heed the words of advice that preface many a festival: You don’t have to finish that. In other words, unless a cocktail is truly special, a taste is enough. Then set it aside. There will always be another one.

Tales of the Cocktail 2015
Herbs, nuts and botanicals: Spirit makings utilized by Holland-based Rutte, which just launched in the U.S.

That said, among the drinks I actually got the chance to try, these were my top four. I might have even have had one or two of them twice.

SWEET AND DANDY (by Kellie Thorn, Empire State South, Atlanta)

This sublimely bittersweet gem from Alameda, Calif.-based St. George Spirits – of which I am a loyal fan – featured its California Citrus vodka, Suze bitter liqueur, vanilla liqueur, lemon, green tea syrup and orange peel. I arrived late to the St. George tasting, so I only got to try it because publicist Ellie Winters was nice enough to share hers with me. And thank the heavens for that.

SOLERA PINA (Lynette Marrero, Zacapa Rum)

OK, it was crazy hot at Diageo’s annual House Party, held at the city’s Contemporary Arts Warehouse, and between that and the killer 80s-cover band onstage, it somehow seemed OK to fall for a snow-cone cocktail. Featuring Zacapa rum along with amantillado sherry, macadamia nut syrup and pineapple, its icy crunch was gloriously enhanced with a sprinkling of Marrero’s vanilla-infused salt.

Tales of the Cocktail 2015
Yes, one of my favorite festival cocktails was a snow cone. I’m not ashamed. Zacapa’s Solera Pina.

TIERRA D’ORO (Jim Kearns, Happiest Hour and Slowly Shirley, Greenwich Village, New York); and

MACHO PUNCH (Tony Abou-Ganim, The Modern Mixologist)

At Thursday’s packed Peruvian pisco tasting room, at least a half-dozen versions of the classic Pisco Punch were on display, and these two were absolutely standout: Kearns’ Tierra D’Oro spiced up Pisco Porton with lime, aji Amarillo (a Peruvian chili) syrup, passion fruit syrup, guava puree and classic pineapple, gorgeously presented with an edible flower garnish.

Meanwhile, the gregarious Abou-Ganim mixed Macchu Pisco with floral Yellow Chartreuse, pineapple gomme syrup, lime and lemon and a garnish of pineapple and pineapple-ginger foam to sweet, refreshing effect.

***

Tales of the Cocktail 2015
Texas bartenders stage a huge last-minute rally — including, at rear, Dallas’ Brian McCullough and Austin’s Travis Tober.

THINGS WERE LOOKING shaky as the Texans headed into battle a couple of blocks away. But as the group neared the intersection of Bourbon and Bienville, a critical mass began to form, constellations of others joining in along the way as they closed in.

“Let’s do this, Texas!” Tober yelled.

The avenue was a gumbo of Bourbon Streeters and festival-goers, but little Lone Star flags were already waving en masse as beads rained off the balconies. A bigger flag drew a lineup of Texans for selfies and, as midnight drew near, the throng broke into a loud, proud group-sing of “Deep in the Heart of Texas.”

The big showdown – well, it never materialized. If the rumors had ever been true, the evidence was nowhere to be seen or heard. “I don’t know what happened,” Furtado said. “We owned it.”

And then it was over once again, and the festival rolled on. San Francisco’s ABV bar reigned victorious at Tales’ annual Bar Fight (which went international this year) and won Best New American Bar at Saturday’s annual Spirited Awards, Denver’s Williams & Graham was named Best American Cocktail Bar and New York’s Ivy Mix was named best bartender.

Tales of the Cocktail 2015
Among the shirt on display at this year’s Tales of the Cocktail festival.

Sunday’s annual picnic rewarded those who went the distance, but for many, Tales was a beatdown and done before they knew it – with great memories tinged with realizations of how much they had yet to learn or regrets over missed opportunities.

“New Orleans, you were a whirlwind romance this year,” Austin’s Sanders posted on Facebook. “Can’t believe I have to leave already!”

And from Whiskey Cake’s Gurley: “Well, that was an experience. Tales of the Cocktail, you win this time. Back to Dallas.”

Bars, Bartenders, Community, Events, People, The Cedars

Dallas’ craft-cocktail community rallies around ailing elder statesman; you can help, too

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Industry Alley
Charlie Papaceno, who left the Windmill to start a new bar, faces a new challenge.

They call Charlie Papaceno the godfather of Dallas’ craft-cocktail scene. Ten years ago, he and then-wife Louise Owens opened the no-frills Windmill Lounge in Oak Lawn, unassumingly planting the local flag of an ongoing national renaissance on a nondescript stretch of Maple Avenue.

With the easygoing maestro at the helm, the low-key bar became a practice ground and hangout spot for the scene’s growing field of practitioners – pioneers like Jason Kosmas, Michael Martensen, Eddie “Lucky” Campbell and Sean Conner. Its homey vibe and quality drinks earned the friendly dive a place in Esquire’s top U.S. bars of 2013.

“That was the place you’d go to see all your friends,” says Bonnie Wilson, director of independent bar programs for Addison-based FrontBurner Restaurants. “He nurtured a lot of us, and he was always willing to listen and guide us. We all learned from him.”

Now, the cocktail-community cache that Papaceno has earned is coming full circle. This time, it’s the godfather who is struggling: Late last year, Papaceno left the Windmill to launch his own bar, wanting to work on a new project. And then he found out he had Stage 4 cancer.

**

The #RallyForCharlie hashtag says it all: Charlie Pap has earned his support. The opportunities to help gets underway Thursday with cocktail specials at places like LARK on the Park and Black Swan Saloon to benefit the cause. But the major fundraising event happens Monday, when an “industry rally” is set for Industry Alley, Papaceno’s soon-to-open bar in the Cedars neighborhood.

“It’s awfully nice,” he says, sitting in the Lamar Avenue nightspot that’s still taking shape, with the lingering smell of fresh paint garnishing the air. “It’s humbling.”

“He nurtured a lot of us, and he was always willing to listen and guide us. We all learned from him.” — Bonnie Wilson, FrontBurner Restaurants

Monday’s cash-only event runs from 2 to 8. Twenty bucks gets you two drink tickets and pork tacos from a whole hog presented onsite. (Additional tickets can be purchased for $5 apiece.) Bartender-led teams of four will be pitted against each other in a giant game of Twister for the cause, and a silent auction will feature multicourse group dinners at places like FT33, Bolsa and Proof + Pantry.

**

For weeks, the ache in his ear and jaw wouldn’t go away. The first hospital visit revealed nothing. But when the pain got so bad he couldn’t sleep, he went back again; this time the tests showed he had, essentially, cancer of the tongue.

He’s been through radiation and chemo; he’s lost 30 pounds and is moving more slowly, but it hasn’t kept him from pursuing his goal. “I’m just working and trying to get better,” he says.

As a military veteran, the VA is covering his medical costs, but living expenses are another matter, especially if he’s left unable to work for a time.

Monday’s Industry Rally will showcase the bar he’s toiled to make real.  It’s kind of two venues in one – an informal lounge as you enter, with a jukebox, sexy wall art and a bar with a heavy-duty zinc top and see-through panels underneath. In the rear is a cavernous, corrugated-metal-walled game room that will eventually feature pinball and pool tables. “It’s gonna be a split-personality kind of bar,” he says.

He’d originally wanted something much more intimate. “Then I saw this Quonset-hut backroom, and the office upstairs that’s like something out of some British gangster movie,” and he was sold.

Dallas cocktails
Industry Alley, a work in progress. Papaceno’s new bar should open sometime this summer.

A metal-gated courtyard alley winds toward the front door; hence the name. The “industry” part refers to the neighborhood’s history as an industrial area.

Nothing fancy here – no syrups, no tinctures, no shrubs. Except for Miller Lite ponies, all beers will come in a can. The cocktails will be classically simple. “There’s no reason you shouldn’t walk into a regular bar and be able to get a decent Manhattan or Old Fashioned,” Papaceno says. “It doesn’t have to be The Mansion but I don’t want to be a McDonald’s either. Something in the middle.”

So yeah, there won’t be any elaborate garnishes or a kitchen full of produce, but if he has his way, you’ll know you can walk in and get a quality drink in a comfortable atmosphere. It’s the kind of place he hopes people will go before or after the place they’re headed to that evening. Kind of like the Windmill – though he’s not looking to reinvent the place.

Industry Alley, he says, “is not a destination bar. It’s a hangout bar. Hopefully I can design a place that people can hang out in and feel comfortable.”

For Papaceno, that should be no struggle whatsoever.

INDUSTRY ALLEY, 1713 South Lamar, Dallas.

Competitions and Honors, Events, Gin, People

Third time’s the charm: Front Burner’s Bonnie Wilson en route to Vegas to represent DFW in national cocktail competition

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Frontburner
Wilson, DFW’s first female rep in the prestigious contest’s national finals. (Photo courtesy of Front Burner)

Sometimes all it takes is a pinch – a pinch of this or a drop or a float of that – to turn a drink around. Heading into this summer’s Bombay Sapphire-sponsored “GQ’s Most Imaginative Bartender” competition in Dallas, Bonnie Wilson aimed to put a different spin on the gin.

Wilson, director of independent bar programs for Addison-based Front Burner Restaurants, was one of 10 finalists competing in the national contest’s Dallas-Fort Worth regional at Uptown’s Nickel & Rye. The victor would head to Las Vegas to face winners from 27 other U.S. markets in the finals, vying for a cover feature in GQ magazine.

One by one, the gin variations appeared before the judges – a drink inspired by Taiwanese bubble tea, another served up alongside a Venus flytrap, another with a smoked stalk of lemongrass for garnish. But when it was all over, it was Wilson’s so-called “Axl Rose” – a bouquet of Bombay Sapphire, Brut Rosé, strawberry syrup, lemon and rose water – that had taken top prize. (Full disclosure: I was among the event’s three judges.)

GQ Most Imaginative Bartender
The final touch on Wilson’s Axl Rose: A sugar-candy rose petal

This week, Wilson is Vegas-bound to compete in the finals, the first woman to have that honor for the DFW area. “I’m a little nervous,” she said. “I just want to make sure I represent our city well, that I represent myself and our brand and women well, all of those things. Most of all I just want to have fun.”

This was Wilson’s third attempt at the prestigious contest: Bartenders submit a recipe and a short essay, and a national panel whittles each market’s field down to 10. With her winning cocktail, she aimed for simplicity. “I’ve been obsessed with rosé lately,” she says, “so I wanted to do something around that.”

Citrus was a common flavor in the gin to play off of, but Sapphire’s floral aspects were often forgotten. That’s where the rose water came in, plus a self-made strawberry syrup to echo the flavors of the wine. The topper was the garnish: She worked with Front Burner’s pastry chef to produce a sugar-candy rose petal tinted with pomegranate juice. “We made about 60 of them over the course of two weeks to get the consistency I was happy with,” she says. “I think it came out really good.”

The national contest runs Monday through Thursday in three stages. After the 28 competitors present the cocktails that got them there, the field is whittled to about half. The survivors then face off in two further rounds, crafting entirely new cocktails featuring an ingredient to be specified by the judges.

GQ Most Imaginative Bartender contest
Sweet cocktail o’ mine: Wilson’s Axl Rose’.

Last year, DFW was represented by La Duni’s Daniel Guillen, who made it to the second round. Wilson has been prodding him for tips based on his experience. As far as being DFW’s first female representative in the nationals, she says, “we’ve just got to continue to elevate our diversity.”

That’s a priority for her at Front Burner, where she oversees bar operations for the corporation’s independent brands, including Whiskey Cake, Mexican Sugar and The Ranch at Las Colinas.  Menu development, special events and training are among her duties, but it’s the latter that lets her tap into her first love, customer interaction. “I can get behind the bar and make drinks for people,” she says.

Hospitality-minded people are the ones who catch her interest and attention. “You can teach somebody how to bartend and teach them about spirits, but you can’t teach the heart of it, the love of that interaction with the guest,” she says.

Others cite her dedication to cultivating talent and encouraging other women to pursue similar paths. “She’s moving up, but she’s not forgetting us,” says Alexandrea Rivera, a bartender at The Ranch at Las Colinas. Adds fellow Ranch bartender Gabrielle Murray: “Everything Bonnie says, we just sponge up.”

Daniel Guillen
2013’s national finalists were featured in a GQ photo spread. That’s La Duni’s Daniel Guillen with the giant honey dipper.

Now, after winning the local Bombay Sapphire contest, Wilson says: “I’ve actually had women come to me who want to work for me. That’s super flattering, and inspiring.”

It was people like Sean Conner – whose Pie 314 pizzeria recently opened in Lewisville – and The Standard Pour’s Brian McCullough who helped on her own learning path. And in particular, she credits Angel’s Envy bourbon rep Trina Nishimura with showing her how as a woman to negotiate a male-dominated world. Brands like Bacardi and Heaven Hill have given her valuable educational opportunities, but it’s her own company, she says, that has really challenged her recently. “Sometimes we have these amazing weeks, and we want to rest on our laurels and celebrate,” she says. “They always say, `Great job. How do we make it better?’ Everybody has pushed and encouraged me.”

Not bad for someone who never planned to make craft cocktails. But negative environments in previous workplaces spurred her to move onward, and she landed behind the bar with Conner at Whiskey Cake. “It was like a fated spiritual thing,” she says. “That’s exactly where I was supposed to be. It started me on this career that was like a dream. It’s been such a great ride and it keeps getting better and better.”

Sometimes all it takes is a pinch – to be reminded that it’s not a dream at all.

Barmoire, Bartenders, Follow the bouncing ball, People

Follow the bouncing ballers: Bar peeps on the move

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Clyde Mays Old Fashioned competition
Omar, we hardly knew ye: YeeFoon, The 86 Co.’s new Texas state ambassador.

The spirits scene is fluid. People move around, and maybe you’ve lost track of a few. Barmoire is here to help you out.

 

Last month came the official news that bartender extraordinaire Michael Martensen planned to open Proof + Pantry at One Arts Plaza; that’s still on track, with the space – formerly the Commissary – opening hopefully before summer. But while Martensen had hoped to reassemble the fine crew of bar talent that had formerly held sway at The Cedars Social and Bar Smyth, it appears at least one band member won’t be joining the reunion: Omar YeeFoon, who is joining Jason Kosmas’ The 86 Co. as Texas brand ambassador.

“I’ll be working with friends,” YeeFoon said last week over pasta and cocktails at the Windmill Lounge’s inaugural Spaghetti + Western night. “And it’s a product and a brand I believe in.”

Fork It Over Restaurants
Movin’ up the chain: Wilson, bar programs director for Fork It Over Restaurants. (Courtesy of Fork It Over Restaurants)

Meanwhile, Bonnie Wilson, the bartender who helped put Whiskey Cake on the cocktails map in Plano before taking over the bar program at The Ranch at Las Colinas, is now bar programs director for the entire group of Fork It Over Restaurants, which includes Mexican Sugar and Velvet Taco. Fork It Over has already expanded the Whiskey Cake brand to Oklahoma City and will soon open one in San Antonio.

Caledonia Spirits
Representin’: Farm-fresh-minded Amber West now with Vermont’s Caledonia Spirits

We’ve also missed the upbeat presence of Amber West, former lead bartender at Central 214 at the Hotel Palomar whose garden-to-bar enthusiasm never failed to mesmerize. West is now Texas brand ambassador for Caledonia Spirits, the Vermont-based company that produces honey-tinged Barr Hill Gin and other liquid goodies soon to appear in bars and restaurants around the state. She and her new portfolio were behind the cocktails at last Saturday’s Polo On the Lawn fundraiser in Oak Point.
She’d met Caledonia founder Todd Hardie through former Central 214 chef Graham Dodds; their similar views forged a connection. “Caledonia Spirits is all about his connection with the land, beekeeping and farming,” she said. “It’s beautiful.”

Nora and Windmill Lounge
If you’ve been looking for this guy, he’s taken his talents to Maple Avenue.

 

Meanwhile, for those who’ve been wondering whatever happened to bartender Michael Reith, the man whose drinks once shone at Lower Greenville’s Nora, the low-key barman has resurfaced at the esteemed Windmill Lounge on Maple Avenue, where he was last seen firing up cider-y accompaniments for the divey spot’s just-launched, above-mentioned Spaghetti + Western dinners on Mondays.

Whiskey

Why Irish guys are smiling: Nation’s whiskey on the rise

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Texas ambassador, Tullamore DEW
Tullamore DEW’s Mossie Power preaches the Irish whiskey gospel at Uptown’s Barter.

A few days before St. Patrick’s Day weekend, Maurice “Mossie” Power bounced around the private dining room at Barter in light-footed stutter steps, sort of a cross between a ballroom dancer and R2D2. “I am the ultimate cliché for this week,” the Irish-born Texas ambassador for Tullamore DEW whiskey quipped, acknowledging his accent and ginger-colored hair for a modest audience gathered for the restaurant’s special four-course Tullamore DEW-paired dinner.

The night’s purpose was to push not only Power’s product, but Irish whiskey in general, which in case you hadn’t noticed is enjoying a major resurgence: According to The Wall Street Journal, the category that brought you bar-shot standards like Jameson and Bushmills is now the fastest growing portion of the U.S. spirits market, up 400 percent since 2002.

If it seems odd to call it a resurgence, consider this: Before Scotch and American bourbons ruled the scene, Irish whiskey was king. In the 1830s, Ireland fielded more than a hundred distilleries, making what was then considered the premium of whiskeys.

But the industry was stunted by a temperance movement, then walloped by the notorious famine of 1840; when Ireland kicked out the British (its number-two market) to gain independence and then lost its number-one market (the U.S.) to Prohibition, the Irish whiskey reign was officially over.

Now, Irish whiskeys have found new life, with micro-distilleries sprouting throughout Ireland and attempting to lift the category beyond its mere infantry status: Midleton, Connemara and Kilbeggan are earning space on bar shelves, whether it’s because clever marketers have seized on a humbled genre’s untapped potential or because consumers truly do appreciate a generally triple-distilled product that on the whole is smoother, fruitier and less peaty than other whiskeys.

Cosmo's Bar & Lounge
Irish whiskey: Still struggling to eclipse bar-shot status, like these poured by Ryan Maddon of Cosmo’s Bar & Lounge.

“For someone who’s used to bourbon, Irish whiskey is easier to adapt to,” said Izzy Delgado, bar manager at Mockingbird Station’s Trinity Hall. “It’s lighter, sweeter and easier to drink.” The Irish pub and restaurant has one of the largest selections of Irish whiskey around, which makes any resurgence hard to notice. “Pretty much when something is available, we go ahead and get it,” Delgado said.

Except for Tullamore DEW, Brian McCullough of The Standard Pour said he hasn’t seen much interest in Irish whiskey beyond Jameson, the world’s most popular brand. The resurgence is also not evident at Tate’s, whose solid whiskey lineup does include Ireland’s heavily promoted 2 Gingers but leans more toward Scotch and gems such as Indian-produced Amrut.

“I’m not the biggest Irish whiskey fan,” said Tate’s general manager Robbie Christian. “We haven’t really jumped on that bandwagon. There’s just so much better stuff out there.”

Nevertheless, the figures from the Distilled Spirits Council of the United States speak for themselves, and Plano’s Whiskey Cake has gradually added several Irish whiskeys to its stock. “That is a market that is fixing to blow up,” said Sean Conner, the restaurant’s former bar manager.

Power, of Tullamore DEW — the capital letters are the initials of one of the whiskey’s early influential managers — says the category is still growing more than 20 percent annually. “Irish whiskey is definitely a category that everyone is revisiting,” he said.

It may say a lot that Barter certainly is, with the restaurant’s spring cocktails menu set to feature exclusively Irish whiskeys. “I completely buy into Irish whiskey coming back in a big way,” said Rocco Milano, Barter’s beverage director.

Milano poured a succession of barrel-aged Tipperary cocktails to kick off the restaurant’s Tullamore DEW dinner this week, which pleased Power to no end. “This is my favorite cocktail,” Power said. “When I go out, that’s what I order.” Typically the drink is two ounces of Irish whiskey plus a healthy bit of sweet vermouth and a splash of Green Chartreuse, but Milano subbed Dolin’s deliciously herbal Genepy des Alpes for the Chartreuse, with marvelous results.

The four-course dinner was paired with Tullamore DEW’s four variants – the original, the nutty 10-year, the toffee-ish 12-year and the spicy, 110-proof Phoenix special edition. Barter chef Andrew Dilda had asked Power what he would eat if he were out on the town in Ireland, and naturally the answer was pub food; that inspired the chef’s hearty and rustic menu, which included lamb potpie and a lamb-sausage stuffed rabbit wrapped in bacon.

With pop singers like Rihanna and Lady Gaga referencing Jameson in their lyrics and shows, the Irish whiskey comeback may be a young-professional-driven movement. In Uptown, the heart of that demographic for Dallas, whiskey-centric bar Nickel & Rye is pushing 2 Gingers specials as St. Patrick’s Day draws nigh. Just the same, bar manager Mike Hamilton said, “I don’t expect to sell much more than Jameson.”

Irish whiskey at Trinity Hall
A dram of atypically peaty Connemara 12 at Mockingbird Station’s Trinity Hall.

Bartenders, Events

Enjoy craft drinks, help make kids’ wishes come true at Sunday’s Cocktails For A Cause

Cocktails for a Cause: And a good one, at that.
Cocktails for a Cause: And a good one, at that.

It’s holiday season, and that means you’ve added a few more things on your to-do list.

  1. Give to charity
  2. Have a holiday cocktail or two

Well,  joy to your world: Now’s your chance to do both at once at the second annual Cocktails For A Cause, happening this Sunday at The Standard Pour in Uptown from 6 p.m. until close.  The evening’s “ultimate pop-up bar” will feature $10 cocktails made by a rotating, ridiculously rife assortment of local bartenders, with all proceeds going toward Trigger’s Toys, a charity benefiting hospitalized children.

The cool thing, says charity founder Bryan Townsend – who named the organization after his golden Lab – is that bartenders have been clamoring to join in on the reindeer games. “It’s been overwhelming, the response,” he says. “People were actually really upset that they missed out last year.”

And not just because they might have missed the inaugural event’s spectacle of bar man extraordinaire Michael Martensen in a Santa suit: No, this is a chance to help make children’s wishes come true, to help create awwwww moments like the night when Townsend and his pals get to deliver a truckload of toys to kids Baylor Medical Center. “My favorite night of the year,” Townsend says.

Last year’s event, which Townsend coordinated along with Standard Pour’s Brian McCullough and Sean Conner of Whiskey Cake in Plano, raised $17,000. He’s hoping that Sunday’s event, combined with what sponsors have already donated, will raise as much as $50,000 to help fund the charity’s efforts in the coming year.

And so, 45 of your favorite drink crafters will be taking turns behind the bar, which as you might guess is just about every bartender in Whoville. In addition to Conner, McCullough and Martensen, the lineup includes Abacus’ Lucky Campbell, Alex Fletcher and Chris Dempsey of Victor Tango’s, Central 214’s Amber West, Bolsa’s Kyle Hilla, Bonnie Wilson of The Ranch at Las Colinas, Windmill’s Charlie Papaceno, a smattering of bar peeps from Fort Worth’s The Usual – the list goes on and you’ll be checking it twice to make sure you’re not just seeing things.

At Standard Pour
Brian McCullough, Mike Martensen and Charlie Papaceno will be among the all-star lineup at Sunday’s event.

“It gives us a chance to get together and have some fun and not compete,” Conner says. “To just throw out some really good drinks and raise money for the less fortunate around holiday time.”

They have fun. You drink craft cocktails from an all-star lineup of bartenders. Children’s wishes come true. Everybody wins.

THE STANDARD POUR, 2900 McKinney Avenue, Dallas. 214-935-1370.

 

Bars, Events, Prohibition, Theme parties

It’s been 80 years since the nation regained its sanity: No one’s going to blame you for wanting to celebrate

Victor Tango event
Want to celebrate Prohibition’s end? Victor Tango’s can help. (Image courtesy of Victor Tango’s)

In many ways, Prohibition was the best thing to happen to U.S. drinking culture. The Dry Movement’s successful forging of the Eighteenth Amendment in 1920 left imbibers with nowhere to drink legally except in foreign lands, which they did while visiting Europe, Cuba or the Caribbean. America’s suddenly employment-challenged bartenders went where the work was, resettling in places like Paris or Havana where their cocktail knowledge was infused with the riches of local ingredients, concoctions and sensibilities.

They say that that which does not kill you makes you stronger, and except for a nasty batch of bathtub gin, that may be true. When Prohibition was repealed on Dec. 5, 1933, many of those newly enriched bar peeps returned with their worldly cocktail know-how (and a penchant for rum or Champagne), and those that stayed in the U.S. now had new tricks up their sleeves for enhancing inferior booze. Plus we got speakeasies.

Thursday marks the 80th anniversary of the 21st Amendment, which 86’d the 18th for good. For those of you inclined to celebrate, options abound, some of which might have you rubbing your eyes in disbelief.

First, there’s Victor Tango’s on Henderson, where classic cocktails like the Sazerac or Mary Pickford can be had from 5 pm and onward this evening for the Depression-Era price of just 80 cents apiece.  A fancy drank for less than the price of an iTunes song: crazy, no? Make sure you’re sitting down, because here’s some absolutely off-the-charts insanity: From 3 to 7 pm at Plano’s Whiskey Cake, you can responsibly indulge in your choice of five classic cocktails — like the French 75 or the Moscow Mule — for just a nickel apiece. Yes, you may need to be pinched right about now.

Uncharacteristically, tonight’s least lunatic Repeal Day gathering will be at Dallas’ Windmill Lounge, where authors Jeffrey Yarbrough and Rita Cook will be signing their book, “Prohibition in Dallas and Fort Worth: Blind Tigers, Bootleggers and Bathtub Gin,” all while presumably having cocktails.  That event runs from 5 to 7 p.m.

Additionally, a number of cocktail artists formerly of Smyth and Cedars Social will be behind the bar tonight at Bolsa from 9 p.m. onward.

So remember, while the repeal of the 18th Amendment might be to blame for Cinnabon-flavored vodka, it’s also the reason you can publicly enjoy a decent Old Fashioned all year long, and that’s one civics lesson worth remembering, at least for a night. As Alex Fletcher, Victor Tango’s bar manager, put it: “We’re celebrating our right to mix, stir, and shake up some serious libations.”

Power to the people.

VICTOR TANGO’S, 3001 N. Henderson, Dallas. 214-252-8595.

WHISKEY CAKE, 3601 Dallas Parkway, Plano. 972-993-2253.

WINDMILL LOUNGE, 5320 Maple Avenue, Dallas. 214-443-7818.

BOLSA, 614 W. Davis, Dallas. 214-943-1883.

Restaurants, The maturing scene, Why doesn't this happen more often, You gotta eat

Pairing spirits with dinner: More of that, please.

 

Whiskey Cake, Plano
Plays well with food: Last month’s whiskey-paired dinner at Plano’s Whiskey Cake.

More than three years later, the memories linger. Five courses at one of the city’s best restaurants, each paired with cocktails made by five of the city’s best bartenders, and all featuring Maker’s Mark whiskey.

The scene was Seattle’s Spur Gastropub, and the chefs were rocking it as usual. (Example: sous vide pork belly with sunchokes and Bing cherries – whut whut?) The all-star bartender lineup cranked out an assembly line of original cocktails like the Pine Box, with its grilled-pineapple garnish. There was even some Maker’s 46, which was about to hit the market in summer 2010. We were a happy bunch.

I moved to Dallas soon afterward, and since then I’ve been to barely a handful of spirit or cocktail-themed dinners, though not for lack of want. Last month some friends and I hit a Hudson Whiskey-themed dinner at Whiskey Cake in Plano. And as I do every time I go to one of these events, I wondered: Why doesn’t this happen more often?

Wine and beer dinners have long been a thing, but bartenders like J.W. Tate – formerly of Tate’s Dallas – at first faced resistance to the notion of making a one-stop night of cocktails and food. That’s starting to change as DFW’s cocktail culture comes of age – a welcome and logical step in the scene’s continuing evolution.

Tate’s offered two spirits-paired dinners before J.W. left Dallas earlier this year to head up a company venture in Winston-Salem, N.C., and places like Dallas’ Libertine Bar and La Duni have experimented with the idea too. “People are trying it,” says Libertine’s Mate Hartai. “It’s just going to take a while for the wheels to hit the ground.”

Seattle
Among a cocktail dinner’s challenges: Quickly producing drinks en masse. At Seattle’s Spur, an assembly line of bartenders churn out pairings for a Maker’s Mark dinner.

One reason for the slow going is that these dinners — which generally run from $35 to $100 — aren’t easy to pull off. Cocktails are time-intensive and demand smaller groups; achieving drink consistency can be difficult when produced in a bunch. And the kind of patron who embraces the idea of a cocktail dinner isn’t going to tolerate pre-batched drinks.

On the other hand, the ever-broadening assortment of quality spirits, cordials and apertifs give bartenders a grand palette to work from.

“It’s rewarding when you do it right,” Hartai says. “But it’s much more difficult than people think.”

***

The glasses are set, pretty orbs in a row, when a legion of Sazeracs appear in our midst. The classic cocktail is the evening’s first volley at last month’s Hudson-themed dinner at Whiskey Cake. The Plano restaurant’s dinner showcased the Hudson line’s various incarnations, from its New York Corn Whiskey, well paired with chef Brent Hammer’s charred octopus; and Four Grain Bourbon, solidly supporting an extraordinary, In-N-Out-inspired dry-aged-sirloin burger; and more.

Whiskey Cake, Plano
Whiskey Cake’s Hudson dinner kicked off with a classic Sazerac.

Sean Conner, Whiskey Cake’s beverage director, tackles pairings the way he does cocktails, dissecting courses’ flavor profiles to match. “Certain things go with blackberry or cinnamon or basil,” he says. “It takes six weeks to plan out four or five different cocktails and make them really special.”

Pairing cocktails with food offers some of the same challenges that went into creating, say, sweet-and-sour chicken, with its mix of sweet and savory. “You try to figure out how someone else solved that puzzle,” says Libertine’s Hartai. “To me, that’s really fun. It takes a lot of out-of-the-box thinking.”

Last year, when Tate’s offered a cocktail-paired dinner with chef DAT (David Anthony Temple), “DAT sent over a menu, and I riffed on that,” Tate says. “We talked a bit, and I threw out a cocktail menu, and we each made changes as it got closer…. It’s a lot like making music, with two people jamming – you throw something out there and the other person runs with it, and five weeks later you’ve got something.”

When Temple said he was doing garlic soup, Tate immediately thought of Campari and came up with a drink called the Italian Resistance. On its own, the drink’s various elements struggled to mingle, but fared much better as a pairing. Similarly, a chanterelle-and-pink-peppercorn-infused vodka drink went nicely with Temple’s speck and arugula salad but its savory character made it less pleasurable as a stand-alone cocktail.

The bar’s whiskey-themed dinner in April was a treat, pairing peppery Buffalo Trace Single Oak Barrel whiskey, for instance, with corn soup with fried pig ear, parsley crème fraiche and house-made hot sauce.

J.W. Tate, formerly of Tate's Dallas, among spirit-paired dinners' early adopters.
J.W. Tate, formerly of Tate’s Dallas, which was among spirit-paired dinners’ early adopters.

And last year, at Libertine’s whiskey-and-beer-paired dinner featuring three Scotches and two hefty beers, Hartai wanted to echo the flavors of Lagavulin. “I sat down with the chef and said, `I need smoke, earth and some kind of heat.’ He did a mushroom compote with this awesome smoked-pork thing and some vinegary thing for a kick. It took the whiskey apart into its larger flavor components.”

More recently he did what he called an Italian dinner, but by dinner’s end he had unveiled it more precisely as a vermouth-paired dinner. “The whole point was to change people’s minds about vermouth,” he says. “By the end, people were drinking straight glasses of vermouth and saying, `This is great!’ Well, yeah, it is.”

Hartai likes to save a palate-testing curve ball for the last course. “I want to jar people, give them a reason to talk,” he says. “If you realize you’re putting together an experience aimed at creating lasting memories and challenging palates, you can make an awesome dinner.”

Tate's Dallas whiskey dinner
At Tate’s whiskey dinner, Buffalo Trace Single Oak Barrel was paired with this delicious corn soup with fried pig ear.

Whiskey Cake's dinner featured this tasty sirloin burger alongside Hudson's Four Grain Bourbon.
Whiskey Cake’s dinner featured this tasty treat alongside Hudson’s Four Grain Bourbon.

Looking for a cocktail or spirits-themed dinner? Contact these spots and see what’s on the schedule, or follow them on Facebook.

WHISKEY CAKE KITCHEN AND BAR, 3601 Dallas Parkway, Plano. 972-993-2253. Offers quarterly alcohol-paired dinners.

LIBERTINE BAR, 2101 Greenville Ave., Dallas. 214-824-7900. Does dinners monthly, generally beer.

LA DUNI LATIN KITCHEN, four locations in Dallas/Fairview. Offers cocktail-paired, three-course dinners. Join the restaurant’s “inner circle” at one of its locations or at www.laduni.com to advance notice of such events.

KOMALI, 4152 Cole Ave., Dallas. 214-252-0200. Offers occasional tequila- and mezcal-paired dinners.