Tag Archives: tate’s

Smoke gets in your drink: Mezcal is having its moment and you should enjoy it

Mexican Sugar
Mexican Sugar’s Benito Juarez: A cocktail worthy of the name.

In case you hadn’t noticed, mezcal is having a moment. The once misunderstood Mexican spirit has been seeping into the mainstream at a pace that has revved up in recent years, riding a craft-cocktail wave that has seen imbibers clamor for more and better ingredients.

For a spirit that at one time was known mostly as “that bottle with the worm in it,” this cousin of tequila has not only come a long way, but, it turns out, is way more interesting: a markedly smoky concoction that rewarded early adopters with broad (and wormless) expressions deriving from its ability to be cultivated from a range of Mexican agave plants. (Tequila, on the other hand, can only come from blue agave.)

“It’s just a great way to introduce mezcal to people who haven’t had it or think it’s too intense in other cocktails.”

— Bartender Moses Guidry, of Twenty Seven’s Smoke Ring

The plants’ hearts are roasted in pit ovens prior to fermentation, producing the spirit’s smoky influence that for many first-timers presents a line in the sand. But the days when mezcal cocktails were found only in mixology dens are over; I knew the U.S. had reached a milestone when, several years ago, I saw a mezcal-tinged cocktail appear on the menu at P.F. Chang’s. Now you’ll find mezcal cocktails everywhere from Pappasito’s to Frisco’s 3 Stacks Smoke and Tap House.

Many of those drinks, like the ones first rolled out even in craft-cocktail bars, have eased mezcal onto unfamiliar palates by placing it alongside tequila, like a kid brother riding sidecar. But drinks putting mezcal front and center are getting easier and easier to find.

Here are some of my favorites thus far in 2015.

BENITO JUAREZ, Mexican Sugar (pictured above)

In Oaxaca, where most mezcal is produced, the traditional way of consuming the artisan spirit is in small cups flanked by orange wedges and a spice mix of sea salt, crushed chilies and the ground remains of toasted moth larvae that feed on the agave plant. The combo is a mouth-pleasing explosion of smoke, citrus, heat, nuttiness and saltiness – and Plano’s Mexican Sugar pays homage to the tradition with this excellent blend – named after Mexico’s beloved former president – of mezcal, chipotle puree, orange, lime, honey and orange liqueur, slapped with a splotch of imported sal de gusano.

Laura Ball, Origin
The Mexican Martini showed how well agave spirits and Yellow Chartreuse play together.

MEXICAN MARTINI, Origin

Alas, this one is no longer on the menu at the Knox-Henderson restaurant, but ask for it and you might get lucky.

Agave spirits and herbal Yellow Chartreuse liqueur are swell buddies and play nice here in Laura Ball’s south-of-the-border creation, along with lemon, agave, jalapeno and apricot liqueur. It’s sweet and piquant, tantalizing you with its boozy charms before fading away in a haze of spice and smoke.

Hector Zavala, Henry's Majestic
Doing things the Old-Fashioned way is a fine approach for mezcal.

MEZCAL OLD-FASHIONED, Henry’s Majestic

Hector Zavala has learned a thing or two in his many years as a bar back for luminaries such as 86 Co. co-founder Jason Kosmas, not the least of which that the classic Old Fashioned packs a kick in any language. Now bartending at the Knox-Henderson one-two punch of Henry’s Majestic and Atwater Alley, the Torreon, Mexico-born Zavala subs Wahaka mezcal for whiskey with a bit of agave syrup and bitters, and his handiwork lets the spirit announce itself like a poncho’d Clint Eastwood waltzing through your whistle’s saloon doors.

Creighten Brown, Tate's
More layers than an enchilada casserole: Mr. Brown Goes to Oaxaca takes you places.

MR. BROWN GOES TO OAXACA, Tate’s

Mixmaster Creighten Brown’s deceivingly demure doozy may look like a mere wallflower in its Uptown surroundings, but it’ll impress your taste buds with its flavorful gift of gab. Supplementing mezcal with bittersweet Grand Poppy, dry vermouth, Hellfire bitters and chocolate bitters, this off-menu creation cuts through the smoke with floral and citrus swirls while the bitters offer lingering complexity.

Moses Guidry, Twenty Seven
Mezcal boldly steps in for pisco in Twenty Seven’s weekend tipple.

SMOKE RING, Twenty Seven

At Deep Ellum’s Twenty Seven, Moses Guidry’s frothy Smoke Ring is basically a mezcal Pisco Sour, subbing the smoky spirit for tamer Peruvian brandy alongside tequila, simple syrup, lime, cucumber, egg white and a sprinkling of Peychaud’s bitters. “It’s just a great way to introduce mezcal to people who haven’t had it or think it’s too intense in other cocktails,” says Guidry, who’ll you find behind the bar on Saturdays.

Gabe Sanchez, Black Swan Saloon
Remember that scene in True Romance where Christopher Walken and Dennis Hopper face off? This is that scene in a cocktail.

TRUE ROMANCE, Black Swan Saloon

At this Deep Ellum fixture, Gabe Sanchez’s riveting play on the Copper Cocktail gives mezcal the starring role over rum with a supporting cast of herbal Yellow Chartreuse, bitter Averna, lime and a bit of Szechuan pepper tincture. While the mixture might sound overpowering, the end result nicely shapes the best of each ingredient into something unique and memorable.

 

Follow the bouncing bartender: Nine craft-cocktail moves you should know about

Hops and Hominy, Cafe du Nord
Unfortunately for Dallas, Meddlesome Moth’s Loiselle has taken her talents to ‘Frisco. Um, the one in California. Shown here at San Fransciso’s Hops and Hominy, she’s now at Cafe du Nord.

We all know that the people who make your cocktails can be right up there with your doctor, your shrink, your spiritual leader and your favorite podcast host when it comes to simple week-to-week survival. Sometimes they’re kind of all of those things rolled into one, except that they can also knock out a good drink – which might make them the most important people of all.

So when the best of them move on to new places, you want to know. Here’s a roundup of some of Dallas’ craft-cocktail peeps who’ve found new digs.

Chefs for Farmers 2013
Don’t start freakin’ if you haven’t seen Eakin: He’s over at soon-to-open Rapscallion.

If you haven’t seen Eddie Eakin mixing things up at Bishop Arts’ Boulevardier lately, it’s for good reason: The buff barman has been busy readying beverage operations at soon-to-open Rapscallion, the new Lower Greenville venture from the folks behind Boulevardier.

With Eakin at the helm and one wall pretty much entirely devoted to bar space and storage, you know it’s going to be serious.

In Eakin’s absence, former Meddlesome Moth mixmaster Austin Millspaugh has stepped in to fill the void. The man who once incorporated foie gras into a cocktail is now overseeing Boulevardier’s bar program and is already in full tinker mode; if your tastes lean toward bitter, try his smoked Negroni with Fernet, thyme and Green Chartreuse. His ambitious alchemy should be interesting to watch as the year goes on.

Boulevardier, Dallas
Millspaugh: Your new master of ceremonies at Boulevardier.

Oak, in the Design District, is another place to put on your radar: The high-end restaurant has gotten double-barrel-serious about its cocktail program by bringing on both Michael Reith and James Slater, who between them produced three of my favorite cocktails of 2014.

One night, Reith was working his last night at the venerable Windmill Lounge in T-shirt and jeans, and the next he was pouring fancydranks in Oak’s signature white button-down shirt, black pants and tie. “I love it here,” he says. “It’s going to be a chance to shine again.”

Spoon Bar & Kitchen
Done with the utensils: After gigs at Knife and Spoon, Slater is now at Oak.

Slater, formerly of Spoon, is likewise happy about the move; the dynamic duo have already put their formidable imprint on Oak’s cocktail menu with classic variations that include a killer Negroni and an Old Fashioned made with Old Tom gin. Though the two are different in style, their philosophies are simpatico, and the Panamanian-born Slater aims to inspire patrons to consider them as much of an accompaniment to dinner as wine.

“We’re going to change the bar program,” Slater says. “We’re like Batman and Robin.”

Oak
Reith: Taking things up a notch at Oak.

Meanwhile, it’s been six weeks since the much decorated Daniel Guillen left La Duni, for … well, for what no one was exactly sure – but after more than nine years with the operation, whose cocktail operations had become synonymous with his name, it was time to make a change.

It turns out there was a beast waiting to explode: The proudly Peruvian-born bartender has been unleashing his passions for Central and South American drink culture at places like Proof + Pantry and pop-up events – like next week’s cocktail dinner with Chef David Anthony Temple at Twenty Seven.

Proof + Pantry
Guillen, here at Proof + Pantry, is loosing Latin libations on Dallas after his long stint at La Duni.

“Most bartenders focus on classic American cocktails, maybe a few from Europe,” Guillen says. “In my case, that doesn’t make sense. I would be one of many. So I thought, what can I bring to the table?” Look for more of the same while he and cocktail guru Sean Conner, he of the metroplex’s northern hinterlands, work on an upcoming project set to launch this fall.

At Blind Butcher, Ian Reilly is putting his own spin on things after joining the meat-forward establishment a couple months ago. “He’s the shit,” a departing and obviously happy patron says one evening. “He educates you and he makes you a badass drink.”

Reilly’s variation on the Old Fashioned, which he calls the Hubris, features whiskey with a hops-based syrup, because, “If I had to envision something that men here would want to drink – guys on the prowl, out celebrating, maybe going from beer to cocktails – what better way than to use hops as the sweetener?”

Blind Butcher
The Beard and the Butcher: Reilly, now pouring on Lower Greenville.

It’s one way that the bearded bar man is easing his way in at a place that has carved out a niche on busy Lower Greenville. “The formula here is working,” says Reilly, formerly of Bowl & Barrel and The People’s Last Stand. “I don’t want to stomp on that.”

Barter’s closing in January dispersed a number of souls to the winds – and one of them was the understated Creighten Brown, who has resurfaced at Tate’s in Uptown. (Juli Naida, as noted in 2014’s end-of-year post, has joined Mate Hartai’s team at Remedy.)

Tate's Uptown
Mr. Brown is back Uptown, at Tate’s.

The talented tipple maker – whose Black Monk was also among my favorite cocktails last year – went from bar-back to bartender at Barter and is already hyped to be among Robbie Call’s team at Tate’s, along with Pro Contreras and Ryan Sanders. “The whole gang, man,” he says. “Good times, good times.”

Finally, Dallas recently bid farewell to two budding talents – Lauren Loiselle, who headed the bar program at Meddlesome Moth, and bartender Damon Bird of LARK at the Park. Both also figured prominently in my 2014 list but found themselves drawn to the Bay Area (and who can blame them?). “Two of our real good friends live in San Francisco,” Bird told me before they left. “We talked about it a long time and just decided to give it a go.”

Mikkeller Bar, San Francisco
The Bird has flown: Formerly at LARK, he’s now settling in at San Francisco’s Mikkeller Bar.

Leaving Dallas was bittersweet, but both are excited about their new opportunities: Loiselle has joined the bar team at Café Du Nord, the new venture from the owners of Trick Dog. The team knows what it’s doing: Trick Dog is among four finalists for Best American Cocktail Bar at this year’s Tales of the Cocktail Spirited Awards, to be awarded next month. “I’m super stoked,” she says.

Bird, meanwhile, has nested at Mikkeller Bar, a beer-centric spot near Union Square featuring the best of brews from around the world. While he misses the craft-cocktail world, you can tell the easygoing drink-slinger has found his people. “This was my choice place,” he says.

CORRECTION: An earlier version of this post misidentified Tate’s Ryan Sanders as Ryan Frederick.

Six places to put on your cocktail radar right now — because duh, everyone needs a cocktail radar

Driftwood, Oak Cliff
Absinthe and root beer combine to make Forbidden Beer, one reason Driftwood’s pastis-powered program should be on your list.

With Dallas’ craft-cocktail cogniscenti waiting on Pimm’s and needles for the long-anticipated official openings of Michael Martensen’s Proof + Pantry and Eddie “Lucky” Campbell’s Parliament, even a practiced imbiber could be forgiven for failing to notice the other libationary locales making marks around town. And as it turns out, some of them have Martensen’s and Campbell’s DNA on them anyway.

Here’s six places worth putting on your cocktail radar while you wait.

Uptown, Dallas
This old house is your new cocktail haunt just off the McKinney Avenue madnress.

 

BOWEN HOUSE

It would be easy to get lost in the charm of this little house of a bar. A one-time vintage clothing shop off McKinney in Uptown, Bowen House evokes a Prohibition-era estate with its bookshelves and old photographs and your great-grandmother’s precious furniture. Don’t look for a cocktail menu beyond the pair of specials scrawled on the blackboard; there isn’t one. Instead, cite your tastes and preferences to steady bartenders Erikah Lushaj or Brandon Addicks, who are eagerly devouring cocktail knowledge as they strive to build a quality bar program. They’re also capable of devising their own creations – like Lushaj’s lusciously sweet 1874 (a nod to the year the house was built), a mix of rum, Galliano, vanilla and pineapple puree that she came up with for Dallas’ recent Tiki Week celebration.

Oak Cliff, Dallas
Clockwise from top: Bartender Julian Pagan taking care of business; some of Driftwood’s pastis and anise collection; absinthe and oysters, your new favorite combo.

DRIFTWOOD

In case you haven’t been keeping your ear to the ground, Dallas now has an absinthe bar – and it’s right there in the reinvented space at Driftwood, the Oak Cliff seafood restaurant on Davis. The minimal bar that once felt more like a holding area for diners awaiting tables has been expanded into a formidable L-shape that proudly proclaims its own identity. More importantly, bar manager Ryan Sumner’s spirit selection has been pumped up with anise-flavored concoctions from around Europe and the U.S., including 14 absinthes and three versions of French pastis. The absinthes – with notes ranging from juniper to honey-plum – can be enjoyed in the traditional louche style (slowly diluted with ice water and sugar); there’s also four related cocktails, including Hemingway’s classic mix of pastis and sparkling wine, Death In The Afternoon. Menu creator Michael Martensen says the idea of pairing absinthe with seafood occurred to him the more he researched seafood. “We’re doing like they do in the south of France,” he says. You’d do well to take in your Van Gogh experience with a round of fresh-shucked oysters – and even if you haven’t been keeping your ear to the ground, you can still keep your ear.

Palomar Hotel, Dallas
From upper left: Michael Martensen stirs up his salt-water additive; a pair of tropical tipples; shaking things in Central 214’s former space; Knife’s olive oil martini.

KNIFE

John Tesar’s new paradise of meat in Central 214’s old space in the Palomar Hotel comes with a solid bar program, too. Another project from barman Michael Martensen, it includes nods to often disregarded “retro classics” like the Long Island Iced Tea, Harvey Wallbanger and Sex on the Beach, the idea being that if the drinks are properly made with high-quality ingredients, they’re actually quite good. For the most part, that’s true – but it’s some of the bar’s other innovations that brighten my day, including the choose-your-own-ingredient Negronis or Gin and Tonics and a smooth, floral olive-oil gin martini softened with a hint of Green Chartreuse. The delicious, slightly salty Planter’s Punch was influenced by Martensen’s recent visit to Martinique: Among a group of bartenders there to learn about the island’s rum industry, the group was enjoying Planter’s Punches on a rollicking boat ride as the craft bobbed in the rough surf. “We were getting salt water in our drinks,” Martensen said. “I tasted it and thought: This is better.” He came back and made Knife’s version with a hint of house-made salt water. He says: “Dude, once you put the salt water in there, it’s like – bam! It takes me right back to the boat.”

Design District, Dallas
Do the Moth: It’s not just for beer anymore.

MEDDLESOME MOTH

There are probably two things you think about when you hear Meddlesome Moth: 1) the flutter and thump of a lepidopteran under the shade of your bedside lamp; and 2) beer. While there are indeed a mighty number of quality brews to be had at this Design District mainstay, cocktail program director Lauren Loiselle, with the help of beverage director Larry Lewis, has compiled a formidable selection of craft drinks, too, from a lineup of seasonal drinks (including dandy spins on the Margarita and Moscow Mule) to a top-notch supply of barrel-aged concoctions. One recent highlight: Loiselle’s divine barrel-aged Negroni, uncorked in time for last month’s National Negroni Week, with Ford’s gin, Aperol and Dolin Dry and Dolin Blanc vermouths.

Uptown, Dallas
A local stronghold gets stronger: Bartender Ian Reilly pours a line of “snaquiris” at Tate’s.

TATE’S

Hump Day is already worth the trip to Tate’s in Uptown for half-price specials on most of their extensive whiskey selection, but even more so now that craft bartender Ian Reilly has joined the team on Wednesdays and Saturdays. Reilly, a one-time People’s Last Stand stalwart who’s also played significant roles behind the bar at Bowl & Barrel and Chino Chinatown, is a bit of a whiskey connoisseur who has written about Japanese whiskey for both CocktailEnthusiast.com and The Dallas Morning News. With the addition of Reilly to GM Robbie Call’s crowd-pleasing squad and a stable but solid cocktail list, Tate’s is golden right now.

Greenville, Dallas
Vagabond: Worth wandering over for.

VAGABOND

The former J. Pepe’s space on Greenville has been reborn as a neighborhood bar with bocce ball and a quirky array of local art. (My favorite is the one of the dog that reminds me of a Chihuahua mix my family used to have.) So yes, come to Vagabond for the art and the kitschy bar-top lamps. Come for the quality food, like excellent beef tongue pastrami. But you should also come for the drinks: The house menu devised by mixologist Eddie “Lucky” Campbell includes delicious versions of under-recognized vintage cocktails like the Bijou and Scofflaw as well as tasty modern ones like the red-pepper-influenced HydroTonic and the rum-and-white-wine-combo Ninja Sangria. (In a nod to GM Stewart Jameson, there’s a handful of Jameson whiskey cocktails, too.) Cocktail director Stephen Vasquez plans to roll out a revised menu by next month, including the excellent Aurelius, a slightly bitter, refreshing drink featuring apricot-infused Aperol that he first made for me while doing time at downtown’s LARK on the Park.

Texas Tiki Week is almost over. Why are you still sitting there?

Barter, Uptown
Tiki yourself to Barter for this Tradewinds cocktail-for-two before Texas Tiki Week goes away forever, or at least until next year.

Texas Tiki Week has been stomping through town, and if you want to get your boozy coconut on, there’s still two days left to go.

Already the week has brought a Mount Gay Rum-sponsored tiki dinner at Victor Tango’s, an Uptown tiki bar crawl and a Papa’s Pilar Rum-sponsored party at the Windmill Lounge – which not only featured the tropical-style drinks associated with the California-born genre but the meaty handiwork of barman Charlie Papaceno, who produced for the peckish late-night masses (in the words of bartender Trina Nishimura) an eye-popping “deconstructed, reconstructed Spam-ham.”

Thursday’s Uptown tiki crawl breezed through five McKinney Avenue-area destinations – Barter, Nickel & Rye, Bowen House, Tate’s and The Standard Pour –with each featuring their own umbrella- and flower-topped tiki spins (all of which should be available through the weekend). My favorites: Erikah Lushaj’s “1874” cocktail at Bowen House, a smoky-sweet mix of Brugal silver, Galliano, vanilla and smoked pineapple puree; and Mike Hamilton’s Timebomb at Nickel & Rye, which paired Brugal 1888 aged rum with peach liqueur and Hum, a botanical spirit for which I’ve been known to carry a tiki torch from time to time.

Bowen House
Bowen House’s 1874 cocktail made me want to party like it was 1874.

But wait, you say. What good does this do me, the thirsty reader, who also wishes to partake in such tropical revelry?

Simmer down: Here is your remedy. Friday night brings tiki revelry to Knife, where Omar YeeFoon and Michael Martensen will be doing it up with The 86 Co.’s Cana Brava rum.

This weekend, you’ve got two tiki brunches to choose from – Standard Pour will host one on Saturday from 11:30 am to 1:30 pm, while Barter will offer another on Sunday from 11:30 am to 2 pm. If you want to make a full night of it, there’s still a few seats left for Saturday’s Tiki Bus Tour, which will rumble to destinations including Bolsa, Driftwood and Dallas’ first renaissance-age tiki bar, Sunset Lounge. Tickets are $65 and can be reserved by emailing Steven Doyle at steven@cravedfw.com.

The week will culminate with a tiki luau at The Standard Pour, which knows a thing or two about throwing a party. Sponsored by Utah’s High West Distillery, the event will run from 6:30 to midnight. Price is $20 and includes roast pig and a cocktail.

Tiki on.

Nickel & Rye
Another Tiki Week hit: The explosive Timebomb at Nickel and Rye.

Why Irish guys are smiling: Nation’s whiskey on the rise

Texas ambassador, Tullamore DEW
Tullamore DEW’s Mossie Power preaches the Irish whiskey gospel at Uptown’s Barter.

A few days before St. Patrick’s Day weekend, Maurice “Mossie” Power bounced around the private dining room at Barter in light-footed stutter steps, sort of a cross between a ballroom dancer and R2D2. “I am the ultimate cliché for this week,” the Irish-born Texas ambassador for Tullamore DEW whiskey quipped, acknowledging his accent and ginger-colored hair for a modest audience gathered for the restaurant’s special four-course Tullamore DEW-paired dinner.

The night’s purpose was to push not only Power’s product, but Irish whiskey in general, which in case you hadn’t noticed is enjoying a major resurgence: According to The Wall Street Journal, the category that brought you bar-shot standards like Jameson and Bushmills is now the fastest growing portion of the U.S. spirits market, up 400 percent since 2002.

If it seems odd to call it a resurgence, consider this: Before Scotch and American bourbons ruled the scene, Irish whiskey was king. In the 1830s, Ireland fielded more than a hundred distilleries, making what was then considered the premium of whiskeys.

But the industry was stunted by a temperance movement, then walloped by the notorious famine of 1840; when Ireland kicked out the British (its number-two market) to gain independence and then lost its number-one market (the U.S.) to Prohibition, the Irish whiskey reign was officially over.

Now, Irish whiskeys have found new life, with micro-distilleries sprouting throughout Ireland and attempting to lift the category beyond its mere infantry status: Midleton, Connemara and Kilbeggan are earning space on bar shelves, whether it’s because clever marketers have seized on a humbled genre’s untapped potential or because consumers truly do appreciate a generally triple-distilled product that on the whole is smoother, fruitier and less peaty than other whiskeys.

Cosmo's Bar & Lounge
Irish whiskey: Still struggling to eclipse bar-shot status, like these poured by Ryan Maddon of Cosmo’s Bar & Lounge.

“For someone who’s used to bourbon, Irish whiskey is easier to adapt to,” said Izzy Delgado, bar manager at Mockingbird Station’s Trinity Hall. “It’s lighter, sweeter and easier to drink.” The Irish pub and restaurant has one of the largest selections of Irish whiskey around, which makes any resurgence hard to notice. “Pretty much when something is available, we go ahead and get it,” Delgado said.

Except for Tullamore DEW, Brian McCullough of The Standard Pour said he hasn’t seen much interest in Irish whiskey beyond Jameson, the world’s most popular brand. The resurgence is also not evident at Tate’s, whose solid whiskey lineup does include Ireland’s heavily promoted 2 Gingers but leans more toward Scotch and gems such as Indian-produced Amrut.

“I’m not the biggest Irish whiskey fan,” said Tate’s general manager Robbie Christian. “We haven’t really jumped on that bandwagon. There’s just so much better stuff out there.”

Nevertheless, the figures from the Distilled Spirits Council of the United States speak for themselves, and Plano’s Whiskey Cake has gradually added several Irish whiskeys to its stock. “That is a market that is fixing to blow up,” said Sean Conner, the restaurant’s former bar manager.

Power, of Tullamore DEW — the capital letters are the initials of one of the whiskey’s early influential managers — says the category is still growing more than 20 percent annually. “Irish whiskey is definitely a category that everyone is revisiting,” he said.

It may say a lot that Barter certainly is, with the restaurant’s spring cocktails menu set to feature exclusively Irish whiskeys. “I completely buy into Irish whiskey coming back in a big way,” said Rocco Milano, Barter’s beverage director.

Milano poured a succession of barrel-aged Tipperary cocktails to kick off the restaurant’s Tullamore DEW dinner this week, which pleased Power to no end. “This is my favorite cocktail,” Power said. “When I go out, that’s what I order.” Typically the drink is two ounces of Irish whiskey plus a healthy bit of sweet vermouth and a splash of Green Chartreuse, but Milano subbed Dolin’s deliciously herbal Genepy des Alpes for the Chartreuse, with marvelous results.

The four-course dinner was paired with Tullamore DEW’s four variants – the original, the nutty 10-year, the toffee-ish 12-year and the spicy, 110-proof Phoenix special edition. Barter chef Andrew Dilda had asked Power what he would eat if he were out on the town in Ireland, and naturally the answer was pub food; that inspired the chef’s hearty and rustic menu, which included lamb potpie and a lamb-sausage stuffed rabbit wrapped in bacon.

With pop singers like Rihanna and Lady Gaga referencing Jameson in their lyrics and shows, the Irish whiskey comeback may be a young-professional-driven movement. In Uptown, the heart of that demographic for Dallas, whiskey-centric bar Nickel & Rye is pushing 2 Gingers specials as St. Patrick’s Day draws nigh. Just the same, bar manager Mike Hamilton said, “I don’t expect to sell much more than Jameson.”

Irish whiskey at Trinity Hall
A dram of atypically peaty Connemara 12 at Mockingbird Station’s Trinity Hall.

Try these cocktails: The best from the Pisco Trail

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Hibiscus’ Peruvian Fix was among the stand-outs of the five-week series.

MY FRIENDS, this blog can sometimes be a grueling enterprise. In those moments I find myself re-energized by my sworn duty to my readers, and that, no doubt, is what powered me through five straight Thursdays of pisco sampling. Somebody had to do it.

Now I bring you the highlights of that brave mission, the best of a barrage of pisco cocktails fired up by some of Dallas’ ace bartenders.

First, a little catch-up: Not long ago, I told you about The Trail Project, Daniel Guillen’s crusade to showcase lesser-known spirits via a series of “bar crawls” through various Dallas neighborhoods. The idea, developed with Standard Pour’s Brian McCullough, is to introduce or reacquaint bartenders with spirits they may then decide to add to their shelves: The spirits become part of their repertoire, an ingredient to which adventurous patrons can be wooed; the brand gets marketed; everybody wins.

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At Bar Smyth, bartender Josh Hendrix does the pisco thing his way.

The first series, sponsored by Pisco Porton – pisco, like Cognac, is a grapey eau de vie, native mostly to Peru – began with a walkable stretch of bars along Henderson; the next week, we’d moved to Uptown. Next came the Northpark/Mockingbird Station/Knox area, the Design District and Oak Cliff areas and finally a motley bunch of orphan bars stretching from Henderson to the Crescent to Oak Lawn. In all, more than 25 bars took part, amazing considering the number of quality spots not even on the list, such as The Cedars Social, Black Swan Saloon, Whiskey Cake and the Libertine. There were surprises – bars I didn’t expect much from made solid showings, and vice versa – and some non-surprises (many many variations on the Pisco Sour); all together, we probably each tasted about 60 cocktails.

Here, in alphabetical order, are my 10 favorites from along the way.

1. The as-yet anonymous second drink that Ashley Williams served us at Oak Cliff’s Boulevardier, featuring Pisco Porton, DeKuyper O3 liqueur, Cherry Heering, lemon and a float of Montelobos mescal.

2. At The Dram on Henderson, Jasin Burt’s mix of Pisco Porton, Dolin Rouge vermouth, chocolate bitters and vanilla extract – a drink I dubbed Down With The Brown – complex and grapey sweet, with a nice chocolate finish.

image

Ashley Williams puts Boulevardier on the list with her as-yet unnamed creation.

3. I dug the drink called the Hawaiian Room, a bit of whimsy from Sunset Lounge’s Nico Ponce, with Pisco Porton, Sailor Jerry spiced rum, applejack, lemon and pineapple. Served in a coupe with banana leaf protruding like a feather, it was again on the sweet side, but well-rounded: A refreshing iced tea with a vanilla-wafer finish.

4. At the Standard Pour, the Incan Resemblance, from Guillen’s brother Armando, was one of the series’ most original and beautiful looking drinks. (The same goes for the epically named cocktail from his SP colleague McCullough, Pisco Kid Rides Again Into The Fiery Sunset.) Guillen’s drink featured Pisco Porton, puree made from chirimoya (a Peruvian fruit), elderflower liqueur, ginger foam, Thai basil, Peychaud’s bitters and lavender bitters. A garnishing bundle of lavender leaves were rolled into a lemon peel papoose, evoking an Incan headdress. It was stunningly creative, with a smooth strawberry taste.

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The Incan Resemblance, from Standard Pour’s Armando Guillen.

5. It was practically midnight when we reached Tate’s on the Uptown leg of the so-called Pisco Trail, and head barman J.W. Tate obliged our tastes with an excellent digestif he called Muy Criollo, or Very Creole. “The word “Creole” is used in a very different way in Peru,” Tate told us. “It refers to a spirited way of life, similar to the way we’d say gusto, or the French joie de vivre.” He made his drink with pisco, Bonal bitter liqueur and three kinds of shrub, including habanero. It was arresting, a sipping drink for night’s end, with a pleasantly mild kick of spice in the finish.

6. At Bowl and Barrel, Ian Reilly found a way to incorporate hoisin, an Asian plum sauce he came across in the kitchen, in a fabulous drink he called the Passerine. Figuring the hoisin would go well with other Asian flavors, he mixed it with Hum, a feisty liqueur strong with ginger and kaffir lime, and pisco, lime, Yellow Chartreuse and orange bitters. It was brilliant tang and sweetness, all in one.

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A mango-jalapeno cocktail from The Kennedy Room’s Joseph Buenrostro, among the few to embrace heat in his pisco creations.

7. Hibiscus, on the first week’s itinerary, had to pull out at the 11th hour. After it was reset for week five, Bartender Grant Parker atoned for the wait with the beautiful and delicious Peruvian Fix, a bouquet of pisco, pineapple syrup, lime, mint, simple and most significantly, jalapeno-infused Green Chartreuse. It was lovely, with a slight kick – not too spicy, not too sweet, all the flavors exhibiting perfectly. Parker was among the bartending minority who’d worked with pisco before. “One woman came in once and put me through hell,” he said. “She had me make, like nine Pisco Sours.”

8. It’s fair to say that Sunset Lounge’s Nico Ponce, spurred on by news that the bar preceding his in week number two had turned out two pisco drinks, was a little motivated. He sent out a volley of at least seven pisco-based cocktails, all of them variations on the tiki drinks that are the trademark of the fledgling Ross Avenue bar. His Pisco Mai Tai was, yes, on the candy-sweet side, but oh so good: pisco, lime, orange Curacao and a bit of almond syrup.

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The Pisco Mai Tai, one of Sunset Lounge’s numerous tiki variations.

9. At Marquee Grill & Bar, Andrew Lostester made the tantalizing Pisco Star using a housemade syrup made with grapefruit, cinnamon and star anise. That was shaken with pisco, lime and seasonally fresh grapefruit, then topped with soda; it had a creamy mouthfeel with a citrusy finish, the perfect match for appetizers drenched in rich sauce.

10. It’s no fluke that Guillen himself ended up on this list; being Peruvian, he’s well versed in pisco and he raised his chances by offering up three drinks to sample at Northpark’s La Duni. His second effort, called the San Isidro, was money: pisco, Grand Marnier, lemon, maple syrup, peach puree, Angostura bitters and a housemade apricot-nectarine bitters. Topped with mint and a dried apricot lounging atop a tiny ice-bowl float, the result was all-up-in-your-face apricot with a double-barreled peach-maple sweetness.

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The trail master himself, La Duni’s Guillen, scores with the San Isidro.

If you’re keeping score by neighborhood, that makes Uptown/Arts District the winner of the first Trail Project series, at least in my book. The more notable point is, there’s a whole passel of bartenders out there who now know how to throw down with pisco, and the person who benefits is you: Get out there and try some of these drinks soon.

Guillen’s plan is to launch a whole new series of bar crawls built around a second spirit, so stay tuned either here or on my Twitter feed at @typewriterninja #trailproject.

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Trail participants strike a pose with the raspberry-infused X Factor, one of several solid pisco cocktails from Bolsa’s Kyle Hilla.

— Marc Ramirez, posted 4/15/13

Pours without pretense: Are Dallas’ cocktail bars keeping it real (casual)?

imageThe Windmill’s Charlie Papaceno: Unpretentious before it was cool.

Interesting story yesterday from The New York Times, which notes the number of craft cocktail joints popping up around the country that are striving for a more casual vibe. These places, the article says, are “part of what is shaping up as a fresh chapter for high-end mixology: a new breed of cocktail bar that seeks to retain the profession’s hard-won artistry while shedding the pretensions that often come with it.”

In other words, the complete opposite of cocktail culture’s stuffy stereotype – things like secret entrances, purposely subtle signage, bans on canned beer and rules against standing at the bar.

But for the most part, when it comes to serious craft cocktails, Dallas ain’t that kind of place anyway. Even The Cedars Social, which this year earned a prestigious James Beard nom for best bar program, has made a habit of stocking Lone Star and Pabst Blue Ribbon in a can for a crowd as likely to come in wearing T-shirts and jeans as much as stiletto heels and Saturday Night sport jackets.

Another draw of these casual bars, the story notes, is their bartenders’ ability to rapidly churn out quality craft drinks for dense crowds without the pomp and production that can often leave you wanting. In other words, what Uptown’s Standard Pour and Tate’s – neither of them exactly hidden away – do on a regular basis for the weekend throngs full of yuppies who thirst more for a quick buzz than for obscure cocktail knowledge. (For the record, I avoid these nights.)

Neither place is particularly stuffy, either, though it must be noted that in Standard Pour’s earlier days Tate’s own head barman J.W. Tate was turned away at the door because of the cap he wore backwards on his head.

As far as strict, quality-cocktail casual goes, these places already exist here: Charlie Papaceno at the divey Windmill Lounge on Maple has been crafting quality drinks since before it was a thing in Dallas. The Black Swan Saloon in Deep Ellum wears no fancypants, and the pubby Libertine on Lower Greenville has Mate Hartai, one of the better cocktailian minds around.

Granted, none of these spots went into business proclaiming themselves to be craft cocktail bars, so maybe the comparison is unfair. But pretension doesn’t go very far in Dallas’ cocktail culture, and so far, the jury is still out on whether people will stand, in line or in temperament, for even the tiniest bit of speakeasy pretension. (I’m looking at you, Bar Smyth.)  There’s something genuine about the scene here that evades the haughtiness that comes with being first. New York and the Bay Area no doubt paved the way for the country’s classic cocktail revival, but those cities are now also, according to the story, discovering the value in being a little less like themselves and a little more, well, like Dallas.

“I do think there are some bartenders out there that have a pretentiousness about them,” says Chris Dempsey of The People’s Last Stand. “But they’re quick to change once they see it affect their business. Most of the guys I know are humble and knowledgeable, which is a pretty good combo, if you ask me.”

What do you think? Do you find Dallas’ cocktail bars pretentious? What do you think about bars that take a “speakeasy’ approach?

Marc Ramirez, posted 4-11-13

Something whiskey this way comes

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Like dinner with your whiskey? Then Tate’s in Dallas has a treat for you – a five-course dinner by FT-33’s Josh Black, to be paired with selected whiskies at the Uptown neighborhood bar.

The April 17 event is unsponsored, which will allow Tate’s to showcase some of its more interesting bottles. Rare whiskies such as Michter’s Sour Mash, Buffalo Trace Single Oak Project and, most excitingly, Parker’s Heritage 6th Edition Cask Stength “Blend of Mashbills” Bourbon will complement Black’s rad menu. (Three words: Fried pig ears.)

The dinner is the second cocktail-paired event Tate’s has put on. Last year, head barman J.W. Tate and his crew cranked out cocktails to go along with dishes from underground-dinner master David Anthony Temple. If you want to know why you should think about forking out the extra $30 for the optional cocktails J.W. will be pairing with Black’s $50 dinner, consider this: Last time around, one of J.W.’s concoctions involved chanterelle- and pink-peppercorn-infused vodka designed to play off Chef DAT’s arugula salad.

Wine by the bottle and Tate’s’ full cocktail menu will also be available via walk-up service. To ask about reservations, email Tate’s at info@tatesdallas.com.

— Marc Ramirez, posted 3/27/13

Imbibe drinks our milkshake: National magazine highlights Texas cocktails

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Don’t look now, but Texas is having a national cocktail moment: No less than Imbibe magazine, the nation’s premiere publication devoted to all things drinkable, highlights the Lone Star State in its latest issue.

“It’s kind of surprising,” says John Garrett, who represents the spirits division for Texas distributor Virtuoso Selections. “They could have done any state. They picked Texas. They know this is a burgeoning area.”

Dallas, Houston, Austin and San Antonio cocktails, beer and coffee are all featured. Getting deserving cocktail nods from Dallas are The Cedars Social, The Standard Pour, Private/Social, Tate’s and the Black Swan Saloon. More questionable recommendations are dining-centric Local, the fast fading Chesterfield and, most incredibly, the Establishment, described in great detail as an “experience for a Dallas night you won’t soon forget” even though the place has yet to actually open as of today. Way to go, Imbibe!

Nevertheless, the focus on Texas shows the state is finally emerging from behind the national curve when it comes to cocktails, and Lone Star luminaries such as Houston’s Alba Huerta and San Antonio’s Jeret Pena are prominently featured. There’s even a drink recipe from The Cedars Social’s Mike Martensen.

Things are only going to get better here.

— Marc Ramirez, 3/2/13

Cocktails of the Year 2012

The DFW cocktail scene has come a long way in the last two years, and as many a bartender knows, I’ve been no stranger to it. Restaurants now launch with bar programs no longer a second thought, the qualities of ice and citrus oils are strongly considered, and drinkers once keen on vodka-and-Red-Bull are growing more adventurous palates.

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Some of the local drinks unveiled in 2012, these ones at Dallas’ Five Sixty. At middle left, Rolling Fog Over Mount Fuji; at middle right, Locked and Loaded.

Our craft cocktail architects have, in the last year, designed menus built on the shoulders of the past – reintroducing old classics, embellishing and remodeling, thinking up creations of their own.  Luckily, I have taken it upon myself to sample many of these libations on behalf of the greater good. I have, as they say, taken one for the team.

I can’t claim to have sampled every drink out there. I’m just one man, for god’s sakes. (Thanks to all who sacrificed themselves to join me for the effort.) And I have my own tastes and habitats: In general, my spirits of choice are gin, whiskey, tequila, rum, gasoline and vodka, in that order. Ha ha, vodka – I kid you, I kid you.

But as we say Peace Out to 2012, I leave you with my top 10 favorite local discoveries of the past year. Ah, what the heck: In the spirit of the annum, let’s just make it 12.

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12. MEXICALI BLUES, Tate’s, Dallas (J.W. Tate)

Blending the glamour of aged tequila and house-made grenadine with the smokiness of mezcal, this is Salma Hayek in a coupe, bold and feminine. The borderland babe, named for a Grateful Dead song, is garnished with a palm-tree V of thyme planted in a floating lime-slice island, with a muddle of pepper upping the Baja heat.

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11. STRIPPER SWEAT – Cosmo’s Bar & Lounge, Dallas (Jackson Tran)

“Somebody asked me to make them a drink called Stripper Sweat. I think they had just come from a strip club,” says Tran, adept with flavor even as he churns out the shots and mixed drinks usually favored by the crowd at this Lakewood dive-bar gem. Partial to pairing vodka with the elderflower sweet of St. Germain, he gave complexity to this summery play on vodka-cranberry by mixing vanilla vodka with cranberry, St. Germain and the earthy licorice punch of Fernet. Shaken with an orange wedge, the pulpy, apricot-like mixture is poured over ice, frothy as a raspberry fizz.

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10. COLONEL SANDERS – Sissy’s Southern Kitchen, Dallas (Chase Streitz)

When Streitz, the beverage director at Sissy’s, was asked to design happy-hour drinks around the Henderson Avenue restaurant’s most popular spirits, he spun simple gold from Makers 46, honeying it up with Benedictine and splash of orange bitters over crushed ice.  The drink’s initially aggression softens as the ice melts and muddles the accompanying orange slice, a pleasant pre- or post-dinner relaxer.

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9. THE PEOPLE’S OLD FASHIONED – The People’s Last Stand, Dallas (Omar Yeefoon)

Though Yeefoon no longer pours at this Mockingbird Station bar, he left his mark on the place with this luscious take on the classic whiskey cocktail that couples maple syrup with Rittenhouse rye along with a touch of Angostura bitters and flame-drawn orange oils.  The result: A strong whiskey handshake with a rush of almost tamarind-y sweetness.

8. ROLLING FOG OVER MOUNT FUJI, Five Sixty, Dallas (Lee Hefter)

This gorgeous and aptly named drink at Wolfgang Puck’s Asian-themed restaurant atop Reunion Tower also has depth – and properly made, the illusion of height. Japanese Hibiki 12 whiskey is shaken with Aperol, lemon, simple syrup and egg white, then poured into a small fishbowl of a glass. A mountainous ice slab juts out from the foamy egg-white surface, towering over the pink-hued landscape beneath and evoking the drink’s name. It has the taste and feel of sherbet, with an herbal Aperol finish.

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7. FIG MANHATTAN, Tate’s, Dallas (J.W. Tate)

This classic re-do land-rushes the prairie of your tongue with a bracing yet savory sweetness, the house-made fig syrup ably enhancing the Uptown bar’s orangey dark brown blend of Rittenhouse 100 rye, Cocchi D’Torino vermouth and Angostura bitters. It’s rich, not cloying, with a fig essence that elevates rather than just flavors this classic.

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6. TINY’S FAREWELL, The Cedars Social, Dallas (Mike Steele)

Basically, Steele wanted to make a stirred tiki drink, one without the citrus juice that calls for shaking or the mounds of crushed ice that typically characterize these Caribbean-styled cocktails. He produced this blend of Cana Brava rum, Dolin dry vermouth, Domaine de Canton ginger liqueur, Kronan Swedish punsch, pineapple syrup and tiki bitters. A diaphanous lemony yellow, it’s honey-sweet with a fruity frontal assault and minty finish underscored by the warm essence of rum. The coup de grace is a swath of grapefruit ignited to draw out the oils and citrusy aroma. The story behind the name? “I always wanted to have a tiki bar,” Steele says. “I figured I’d have this really huge guy behind the bar named Tiny with really big arms, crushing ice. But when I made this drink, it was like, `Tiny, we don’t need you anymore.’ “

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5. EMERSON, Hibiscus, Dallas (Grant Parker)

OK, nothing fancy here – just Parker’s take on a little-known classic that deserves wider recognition. The traditional Emerson is gin, sweet vermouth, maraschino liqueur and lime. Parker, the low-key force behind this Henderson Avenue restaurant’s bar, subs the sweeter and less botanical Old Tom gin and uses the spicy, herbaceous Carpano Antica as his vermouth. The result is a drink that starts fruity (especially cherry), but then U-turns with a dazzling chocolate-and-spice finish. “During the cold season, the Antica gives it a nice cinnamon flavor,” Parker says. “And when the weather turns hot, it’s a nice aperitif.”

4. LOCKED AND LOADED, Five Sixty, Dallas (Lee Hefter)

“That reminds me of breakfast, man,” says Five Sixty bartender Casey Griggs of Locked And Loaded. “That reminds me of some pancakes.” This drink created by Los Angeles-based Lee Hefter, Wolfgang Puck’s right-hand chef, is a buffet of bourbon, maple syrup, Carpano Antica sweet vermouth, lemon juice, egg white, rhubarb bitters and a sly rinse of Laphroig. Its hue is somewhere between butterscotch and Chimay Triple, and the bourbon is purposely understated, with a creamy finish marked by rhubarb candy sweetness.

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3. LINNEO’S REMEDY (Ian Reilly)

One evening when Reilly was still working at The People’s Last Stand, I asked him to concoct a drink to feed my growing fascination with mezcal. At the time, he, too, was toying with mezcal and employing his philosophy of temperance – that is, avoiding the urge to compound the agave-based spirit’s smoky Latin flavor with heat and rather using it as a player in an equal, four-part structure a la the classic Last Word. This is what he came up with: a balance of mezcal, Aperol, ginger liqueur and lime.  The result is a delicious sweet-and-sour mix caught up in an undercurrent of peaty mezcal. Reilly – since relocated to just-opened Bowl and Barrel – now opts for saffron-spiced Strega over orangey Aperol, and the name he chose recalls Spain’s medicinal use of bitters as well as Swedish naturalist (and agave’s identifier) Carl Linnaeus – or Carlos Linneo, as he would have been known in Spanish. “I guess all of those, the idea of soothing and balance, combined into Linneo’s Remedy,” Reilly says.

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2. SECRETS AND LIES, The Cedars Social, Dallas (Mike Steele)

This off-the-menu treasure, inspired by a drink Steele once served in Denver, takes premium whiskey, enhances it with port and Strega and adds strong hints of Carpano Antica, vanilla syrup and a cardamom tincture. “I think cardamom and vanilla go really well together, and it’s a good, rich flavor for the fall,” he says. “Plus it goes really well with whiskey.” Every ingredient comes through, a beautiful balance of bite, herbs and holiday warmth. “One time, somebody asked me what was in it,” says the affable Steele from behind the bar of this pioneering spot south of downtown. “I said, `Secrets and lies, man, secrets and lies. And it just went from there.”

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1. FALL INTO A GLASS, Private/Social, Dallas (Rocco Milano)

It’s really not fair when Hum is in the game, because anyone who knows me knows that I adore this liqueur dominated by flavors of ginger, cardamom and clove. It’s a feisty pit bull of an ingredient, but Milano – who introduced me to Hum about a year ago – has a knack for grabbing the leash and making it shine. The gin-hefeweizen-lemon Shandy that he’d added to the summer menu at Uptown’s Private/Social, a twist on the classic French 75, was so popular that he didn’t want to part ways with it in the fall; Hum seemed a natural autumn boost for this cleverly named drink. What you get is a mix of citrus and spritz with a frothy sheen of beer, the finish a wave of autumnal Hum. “It’s amazing how different .75 oz of Hum can make a cocktail taste,” he says. “When I presented the drink to the staff during training, everyone said the exact same thing: You nailed the flavors of fall.”

Want to make it yourself? Here’s the recipe.

FALL INTO A GLASS

2 oz light-bodied gin (such as Citadelle)

1 oz lemon juice

1½ oz simple syrup

¾ oz Hum liqueur

Combine all ingredients, shake and strain into a snifter. Top with 2-3 oz wheat beer (such as McKinney-based Franconia).

— Marc Ramirez 1/9/13