Tag Archives: Omar Yeefoon

As we head into 2020, a look at DFW’s 20 best cocktails of the past decade

My favorites of 2019: At center, Homewood’s Golden Amaranth; clockwise from top left, the Inca Knife Fight at Henry’s Majestic; Ruins’ Sierra Outkast; Bourbon and Banter’s Ducktail; Five Sixty’s Paper Crane; Proper’s Pandan Swizzle; the Liberty Spikes at Bourbon and Banter; Midnight Rambler’s Seasick Crocodile; and the Spanish Gin & Tonic at Beverley’s.

DFW, you finally bested me. There was no way to keep up with the flurry of craft cocktails springing forth from the minds of the metropolis’ mix masters in 2019, with newcomers like Deep Ellum’s Ebb & Flow, Las Palmas in Uptown, downtown’s Te Deseo and The Charles in the Design District padding the bounty.

On Fitzhugh, La Viuda Negra executed a Thor-like landing with its urban-Mexico-inspired vibe and a lineup of smartly conceived drinks both agave-centric and photogenic, while Eddie Campbell’s Clover Club debuted with swanky swagger above Cedar Springs in Uptown.

There was seemingly little left under the sun to drive innovation, but surprises flourished nonetheless: At Bourbon and Banter, Hugo Osorio’s Ducktail softened Scotch with sweet citrus while his Liberty Spikes fluttered with coyly bittersweet flavor; both (see photo above) were among my favorite drinks of the year.

At Proper in Fort Worth, so was Lisa Adams’ Pandan Swizzle, which blended the nuttiness of amontillado sherry with the sweetness of its lovely signature herb. At Five Sixty, the always-crafty James Slater also employed pandan in his Paper Crane, a smooth twist on the classic Paper Plane, while Midnight Rambler’s Chad Solomon medicated his absinthe-laden Seasick Crocodile with poblano juice and Thai chile.

At Homewood on Oak Lawn, golden beet and orange leapt like dolphins across an sea of gin in Lauren Festa’s Golden Amaranth, while in Plano, there was definitely Something About Rosemary in Whiskey Cake’s nicely balanced drink of the same name. The Spanish Gin & Tonic at Beverley’s was nothing less than sublime, while in Knox-Henderson, Alex Fletcher’s Inca Knife Fight conquered my palate with coconut Pisco Sour flair.

Rounding out my year’s faves: At Ruins in Deep Ellum, Peter Novotny’s impressive Sierra Outkast — a nod to tiki’s Navy Grog — blended Oaxacan gin and rum with Swedish aquavit and garnished it with tri-color coconut candy. Meanwhile, La Viuda Negra made Mexican magic with the dazzling Purple Drink, featuring Michoacan rum and butterfly pea flower, and the terrific, raicilla-based El Papazote.

The decade saw craft cocktails grow from infancy to maturity in D-FW, led by The Usual in Fort Worth (which just marked its 10th anniversary) and then scattered, early Dallas pioneers like The Cedars Social, Victor Tangos, Bolsa, Private/Social, Windmill Lounge, Black Swan Saloon and The People’s Last Stand, along with Whiskey Cake in Plano. As our palates grew more discerning and adventurous, the quality and quantity of spirits, liqueurs and exotic ingredients grew to meet the demand. And as momentum slowed as talent scattered and pioneering bars fell by the wayside, top-notch newcomers rose up to create new energy, such as Las Almas Rotas in Fair Park; Jettison in West Dallas; Hide, Shoals Sound & Service and Ruins in Deep Ellum.

Bartenders crafted ingredients using chef-driven methods like sous vide and molecular gastronomy; others introduced us to Japanese shochu and sake, Spanish sherries and Mexico’s broad palette of agave-based spirits; we saw cocktails garnished with seaweed and tongue-numbing buzz button; we nibbled on roasted grasshoppers while sipping mezcal.

The community itself became a force, too: We saw the local bar and spirits industry come together to raise thousands of dollars for tornado and hurricane relief, for hospitalized kids and for the medical expenses of those in their own bar community family. In 2018, the scene collectively grieved the loss of three beloved barmen, Armoury’s Chad Yarbrough, Ian Brooks of Brick and Bones and Josh Meeks of Henry’s Majestic. And we saw the industry’s women in DFW become a force for change and advancement, with efforts such as The Shake Up, an all-female competition now in its second year raising money for women’s charities.

You’ve come a long way, DFW. Likewise, my tastes have changed, and over time I grew to appreciate drinks I hadn’t ranked so highly in the past or to reconsider others that I had. Looking back, about 40 of them stood out for their creativity, innovation, timeworn allure, and/or that one ingredient I couldn’t stop thinking about. In the spirit of the New Year, here, in alphabetical order, are my favorite 20 DFW cocktails of the last decade.

ALPINE BLUES – Scott Jenkins, Hide (2018)

Bolivian brandy, amaro, quinquina, walnut liqueur, clarified lemon

Jenkins’ Alpine Blues: A heady expression of forest growth in a glass.

Jenkins, resident mixmaster at Deep Ellum’s Hide, killed it in 2018 with his Oaxacan Shaman, a masterful mezcal-aguardiente mashup, and his lusciously butternutty Quest for the Sun, a sunflower-seed-infused vodka vehicle. But my favorite of all was his Alpine Blues: A whirlwind trip to the mountains had filled him with memories of brisk, chilly air and damp ground covered in foliage. Those longings inspired this reflection of nature’s growth: Nux walnut liqueur, he said, formed the base soil, deep and rich with decomposing nettles; blueberry-influenced Pasubio, an alpine bitter liqueur, was the surface – “earthy and fruity; there’s still some life in it;” Cap Corse, a quinine aperitif, and clarified lemon juice represented new growth, with the bitter citrus of biting into a young stem; Singani 63, a botanical Bolivian brandy, was the blossom. “There were specific slopes and colors in my mind,” he says. “It made me have the blues not to be there.”

AUTUMN IN BRAZIL – Jason Pollard, The Usual (2018)

Aged cachaca, sherry, sweet vermouth, demerara syrup, saffron bitters

I could have waxed all season about Pollard’s luscious Autumn in Brazil.

In 2016, Brazil’s national spirit enjoyed a brief moment in the D-FW sun, with drinks such as Spencer Shelton’s wonderful Rio Julep at Bolsa capitalizing on Amburana’s spiced banana bread notes. Two years later at The Usual, the Magnolia Avenue mainstay in Fort Worth, Pollard built on those caramel, vanilla flavors and added the rich nuttiness of sherry, then rounded it out with Cocchi di Torino sweet vermouth and caramel-esque demerara syrup. With hints of raisin, chocolate and cinnamon and the aroma of musky grapes, this was a sensational seasonal sipper.

BAD SEED – Omar YeeFoon, Bar Smyth (2013)

Aquavit, Italian bitter liqueur, egg white, lemon, root beer, toasted sesame seeds

Omar YeeFoon, Bar Smyth
For too short a time, we sipped many a care away with this caraway-flavored goodness.

By 2013, the scene had seen the rise of its first reservations-only cocktail den with Bar Smyth, which along withe People’s also featured one of the finest compilations of behind-the-bar talent ever seen in Dallas. There was no menu at this dimly lit, short-lived Knox-Henderson speakeasy, so maybe I actually waltzed in and asked YeeFoon, now co-owner of Shoals Sound & Service in Deep Ellum, to make something with aquavit, Scandinavia’s caraway-flavored liqueur. More likely it was something that YeeFoon just happened to be playing with that day. Whatever it was, this frothy number, employing Averna and an egg-white canvas, inspired lasting intrigue with its splash of sarsaparilla and a creative touch of soft sesame on the nose.

BLACK MONK – Creighten Brown, Barter (2014)

Aged Irish whiskey, Italian bitter liqueur, herbal honey liqueur, sarsaparilla bitters

The Black Monk’s aromas and flavors led me on multiple meditative journeys, yet I remained unknowing of all its seductive secrets.

Planted at the bar of this redo of Uptown’s pioneering Private/Social, I pretty much went bonkers trying to decipher the Black Monk’s enigmatic flavor. The smoky-flavored drink was tricky to pin down, greater than the sum of its parts: Brown blended Jameson Black Barrel Reserve Irish Whiskey, bittersweet Averna, the honey-ish Benedictine and a bit of rye-and-sarsaparilla-flavored basement bitters with a tincture made with tonka bean, vanilla bean and lemongrass. Every time I tried it, shoe leather images popped into my head, but in a most comforting way: The notes shuffing across my tongue included molasses, root beer, pecan pie, cooked honey, even smoky flan. The Black Monk was not for everyone – but for those who enjoy a good cigar, this one was a triumph.

BUZZ-CAT – staff at Boulevardier (2015)

Old Tom gin, Earl Grey tea-infused honey syrup, apple bitters, lemon, ginger, baked apple garnish

At Boulevardier, bar manager Eddie Eakin’s 2013 cocktail got a sweet-as-Vermont-honey makeover that was wicked good.

The craft-cocktail renaissance inspired a resurgence of classic spirits, among them Old Tom gin, the spirit’s 18th-century, slightly sweeter cousin. My favorite is the barrel-aged Tom Cat, made by Vermont’s Barr Hill, a former bee farm that infuses its spirits with a signature honey flavor. Tom Cat also happens to be sold in distinctive, small bottles that were just the size that bar manager Eddie Eakin of Bishop Arts’ Boulevardier wanted for his syrups and juices. He ordered a batch of Tom Cat for his bartenders, who began subbing it for standard gin in the Steep Buzz, a celebrated cocktail Eakin had devised in 2013.  With a baked apple slice garnish, the Buzz-Cat was a honey-perfect blend of autumny, apple-pie aroma, herbal Tom Cat spice and lingering lemon-ginger bite. “We were just trying to pour through it,” bartender Ashley Williams said. “And it just caught on.”

DAMNED AND DETERMINED – Brad Bowden, Parliament (2014)

Rum, Green Chartreuse, ancho chile liqueur, egg white, pineapple-vanilla syrup, Angostura bitters

Brad Bowden, Parliament
Sugar and spice and everything nice: Bowden’s divergent path showed quien es mas Ancho.

Bowden, who you’ll find these days at East Dallas’ Lounge Here, didn’t care much for Ancho Reyes, the ancho-chile-flavored liqueur that became my crush of 2014, following in the footsteps of botanical Hum and bitter Suze. But when the slightly spicy, vanilla-tinged blend started earning national recognition, Bowden — then at Uptown’s Parliament — said he felt “damned and determined” to do something with it. Ancho’s bite made it a natural fit for tequila or mezcal, “but that’s what everyone else was doing,” he says (accurately). Instead, he took rum, his preferred spirit, and devised what’s essentially a tiki drink, adding sweetly vegetal Green Chartreuse to Papa’s Pilar blonde – “Rum and Green Chartreuse go together like nobody’s business,” he says – along with egg white and a tropical pineapple-vanilla syrup. The egg white gives the ancho a soft bed to lie on; the syrup binds it all together. A last flourish of Angostura bitters atop makes it a magic carpet ride, frothy and floral with a sweet and spicy descent.

DOUBLE UNDER – Emily Arseneau, H&G Sply (2013)

Beet-infused tequila, triple sec, citrus, rosemary syrup, salt

Emily (Perkins) Arseneau, H&G Sply
Mad beetz: Arseneau’s refreshingly vegetal Double Under at H&G Sply.

Who doesn’t love beets? Okay, a lot of people doesn’t love beets. But properly speaking, for those of us who do, this radiant refresher ably answers the call – a simple mix of lively beet-infused tequila, lime and rosemary syrup. Arseneau – now with liquor giant Remy Cointreau – modified this creation by Portland’s Jacob Wallace for the drink list at Lower Greenville’s H&G Sply, toying with the proportions and adding Cointreau; “it’s supposed to be an earthier Margarita that never feels out of season,” she says. The taste is sour beet moxie and tangy lime, with a slight hint of herb. Unabashedly red with a flirty half-skirt of glittery salt, it was a stunner to look at, too.

EL PAPAZOTE – Saul Avila Hernandez, La Viuda Negra (2019)

Raicilla, lime, sherry, epazote syrup

The funky nature of raicilla, an agave-based spirit produced in Mexico’s Jalisco state, was given wings to fly in La Viuda Negra’s El Papazote. (Photo courtesy of Javier Villalva)

Brothers Javier and Luis Villalva’s La Viuda Negra (“The Black Widow”) on Fitzhugh was my favorite addition to the scene in 2019, with a modern rustic interior and delicious cocktails both inventive and sometimes whimsically presented. My favorite of the bunch was El Papazote, which achieved magnificence with its crafty use of funky raicilla, an agave-based spirit still uncommon beyond its native state of Jalisco. Avila gave La Venenosa’s Costa de Jalisco the sweet-and-sour treatment with lime, a dash of sherry and a syrup made with epazote, a leafy herb found in southern Mexico that accents the raicilla’s fruity-floral earthiness.

FLEUR DE FEU – Austin Millspaugh, The Standard Pour (2017)

Elderflower liqueur, green chile liqueur, Angostura bitters, cream

Austin Millspaugh, The Standard Pour
At Standard Pour, Millspaugh’s Fleur de Feu.

At Uptown’s Standard Pour, this creamy off-menu creation, with a name meaning “flower of fire,” was a low-proof treat, a deceptively sweet drink that actually leaned savory. Millspaugh, whose penchant for cocktail alchemy had previously produced a nifty Cognac spin on the classic gin Bijou, was once again inspired: He mixed St. Germain and Ancho Reyes liqueurs with Angostura bitters and poured them into a nifty Nick and Nora glass, then topped it all with a thin layer of cream that he torched it for a burnt marshmallow effect. The result unveiled a stunning contrast between the foamy top and wine-clear body below; the creamy fats lent texture and depth to a bouquet of floral and spicy flavors with smoky overtones. “You think it’s going to be sweet, but your notions are debunked the second you sip it,” he said.

MADAME HUMMINGBIRD – Lauren Festa, Flora Street Cafe (2016)

Vodka, botanical liqueur, honey-piquillo syrup

Flora Street Cafe
At Flora Street Cafe, Festa’s Madame Hummingbird made Hum liqueur great again.

Way back when Rocco Milano helmed the bar at Private/Social, may it rest in peace, he introduced me to Hum, a remarkably profuse hibiscus cordial offering notes of cardamom, clove, ginger and kaffir lime. A love affair was born; I couldn’t get enough of the stuff, and though the fling ran its course, it was always good to see an old flame. At Stephan Pyles’ then-newly opened (and now newly closed) downtown restaurant, that’s how Festa –now at Homewood — lured me in; her flower-garnished cocktail let sturdy Absolut Elyx act as handler, reining in Hum’s exuberance, but the real dash of brilliance was a chili syrup that added a tantalizing jolt of heat. “Hum and heat go well together,” she said. “It brings out the spices.”

MALTA – James Slater, Network Bar (2017)

Italian bitter liqueur, French bitter ginger liqueur, turbinado sugar syrup, blackberries

James Slater, Network Bar
At members-only Network Bar, James Slater’s Malta was berry, berry good.

Several years earlier, when Slater (now at Five Sixty) helmed the bar at now-defunct Spoon, he wowed with an off-the-cuff, darkly bittersweet Fernet-based creation he ultimately called Blue Moon, and he’s been riffing on it ever since. During a brief stint as bar director for the members-only club at Trinity Groves, his newest spin on the drink was a winner: Still mining the bitter mint depths of Fernet, it subbed blackberries for blue and ginger-forward Amer Gingembre for less aggressive Averna. The lush Gingembre tamed the harshness of its predecessor; think of the Malta as a boozy berry detox juice with a dollop of licorice-like sweetness.

MANGO LASSIE – Jesse Powell, Parliament (2018)

Guyanese aged rum, citrus, mango, yogurt, honey, tajin

Jesse Powell, Parliament
Jesse Powell’s boozy play on the classic Indian refresher was a work of mango-nificence.

During a trip to Chicago’s Pub Royale, an Anglo-Indian-style tavern, in early 2018, Powell  — now a local gin and tequila ambassador– discovered the joys of the mango lassi, India’s traditional mango milkshake. Naturally, as he savored its mix of yogurt, mango, milk and sugar, he wondered: How can I translate this into a cocktail? He came through like a champ, structuring the beverage’s viscous, sour-sweet depths atop a foundation of El Dorado 5-year, then garnishing the Creamsicle-orange drink with cool mint and a clever rim of Mexican tajin, the chili powder that often graces that country’s mango street snacks. Poured over crushed ice, it was a tasty summer refresher I still found myself craving in the cold of winter.

MEZCAL SAZERAC – Hugo Osorio, The Theodore (2017)

Mezcal, tawny port, Peychaud’s bitters, tiki bitters, absinthe

Hugo Osorio, The Theodore
New Orleans met Oaxaca in Osorio’s classic spin.

It was actually bartender Sam Gillespie, then of The Mitchell in downtown Dallas, who introduced me in late 2017 to the notion of a Sazerac built on smoky mezcal rather than the classic rye or cognac. His simple switch of spirit was solid and satisfying — but then, the very next day, I dropped by the Theodore, the former NorthPark Center lair where barman Hugo Osorio was unspooling impressive off-menu creations in his spare time. When I asked what he was working on, he replied: “How about a mezcal Sazerac?” Osorio made the drink his own by adding the wintry cinnamon spice of tiki bitters and replacing sugar with a bit of sweet tawny port, serving up a spectacular cold-weather sipper.

ONE MILLION IN UNMARKED BILLS — Pam Moncrief, The Usual (2014)

Old Tom gin, Hungarian bitter liqueur, dry vermouth, herbal honey liqueur, lemon oils

Pam Moncrief, The Usual
Moncrief’s use of Ransom Old Tom gin inspired the name for this fantastic floral foray.

In 2014, I was deep into herbal liqueur exploration, curious to see what bartenders were doing with amaro and other European-based bottlings. One evening at The Usual, Moncrief , who now runs a cocktail pop-up business in Fort Worth, had been experimenting with a blend of Ransom Old Tom gin, herbal Zwack liqueur, Dolin Blanc vermouth and Benedictine, creating a gentle, well-rounded drink with spicy depths. Floral and grape gave way to a honey-bitter finish with a tang that lingered like nightclub ear, with a dose of lemon oils atop adding a nice citrus nose. “I just really enjoy herbaceousness,” Moncrief said. “Zwack and all those amaros are so herbaceous, and I feel like they don’t show up in cocktails enough.” On that we could agree.

ROME IS BURNING – Robbie Call, Vicini (2016)

French orange bitter liqueur, mezcal, Italian bitter liqueur, anise liqueur

Vicini
Call’s response to bitter and smoky: The marvelous Rome Is Burning.

Vicini, we barely knew ye. The Frisco-based Italian restaurant’s all-too-brief run may have been a flash in the risotto pan, but it was long enough for Call to have some fun behind the stick. One slow Sunday, I put the lanky bar veteran, now assistant food and beverage manager at The Statler Hotel, on the spot by asking for something bitter and smoky. His off-the-cuff answer was genius, possibly my favorite on this entire list: A rush of French China-China and Italian Meletti anchored by mezcal and a rounding touch of Herbsaint – bitter orange and chocolate-caramel, grounded in depths of smoke and anise. Simply garnished with an orange peel, it was all I wanted in a glass, a mirepoix of worldly influences. “I’m a big fan of letting amaro drive the car and having the mezcal creep in,” Call said. So am I, Robbie. So am I.

SEPPUKU REALE – Andrew Stofko, Victor Tangos (2016)

Italian bitter liqueurs, furikake syrup, lemon, seaweed, furikake

Victor Tangos
Stofko’s Guinness-black Seppuku Reale artfully merged Italian and Japanese influences.

Amaro Montenegro is a jewel among Italian bitters; it leans toward sweet and herbal with its acridity evident only in tow. In 2016, Stofko, then at Knox-Henderson’s since-closed Victor Tangos, won a local contest with this unexpectedly intriguing taste detour: He reined in Montenegro’s sweetness with a syrup made from furikake (a Japanese spice mix of sesame seed, seaweed, sea salt and bonito flakes), upped the bitter component with Gran Classico liqueur, then added lemon to round it out.  The citrus, however, turned the drink unpleasantly dark, so Stofko went all-in and added a bit of squid ink to turn it Guinness-black. The garnish was his piece-de-resistance – a sprinkling of roasted sesame seeds on a skiff of seaweed floating atop the inky sea. Bring the drink to your nose and your palate was awakened with hints of savory Japanese; instead, you got something completely different – bewitchingly bittersweet taste tempered with piquant nuttiness. “That’s umami in a glass,” said Stofko, now bar manager at Te Deseo in downtown Dallas. “I’m just glad (Victor Tangos) let me put it on the menu.”

SLEEPY COYOTE – George Kaiho and Andrew Kelly, Jettison (2018)

Coffee-infused Oaxacan rum, cinnamon syrup, ancho chile liqueur, horchata

The Sleepy Coyote, a coffee-infused gem from Jettison’s Kaiho and Kelly, got me woke.

Kaiho and Kelly, the personable one-two punch behind the bar at Jettison, Houndstooth Coffee’s sister bar in West Dallas, wanted to create a cocktail using horchata, the Mexican cinnamon rice milk. Specifically, as a popular after-dinner destination, they wanted to craft a dessert drink, so as fans of The Big Lebowski they devised this buzzy riff on a White Russian, using a base of banana-funky Paranubes infused with coffee, cold-brew style. To that they added cinnamon syrup and a splash of spicy Ancho Reyes liqueur, then poured it over crushed ice to unleash rich, fruity cinnamon coffee with a kick.

SOUTHPAW STREETCAR – Alex Fletcher, Henry’s Majestic (2016)

Cognac, persimmon shrub, citrus, clove dust

Henry's Majestic
Fletcher’s Sidecar variation transported you to a winter wonderland.

With drinks such as his miso-inflected Art of War (2013) and a daiquiri featuring a German smoked beer (2014), Alex Fletcher – now beverage director for Dallas’ Hospitality Alliance and AT&T Discovery District – has proven to be among the cleverest of DFW bartenders. In 2016, he concocted this winter wonder at Knox-Henderson’s Henry’s Majestic, where he was GM. Using a batch of his chef’s foraged persimmons, he crafted a shrub – a fruity, concentrated syrup tanged up with vinegar – and consequently my favorite Sidecar variation ever.  A taste of the Southpaw Streetcar bounced along in tangy sweetness when suddenly, BAM! a burst of clove bathed you in winter-fire warmth. Sugar-plum visions danced in your head; in the distance, the jingling of sleigh bells and the sound of muffled hoofbeats in snow – and wait, was that Nana calling? Are the tamales steamed and ready? Oh wait – that was just Fletcher, asking if everything was OK and why your eyes had been closed for the last 10 minutes.

SPEAK OF THE DEVIL – Peter Novotny, Armoury (2015)

Pisco, plum liqueur, lemon, egg white, simple syrup, Port

Speak of the Devil cocktail
Novotny plum’d the depths of his Hungarian upbringing to create this snazzy riff on the classic Pisco Sour.

At Armoury in Deep Ellum, Novotny’s zippy take on the underappreciated Pisco Sour was inspired by his own Hungarian background. “I grew up on Hungarian liqueurs like Pecsetes,” he said, referring to a native apricot brandy. “It’s basically an eau de vie, like pisco. They’re like Hungarian moonshine.” As a fan of sours, he took the Pisco Sour recipe of un-aged brandy, citrus, simple syrup, egg white and Peruvian chuncho bitters and added Hungarian Slivovitz plum liqueur, with a boost of Pedro Ximenez Port for extra plum flavor. The result was a delightfully fruity-sweet homage to classic and cultural origins.

TIGER STYLE – Chad Solomon, Midnight Rambler (2016)

Batavia arrack, calamansi, palm sugar, pepper tincture, egg white, cassia aromatics

Chad Solomon, Midnight Rambler
Solomon’s Tiger Style was a passion fruit wildcat, my favorite among a stellar lineup of exotic cocktails he debuted in 2016, classified as “gritty tiki.”

Chad Solomon’s seasonal drink menus at this downtown Dallas gem are thoughtfully thematic and often exotic, and he was at the top of his game in 2016; his Coconut Cooler, a gin-and-sherry blend sweetened with Southeast Asian pandan, highlighted spring and offered a hint of what was to come – a powerhouse summer menu of “gritty tiki” drinks reflecting Asian, African and South American influences. The Filipino-Indonesian-accented Tiger Style was my fave, a seemingly light mix incorporating a rum-like Indonesian spirit, passion-fruit-esque calamansi, palm sugar and a tincture made from pippali (Indian long pepper) that nonetheless packed a punch. A spritz of earthy cassia aromatics atop a dehydrated lime made it a triumph of creamy orange spice dashed with a hint of Fireball cologne. “The more you drink it, the more your lips tingle,” Solomon said, quite accurately. “It takes you into the exotic, and intentionally so.”

THE NEXT 10:

  • Colada No. 2, Chad Yarbrough, Armoury D.E. (2017)
  • Delight, Scott Jenkins, Hide (2017)
  • Earth Wind and Fire, George Kaiho, Jettison (2018)
  • Grapes Three Ways, Annika Loureiro, The Cedars Social (2016)
  • Holy Smoke, Hector Zavala, Atwater Alley (2015)
  • I’ll Get To It, Josh Maceachern, The Cedars Social (2013)
  • Monkeying Around, Sam Gillespie, The Mitchell (2018)
  • Sesame Daiquiri, Jordan Gantenbein, Abacus (2015)
  • Stripper Sweat, Jackson Tran, Cosmo’s Bar & Lounge (2012)
  • Two Thirty, Mike Steele, The Cedars Social (2013)

Dallas’ cocktail family reels after loss of two beloved bar men on same night

Chad Yarbrough, of Armoury DE. Photo illustration by Austin Marc Graf.

Dallas’ cocktail/spirits community is reeling over the sudden loss of two local bartenders, both lost to unrelated illnesses.

Chad Yarbrough of Armoury, D.E., and Josh Meeks of Henry’s Majestic died within hours of each other late Sunday and early Monday morning.

Yarbrough, who had just turned 33, was a gentle soul whose warmth and steady presence at Armoury, D.E., and beyond earned him the affection of colleagues and patrons alike.

The influence of the force known as “The Cobra” was evident in the outpouring of sentiment that filled his Facebook timeline through the night and into Monday morning, from Shoals’ Omar Yeefoon, who was “absolutely gutted to lose someone so amazing so young,” to High and Tight’s Austin Gurley, who called Yarbrough “one of the most genuine and solid dudes I’ve known.”

The local cocktail/spirits community is tight knit, historically driven by a rising-tide-lifts-all-boats mentality, so when loss hits, it cuts deep and wide. Yarbrough’s abrupt passing is the second to befall the cocktail community – and specifically Elm Street in Deep Ellum – this year, following that of beloved Brick and Bones general manager Ian Brooks, killed by a hit-and-run driver in May.

Yarbrough, who died of liver failure, had been with Armoury and its nearby sister bar, Ruins, since its opening days, and the bar had hosted a fundraiser just two weeks ago to help pay his medical bills at Baylor Dallas.

“Our hearts are heavy today,” read the post on Armoury’s Facebook page. “It is difficult to find the words to describe the loss of such a dear friend to so many of us…. It was our absolute privilege sharing the room with you through the years.”

“We all lost a beautiful soul today and heaven gained an angel,” wrote Spec’s rep Brian McCullough, co-founder of The Standard Pour in Uptown. “I’m so sorry we lost you. I love you brother!”

Keisha Cooper of Uptown’s Circo recalled karaoke nights with Yarbrough and his willingness to dress in drag for a charity event.

Yarbrough behind the stick in a photo taken in April 2017.

“You will always remain a light in this often-dark world that will never flicker, never fail,” she wrote. “Catch you on the flip side, boo.”

“This guy had the biggest heart,” said Austin Marc Graf of Henry’s Majestic, who said he was there the night Yarbrough got his first tattoo.

And Shoals co-owner Michael Martensen remembered how Yarbrough would stop by the bar daily on his way to 7-Eleven just to say hi and shake hands.

“Getting to know Chad Yarbrough over the past years was a joy,” Martensen said. “Enjoy the ride, Chad. You earned the respect and trust of many.”

And encapsulating the thoughts of the entire community, he finished by saying, “I am blessed to have known you.”

Meanwhile, on its Facebook page, Henry’s Majestic announced the loss of Meeks, who had joined the bar earlier this year. “He was always happy to serve you and make you feel at home,” the post read.

Cool beans: Aquafaba, or chickpea water, is gracing cocktails and making vegans happy

Hugo Osorio, The Theodore
Bartender Hugo Osorio uses aquafaba instead of egg white to give his mezcal-based cocktail a nice foam layer that he garnishes with a few sprinkles of a beet-ginger cordial.

At The Theodore, at NorthPark Center, bar manager Hugo Osorio enjoys making a good egg white cocktail – from the time and attention it takes to its silky, foam-layered result. But while some of his regulars like to try new things, “when I give them a Whiskey Sour, they’re like, ‘I can’t. I’m vegan.’”

Then he discovered aquafaba, an ingredient that has vegans swooning over its accessibility and versatility. A portmanteau combining the Latin words for bean (faba) and water (aqua) it’s, as Bon Appetit put it, “the translucent viscous goop you probably rinse down the drain when you open a can of chickpeas.”

For most, the typical course of action here is to drain the chickpeas and throw out the liquid. That would be a mistake.

In other words: Chickpea water. Now, in Dallas and around the country, aquafaba is becoming part of the bartender’s toolkit – and while patrons might struggle to tell the difference, bartenders say it offers distinct advantages over egg white.

As detailed on his site Aquafaba.com, it was Indiana software engineer Goose Wohlt who sparked aquafaba’s popularity in 2015 after finding a French chef’s video showing how the liquid from beans, or hearts of palm, could be used, in tandem with starch and gum, to make a vegan meringue for a chocolate mousse. After some experimentation, he found that chickpea liquid could be used all by itself to achieve the same effect – and posted his discovery to a popular vegan Facebook page.

It’s since spawned a fervent vegan following and a persnickety, fast-growing Facebook group with 83,000 members who share and celebrate aquafaba’s culinary possibilities. “Please don’t thank us for adding you to the group!” reads a post pinned to the top of the group’s discussion page. “Posts like that will be deleted, and a comment on this post only clutters up the questions people may have. Thank us by diving into your kitchens and creating something AQUAFABULOUS!”

It’s all good: Drained chickpeas on the right, highly usable cocktail goodness on the left.

At Uptown’s Standard Pour, assistant manager Reid Lewis came across aquafaba after feeling compelled to seek egg-white alternatives “with the surge of veganism and healthy eating and people being conscious of all that.”

She started using it for Whiskey Sours and even the painstaking Ramos Gin Fizz, but it didn’t actually appear on a menu until By Any Other Name, a New Year’s Eve menu option including gin, sweet vermouth, lemon and pink peppercorn.

At Shoals Sound & Service in Deep Ellum, bar manager Omar Yeefoon, who is vegan, has made aquafaba a firmly embedded feature at his classic-cocktails-minded bar. There, it helps make the Pisco Sour – anchored by gorgeously floral Caravedo Torontel pisco – a silky swig of beauty.

In cooking, egg whites are added for texture, generating a mix of airiness and lift that enhance the dish. In cocktails, they produce a layer of velvety foam that’s visually striking and soft on the palate, one that can be garnished with a splash or swirl of bitters, or a sprig of thyme. “The fat from eggs soaks up flavor,” Yeefoon says. “That makes a Sour (cocktail) soft and nice.”

A tale of two Sours: On the left, a Whiskey Sour made with egg white; on the right, the same with aquafaba.

But egg white has its disadvantages, and not just for vegans: One shortcoming is a faint, off-putting aroma that some compare to wet metal or even wet dog. That’s easily counteracted with a splash of aromatic bitters, or an herb or floral garnish, since the foam layer doubles as a convenient canvas. It’s a happy union.

Aquafaba, like egg white, acts as an emulsifier and a foaming agent. But bartenders say it freezes well and offers better consistency and efficiency without altering the taste of the drink.

Shoals Sound & Service
At Deep Ellum’s Shoals Sound & Service, owner Omar Yeefoon, who is vegan, began replacing egg white with aquafaba for drinks like this Pisco Sour.

“It’s almost hard to tell the difference,” Yeefoon says. “The texture is nice, without that fat blocking a lot of the sharp edges. It doesn’t interfere with the other ingredients as much as egg white does, either.”

With an egg-white cocktail, bartenders start with a “dry shake,” shaking the egg white and ingredients without ice to start the emulsification. Some begin by shaking the egg white solo, then adding the other ingredients, except for the ice, and shaking again. Then the ice is added for a final shake before straining into a glass.

With aquafaba, the process is much the same. Osorio actually skips the dry shake altogether, shaking the aquafaba, ice and other ingredients simultaneously. And most say the process doesn’t take as long as egg white, using anywhere from one-third to half an ounce of aquafaba per drink.

Christine Farkas of Canada-based IHeartFood consulting uses aquafaba mostly for cooking, but she’s dabbled in cocktails as well, preparing her foam with sugar before combining it with the rest of the ingredients for shaking. (Her recipe for a Pineapple Pisco Sour, which includes a lime aquafaba preparation, can be found here.)

“When it comes to aquafaba, you can’t over whip it,” says Farkas, who I met at last year’s International Association of Culinary Professionals’ annual conference. “You can whip it up; it has structure. And if it deflates, you just whip it up again. It’s one of those cost-effective ingredients, a byproduct we would normally be tossing out.”

aquafaba
Osorio puts the finishing swirls on a new mezcal drink that features aquafaba in place of egg white to create a smooth foam layer for garnishing.

It’s no coincidence, then, that a chickpea salad sandwich appeared on Shoals’ minimalist menu soon after Yeefoon started using aquafaba. While he prefers canned chickpea water (for the preservatives), Osorio of The Theodore, which also offers hummus, procured raw chickpeas from the kitchen and let them sit in water for a couple of days, oozing proteins, to make his own.

Reaction has been positive. “People find it really cool that you can work around their lifestyle,” Lewis says. “It’s nice to have that flexibility behind the bar and make sure there’s something for everybody.”

Both Standard Pour and The Thedore plan to add aquafaba cocktails to their spring menus. Osorio’s, shown above, features mezcal, lime, agave syrup, Yellow Chartreuse, orange blossom water, tarragon and a few dashes of a beet-ginger cordial.

“People are really surprised,” Osorio says. “Especially the vegans. Because when you make things their way, they get excited.”

Here’s how to make a Whiskey Sour using aquafaba:

INGREDIENTS
2 oz bourbon
1 oz fresh lemon juice
1/2 oz simple syrup
1/3 to 1/2 oz aquafaba

Add ingredients to a shaker with ice and shake vigorously for about 30 seconds. Strain into a glass (iced, if you prefer) and garnish with half an orange wheel and a maraschino cherry.

 

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Massive charity pop-up back for sixth time to help hospitalized kids

The Ultimate Cocktail Experience, coming soon to a Klyde Warren Park near you. (Photo by Don Mamone)

Oh, Cocktails for a Cause. My, how you’ve grown.

Four years ago, the annual, bar-industry-driven fundraiser for Triggers’s Toys was a modest Christmas-season party at The Standard Pour, with 50 bartenders in Santa hats raining cocktails upon their mirthful elf minions. These days… well, look at it: Repositioned in the expansive savanna of Klyde Warren Park, this benefit behemoth, now dubbed the Ultimate Cocktail Experience, last year raised more than $200,000 and aims to exceed that this time around. Naturally.

The 2017 version of the Ultimate Cocktail Experience is set to go down on Saturday, Sept. 30, from 6:30 to 10 p.m.  There will be food trucks and a charity casino area. Tickets, which range from $65 to $125 for VIP status, are available here. Or you can get your tickets for $80 at the door.

This big boy pop-up is the brainchild of Bryan Townsend, vice president and sales director for spirits producer The 86 Co., who a decade ago was a corporate wonk who didn’t like his job very much. In 2008, he left his job and began to focus on other things – including his dog, Trigger.

One day he was a Grapevine hospital with his newly trained dog when he met a nurse distressed about a young girl who’d been in therapy for a year, unable to socialize with others. Townsend suggested that maybe the girl would like to give Trigger a treat.

The girl did, and Townsend wondered if she might follow the dog through one of the hospital’s children’s ward play tunnels. Then that happened too. The nurse retrieved the girl’s mother. “It was the first time she’d ever crawled,” Townsend remembered.

Inspired by the experience, Townsend launched Trigger’s Toys, a nonprofit that provides toys, therapy aids and financial assistance to hospitalized kids and their families. That’s the organization at the heart of the revelry that now includes bartenders, brand reps and spirits distributors from Texas and beyond who come to lend their shaking, stirring hands.

A scene from 2016’s Ultimate Cocktail Experience at Klyde Warren Park. (Photo by Don Mamone)

Recast as a global throwdown, the Ultimate Cocktail Experience puts forward six unique bar “concepts,” each representing a different part of the world with drinks to match. This year’s showcased locales are Mexico City, London, New Orleans, Hong Kong, Havana and Casablanca, and each station’s drink lineup will include a classic drink and a non-alcoholic selection.

In the mix this year are bartenders Ash Hauserman of New York’s Havana-themed Blacktail, named Best New American Bar at this summer’s Tales of the Cocktail festival, and Iain Griffiths of London’s Dandelyan, which won the honor of the world’s best cocktail bar.

This year’s teams, classic drinks and team captains are as follows:

  • Casablanca (Mule): captain Andrew Stofko (Hot Joy, Uptown)
  • Havana (Daiquiri): captain Ravinder Singh (Rapscallion, Lower Greenville)
  • Hong Kong (Rob Roy): captain Robbie Call (most recently of Filament, Deep Ellum)
  • London (Gin & Tonic): captain Omar Yeefon (Shoals Sound & Service, Deep Ellum)
  • Mexico City (Margarita): captains Brad Hensarling (The Usual, Fort Worth) and Megan McClinton (Thompson’s, Fort Worth)
  • New Orleans (Sazerac): captain Keisha Cooper (Shoals Sound & Service, Deep Ellum)

For more information about Trigger’s Toys or to donate, visit www.triggerstoys.org.

Muscle your way to Shoals, Deep Ellum’s newest (and grooviest) cocktail den

Omar Yeefoon
The backbar at Shoals.

Shoals Sound & Service, the retro cocktail den from local cocktail luminaries Omar Yeefoon and Michael Martensen, is now open in Deep Ellum, after quietly marking its official opening night Thursday.

Deep Ellum
That 70’s, Shoals: Get your groove on.

The svelte Elm Street locale is sexy and soulful,  recalling the vibe at Bar Smyth, the swanky, short-lived speakeasy that both Martensen and Yeefoon once inhabited in Knox-Henderson. The vibe at Shoals is much more laid-back, all wood and angles and curves and comfort, with nifty artsy touches and a lounge-y back area with zig-zag-design love seats.

Shoals Sound and Service
Barman Yeefoon, shaking up a Sidecar.

Patrons can get their groove on with a classics-driven drink menu (think Sidecars, Old Fashioneds, Daiquiris and French 75’s) or go off-menu with the bar staff’s own whims — or call your own shot, like a Bols Barrel-Aged Genever Old Fashioned. Liquid refreshment comes served against a 1970s backdrop with vinyl tracks from Al Green and Elton John occasionally topping the turntable.

Deep Ellum
Love and happiness: Shoals’ retro vibe includes plenty of vinyl.

The food offerings are simple, with vegan options available: The sandwich leans either bologna or veggie; the delicious empanadas, beef or veggie. Butter beans and jars of in-house pickled veggies are on the list too.

Martensen, who is also a partner in the Arts District’s Proof + Pantry, delivered a Champagne toast to mark Shoals’ opening, proudly acknowledging the team behind the bar. “The sacrifice they have given over the hurdles that I’ve given them are far beyond what I would have ever expected,” he said.

Deep Ellum
Shoals’ vibe is decidedly 70s retro.

It’s  a treat to see Yeefoon behind the bar again; after stints at Bar Smyth and The People’s Last Stand, the talented Dallas native spent a couple of years as Texas representative for The 86 Co., a now-ubiquitous New York-based line of spirits, but he never really quite warmed to the business side of the industry.

Now, with his smooth manner and signature shake, he seemed at home. Had he much missed behind being the bar? “Every day of my life,” he said.

SHOALS SOUND & SERVICE, 2614 Elm Street, Dallas.

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Halloween party, at least for a night, raises classic Dallas cocktail team from the dead

 

Victor Tangos, where Monday's Halloween bash benefits a good cause. Photo by Mei-Chun Jau.
Victor Tangos, where Monday’s Halloween bash benefits a good cause. Photo by Mei-Chun Jau.

Here’s some Halloween weekend activity that won’t have you saying Boo.

Monday’s event at Victor Tangos is the highlight, and the costume party/cocktail fest doubles as a charity effort, with proceeds benefiting Dallas CASA, an agency that helps abused and neglected children find safe and permanent homes.

Bar Smyth
Josh Hendrix and Omar YeeFoon, behind the bar at since-closed Bar Smyth. Now spirits ambassadors, both will be pouring at the Victor Tangos event.

The longtime Knox-Henderson craft-cocktail den is teaming up with Brian Floyd of The Barman’s Fund, a national organization of bartenders who hold monthly events to benefit worthwhile causes and donate their night’s tips to the proceeds.

The Victor Tangos party features an all-star cast of Dallas bar industry pioneers, including five members of the original teams at milestone craft-cocktail joints Bar Smyth and/or The Cedars Social, both of which earned national acclaim: Michael Martensen, Mate Hartai, Josh Hendrix, Julian Pagan and Omar YeeFoon.

Joining them will be Victor Tangos vet Emily Arseneau, Brian McCullough of The Standard Pour, Midnight Rambler’s Zach Smigiel and spirits distributor Kristen Holloway.

The fun gets underway at 7 p.m. with drink specials, with tracks spun by DJ Bryan C and prizes to be awarded for the best, most outlandish and most inappropriate costumes.

Meanwhile, on Saturday, the classic Windmill Lounge on Maple Avenue will hold its annual Halloween bash with drink specials, a midnight costume parade and contest ($100 for first place!) and DJs Chris Rose and Genova providing the beats.

The Windmill's Halloween party gets underway at 9 p.m. (Image courtesy of Windmill Lounge)
The Windmill’s Halloween party gets underway at 9 p.m. (Image courtesy of Windmill Lounge)

Both events are free.

Victor Tangos, 3001 N. Henderson, Dallas.

Windmill Lounge, 5320 Maple Avenue, Dallas.

Edgy, fun and sexy: LARK on the Park meets The 86 Co., and everybody wins

Jason Kosmas
The 86 Co. spirits line, shown here at New Orleans’ Gravier Street Social.

Perhaps you are accustomed to your wine and beer dinners being proper, stately affairs. Perhaps you are given to gatherings punctuated with string quartets and at which your only words to a total stranger might be “Check, please.”

Then perhaps you are not quite prepared for Aug. 18’s “86 & Noise” dinner that aims to infuse Dallas’ LARK on the Park with an experience that head barman Matt Orth calls “edgy, fun and sexy.”

Imagine realigned tables and a revamped sound system. “It’s going to be as brash as possible,” Orth says. “But in a good way. We want you guys to mingle and jump around.”

And, possibly, to jump up and get down.

The four-course dinner will highlight The 86 Co., the celebrated spirits line launched in late 2012 by a trio of fine gentlemen including Austin-by-way-of-Dallas-resident Jason Kosmas. Kosmas, co-founder of legendary New York craft-cocktail bar Employees Only, will host the dinner along with Orth and 86 Co. Texas brand ambassador Omar YeeFoon.

“It’s not going to be like your normal wine-tasting dinner,” YeeFoon says. “We’re gonna try to make it very communal. We’re going to try to get people who don’t know each other to sit together.”

Bombay Sapphire competition
LARK on the Park’s Matt Orth, who not only knows how to make a good drink but how to enjoy one too.

In other words, wear deodorant. But mostly, prime your palate for a 6 p.m. cocktail hour with cocktails and tastings of The 86 Co.’s signature spirits: Tequila Cabeza, Ford’s Gin, Aylesbury Duck & Weave Vodka and Cana Brava Rum.

Dinner – which will include grilled shrimp, steak tartare and grilled jerk chicken – will start at 7 p.m., with each 86 Co. spirit having its turn in a Matt Orth-designed cocktail to accompany each course.

“The whole idea behind it is to just be fun,” YeeFoon says.

Tickets are $75 plus tax and gratuity. I’d make reservations if I were you.

LARK ON THE PARK, 2015 Woodall Rodgers Fwy, Dallas. 214-855-5275.

Mixing craft cocktails with live music: A welcome experiment, Thursday at The Loft

The Loft Dallas
Satisfy your cravings for both craft cocktails and live indie music simultaneously. Thursday, at the Loft. (Image courtesy of Haggar/CultureCollide)

Drink and song have long gone together, from them good ole boys drinkin’ whiskey and rye to Jimmy Buffett wasting away in you-know-where. So why not pair up some indie music with some craft cocktails? Or put another way: Some rock and roll with some shaken and stirred?

Spune, the promotions peeps who brought you the Untapped music-and-beer festival and Deep Ellum’s Index Fest, have another mix up their sleeve Thursday when the Walkmen’s Peter Matthew Bauer plays an all-ages show at The Loft: Local craft bartenders Trina Nishimura and Omar YeeFoon will be slinging cocktails, and if your worldly experience has introduced you to either one you know that their libations are exactly like music to your mouth.

The show, which starts at 7:30 p.m., is sponsored by Haggar Clothing Co. and Culture Collide. Southern Renaissance will open. Admission is free, but you must RSVP here. And then maybe VSOP there. Just get on it ASAP.

THE LOFT, 1135 S. Lamar, Dallas.

 

Amid the mayhem, camaraderie: Texas weathers the Tales of the Cocktail storm

Tales of the Cocktail's Absolut Welcome Party
At Tales of the Cocktail’s opening party, the great Dale DeGroff crooned Sinatra-style standards.

NEW ORLEANS — Here in the city that sets the standard for revelry, you never know what you might see: A Santa Claus in shorts, random people on stilts, or perhaps a llama. Add to that the loosely organized mayhem that is Tales of the Cocktail, the spirits industry’s largest national gathering, and you‘ve got “Rum Institute” class sessions, tasting stations disguised as giant Cointreau bottles and sponsored parties teeming with booze and spectacle.

Exhibit A: Absolut Vodka’s Wednesday-night welcome bash at Mardi Gras World, a circus-themed soiree featuring drink-slinging midway characters, Andy Warhol lookalikes in various sizes and craft-cocktail founding father Dale DeGroff crooning jazzy standards in the garden of gigantic floats. Or: the acrobat-dotted William Grant & Sons-sponsored party at Lakefront Airport, a restored art-deco edifice where I’m 85 percent sure I saw a camel.

Clockwise, from upper left: Esquire's David Wondrich at a Tales workshop; The Old Absinthe House; French Quarter llama sighting; The 86 Co.'s Jason Kosmas; Italian amaro producer Orietta Varnelli; a freakin' camel; a TOTC cocktail.
Clockwise, from upper left: Esquire’s David Wondrich at a TOTC workshop; The Old Absinthe House; French Quarter llama sighting; The 86 Co.’s Jason Kosmas; Italian amaro producer Orietta Varnelli; a freakin’ camel; a TOTC cocktail.

This was the 12th annual TOTC gathering; nearly 23,000 people attended last year. The whole experience can be a bit much, a day-to-day beatdown so grueling that it’s tempting to keep score. “Goodnight NOLA, you’re a worthy adversary,” went Dallas’ Trina Nishimura’s fifth-night post on Facebook. “This round however, goes to me.” (Her final score: NOLA 2, Trina 2, draw 1.) But the frenzy couldn’t obscure the little things that make the annual festival special: The random run-ins with friends not seen since last year, the face-to-face encounters with people known only through social media, the new friends made over spirited dinners and Thursday’s massive midnight toast outside the Old Absinthe House by members of the U.S. Bartenders Guild. The days were sprinkled with seminars on topics like bitters, a history of women working behind the bar or the Chinese spirit baijiu, but it was also worth taking a breather to browse the event’s bitters-and-book store or the Cocktail Kingdom-run shop with its gold-plated jiggers and beautifully reproduced vintage tomes like “Harry Johnson’s Bartender’s Manual – Or: How To Mix Drinks of the Present Style” (1900 edition).

Tales of the Cocktail 2014
DFW’s Bonnie Wilson held down one of Anchor Distilling’s tasting stations.

The Lone Star State was well represented. It was Texas, of course, that kicked off the jauntiness with Wednesday morning’s Tiki Throwdown at host Hotel Monteleone. The next day, Bonnie Wilson, beverage program manager forFrontburner’s Fork It Over Restaurants – think Plano’s Whiskey Cake or The Ranch at Las Colinas – crafted mini cocktails for the sampling hordes at one of numerous drink stations in Anchor Distilling’s tasting room. Later that afternoon, Austin’s Chris Bostick represented not just Texas but an entire gender at a Battle of the Sexes event sponsored by Mandarine Napoleon. And that night, Dallas’ Brad Bowden (Barter) and Christian Armando (The Standard Pour) were among the many visiting bartenders getting behind the stick at festival-related parties popping up at French Quarter-area locations.

Tales of the Cocktail 2014
In case you ever wondered what a Rum Institute looks like. Presented by Angostura.

Austin-via-Dallas resident Jason Kosmas, the easygoing co-founder of legendary New York bar Employees Only and one of the driving forces behind Dallas’ now thriving craft-cocktail scene, took some time to talk up The 86 Co., the fledgling spirits line he started with fellow EO barman Dushan Zaric and liquor ambassador Simon Ford. He held afternoon court at New Orleans’ Gravier Street Social, describing his products like a proud daddy recounting his 3-year-old’s budding sports prowess. “If it wasn’t for Tales, I don’t think we would have had the resources and relationships to take it to the next level,” he said.

Friday night would bring yet another party, this one sponsored by The 86 Co. – the annual bar battle pitting half a dozen bars from around the country against each other in a raucous atmosphere to see who could best handle the pressure, evoke their home environment and make the best set of cocktails. In short: To see who was mas macho. As with last year’s event — at which Dallas’ late Bar Smyth made an admirable showing — the throwdown was promoted boxing-style, this time with fancy posters and clever profile cards proclaiming each bar’s staff, fighting styles and words of warning to the competition. In addition to the Tiki Throwdown team, the night’s powerful Texas showing included at least a half-dozen Dallas-based state beverage reps; bartenders Alex Fletcher of Victor Tango’s, Sissy’s Southern Kitchen’s Chase Streitz, Barter’s Stephen Halpin and Brad Bowden, Libertine’s Will Croxville and Driftwood’s Ryan Sumner; even cocktail gadabout Sean Reardon.

Upstairs, Houston bartending luminary Bobby Heugel poured mezcal. Vegas-based “Modern Mixologist” and author Tony Abou-Ganim singlehandedly lit up an entire corner of the dark room with his big-time smile. There was New York’s Julie Reiner, co-founder of the Flatiron Lounge, Pegu Club and Clover Club – but wait, who was that once again behind the bar at The 86 Co.’s  station? None other than Dallas’ own Omar YeeFoon, the former Bar Smyth/Cedars Social cocktail magician who joined The 86 Co. as Texas state brand ambassador earlier this year.

Tales of the Cocktail 2014
Bar Fight Club, clockwise from upper left: Trick Dog’s drink menu; The Williams & Graham team; Texas’ Brian McCullough and Jason Kosmas; New York’s NoMad squad; happy revelers; the guys from Herbs & Rye; Dallas’ Omar YeeFoon; The menu from Boston’s Backbar; Bar Fight Club 2014’s poster.

My favorite sips of the evening, aside from the chicory-syrup-enhanced Milk Punch Hurricane poured at Boston’s Backbar, leaned toward the trending mezcal, including Vegas-based Herbs and Rye’s brilliant Smoking Mirrors – a spicy, sweet and smoky mix mining Fernet and pineapple syrup – and Denver stalwart Williams & Graham’s voluptuous Gold Digger, which matched the smoky agave spirit with Pierre Ferrand dry curacao and two kinds of sherry.

San Francisco’s Trick Dog would take the judges’ top prize, boosted by its carnival theme and cocktail-filled watermelons suspended in mini hammocks for midair imbibing through tiny spouts. Williams & Graham’s team – whose lead man, Sean Kenyon, would earn Tales’ nod as American Bartender of the Year, worked hard to recreate the bar’s library-esque atmosphere. A guy from New York’s NoMad climbed atop the bar and rained shots of premium mezcal into willing mouths, while Backbar was fronted in part by a fierce and impressively bearded madman with habanero eyes. Los Angeles’ Harvard & Stone was back there in a corner somewhere, out-crazied by the adjacent team from Herbs and Rye with its gaudy chandeliers and a leopard-bikini’ed woman the size of a Galliano bottle primping atop the bar, which in turn inspired Seattle bar man Rocky Yeh to peel off his shirt, leap aboard and let out his best beastly roar.

Tales of the Cocktail 2014
You’ll have whatever he makes you. At Boston’s Backbar station at Fight Club 2014.

Could that have been what ultimately earned Herbs and Rye the People’s Choice award? Who knows, but it was that kind of night. It was that kind of week. And for a community whose living revolves around giving guests a great experience, a time to soak in camaraderie and a great experience for themselves.

“I’m Dallas bound,” wrote TOTC first-timer Lauren Spore, a cocktail waitress at Southlake’s Brio Tuscan Grille, in a Facebook post when it was all over. “But thank you to everyone I met, the new friends I made and the old friends who helped make this even more amazing. This has been one of the most incredible experiences I’ve ever had in my life and to all the people who made it happen, thank you.”

Tales of the Cocktail 2014
Words can’t even: The Absolut Welcome Party at Mardi Gras World.

 

Follow the bouncing ballers: Bar peeps on the move

Clyde Mays Old Fashioned competition
Omar, we hardly knew ye: YeeFoon, The 86 Co.’s new Texas state ambassador.

The spirits scene is fluid. People move around, and maybe you’ve lost track of a few. Barmoire is here to help you out.

 

Last month came the official news that bartender extraordinaire Michael Martensen planned to open Proof + Pantry at One Arts Plaza; that’s still on track, with the space – formerly the Commissary – opening hopefully before summer. But while Martensen had hoped to reassemble the fine crew of bar talent that had formerly held sway at The Cedars Social and Bar Smyth, it appears at least one band member won’t be joining the reunion: Omar YeeFoon, who is joining Jason Kosmas’ The 86 Co. as Texas brand ambassador.

“I’ll be working with friends,” YeeFoon said last week over pasta and cocktails at the Windmill Lounge’s inaugural Spaghetti + Western night. “And it’s a product and a brand I believe in.”

Fork It Over Restaurants
Movin’ up the chain: Wilson, bar programs director for Fork It Over Restaurants. (Courtesy of Fork It Over Restaurants)

Meanwhile, Bonnie Wilson, the bartender who helped put Whiskey Cake on the cocktails map in Plano before taking over the bar program at The Ranch at Las Colinas, is now bar programs director for the entire group of Fork It Over Restaurants, which includes Mexican Sugar and Velvet Taco. Fork It Over has already expanded the Whiskey Cake brand to Oklahoma City and will soon open one in San Antonio.

Caledonia Spirits
Representin’: Farm-fresh-minded Amber West now with Vermont’s Caledonia Spirits

We’ve also missed the upbeat presence of Amber West, former lead bartender at Central 214 at the Hotel Palomar whose garden-to-bar enthusiasm never failed to mesmerize. West is now Texas brand ambassador for Caledonia Spirits, the Vermont-based company that produces honey-tinged Barr Hill Gin and other liquid goodies soon to appear in bars and restaurants around the state. She and her new portfolio were behind the cocktails at last Saturday’s Polo On the Lawn fundraiser in Oak Point.
She’d met Caledonia founder Todd Hardie through former Central 214 chef Graham Dodds; their similar views forged a connection. “Caledonia Spirits is all about his connection with the land, beekeeping and farming,” she said. “It’s beautiful.”

Nora and Windmill Lounge
If you’ve been looking for this guy, he’s taken his talents to Maple Avenue.

 

Meanwhile, for those who’ve been wondering whatever happened to bartender Michael Reith, the man whose drinks once shone at Lower Greenville’s Nora, the low-key barman has resurfaced at the esteemed Windmill Lounge on Maple Avenue, where he was last seen firing up cider-y accompaniments for the divey spot’s just-launched, above-mentioned Spaghetti + Western dinners on Mondays.