Tag Archives: Chad Solomon

From Italy to Mexico to Southeast Asia, global flavors marked 2016’s best in DFW cocktails

Some of 2016's best, clockwise from upper left: At Abacus, Gantenbein's Smoke on the Water; at Jettison, Kaiho's Good Morning Jerez; at Sprezza, Zapata's Aperrat Sour; and at Henry's Majestic, Fletcher's Salt Lake Suburb.
Some of 2016’s best, clockwise from upper left: At Abacus, Gantenbein’s Smoke on the Water; at Jettison, Kaiho’s Good Morning Jerez; at Sprezza, Zapata’s Aperrat Sour; and at Henry’s Majestic, Fletcher’s Salt Lake Suburb.

The demands of the local craft-cocktail scene are too much for one country to handle, and the luckier we all are for that: 2016 was the year that Mexico, Spain and Italy came to the rescue. You could almost sense the year’s cocktail vibes being garnished with a neat little Luxardo cherry as north Oak Cliff’s Jettison opened in October, capping a year in which mezcal tilted even more mainstream, bitter liqueurs took center stage and sherry quietly earned a place at the table.

All three claimed territory on cocktail menus as bartenders became not only more versatile with each but confident that their patrons would drink them, too. Sherry popped up in drinks from heavyweights Knox-Henderson’s Victor Tangos, Abacus and Atwater Alley to newcomers like Oak Lawn’s Sprezza, Uptown’s Next Door and Flora Street Café, in the Arts District. Nowhere, though, was the Spanish fortified wine wielded more freely than in the dark confines of Jettison, where George Kaiho’s cocktail list spotlights sherry and mezcal – and occasionally coffee, as in his wonderful Good Morning Jerez. Spirits writer Warren Bobrow, who blogs at The Cocktail Whisperer, predicts sherry cocktails will be a national trend in 2017 – so way to go, DFW. You’re ahead of the game.

That wasn’t all 2016 had in store: Cachaca, the national spirit of Brazil, had a starring role in at least half a dozen spring menu highlights around town; banana, typically maligned and eschewed as a flavor in cocktails, enjoyed a solid summer run (as in the Magilla Gorilla at Deep Ellum’s Brick and Bones, made with banana-infused rye); and cognac, typically relegated to Sidecar status, tried on some new outfits  – as in Andrew Stofko’s tasty Cobra Kai at Victor Tangos, which put cognac front and center backed by sherry(!), dry vermouth, fuji apple syrup and bitter amaro.

Some of the year’s strongest overall drink lineups lay in typical strongholds like Midnight Rambler, Parliament and The People’s Last Stand, but the bar team at Knox-Henderson’s Abacus quietly made noise while The Cedars Social, the landmark lounge just south of downtown, showed solid signs of returning to top-tier status.

Among the year’s highlights: At Henry’s Majestic, Alex Fletcher’s Salt Lake Suburb – rye, apple shrub and soda – was a feat of simplicity; at Italian restaurant Sprezza, Daniel Zapata’s Aperrat Sour mined Aperol’s citrus-floral radiance. At Sissy’s Southern Kitchen, former lead barman Michael Reith smashed a home run with his strawberries-and-bourbon Louisville Slugger; and at Deep Ellum’s Armoury D.E., Chad Yarbrough’s Bow Street Bouncer elegantly echoed a classic Boulevardier with Irish whiskey, Lillet Blanc, aperitif wine and bitter Suze.

My tastes are my own, of course. I love the juniper of gin and the smoke of mezcal, the warm comfort of whiskey and the bittersweet beauty of Italian amaros; I’m drawn to flavor combinations that lure me down rabbit holes I haven’t been before and favor any drink offering a mouthful of an experience, where every ingredient, down to the garnish, is discernible or enhancing in some way.

Here were my favorite 15 craft cocktails of 2015.

Cedars Social
A better name than Eleven-Fifty: Mike Sturdivant’s coffee-bean-laced cocktail.

15. TEN MINUTES TILL MIDNIGHT (Mike Sturdivant, The Cedars Social)

Sheep’s Dip Scotch, Cynar, vanilla syrup, Suze, burnt coffee bean

This is dessert in a glass for people who love Old Fashioneds. As a craft bartender, one is practically required to go through a Cynar phase, and as Sturdivant, Cedars Social’s bar manager, went through his, he knew how well the Italian bitter played with coffee. Challenged by a European guest’s veteran palate, Sturdivant devised this drink late one evening; you can guess the time. He mixed bitter Cynar with vanilla syrup, Suze and bourbon-y Sheep’s Dip Scotch, garnishing it with a rolled lemon peel filled with burnt coffee beans that sit right up in your nose as you sip. The result evokes chocolate cake with a slight bitter finish and almost clings to your tongue, the beans guiding your senses. “The chocolate versus bitter versus strong Old-Fashioned-style drink kind of goes in and out as you smell the coffee,” Sturdivant says. “I like drinks that change flavors as they sit.”

Filament
In the garden of gin and vermouth: Filament’s Push It tiptoed through my two lips.

14. PUSH IT (Seth Brammer, Filament)

Gin, Cocchi Rosa, lemon, pink peppercorn, sea salt

As I wrote in March, Cocchi Rosa, the lush and rosy vermouth variation from the fine folks at Cocchi, is one of the best things you’ll ever put in your mouth. Flowery and fruity with the slightest hint of bitter, it’s a sensational sipper on its own, but beverage manager Brammer’s creation subtly backed it with gin’s botanical notes and a splash of lemon to round it out. Served in a Collins glass with floating peppercorns and a rim of fine sea salt, it was playful and beautiful to look at – but those little pink globules were more than decorative, adding a floral pop of their own. If Tom Collins and sangria had a little garden rendezvous, this would be the result.

Gantenbein's Scarlet Gael: Like drinking Scotch on a bed of pillows.
Gantenbein’s Scarlet Gael: Like drinking Scotch on a bed of pillows.

13. SCARLET GAEL (Jordan Gantenbein, Abacus)

Ardbeg 10-year Scotch, hibiscus tea syrup, honey, lime, vanilla tincture, egg white

The constantly evolving menu at Abacus featured a number of hits from Gantenbein, from Smoke On The Water, his shishito-infused tequila gem, to the whimsical Apple Of My Eye (featuring gelatinized apple pucker) and beautifully seasonal Rosemary Wreath. The Scarlet Gael emerged as my favorite, a drink he initially made for a Scotch-paired dinner and then put on the menu. Smoky and light with a soft citrus finish, it’s a marriage of Ardbeg’s peatiness and the soft sweetness of honey, hibiscus and vanilla, a trio of tiny rosebuds atop the froth.

Spencer Shelton's Rio Julep, evoking memories of Southern monkey bread.
Spencer Shelton’s Rio Julep, evoking memories of Southern monkey bread.

12. RIO JULEP (Spencer Shelton, Bolsa)

Aged cachaca, Cynar, grapefruit bitters, salt dash

A sudden influx of Avua cachaca graced Dallas early in the year, and no one embraced the Brazilian sugar-cane spirit more enthusiastically than Bolsa’s Shelton. Inspired by local bartender Daniel Guillen’s Cynar Julep and notions of Southern monkey bread, he crafted a Boulevardier riff subbing Amburana, Avua’s aged cachaca, for bourbon; Cynar for Campari; and grapefruit bitters and mint for sweet vermouth, to accent the herbaceousness. His creation earned him a nod in Saveur magazine. As I noted in April, Shelton wanted to show how bready, nutty Amburana could shine despite its seemingly delicate character. “The first time I tasted this, I thought it would get lost in a cocktail,” he says. “But no – it has this really interesting way of sitting on top and being predominant.”

Austin Gurley, High and Tight
Among the perks of Deep Ellum’s High and Tight was the coffee-powered Mayahuel’s Awakening.

11. MAYAHUEL’S AWAKENING (Austin Gurley, High and Tight)

Tequila, mezcal, cold-brew vanilla coffee, brown sugar, cinnamon

Fans of Mexican café de olla know the belly-warming sweetness that comes with every sip. This was not that drink – but as I wrote in May, it could have been its boozy cousin. “It pretty much came from my love for Mexican coffees,” says Gurley, who blended concentrated Madagascar cold-brew vanilla coffee with fruity reposado tequila, smoky mezcal and rich brown-sugar simple syrup, completing the salute to its stovetop Mexican relative with a dash of Fee Brothers’ Bourbon Barrel bitters, with its notes of cinnamon and vanilla. Served in a coupe half-rimmed with cinnamon-vanilla sugar, it was a perfect nightcap of comforting café de olla flavor and agave-spirit brawn, whose name (say it “ma-ya-WELL)” recalls the Aztec goddess of fertility and agave, from which mezcal and tequila are born.

Boulevardier
Ashley Williams’ Save The Date was a delightful riff on the Pisco Sour.

10. SAVE THE DATE (Ashley Williams, Boulevardier)

Aged cachaca, tamarind concentrate, amaro, egg white, lemon, Angostura bitters

As cachaca danced its way through Dallas last spring, it was Avua’s aged Amburana that shone brightest with its full-bodied cinnamon grape-y-ness. Williams, now at Filament, mixed the nutty, bready spirit with savory tamarind concentrate, bittersweet Meletti amaro, egg white, lemon and Angostura bitters for a wonderfully balanced variation on a Pisco Sour. The cachaca refused to be buried, dominating the finish with a hint of bitter Meletti. Lavishly presented with a radiant and aromatic flower resting atop the foam amid swirls of Angostura, it was one I could have enjoyed all night.

Parliament
Jesse Powell’s banana-influenced rye cocktail is not a Toronto, but it smacks you like one.

9. NOTATORONTO (Jesse Powell, Parliament)

Rye, banana liqueur, Fernet Vallet

Powell, a crowd favorite at busy Parliament, is used to pouring shots of whiskey or bitter Fernet for visiting bartenders, but as he briefly obsessed over Giffard’s lovely Banane du Bresil liqueur, he decided to try something different. “I thought – what do I like to drink, cocktail-wise, with Fernet?” he says, and the answer was a Toronto, a mix of Canadian whiskey, Fernet, simple syrup and bitters. Eventually he came up with this blend of Tennessee’s Dickel rye, Banane du Bresil and Mexican Fernet. Perfectly calibrated to meld whiskey power with banana sweet, it’s like a Toronto – but not.

The Standard Pour
Austin Millspaugh’s Bijou variation was one of several innovative ways cognac found its way into DFW cocktails in 2016.

8. COGNAC BIJOU (Austin Millspaugh, The Standard Pour)

Cognac, sweet vermouth, Green Chartreuse, root beer bitters, black truffle salt

Millspaugh is a cocktail explorer’s bartender, thoughtful and learned with something new always up his sleeve to drop on bold palates. Some of his finest 2016 creations were ultimately too adventurous to make it onto menus in original form, while others – like the one incorporating cuttlefish ink – were just too exotic for their own good. But when Millspaugh hits, it’s a thing of beauty – as in his Cure What Ails Ya, a cross between a classic Penicillin and a sangrita, on Standard Pour’s current menu. My favorite of his creations was this play on the classic Bijou, which subbed Cognac for gin and rounded it out with a well-conceived touch of earthy sarsaparilla flavor.

Flora Street Cafe
At Flora Street Cafe, Festa’s Madame Hummingbird made Hum great again.

7. MADAME HUMMINGBIRD (Lauren Festa, Flora Street Café)

Vodka, Hum, honey-piquillo syrup

Way back when Rocco Milano helmed the bar at Private/Social, may it rest in peace, he introduced me to Hum, a remarkably profuse hibiscus cordial offering notes of cardamom, clove, ginger and kaffir lime. A love affair was born; I couldn’t get enough of the stuff, and though the fling finally ran its course, it’s always good to see an old flame. That’s how the crafty Festa, at Stephen Pyles’ new downtown restaurant, lured me in; her flower-garnished cocktail lets sturdy Absolut Elyx act as handler, reining in Hum’s exuberance, but the real dash of brilliance is the chili syrup, which adds a welcome jolt of heat. “Hum and heat go well together,” Festa says. “It brings out the spices.” Or as my buddy Tim said after trying it: “You don’t even remember what it is that you’re experiencing. All you know is that there’s a perfect storm.”

Henry's Majestic
Fletcher’s Sidecar variation is like sipping through a winter wonderland.

6. SOUTHPAW STREETCAR (Alex Fletcher, Henry’s Majestic)

Cognac, persimmon shrub, citrus, clove dust

What do you do when your chef hauls in 80 pounds’ worth of foraged persimmons? Well, if you’re Alex Fletcher, you think on it a bit, make a shrub and craft my favorite Sidecar variation ever. Fletcher’s Southpaw Streetcar lets you roll along in tangy persimmon sweetness when suddenly, BAM! A burst of clove hits your tongue to bathe you in winter-fire goodness. Sugar-plum visions dance in your head; in the distance, you hear the jingling of sleigh bells and the sound of muffled hoofbeats in snow – and wait, is that Nana calling? Are the tamales steamed and ready? Oh wait – that’s just Fletcher, asking if everything’s OK and why your eyes have been closed for the last 10 minutes.

Atwater Alley
Cleve’s Agave Temptress: Making mezcal and cognac play nice together.

5. AGAVE TEMPTRESS (Ricky Cleva, Atwater Alley)

Mezcal, cognac, cinnamon, lemon, strawberry, Campari, thyme

Cleva was on fire in 2016; his Montenegro-fronted Before The Devil Knows You’re Dead and Japanese-Scotch-based Drunken Angel could easily have made this list. His Agave Temptress was my favorite of all; as winter headed into spring, he’d already been making wintery cognac and spring-evocative mezcal cocktails each featuring cinnamon and lemon, and he figured, why not combine the two spirits? As he quickly found out, it’s because they don’t easily play well together, but as he toyed with adding other ingredients he gradually hit upon a perfect mix, adding muddled strawberry for sweetness and a bit of bitter Campari to dry it out. The result? Tamed smoke and bitter, anchored by caramel-apple cognac; a sprig of slapped thyme atop the drink added a defining touch of spring fragrance.

The Cedars Social
If you like grapes, this is your drink: Loureiro’s Grapes Three Ways.

4. GRAPES THREE WAYS (Annika Loureiro, The Cedars Social)

Pisco, genever, grilled-grape syrup, lemon, port

Put a crafty bartender and a talented pastry chef together and you’ve got magic. (See Rocco Milano and Matt Medling, Private/Social, c. 2011.) Last summer, pastry chef Loureiro, in whose dream world the dessert and cocktail stations would exist side by side, had already paired grape-y Pisco Porton with malty Bols genever when, inspired by bar manager Mike Sturdivant, she amped up the grape with a patio-ready spritzer in mind. First she reflected the distilled grape by grilling fresh Concords and making a syrup – then, after adding some lemon to accentuate the sweetness topped it off with raisin-y tawny port. “We wanted those tannins in there, so you really got the full flavor of grape,” she says. The drink is a wave of tangy, smoky grape, a hefty sangria with the hue of strawberry tea; if grapes you like, this is your drink.

Chad Solomon, Midnight Rambler
Solomon’s Tiger Style was a passionfruit wildcat from Midnight Rambler’s summer lineup of “gritty tiki.”

3. TIGER STYLE (Chad Solomon, Midnight Rambler)

Batavia Arrack, calamansi, palm sugar, pippali, egg white, cassia aromatics

Chad Solomon’s seasonal drink menus are thoughtfully thematic and often exotic, and he was on fire this year; his Coconut Cooler, a gin-and-sherry blend sweetened with Southeast Asian pandan, was a spring highlight and offered a small preview of what was to come – a powerhouse summer menu of “gritty tiki” drinks reflecting Asian, African and South American influences. The Filipino-Indonesian-accented Tiger Style was my favorite, a seemingly light mix of Batavia Arrack (an Asian-style rum), passionfruit-y calamansi, palm sugar and Indonesian pippali that nonetheless packed a punch. A spritz of Indonesian cassia aromatics atop a dehydrated lime pulled you into the drink’s creamy orange-spice lushness, countered by the peppery pippali tincture’s gradual trail of heat. “The more you drink it, the more your lips tingle,” Solomon said, quite accurately. “It takes you into the exotic, and intentionally so.”

Victor Tangos
Stofko’s Guinness-black Seppuku Reale artfully merged Italian and Japanese influences.

2. SEPPUKU REALE (Andrew Stofko, Victor Tangos)

Amaro Montenegro, Gran Classico, furikake syrup, lemon, nori, furikake

Amaro Montenegro may be my favorite of the Italian bitter liqueurs; it leans toward sweet and herbal with the bitter only evident in tow. Stofko won a local Montenegro contest with this bold cocktail, crafting an unexpected taste detour to create one of the more interesting drinks I’ve ever enjoyed. Aiming to subdue Montenegro’s sweetness with an umami-ness he knew he’d like, Stofko crafted a syrup from furikake, a Japanese spice mix of sesame seed, seaweed (nori), sea salt and bonito flakes; upped the bitter component with Gran Classico; then added some lemon to round it out. The citrus, however, made the drink unpleasantly dark, so Stofko went all-in and added a bit of squid ink to turn it Guinness-black. The garnish was his piece-de-resistance – a sprinkling of roasted sesame seeds on a skiff of seaweed, floating atop the sea of dark; bring it to your nose and the aroma portended savory Japanese. “It just wakes up your palate,” Stofko says. Instead, you got something completely different: A bewitching bittersweet taste tempered with savory nuttiness. “That’s umami in a glass,” Stofko says. “I’m just glad (former GM) Matt (Ragan) let me put it on the menu.”

Vicini
Call’s response to bitter and smoky: The marvelous Rome Is Burning.

1. ROME IS BURNING (Robbie Call, Vicini)

China-China, mezcal, Meletti, Herbsaint

Ah, Vicini. We were just getting to know you. The Frisco-based Italian restaurant’s all-too-brief run may have been a flash in the risotto pan, but it was long enough for Call to have some fun behind the stick. One slow Sunday, the lanky Tate’s veteran, who now heads the bar at Oak Lawn’s Madrina, answered the call for something bitter and smoky. This was the luscious result – a rush of French and Italian bitter liqueurs anchored by mezcal and a rounding touch of Herbsaint, bitter orange and chocolate-caramel grounded in depths of smoke and anise. Simply garnished with an orange peel, it was everything I wanted in a glass, a mirepoix of worldly influences. “I’m a big fan of letting amaro drive the car and having the mezcal creep in,” Call says. So am I, Robbie. So am I.

As DFW’s craft-cocktail universe continued to expand in 2016, these stars shone brightest

Bartender Jordan Gantenbein's delicious and gorgeously seasonal Rosemary Wreath -- aged tequila, apple cider, lemon, apricot liqueur and fino sherry -- was one reason Abacus was among my favorite craft-cocktail bars in 2016.
Bartender Jordan Gantenbein’s delicious and gorgeously seasonal Rosemary Wreath — featuring aged tequila, apple cider, lemon, apricot liqueur and fino sherry — was one reason Abacus was among my favorite craft-cocktail bars in 2016.

One evening last month, having somehow wandered far beyond my urban comfort zone, I stopped in for a drink at Rye, a bustling bistro just off the square in McKinney. No, not McKinney Avenue, the trendy SMU hang in Uptown where, not surprisingly, some of DFW’s best cocktail joints have clustered in the last five years – but McKinney, the fast-growing former farm center 45 minutes north of Dallas.

Surely, I thought, even at this suburban outpost, I could score a decent gin and tonic. Maybe even an Old Fashioned. But as I scanned bar manager Manny Casas’ drink list, I found myself eyeballing anything-but-rural components: Mole bitters; gomme syrup; aloe liqueur; Fernet Francisco; honey-blessed Barr Hill gin. And then I noticed the small barrel to my left, which – as I would soon discover – harbored a terrific barrel-aged variation on the classic Negroni. My cocktail destinations had grown by one.

It’s more challenging than ever to keep up with the constantly expanding universe of cocktails in Dallas-Fort Worth. In the area’s farthest reaches, and in places that five years ago would have been content to serve simple mixed drinks, you can now order a Sazerac, or a Last Word, and avoid the indignity of blank stares or massive shade.

Quantity doesn’t necessarily equal quality, of course, and pretty surroundings alone do not a great cocktail bar make. DFW’s craft cocktail landscape in 2016 wasn’t without its casualties – notably Knox-Henderson’s Hibiscus, whose small but well-informed bar program enjoyed a loyal following, and noble but aborted ventures like Frisco’s Vicini and, in Lower Greenville, Knuckle Sandwich and Remedy, destined to close by year’s end.

But from straight-up cocktail joints like Oak Cliff’s Jettison and clubby enclaves like Quill in the Design District to cocktail-minded restaurants like East Dallas’ Lounge Here, Uptown’s Next Door and Quarter Bar in (gulp) Trophy Club, the boozy buffet available to cocktail drinkers showed few signs of abating. (And Hide in Deep Ellum and Frisco’s Bottled in Bond are still to come.)

At their very best, these spots echo – and often are part of – fine restaurants, serving up not just great drinks but a successful mix of efficient, attentive and consistent service; fresh ingredients attuned to the passing seasons; an energizing and welcoming vibe; the ability to cater to tastes simple and complex; and a savvy and innovative staff behind the bar.

Here, in alphabetical order, were my favorite 15 craft-cocktail spots in 2016.

Abacus
Bartender Jason Long shaking things up at Abacus.

ABACUS

Most come to the highly regarded Knox-Henderson restaurant for its fine dining – but personally, I never make it past the classy, comfortable bar and its black-clad crew of Jordan Gantenbein, Jason Long and John Campbell. Abacus’ thoughtful and playful drink list is a standout from season to season – Gantenbein’s Rosemary Wreath (pictured at top) was a wintry thing of beauty – but the off-road adventures are equally delicious and fun, as in Long’s recent mix of mezcal, cinnamon syrup and amaro.

Atwater Alley
A dark, intimate atmosphere accents Atwater’s speakeasy character.

ATWATER ALLEY

A couple of years have passed since Henry’s Majestic, at this once-cursed location on McKinney in Knox-Henderson, unveiled the speakeasy pearl buried within its oyster depths. Named for the nondescript thoroughfare from which it’s accessed, Atwater is a two-story, dimly lit sanctuary swathed in senatorial wood, where bartenders like Ricky Cleva (and the occasional guest bartender) let their talents run wild like wildebeests in the nighttime streets. Jumanji!

Everything you need to know about Black Swan is embodied in the Clint Eastwood image above the bar.
Everything you need to know about Black Swan is embodied in the Clint Eastwood image above the bar.

BLACK SWAN SALOON

Black Swan is a craft-cocktail lover’s dive bar, where barman Gabe Sanchez makes it look easy, firing volleys of classic and original drinks at the eager Deep Ellum hordes while somehow creating a backyard post-BBQ atmosphere. Among DFW’s early craft-cocktail spots, the Swan’s speakeasy vibe (there’s no signage outside) is captured in the image of Clint Eastwood above the back bar: anonymous and enigmatic, rough around the edges, coolly efficient. No drink list here; just tell Sanchez what you’re in the mood for or point at one of his latest jarred infusions, and let your Drink With No Name come riding into town.

Still creating after all these years: Bolsa's bar was among DFW's early craft cocktail practitioners.
Still creating after all these years: Bolsa’s bar was among DFW’s early craft cocktail practitioners. (Photo courtesy of Bolsa Restaurant)

BOLSA

Among DFW’s earliest craft-cocktail purveyors, the modestly sized bar-in-the-round at this Bishop Arts mainstay is going strong under lead barman Spencer Shelton, whose wonky spirits wisdom continues to fuel Bolsa’s culture of experimentation. The well-honed southside outpost, with a bold seasonal drink menu – take Shelton’s smoky bitter Mi Alma Rota, featuring mezcal and Fernet – is a last-stop refuge for neighborhood regulars and others looking for uncommon spirits and across-the-board creativity.

The clothing is gone but the vintage remains at Uptown's Bowen House.
The clothing is gone but the vintage remains at Uptown’s Bowen House.

BOWEN HOUSE

The place is gorgeous, dah-ling. But owner Pasha Heidari’s homey hideaway a stone’s throw from the madness of Uptown’s McKinney Avenue has finally settled into a groove nice enough to match its elegant Prohibition-Era character, what with its turn-of-the-century library and great-granddad’s framed pictures on the wall. A viable drink list now complements the able bar squad’s ability to craft something to your own tastes, and a sickle-shaped bar counter promotes interaction.

Go ahead and call it a comeback: The Cedars Social's latest resurrection is divine.
Go ahead and call it a comeback: The Cedars Social’s latest resurrection is divine.

THE CEDARS SOCIAL

Look who’s back. Once the shining light in Dallas’ budding craft drink scene, The Cedars Social’s nationally acclaimed promise imploded in what I simply refer to as The Great Unpleasantness, thereafter plummeting off the craft-cocktail radar. Several iterations later, barman Mike Sturdivant is at the helm, and things are looking bright again: Along with Dallas pastry chef Annika Loureiro, he’s crafted a refreshingly original drink menu – including the Soju Spice, which makes excellent use of the Korean rice-based spirit – while staying true to pre- and Prohibition-era classics.

Forget the fancy stuff: Industry Alley does craft cocktails the old-school way.
Forget the fancy stuff: Industry Alley does craft cocktails the old-school way. (Photo courtesy of Industry Alley Bar)

INDUSTRY ALLEY BAR

When Charlie Papaceno left the Windmill Lounge in late 2014, among his goals in opening Industry Alley was to recreate the lounge’s come-as-you-are vibe. In that he has succeeded, creating a down-home atmosphere that’s a favorite for Cedars-area locals and industry regulars alike. You won’t find fireworks, fancy syrups, infusions or house-made bitters here – just the makings of a good time and classic cocktails like the legendary Singapore Sling.

Oak Cliff, Sylvan Thirty
Jettison’s cozy space in Oak Cliff adjoins the most recent of Houndstooth Coffee’s four locations.

JETTISON

The latest addition to Oak Cliff is a welcome one, especially for imbibers of sherry, the Spanish fortified wine, and mezcal, the smoky agave spirit mostly from Oaxaca. Discreetly nestled within the Sylvan Thirty complex next to Houndstooth Coffee, whose owner, Sean Henry, launched Jettison as his initial cocktail venture, it’s a sleek and shadowy hidey-hole where barman George Kaiho crafts excellent classic twists like the Red Headed Oaxacan, a play on the Penicillin fielding both tequila and mezcal along with honeyed ginger syrup, lemon and a float of Scotch.

Dallas cocktails
Midnight Rambler: Setting the pace in Dallas-Fort Worth’s craft-cocktail scene.

MIDNIGHT RAMBLER

This rock-and-roll hideaway in the underbelly of downtown Dallas’ Joule Hotel is truly a gem — and it keeps getting better, with its lush and well-structured space equipped to manage the peaks and valleys of hotel and weekend crowds. The long-awaited project from Chad Solomon and Christy Pope, which opened just over two years ago, is purposely efficient, lavishly designed and wholly adventurous, driven by Solomon’s bordering-on-geeky cocktail-science know-how: Witness the Pinetop Perker, which graced the spring menu, a woodsy wallop of genever, aquavit, pine, lemon, egg white, apple schnapps and a perfume-like “alpine woodland essence” spritzed onto a dehydrated lemon wheel.

If it's gin and whiskey beauty you seek, venture to The Mitchell.
If the beauty of whiskey and gin you seek, venture to The Mitchell.

THE MITCHELL

What if there were a place where you could pluck away the plumage of more involved libations and jump directly into the embrace of your whiskey or gin without feeling like a vegan at a Vegas buffet? Well, my friends, The Mitchell is your place: The stately space in the former home of Eddie “Lucky” Campbell’s Chesterfield in downtown Dallas boasts 50 kinds of gin and a hundred different whiskeys, the better to meet your martini, Old Fashioned or straight-up sipping requirements. And the glassware is beautiful too.

Bartender Jesse Powell dropping a Ramos Gin Fizz at Parliament.
Bartender Jesse Powell, dropping a Ramos Gin Fizz at Parliament.

PARLIAMENT

Comfortably nestled within the labyrinth of Uptown apartments off raucous McKinney Avenue, Lucky Campbell’s gem of a bar can often be as busy as its 100-plus drink list. Just the same, the well-trained crew, featuring the occasional visiting star bartender, keeps the crowds soused and entertained from behind the horseshoe-shaped bar, whether the vibe is loud or laid-back. With concoctions like Jesse Powell’s unnamed mix of aged tequila, sweet potato truffle syrup, sherry, apple and cinnamon, Parliament is a first-rate cocktail den with Cheers-style ease, a special combination indeed.

Rock steady: The People's Last Stand.
Rock steady: The People’s Last Stand, at Mockingbird Station.

THE PEOPLE’S LAST STAND

The Mockingbird Station stalwart is still going strong in its second-level space, churning out an ever-changing list of libations behind a veteran bar team led by general manager Devin McCullough. The drinks are original and varied – and occasionally playful, as in the wintry Petra at Night, a hot rum cider mix served with apple slices and mini wafers, and Mr. Joe Black, an equally snack-y blend of rye and cold-brew coffee featuring blackberries, brown sugar and cayenne-sugared pecans. “Everybody’s got their little side munch going on,” McCullough said.

Brian McCullough's battle-ready bar on McKinney, still firing on all cylinders.
Brian McCullough’s battle-ready bar on McKinney, still firing on all cylinders.

THE STANDARD POUR

Just up the street from Parliament, the McKinney Avenue landmark remains, as I described it last year, a craft-cocktail battleship – built to weather weekend barrages of bar hoppers but equally effective quietly docked on a Tuesday eve. A crew staffed by talents like Austin Millspaugh and Jorge Herrera helps take the sting out of former lead barman Christian Armando’s departure, pumping out a stream of solid originals as well as the ubiquitous Moscow Mules. Like Parliament and Industry Alley, Brian McCullough’s stalwart staple maintains a homey vibe whether rafting calm stream or raging river.

Bars of the Year 2013
A wry, loose attitude and remarkable consistency define this craft-cocktail institution on Fort Worth’s Magnolia Avenue.

THE USUAL

While the cheeky drink menu has barely changed, the bartenders at this seemingly never-understaffed Magnolia Avenue haven in Fort Worth are more than handy with the palette of potions behind the bar. I said this last year, and it holds true today: More than anything, what impresses about The Usual – among DFW’s pioneering craft-cocktail joints – is that I have yet to have a drink there that didn’t qualify as a success, which is something I can’t say about that many places.

Victor Tangos restaurant in Dallas. (Photo by Mei-Chun Jau)
Lively and inventive, Victor Tangos still makes craft-cocktailers’ hearts skip a beat. (Photo by Mei-Chun Jau)

VICTOR TANGOS

Another of DFW’s initial craft-cocktail practitioners, this Henderson Avenue landmark found its footing again under beloved general manager Matt Ragan. Though Ragan recently departed, the cocktail program remains in the able hands of bar manager Andrew Stofko, one of the city’s most exciting young talents; among Stofko’s 2016 creations was The Dread Pirate Roberts, whose intricate mix of Brazilian cachaca, grapefruit liqueur, bitter Suze, lemon, cinnamon syrup, Angostura and hopped grapefruit bitters was wonderfully reminiscent of tart apple pie.

Runners-up: Armoury DE, Flora Street Café, Lounge Here, Small Brewpub, Thompson’s Bookstore.

The Singapore Sling: Two Dallas bars give the much-maligned drink a classic retelling

Over the years, the Singapore Sling came to be known as a tropical drink along the lines of this one from Dallas barman Lucky Campbell.
Over the years, the Singapore Sling came to be known as a tropical drink like this one from Dallas barman Lucky Campbell.  Its origins are nowhere as sweet — but arguably just as delicious.

The Singapore Sling is the Rashomon of cocktails: Everyone remembers it differently. Like a rumor that starts at one side of the table and wildly mutates by the time it comes back round again, it’s a tasty tale whose twists and turns vary depending on who’s doing the telling.

How is it still considered a classic?

Because despite its many tweaks – “The Singapore Sling has taken a lot of abuse over the years,” wrote tiki master Jeff Berry in his book Beachbum Berry Remixed – it’s managed to stay delicious no matter how it’s interpreted. Even gonzo journalist Hunter S. Thompson considered it a favorite.

But somewhere along the line, the century-old drink attributed to bartender Ngiam Tong Boon of Singapore’s Raffles Hotel lost sight of its simpler beginnings, becoming a tropical mishmash of seven ingredients or more – and a headache for bartenders, which may be why you rarely see it on bar menus. “I remember Sasha (Petraske, founder of the classic New York City bar Milk and Honey) was not a fan,” says Chad Solomon of Dallas’ Midnight Rambler, who worked with the late cocktail legend. “But people loved drinking it. He was, like, ‘It’s got too many damn ingredients!’ ”

It’s a misfit of a drink, a gin-powered cocktail that muscled its way into the tiki canon through luck and guile, disguising itself in pineapple and grenadine. But while its more dignified origins faded in the process, two Dallas bars – Industry Alley and Midnight Rambler – are breathing new life into the Sleeping Beauty that’s been there all along.

**

Imagine two actor brothers born in close succession. They look just enough alike, and their names are similar enough, that they’re often confused with each other. The older brother teaches the younger one all he knows, but the younger brother’s easier disposition makes him more likable than his rugged, reserved sibling. And when the younger’s career veers from drama into comedy, making him a star, the family name rises to fame with him.

That seems to be the story of the Singapore Sling, whose sweeter flavors and catchier name propelled it through the thick and thin of cocktail lineage rather than its older brother, the Straits Sling. A sling is a type of drink, at its base a simple mix of spirit, sweetener and water. As cocktails historian David Wondrich observed in his book Imbibe!, it’s “a simple drink in the same way a tripod is a simple device: Remove one leg and it cannot stand, set it up properly and it will hold the whole weight of the world.”

The Straits Sling, born sometime in the late 1800s, was just that: A mix of gin (spirit), sweetener (Benedictine, a honey-sweet herbal liqueuer) and carbonated soda (water), plus lemon and bitters. But its defining flavor was cherry – in the form of kirsch, a dry cherry brandy.

The original Singapore Sling – at least as well as anyone can figure out – was basically the same drink, except that it used sweet cherry brandy instead of dry and subbed lime as the citrus. That’s the Singapore Sling you’ll get if you order the classic drink at Midnight Rambler in downtown Dallas, and a few dashes of Angostura make all the difference, giving depth to what would otherwise taste like an off-kilter black cherry soda.

Adam McDowell includes the mix in his entertaining and recently published Drinks: A User’s Guide, whose characterization is hard to argue with: “Here’s the correct recipe; ignore all other versions like the meaningless static they are.”

Ingredients
1 oz London dry gin
1 oz cherry brandy
1 oz Benedictine
1 oz lime
3 d Angostura bitters
Club soda
Instructions
Stir in a Collins glass. Garnish w/Maraschino cherries

 

You’ll also find the drink on the inaugural menu at Industry Alley just south of downtown, where owner Charlie Papaceno digs its less-is-more simplicity. “It’s like with French cooking: Here’s the mother sauce,” he says. “Here’s what we work from.”

But of course Papaceno had to tweak his version just a little. Rather than using equal parts, his recipe boosts the gin and tones down the liqueurs, with just a squeeze of lime. The drink is tart and a bit Scotchy thanks to its signature ingredient, Cherry Heering – not the summery cool pineapple drink the name usually calls to mind, but a leathery, autumn-ready gin-and-tonic.

“So, it’s like, to take it back,” Papaceno says. “Somehow it’s just gotten so tricked up.”

Industry Alley's Singapore Sling is barman Charlie Papaceno's slightly tweaked version of what's believed to be the drink's original recipe.
At Industry Alley, Charlie Papaceno’s slightly tweaked version of what’s believed to be the drink’s original recipe is suitable for colder weather.

Until Wondrich tracked down the recipe above in a 1913 Singapore newspaper, no one really knew what the standard was for sure. By the late 1920s and early 1930s the rumor was a good ways down the table and already starting to morph; even the Raffles Hotel itself touted an “original” recipe in the 1930s with pineapple and grenadine, flowery additions that nonetheless endeared it to the wave of tiki that was just starting to emerge.

Before long the drink with the catchy name became a game of eeny meeny miny mo, something everyone did but felt free to put their own spin on. “Of all the recipes published for this drink, I have never seen any two that were alike,” wrote David Embury in The Fine Art of Mixing Drinks (1948).

Trader Vic’s Bartender’s Guide (1947) included two versions; so did Gary Regan’s The Joy of Mixology (2003), listing the neglected Straits Sling recipe as “Singapore Sling #1” and offering a second that included triple sec.

“The Singapore Sling is a perfect example of the kind of drinks that came from outside the world of tiki establishments and took up residence on tiki menus everywhere,” wrote San Francisco bar owners Martin and Rebecca Cate in Smuggler’s Cove: Exotic Cocktails, Rum and the Cult of Tiki (2016). The legendary Trader Vic, they wrote, included it on his first menu under the category, “Drinks I Have Gathered from the Four Corners of the Globe.”

Here’s a typically involved recipe, the one I favored for a while, from The PDT Cocktail Book: The Complete Bartender’s Guide from the Celebrated Speakeasy (2011):

2 oz. pineapple
1 ½ oz gin
½ oz Cherry Heering
½ oz grenadine (I use pomegranate molasses)
¼ oz Cointreau
¼ oz Benedictine
¼ oz lime
Angostura bitters
Shake with ice and strain into a chilled Collins glass filled with ice. Garnish with a cherry and a slice of pineapple.

 

Yep, that’s a lot of moving parts for one drink. No wonder Wondrich once wrote: “The Singapore Sling is one of those complicated drinks that taste better when you don’t have to make them.”

Midnight Rambler's play on the Straits Sling, the Solomon Sling is served with a shot of mezcal and a beer.
Midnight Rambler’s play on the Straits Sling, the Solomon Sling, is served “Gonzo-style” with a shot of mezcal and a beer.

But, you might be saying, what about the Straits Sling? Isn’t it being neglected all over again?

Not anymore, thanks to Midnight Rambler, where mixmaster Solomon has revived his own version of the drink with a wry literary nod.

Even before he began learning the craft, Solomon had the Singapore Sling on his radar after reading Hunter S. Thompson’s Fear and Loathing in Las Vegas in high school. “(Thompson) was describing sitting poolside at his hotel with a Singapore Sling, a side of mezcal and a beer chaser,” Solomon said. “I was, like — what’s a Singapore Sling?”

Then Solomon happened into the budding cocktail renaissance underway in New York City in the early years of the millennium, working at classic bars like Milk and Honey and the Pegu Club. In 2004, Ted Haigh gave a nod to the drier Straits Sling in his book, Vintage Spirits and Forgotten Cocktails – “but if you make it as Ted as written,” Solomon says, “it’s a terrible drink. Virtually undrinkable.”

Egged on by cocktails writer Martin Douderoff, one of his Pegu Club regulars, Solomon decided to see how he could improve on the drink while keeping its historical accuracy. By early 2006, he’d hit on a Benedictine-less version that used both dry and sweet cherry brandies – kirsch and Cherry Heering. It appeared on the Pegu Club menu later that year as the Solomon Sling.

Late this summer, as Solomon prepared Midnight Rambler’s fall menu, he knew he wanted to incorporate seasonal stone-fruit flavors, but not in an overly sweet way. When one of his bartenders suggested he reincarnate the Solomon Sling, he thought,“Okay. But let’s have some fun with it: Let’s serve it Hunter S. Thompson style and miniaturize it.’”

And that’s how you’ll find it on Rambler’s current menu – served “Gonzo-style” and slightly downsized with a side of mezcal and a Miller High Life pony. It’s a delicate drink, slightly sweet with a lush cherry finish – and did I mention it comes with a side of mezcal and a Miller High Life pony?

The sibling slings are finally having their day, and there’s little to fear or loathe about it.

Sling made: Gin, lime, Benedictine, Cherry Heering and a few dashes of bitters.
Sling made: Gin, lime, Benedictine, Cherry Heering and a few dashes of bitters, topped with Topo Chico.

What you should be drinking now: Midnight Rambler’s magnificent tiki mashup

 

Chad Solomon, Midnight Rambler
The Tiger Style is a blast of creamy orange spice, among a stellar lineup described as “gritty tiki.”

Ever since it burst onto the scene nearly two years ago, Midnight Rambler has regularly offered up one of the more ambitious cocktail rotations in Dallas. That can be largely credited to co-owner Chad Solomon, the New York City-trained bartender – and veteran of such places as the famed Milk & Honey and Pegu Club – whose bold and borderline geeky creations are always thoughtfully composed, conceived and curated.

Rambler’s glorious setting, in the lower level of the Joule Hotel, is stunning, and while I wasn’t blown away by the bar’s inaugural drink menu, Solomon’s lineups have proved increasingly sublime with each seasonal reboot.

Chad Solomon, Midnight Rambler
Despite its delicate looks, the Neon Lilikoi is a passionfruit thundercat waiting to pounce.

The current summer lineup is his best yet: It lassoes the ongoing tiki trend and wrenches it into dark and adventurous places, infusing the genre’s cheery Asian South Sea island vibe with hard edges and soulful energy tracing the global Ring of Fire and beyond.

“It’s a gritty tiki,” Solomon says. “We wanted to do something more global, with tropical regions around the world touched by colonialism, man-eating animals and African rhythms.”

In other words, this ain’t your daddy’s Mai Tai. This is dark spice and jungle heat fueled by a soundtrack of steel drums and surf guitars. Take the Samoan War Club, a mix of aged spiced Jamaican rum, agricole rum, West Indian bay leaf, lime sugar oil and the lime-almond influence of falernum, sweetened up with a rich syrup made from gula jawa. Made from coconut sap, it’s one of the world’s oldest sugars, Solomon says, with “sort of a meaty umami-ness.” The drink is also the menu’s most “woodsy,” making up for the absence of any whiskey cocktail in the lineup.

Chad Solomon, Midnight Rambler
The lingering taste of poblano puts a hellfire finish on the Purgatory Lost.

The Purgatory Lost is another standout, incorporating poblano for an appropriately hot finish; so, too is the Neon Lilikoi, a radiantly presented blended-Scotch beaut whose passionfruit rush is held in check with a hint of black cardamom tincture. While Asian flavors — criminally underused in cocktails — are prominent, as in the Savory Hunter, which incorporates lemongrass, cilantro and Thai chili, there are also nods to South America, Africa and the coffee-growing regions of Hawaii.

Make the rich Grasshopper-inspired Komodo Dragon your last drink of the night; its traditional mix of minty Fernet Menta and cacao is supplemented not with heavy cream but with coconut milk and a syrup made from tantalizingly sweet Southeast Asian pandan leaf.

But my favorite of the bunch is the Tiger Style, built on a platform of Batavia Arrack, a rum-like, sugar-cane-based spirit from Southeast Asia. Featuring calamansi (an acidic blend of citrus and kumquat), rich palm sugar, Indonesian black pepper tincture, egg white and earthy cassia spritzed atop a dehydrated lime, it’s a triumph of creamy orange spice dashed with a hint of Fireball cologne.

Co-owner, Midnight Rambler
Solomon on a rare night of bar duty, pouring Tiger Style.

“It was, like, how do we put Indonesia and the Philippines into a glass?” Solomon says. “The more you drink it, the more your lips tingle.”

It’s a hefty, not dainty, drink, a psychedelic Snickerdoodle – or at least that’s what my quivering fingers wrote as I pearl-dove into the cocktail’s delicious depths.

“It takes you into the exotic,” Solomon says, “and intentionally so.”

Wild things, you make my heart sing.

Cocktail community remembers legendary bar man in nationwide “Milk & Honey Hour”

Milk and Honey
Milk and Honey’s Sasha Petraske, in a still shot from the documentary Hey Bartender.

With coupes raised high, members of Dallas’ craft-cocktails community paid tribute last night to Sasha Petraske, the influential bar man who pioneered or popularized many of the elements linked with the culture today.

Petraske, who launched Milk & Honey in a quiet residential area of New York’s Lower East Side in 1999, died August 21 of unknown causes. A sartorially polished sort whose exactitude and attention to proper form inspired the way many craft cocktail establishments comport themselves today, he was also instrumental in the development of San Antonio’s cocktail scene and a beloved mentor to many in the industry nationwide.

Midnight Rambler
Aleeza Gordon, of Greenwich Village’s Little Branch, delivers the memorial toast.

Bartenders across the country were invited to salute the 42-year-old legend on Monday evening at 9 p.m., the hour at which Milk & Honey would open its speakeasy-style doors. In Dallas, that went down at Midnight Rambler, whose owners, Chad Solomon and Christy Pope, both worked at Milk & Honey more than a decade ago and went on to partner with Petraske in a bar consulting business called Cuffs and Buttons.

Aleeza Gordon of Little Branch, the bar Petraske started in Greenwich Village, led the Midnight Rambler toast for the 30 or so people in attendance.

“He cared about the way that he looked,” Gordon said from her perch atop the bar. “No matter how crazy and interesting the night got, he seemed to be a gentle man. He cared about the way things were done; I think that’s why all of you came to honor him, because you feel the impact of his caring.”

Midnight Rambler
At Midnight Rambler, Petraske’s favorite cocktail, the Daiquiri.

She recalled Petraske’s frequent visits to Little Branch, as well as her occasionally nervous execution of the “ridiculously simple” drinks he would order, such was his presence. “He wanted things to be done right,” she said. “But he did it in a way that made you feel good.”

And with that, a covey of daiquiris – Petraske’s favorite cocktail – rose skyward. Glasses clinked and a group bid farewell to the friend, a mentor and colleague who’d helped shape the world they now inhabited.

An influential bar man passes on: NYC’s Sasha Petraske, whose legacy is a land of Milk & Honey

Milk & Honey
Petraske pioneered or made popular many of today’s craft-cocktail bar practices. (Ben Rose Photography)

Milk & Honey appeared on New York’s Lower East Side in 1999, when today’s rocketing craft cocktail renaissance was practically still on the launchpad. The proprietor was a debonair young gent named Sasha Petraske, who in deference to his mostly residential-area neighbors instituted a number of features that would be copied by other cocktail spots in years to come: A speakeasy-style unmarked location and entrance (to be inconspicuous). A reservations-only policy (to avoid lines of people outside). A no-standing policy at the bar (to quell hooliganism). And because Petraske was a decorum-minded soul, rules of behavior to maintain civility (for instance, asking men to remove their hats and not hit on women).

Other practices would follow, also to become cocktail-bar staples – things like hand-carved ice, an adherence to jiggers and water served with cucumber slices. “If he didn’t outright originate (those practices), he was the most successful champion of them early on,” said Chad Solomon, who along with fellow New York ex-pat Christy Pope now runs Midnight Rambler in downtown Dallas.

And so it was with much sadness that the craft-cocktail world absorbed the news that Petraske had died Friday of unknown causes in Hudson, N.Y., as reported by The New York Times. He was just 42.

Both Solomon and Pope got to know Petraske well, having worked at Milk & Honey in the early 2000s; both bartended and worked as servers in the intimate, 34-seat, candle-lit venue to which customers had to be buzzed in. Petraske had flown in for Midnight Rambler’s grand opening in October 2014, and the two were among the attendees’ at Petraske’s recent wedding.

“Shock doesn’t even cover it,” Solomon said Friday. “It’s a very sad day.”

Even more than his contribution to cocktail culture, Solomon said, Petraske stood out for his generosity and decency. “He was always self-aware, always about becoming a better man,” he said.

Petraske helped launch a number of prominent bars and, in partnership with others, created stalwart spots like Greenwich Village’s Little Branch, Queens’ Dutch Kills and Varnish in Los Angeles. Such was his sway that when San Antonio’s Bohanan’s Prime Steaks & Seafood sought to overhaul its bar in hopes of revitalizing the city’s Riverwalk area, Petraske was brought in to train the staff. He would go on to become a co-founder of the San Antonio Cocktail Conference and was among the New York City bartenders featured in the 2013 documentary Hey Bartender.

His reservations-only and no-standing policies would be adopted by places like Dallas’ Bar Smyth (now closed), while Denver’s Green Russell has been among the bars that similarly posted rules of decorum for their customers. Meanwhile, speakeasy-style entrances, hand-carved ice and cucumber water are everywhere.

While the original Milk & Honey had closed, Petraske was planning to reopen at a new location.

“He was never content to leave things static,” Solomon said. “He was always looking to improve. His influence cannot be overstated.”

2014: It was the best of times, it was the thirst of times

Michael Martensen, Abacus
An unforgettable cocktail launched an unforgettable year: Martensen’s Apple Boilermaker.

It was the best of times, it was the thirst of times, and 2014’s constantly unfolding craft-cocktail kaleidoscope unfurled a spirited array of events for DFW’s imbiberati. Here’s a look back at the year’s top stories:

Abacus
Campbell and Martensen: Spittin’ spirited rhymes at Abacus for all too brief a time.

JANUARY: Eddie “Lucky” Campbell and Michael Martensen together behind the bar at Abacus

From darkness, light: For a brief but glorious time, the chaos set in motion by Eddie “Lucky” Campbell’s displacement from the late Chesterfield and Michael Martensen’s abrupt exit, along with his bar team, from Bar Smyth and The Cedars Social actually set the stage for two of the city’s most talented and influential bar men to pair up behind the bar at Abacus. The two have a longstanding rivalry – “I’m Seabiscuit and he’s War Admiral,” Campbell once told me. “I’m hard working, and he’s a fucking genetic miracle” – that continued to unfold at Abacus to customers’ benefit, especially late, once the kitchen had closed. One evening we rolled in and the two went back and forth like b-boys, throwing down cocktail creations to put each other’s to shame until Martensen slipped off to a corner to focus on a bit of handiwork. “What’s he doing over there?” Campbell wondered with his sly smile. Martensen emerged with what you see at top: A frothy apple boilermaker made with Deep Ellum Blonde, Cointreau, apple brandy, whole egg and a hollowed-out half-eggshell cupping a whiskey shot. Boss.

Libertine Bar
Libertine’s influential former head barman doing his thing.

MAY: Mate Hartai says goodbye to The Libertine Bar

For years, Hartai — chief barman at Remedy, opening tonight –was synonymous with the Libertine, which he helped transform from solid neighborhood bar to a den of craft-cocktail prowess and innovation. But after five years at the Libertine, Hartai decided it was finally time to move on to other things – namely The Cold Standard, the craft ice business he’s been shaping for some time – and most recently, Remedy, the new Lower Greenville project from HG Sply owner Elias Pope.

Tales of the Cocktail 2014
The Dallas crew, clockwise from upper right: Hartai, Brian McCullough and Charlie Moore; Bonnie Wilson, Trina Nishimura and Julian Pagan; Josh MacEachern and Josh Hendrix.

JULY: Texas Tiki Throwdown at Tales of the Cocktail, New Orleans

The DFW presence at the spirit industry’s biggest annual gathering has gotten larger and larger, with dozens of bartenders and spirit reps on hand for 2014’s event. Among the festival’s kickoff happenings was the Texas Tiki Throwdown, where DFW drink-slingers went mano-a-mano with others from Houston, Austin and San Antonio. It’s fair to say everyone left the conference room with Lone Stars in their eyes.

Driftwood
Um, this.

JULY: Driftwood introduces an oyster shooter flight

They say the world is your oyster, but sometimes oysters are your world: This little bit of brilliance from Oak Cliff’s disappointingly defunct seafood establishment briefly brightened up my existence. Four oysters on the half-shell, each shell filled upon consumption with one of four spirits or liqueurs: Manzanilla sherry, mezcal, single malt whiskey and Pernod. Let bivalves be bivalves!

Hendrick's Gin
Out of the wilderness, a mysterious elixir.

AUGUST: Hendricks Gin’s Kanaracuni unveiling

Dallas was one of a handful of cities this summer in which Hendricks Gin chosed to unveil its rare Kanaracuni gin, a single-batch production made from a plant culled from the Venezuelan rainforest. Hendricks knows how to put on an event, and the fancifully exotic tasting, conducted at the Dallas Zoo, did not disappoint: Bordering on elaborate fantasy, it featured tales of adventure and large insects and finally samples of the amazing kumquat-flavored gin, which in intentionally ephemeral fashion shall never be seen again.

Proof + Pantry
Josh Maceachern, among Michael Martensen’s reunited bartending crew at Proof + Pantry.

AUGUST: Parliament and Proof + Pantry open

As noted above, Lucky Campbell and Michael Martensen’s longstanding rivalry can occasionally reach ridiculous proportions, so it was only logical that their two long-awaited projects would open on the same night — Parliament in Uptown, and Proof + Pantry in the Arts District. (“How ridiculous is that?” Campbell told me a couple of nights before the big event.) Both have met expectations, garnering local and national acclaim.

Dallas cocktails
Everything is illuminated: The new gem in Dallas’ cocktail scene.

OCTOBER: Midnight Rambler opens

Behind their Cuffs and Buttons consulting enterprise, cocktail masters Chad Solomon and Christy Pope have long been influences in DFW’s drinking scene, but it wasn’t until this fall that Midnight Rambler, the bar the two have long dreamed of opening, launched at the Joule Hotel. The swanky subterranean palace and its lineup of well-conceived libations take the city to another level, marking another step in its craft-cocktail evolution.

Windmill Lounge
Venerable barman Charlie Papaceno: No longer tilting at the Windmill.

NOVEMBER: Charlie Papaceno leaves the Windmill Lounge

After nine years at the landmark lounge he co-founded with Louise Owens, Papaceno left the venerable dive spot to pursue plans to open a new bar in Dallas’ Cedars neighborhood. One of the scene’s elder statesmen, Papaceno’s bespectacled mug was a steady presence behind the bar at Windmill, which became an early haven for Dallas’ budding craft-bartender scene and went on to garner national attention – including a nod as one of Esquire’s best American bars.

Henry's Majestic
Slinging tiki drinks at one of five pop-up bars at Henry’s epic Trigger’s Toys benefit. (Mary Christine Szefzyk)

DECEMBER: Trigger’s Toys annual benefit event featuring five pop-up bars

I was crushed to miss this epic event, which made use of the long-unused warren of space at recently opened Henry’s Majestic in the Knox-Henderson area. Five pop-up bars featuring teams of bartenders from DFW and beyond went all out to raise money for a Dallas charity serving hospitalized kids. From sports bar and tiki bar to country saloon and nightclub, it was a raucous party that garnered $100,000 for the cause.

IMG_20141025_152349

ONGOING: Collectif 1806’s bartender book club events

The bartender education and support arm of Remy Cointreau USA, helmed locally by Emily Perkins, has helped remind that the whole craft-cocktail thing is less revolution than revival. At its periodic exclusive book club gatherings, bartenders page through some of Cointreau’s extensive collection of vintage cocktail tomes, perusing recipes and gleaning old knowledge and then passing the reaped benefits along to consumers. Everybody wins.

DFW reclaims its craft mojo: The best in cocktails 2014

Dallas
Clockwise, from upper left: Polo’s Scallywag, Papaceno’s Kentucky Eye Opener, Brown’s Peach Pisco Sour and Long’s Summer in Manhattan.

I see you, 2014. You didn’t have it easy. Not only did you have much to live up to after a year that saw DFW’s craft-cocktail scene garner national attention, but you had to do so on the heels of events that threatened to knock the wheels off the whole thing.

A year later, DFW’s mojo is back. Because beyond all the drama, a critical mass of cocktail ninjas just kept doing their thing, widespread seeds of creativity that found new places to grow and blossom, while others were enriched by the newfound talent beside them.

It was a banner year for veggies: At Victor Tango’s, former bar chief Alex Fletcher used pea-infused Old Tom gin prepared sous-vide-style for his refreshing Swee’Pea, while over at The Ranch at Las Colinas, Robin Milton’s Maverick combined roasted corn with tequila and spicy Ancho Reyes liqueur for a nice salsa-in-a-glass effect. At LARK on the Park, Matt Orth’s Hanging in the Garden served up a nom-nom liquid salad of mint, basil and cherry tomato, while Anthony Polo’s Scallywag was a scallion-laced standout at The People’s Last Stand.

Other highlights included Jason Long’s apricot-tamed Summer in Manhattan at Abacus, which appealed to both genders by giving the classic cocktail a luscious fruity smoothness. At Meddlesome Moth, bar manager Lauren Loiselle kicked another classic up a notch with her barrel-aged Negroni. And Charlie Papaceno, formerly of the Windmill Lounge, juiced up bourbon with coffee to make his energizing Kentucky Eye Opener.

I could go on. A few of these drinks are still available; some, being seasonal or dependent on a limited supply of house-made ingredients, are not; some were bartender’s creations built totally off-menu. And at least one place, regrettably, has closed (at least temporarily). But that’s the nature of the biz: Sands shift, talent moves on. As always, it’s the people who make the scene: Follow them and you won’t go wrong.

With that, here are my favorite 15 cocktails of 2014.

Michael Reith, Windmill Lounge
Alternately named Autumn at Lake Winnepesaukee, Reith’s seasonal treat is way more fun to drink than to say.

15. WHAT ABOUT BOB?, Michael Reith (Windmill Lounge, Oak Lawn)

Here’s a drink that’s easy to fall for, playing as it does on seasonal flavors. To be more exact, Reith’s radiant refresher at Oak Lawn’s Windmill Lounge pairs bourbon with the holiday’s New England influences: “I get a lot of people who come in here from Boston, or New Hampshire,” he says, “so I was thinking, what could I make them?” Maple and cranberry came to mind – “I was trying to evoke cranberry sauce, but in a good way,” he says – as did the spices of mulled cider.  The result, named for the Bill Murray/Richard Dreyfuss comedy set in New Hampshire, supplements Angel’s Envy bourbon with lemon, cranberry juice and maple syrup, plus nutmeg, clove and cinnamon, topped with a fragrant sprig of rosemary.

Matt Orth, LARK on the Park
From its initial rosemary rush to its herbaceous conclusion, Orth’s spicy libation was one you’d want tiptoeing through your two lips.

14. SMOKING GARDEN, Matt Orth (LARK on the Park, downtown)

Matt Orth likes his herbs. This beauty appeared way back in January, when Orth had some house-made Thai-chili-infused St. Germain (an elderflower liqueur) on his hands. He shook that with basil, lime, slightly aged tequila, ginger liqueur and herbaceous Green Chartreuse, capping it with a smoked sprig of rosemary to wow the nose. The spicy bouquet offered pleasant heat and a sweet, sweeping floral finish, a garden-fresh treat for the senses.

Lauren Festa, FT33
Festa’s Common Elder: A vodka concoction of surprising depth that made you respect your elder.

13. COMMON ELDER, Lauren Festa (FT33, Design District)

Yes, I typically avoid vodka, but such is the legerdemain of Lauren Festa, who before she moved on to helm the bar program at The Mansion at Turtle Creek was making magic at FT33 in the Design District. Festa grew up watching the Food Network instead of cartoons, so maybe that explains this deceptively tame mix of Hophead vodka, elderflower syrup, ginger liqueur, ginger and lemon – a drink that started out delicately tart and sweet and then, just as it seemed about to fade, unveiled a hoppy ending all dolled up in elderflower. And with a gorgeous elderflower garnish, it was a treat to look at, too.

Armando Guillen, The Standard Pour
Getting the Last Word: Guillen’s play on one of my favorite classics made an memorable statement.

12. SEVENTH SAMURAI, Armando Guillen (The Standard Pour, Uptown)

Last summer, Bombay Sapphire hosted a DFW regional competition at Uptown’s Nickel & Rye, part of its annual nationwide hunt for “GQ’s Most Imaginative Bartender.” After the contest, won by FrontBurner’s Bonnie Wilson, the festivities moved on to The Standard Pour down the street, where Guillen whipped up this little number that could have easily held its own at the event. Featuring his house-made hibiscus-lemongrass cordial – which he’s just replenished, so you can still enjoy this one – it’s a play on the classic Last Word’s mix of gin, sweet, citrus and Chartreuse. Its floral and citrus medley of Bombay Sapphire, Yellow Chartreuse and Asian yuzu juice, along with the cranberry-sauce-scented cordial and a shake of lavender bitters made a tantalizing statement that gave Guillen the last word after all.

James Slater, Spoon
Why Slater’s Blue Moon hit my eye like a big pizza pie: Its amari.

11. BLUE MOON, James Slater (Spoon Bar & Kitchen, North Dallas)

The bar at Spoon – which closed this week, at least temporarily – was not as well stocked as its other craft-cocktail siblings, but luckily James Slater, who took over the program around mid-year, had license to play. One day, exploring a Korean grocery store, he found a jar of pulpy blueberry preserves. “You could see the blueberry skins inside,” he says. He bought a jar and experimented; lighter spirits failed aesthetically, creating a dirty water effect. This is where it gets Reese’s-Peanut-Butter-Cup-good: Right around the time that Slater was noodling something dark to cloak the pulp, I walked into Spoon seeking something dark and bitter. Slater mixed the blueberries with lemon and the only two bitter amari he had on hand, Averna and Fernet, to amazing effect; the end result, garnished with aromatic mint, tamed Fernet’s aggressive bitterness with velvety sweetness and just the right hint of tart.

Matt Orth, LARK on the Park
Orth’s green bartender thumb delivered again on this concoction that deserves to be served at farmer’s markets everywhere.

10. HOUSE OF FRIENDS, Matt Orth (LARK on the Park, downtown)

You get the sense that if Matt Orth weren’t busy making your bar experience all better at LARK that he’d be perfectly at home on the farm, tending to his herbs and vegetables and berries, pruning and snipping and tilling and picking and all that. From his Hanging In The Garden (noted above) to the blackberry-infused whiskey masterpiece he conceived for a Jameson competition a few months ago, he’s handy with the fruits of the earth. No wonder, then, that this delicately complex mix of tequila blanco, cilantro-infused dry vermouth, pear liqueur and sweetly herbaceous Yellow Chartreuse unfolds across the palate like a breeze on Sunnybrook Farm. Garnished with a bit of grapefruit zest, its initial agave flavor melds into cilantro, then embraces the sweet pear before waltzing away into the flowers.

Juli Naida, Barter
Using her noggin: Naida’s creation offered the eggnog experience in a manner even a vegan could love.

9. NOGAHOLIC, Juli Naida (Barter, Uptown)

With barman extraordinaire Rocco Milano as her sensei, Juli Naida – on her way to join Mate Hartai at Remedy, officially opening today on Lower Greenville – has come a long way since her drink-slinging days at the Mason Bar. Responsible for a good portion of Barter’s current cocktail menu, she embraced Milano’s offhand suggestion of a seasonal eggnog-themed “flight” and created a series of killer cocktails to roll out in mini form. Her Nogaholic was the least dessert-y of the bunch, and to me the most delicious, evoking the flavors of eggnog sans dairy, eggs or cream: Naida dialed down Cruzan’s potent Black Strap rum with simple syrup and a tincture made with vanilla, cinnamon, clove and nutmeg. The result is wintry and belly-warming, nog without the density — or the animal products. As my friend Rachel described it: “It’s a vegan’s Christmas wish come true.”

Alex Fletcher, Victor Tango's
The Smoky Daiquiri seriously made me want to see what Fletcher, now at Henry’s Majestic, could do with a sow’s ear.

8. SMOKY DAIQUIRI, Alex Fletcher (Victor Tango’s, Knox-Henderson)

Smoked beer. It’s a thing. A pretty funky thing, if you ask me, at least judging by the whiff I got of the German-made Aecht Schlenkerla Rauchbier, a neutral grain spirit that wormed its way into the primo lineup of beers that Victor Tango’s piled up in 2014. On its own, the malty rauchbier was earthy and harsh, almost nasty like a bad vegetable; the smell called to mind a college laundry room. So of course cocktail master Alex Fletcher – who has since taken over the bar at Henry’s Majestic – had to make a cocktail with it. “That’s what you’d want in that, though,” he said of his clever Smoky Daiquiri, which incorporated the beer into a simply presented daiquiri mix of Blackwell rum, sugar, lime and a pinch of salt. “That salty, spicy funk.” In the drink, the beer’s more off-putting traits vanished; what hit the palate instead was full-bodied lime and tamarind with a sweet tang that got even better as it warmed.

Kevin Trevino, Spoon
Currying my favor with its skillful use of Indian influences: Trevino’s Bengal Lily.

7. BENGAL LILY, Kevin Trevino (Spoon Bar & Kitchen, North Dallas)

It was the marvelous Madras curry syrup that really shone in this Indian-influenced creation from Kevin Trevino, Spoon’s former bar manager. One day Trevino – now a wine sales rep – saw the curry powder on Spoon’s kitchen shelf and decided to see what he could pull off. He combined his curry syrup with Tru Organic gin, some Fruitlab ginger liqueur and lemon; the gorgeously blonde cocktail welcomed with a zesty garam masala aroma, then smooth, lemony flavor with hints of ginger and an upper-lip-tingling curry heat. The Bengal refers to its Indian notes; Lily refers to a friend. “It’s got that beautiful Indian curry smell and a little bit of spiciness that burns on the back,” Trevino says. “Especially that ginger.” Tru dat.

Jordan Gantenbein, Abacus
Fittingly, the top’s always down on a Sidecar, Gantenbein’s inspiration for this deliciously summery cocktail.

6. TOP DOWN, Jordan Gantenbein (Abacus, Knox-Henderson)

Driving around with the top down – that’s what I thought summer was all about until I discovered Gantenbein’s wonderful play on the classic Sidecar. He tricked out cherry-wood-infused Cognac with seasonal Meyer lemon syrup, plus a bit of candied Meyer lemon and a Luxardo cherry garnish in a sugarcoated glass. The drink’s luscious lemon/cherry mouthfeel batted the two flavors around the tongue like a game of air hockey, with cherry emerging victorious. The result was a libation that singlehandedly redefined summer.

Pam Moncrief, The Usual
Moncrief’s use of Ransom Old Tom gin inspired my name for this fantastic floral foray.

5. ONE MILLION IN UNMARKED BILLS, Pam Moncrief (The Usual, Fort Worth)

One evening at The Usual, I asked for my usual. Which was basically anything using a bitter liqueur. Moncrief – now at Fort Worth’s American F&B, had been working on a little something of her own off-menu, something motivated by a desire to appeal to cocktail newbies and broaden their tastes. But her blend of Ransom Old Tom gin, bitter-smooth Hungarian Zwack liqueur, Dolin Blanc vermouth and Benedictine honey liqueur can please even the heartiest cocktail fan with its well-rounded spicy depths – floral and grape giving way to a honey-bitter finish and a tang that lingers like nightclub ear. A dose of lemon oils atop gives it a nice citrus nose. “I just really enjoy herbaceousness,” Moncrief says. “Zwack and all those amaros are so herbaceous, and I feel like they don’t show up in cocktails enough.” And on that we would agree.

Damon Bird, LARK on the Park
Bird’s barrel-aged bit of brilliance takes the edge off mezcal to smoky, bittersweet effect.

4. CAMARA LENTE, Damon Bird (LARK on the Park, downtown)

Take a sip of bartender Damon Bird’s barrel-aged concoction and you may find that your world has slowed to a Matrix-like sensory crawl. Maybe that’s because camara lente is sometimes interpreted as “slow motion,” or maybe it’s because this beautiful blend of mezcal, orange-y curacao, orange bitters and the bitter liqueurs Aperol and Fernet is just that good. Its mix of mellowed smoke and floral hints finish usher in a second wave of smoke and bittersweet, doused in a tobacco-leaf farewell. Bird first made it one night when he was slammed and somebody asked for “something with mezcal.” “The original version included simple syrup,” he says,” but with the barrel-aging, you don’t need it. It’s one of my few babies.”

James Slater, Spoon
The only mystery here is whether we’ll ever get to enjoy this marvelous cocktail again.

3. ENIGMA, James Slater (Spoon Bar & Kitchen, North Dallas)

Oh Spoon, we hardly knew ye. While chef John Tesar hopes to reopen the recently shuttered place in another location soon, Dallas’ fickle relationship with seafood casts more doubts than fishing lines. Its demise would be a shame, because under the guidance of Slater and former bar manager Trevino (see Nos. 7 and 11 above), the restaurant’s bar program quietly cranked out some of the area’s more creative and well-balanced drinks in 2014. Slater’s Enigma emerged as my favorite. Noticing that a pair of Angel’s Envy bourbons were finished in port barrels, Slater was intrigued by the combo: He mixed Rittenhouse rye and port with bittersweet Aperol; the result charts a path between two classics, the Manhattan and the Boulevardier, with hints of raisin and honey. A float of orange blossom adds both a perfume-y aroma and a softly sweet, linen finish. There’s no riddle or mystery here: It’s simply delicious.

Creigten Brown, Barter
The Black Monk’s aromas and flavors led me away on multiple meditative journeys, and still I remain unknowing of all its seductive secrets.

2. BLACK MONK, Creighten Brown (Barter, Uptown)

Speaking of mysteries, I pretty much went bonkers trying to figure out the enigmatic flavor in this fine cocktail. Many a sip later, I still don’t know the answer: It’s a smoky-flavored drink that’s tricky to pin down, greater than the sum of its parts: Brown took a tincture that bar manager Rocco Milano made with tonka bean, vanilla bean and lemongrass and added it to Jameson Black Barrel Reserve Irish Whiskey, bittersweet Averna, the honey-ish Benedictine and a bit of rye-and-sarsaparilla-flavored basement bitters. Every time I tried it, the image of shoe leather popped into my head, but in a most comforting way: The flavors dancing across my tongue included molasses, root beer, pecan pie, cooked honey, even smoky flan. It’s not for everyone – one taster described it as Chloraseptic – but if you enjoy a good cigar, this one is a winner.

Brad Bowden, Parliament
Sugar and spice and everything nice: Bowden’s divergent path showed once and for all quien es mas Ancho.

1. DAMNED AND DETERMINED, Brad Bowden (Parliament, Uptown)

Bowden, formerly of Barter and The People’s Last Stand, was never much for Ancho Reyes, the ancho-chile-flavored liqueur that became my crush of 2014, following in the footsteps of botanical Hum and bitter Suze. But when the slightly spicy, vanilla-tinged blend became a Best New Product finalist at last summer’s Tales of the Cocktail festival in New Orleans, Bowden knew he had to do something. Damned and determined was he: Ancho’s bite made it a natural fit for tequila or mezcal, “but that’s what everyone else was doing,” he says (accurately). Instead, Bowden looked to his preferred spirit, rum, and what he devised is essentially a tiki drink, adding sweetly vegetal Green Chartreuse to Papa’s Pilar blonde – “Rum and Green Chartreuse go together like nobody’s business,” he says – along with egg white and a tropical pineapple-vanilla syrup. The egg white gives the ancho a soft bed to lie on; the syrup binds it all together. A last flourish of Angostura bitters atop and you’ve got yourself a magic carpet ride, frothy and floral with a sweet and spicy descent. While he also does a mezcal variation that he calls Aztec Brutality, the original rum version, held aloft on Pilar blonde’s creamy-smooth texture, is a year-topping keeper.

***

HONORABLE MENTIONS NOT NOTED ABOVE: 1874 (Erikah Lushaj, Bowen House); 1919 (Josh Uecker, Blind Butcher); Apples and Oranges (Eddie Eakin, Boulevardier); Ascension Hook (Matt Orth, LARK); El Guapo (Brian Williams, The Establishment); High Ryse (John Campbell, Abacus); Imenta (Marcos Hernandez, Bolsa); Nicaraguan Breakfast (Carlo Duncan, Parliament); Peach Pisco Sour (Creighten Brown, Barter); Soul Clap (Chad Solomon and Christy Pope, Midnight Rambler); Velvet Smoke (Juli Naida, Barter);   .

And of course, a hearty thank you to those who accompanied me on my outings, without whom I could never have sampled this many cocktails.

Talkin’ ’bout the Midnight Rambler, Dallas’ ambitious new cocktail arrival

Dallas cocktails
Everything is illuminated: The new gem in Dallas’ cocktail scene.

With a month gone by since the jewel that is Midnight Rambler beamed into downtown, it’s hard to believe it was barely a year ago that the Dallas cocktail scene seemed lost in free-fall… To recap: Everything was going just fine – better than fine, actually, with two notable spots, Bar Smyth and The Cedars Social, getting national acclaim, and then – Bam! Both places were suddenly gut-punched with the overnight departure of Michael Martensen and his top-notch bartending posse. Meanwhile, Eddie “Lucky” Campbell, an equally well-known luminary behind the stick, was still bouncing around after leaving the failed Chesterfield downtown. Sure, both said they had projects in the works, but DELAYS. The imbiberati were verklempt.

Dallas cocktails
More of these? Okay then.

Then, on one night in August, everything was illuminated: Parliament, Campbell’s carefully polished Uptown gem, and Proof + Pantry, Martensen’s much anticipated Arts District venture, opened on the same night with his crafty little bartenders all in a row. This fall, The Bourbon Review named The Standard Pour among its top 60 bourbon bars in America.

Dallas’ cocktail mojo is flowing again, and Midnight Rambler immediately joins the dean’s list – a gorgeous space in the Joule Hotel that reveals itself in holy-moly fashion the moment you plunge into its subterranean home. From the pincushion lighting to the art-deco styling to the arcing, inverted hull of a ceiling with its sleek wooden beams, it’s if you’ve walked into…. New York. Which is no surprise, given the Big Apple origins of owners Chad Solomon and Christy Pope, whose New York-based beverage consulting firm, Cuffs & Buttons, has put its stamp on bars and hotels around the world.

Midnight Rambler has an art deco, midcentury-modern aesthetic that Solomon ascribes to David Lynch’s Silencio space in Paris and the hotel bar in Stanley Kubrick’s The Shining, minus Lloyd the bartender. Strategically placed curtains hide or reveal adjoining space based on volume, intending a sense of intimacy no matter what the crowd. The punch bowl display is a bling-y touch.

Dallas cocktails
Part of Midnight Rambler’s solid cocktail lineup.

This is what he and Pope have had in mind since – well, since those dark days of last autumn, but as already noted, these things take time. The wait has been worth it. “It’s pretty much exactly how we envisioned it,” Solomon said a few days before a glorious preopening-night party whose guest list included Manhattan mixology legends Audrey Saunders of Pegu Club and Cuffs & Buttons partner Sasha Petraske of Milk & Honey (where Pope and Solomon once tended bar).

The lineup of thoughtfully conceived libations is ladled out by a relatively fresh crew of bartenders whom Solomon and Pope have molded to their well-honed specifications. Labeled vials of premixed cocktail portions sit on the backbar, awaiting call to duty: It’s all about efficiency and consistency, and save for the ample canon of classics with which humankind is blessed, few variations occur off-menu, which is okay-fine because it’s muy excelente. (Being at the Joule, it’s also pricy, with drinks ranging from $12-$15.) Creative, daring and amply sized, it features the orange-y, bourbon-based Soul Clap, the tart, poblano-kissed Wang Dang Dula and the clever Savory Hunter, whose lemongrass- and kaffir-lime infused gin, mixed with coconut and lime evoke the flavors of a delicious Thai tom kha gai soup. There’s a selection of group-friendly punches and a playful trio of shots, including a pho-themed one that incorporates beef stock.

Dallas cocktails
The bar’s midcentury modern aesthetic is “pretty much exactly how we envisioned it,” co-owner Chad Solomon says.

Midnight Rambler is also notable for what you don’t see: A backroom “lab” with nifty toys like refractometers, an evaporative still and a centrifuge, all employed in the making of cocktail ingredients. “We call it a lab, but we’re not back there experimenting all the time,” Solomon says. “It’s more like a flavor house. It’s our own dedicated flavor house.” Many drinks also include a touch of mineral saline – a bit of salt that as in food enhances and brings out other flavors; two drops is all it takes.

Nibbles come from CBD Provisions, up on the main level of The Joule – including charcuterie, a tilefish dip (the fish is smoked on the hotel rooftop), black-eyed pea hummus and a knockout burger. Fries are served in a Moscow Mule mug.

Despite the intense structure and pre-planning, the occasional drink can falter: The Sound System, for instance, which I initially loved for its bold and effective use of super-funky Hamilton pot-still rum, turns out to be fickle; inadequately stirred on a later visit, it was too heavy on the rum’s overripe banana flavor. The pre-prepared vials behind the bar can also visually take some of the appeal out of having your drink prepared to order; they’re more appreciated on a busy weekend night. About the only real minus for Midnight Rambler might be its location in the Joule, whose owner, Tim Headington, has enraged preservation architects with a record of destroying historic buildings, including the recent razing of two century-old structures across the street from the hotel, as noted in a scathing column by Dallas Morning News architecture critic Mark Lamster in September. Likewise, those who support historic preservation efforts may want to consider whether they want to patronize the businesses within.

Midnight Rambler
The Savory Hunter: Refreshingly recalling your favorite Thai restaurant.

Otherwise, Midnight Rambler is a welcome and needed addition to the DFW cocktail scene. Solomon and Pope had initially considered Austin until the Joule opportunity fell into their laps; they’re now settled in Bishop Arts and have hatched something ambitious, adventurous and more glamorous than any serious cocktail bar Dallas has seen.

“It’s just another layer on top of what’s already here,” Solomon says. “This is next level. We are standing shoulder to shoulder with the best in Chicago and New York. But we’re here.”

Stir-crazy: Dallas drink crafters lately on the move

 

Rosewood Mansion on Turtle Creek
She’s over here: Lauren Festa, now at The Mansion.

Bar peeps are on the move again.

If you’ve been looking for Lauren Festa, who until recently was working mushroom and elderflower wonders at FT33, she’s now overseeing the bar program at The Rosewood Mansion at Turtle Creek. It’s a much-heralded place in Dallas bar lore, having been presided over by some of the city’s most respected mixerati – names like Michael Martensen, Lucky Campbell and Rocco Milano. “An opportunity like this doesn’t come around very often,” Festa said just before leaving FT33 – and spied not long ago, the hospitality-minded bartender seemed content to have ditched the chain mail of her former Design District home for the proper vest of her dark, new Uptown den. She was expecting to roll out her new cocktail menu by last week.

Spoon Bar & Kitchen
From Knife to Spoon: Bartender James Slater

Another new lineup of libations is up and running at Spoon Bar & Kitchen, where James Slater is the new bar program manager. When chef John Tesar opened Knife in the Palomar Hotel space where Central 214 used to be, Slater was among the bartenders who made the jump. The understated Panamanian is an able bar man and now has a chance to make his mark at Tesar’s acclaimed seafood restaurant in North Dallas.

After a nice stint with Rocco Milano at Barter, Stephen Halpin has joined the crew at Parliament, the craft-cocktail pearl that itinerant barman Eddie “Lucky” Campbell has spent the last year or so forming in Uptown’s State and Allen area. Formerly of Whiskey Cake, the Irish-born Halpin has proven himself an adept mixologist and should find a worthy challenge in Parliament’s extensive tome of tipples when the bar opens this week.

Parliament
He’s a member of Parliament now: Bartender Stephen Halpin.

Joining Halpin at Parliament is Will Croxville, fresh from Libertine Bar and a stretch last year with the celebrated Bar Smyth. Croxville has the distinction of preparing to adjust his schedule around the nearly simultaneous openings of two highly anticipated Dallas bars: He’ll also be doing time at Proof + Pantry, Michael Martensen’s long-awaited spot in the Arts District, which officially opens Wednesday.

Perhaps you’ve noticed the absence of another bearded chap at Barter; Brad Bowden, a veteran of The People’s Last Stand, says that’s because he’s lying in wait for his new gig at Midnight Rambler at the Joule Hotel. The coming speakeasy-style bar is the venture of Chad Solomon and Christy Pope, whose Cuffs and Buttons cocktail consulting firm has put its stamp on many a bar program throughout the Dallas area.

Midnight Rambler
Ramblin’ Man: Brad Bowden, formerly of Barter, is on his way downtown.

In other news, Chase Streitz, the former bar manager at Sissy’s Southern Kitchen, has been spotted behind the bar at The Standard Pour (where Cody Sharp, former sous chef at the excellent Casa Rubia in Trinity Groves, has taken over the kitchen). And finally, when we last saw Matt Perry, he was making the most of the tiny bar space at Belly & Trumpet, Apheleia Restaurant Group’s restaurant in Uptown; after the briefest of cameos at Oak – one of Apheleia’s two Design District restaurants – he’s now behind the better-than-average bar at Neighborhood Services on Lovers Lane.