Shoals Sound & Service, the retro cocktail den from local cocktail luminaries Omar Yeefoon and Michael Martensen, is now open in Deep Ellum, after quietly marking its official opening night Thursday.
The svelte Elm Street locale is sexy and soulful, recalling the vibe at Bar Smyth, the swanky, short-lived speakeasy that both Martensen and Yeefoon once inhabited in Knox-Henderson. The vibe at Shoals is much more laid-back, all wood and angles and curves and comfort, with nifty artsy touches and a lounge-y back area with zig-zag-design love seats.
Patrons can get their groove on with a classics-driven drink menu (think Sidecars, Old Fashioneds, Daiquiris and French 75’s) or go off-menu with the bar staff’s own whims — or call your own shot, like a Bols Barrel-Aged Genever Old Fashioned. Liquid refreshment comes served against a 1970s backdrop with vinyl tracks from Al Green and Elton John occasionally topping the turntable.
The food offerings are simple, with vegan options available: The sandwich leans either bologna or veggie; the delicious empanadas, beef or veggie. Butter beans and jars of in-house pickled veggies are on the list too.
Martensen, who is also a partner in the Arts District’s Proof + Pantry, delivered a Champagne toast to mark Shoals’ opening, proudly acknowledging the team behind the bar. “The sacrifice they have given over the hurdles that I’ve given them are far beyond what I would have ever expected,” he said.
It’s a treat to see Yeefoon behind the bar again; after stints at Bar Smyth and The People’s Last Stand, the talented Dallas native spent a couple of years as Texas representative for The 86 Co., a now-ubiquitous New York-based line of spirits, but he never really quite warmed to the business side of the industry.
Now, with his smooth manner and signature shake, he seemed at home. Had he much missed behind being the bar? “Every day of my life,” he said.
Here’s some Halloween weekend activity that won’t have you saying Boo.
Monday’s event at Victor Tangos is the highlight, and the costume party/cocktail fest doubles as a charity effort, with proceeds benefiting Dallas CASA, an agency that helps abused and neglected children find safe and permanent homes.
The longtime Knox-Henderson craft-cocktail den is teaming up with Brian Floyd of The Barman’s Fund, a national organization of bartenders who hold monthly events to benefit worthwhile causes and donate their night’s tips to the proceeds.
The Victor Tangos party features an all-star cast of Dallas bar industry pioneers, including five members of the original teams at milestone craft-cocktail joints Bar Smyth and/or The Cedars Social, both of which earned national acclaim: Michael Martensen, Mate Hartai, Josh Hendrix, Julian Pagan and Omar YeeFoon.
Joining them will be Victor Tangos vet Emily Arseneau, Brian McCullough of The Standard Pour, Midnight Rambler’s Zach Smigiel and spirits distributor Kristen Holloway.
The fun gets underway at 7 p.m. with drink specials, with tracks spun by DJ Bryan C and prizes to be awarded for the best, most outlandish and most inappropriate costumes.
Meanwhile, on Saturday, the classic Windmill Lounge on Maple Avenue will hold its annual Halloween bash with drink specials, a midnight costume parade and contest ($100 for first place!) and DJs Chris Rose and Genova providing the beats.
Milk & Honey appeared on New York’s Lower East Side in 1999, when today’s rocketing craft cocktail renaissance was practically still on the launchpad. The proprietor was a debonair young gent named Sasha Petraske, who in deference to his mostly residential-area neighbors instituted a number of features that would be copied by other cocktail spots in years to come: A speakeasy-style unmarked location and entrance (to be inconspicuous). A reservations-only policy (to avoid lines of people outside). A no-standing policy at the bar (to quell hooliganism). And because Petraske was a decorum-minded soul, rules of behavior to maintain civility (for instance, asking men to remove their hats and not hit on women).
Other practices would follow, also to become cocktail-bar staples – things like hand-carved ice, an adherence to jiggers and water served with cucumber slices. “If he didn’t outright originate (those practices), he was the most successful champion of them early on,” said Chad Solomon, who along with fellow New York ex-pat Christy Pope now runs Midnight Rambler in downtown Dallas.
And so it was with much sadness that the craft-cocktail world absorbed the news that Petraske had died Friday of unknown causes in Hudson, N.Y., as reported by The New York Times. He was just 42.
Both Solomon and Pope got to know Petraske well, having worked at Milk & Honey in the early 2000s; both bartended and worked as servers in the intimate, 34-seat, candle-lit venue to which customers had to be buzzed in. Petraske had flown in for Midnight Rambler’s grand opening in October 2014, and the two were among the attendees’ at Petraske’s recent wedding.
“Shock doesn’t even cover it,” Solomon said Friday. “It’s a very sad day.”
Even more than his contribution to cocktail culture, Solomon said, Petraske stood out for his generosity and decency. “He was always self-aware, always about becoming a better man,” he said.
Petraske helped launch a number of prominent bars and, in partnership with others, created stalwart spots like Greenwich Village’s Little Branch, Queens’ Dutch Kills and Varnish in Los Angeles. Such was his sway that when San Antonio’s Bohanan’s Prime Steaks & Seafood sought to overhaul its bar in hopes of revitalizing the city’s Riverwalk area, Petraske was brought in to train the staff. He would go on to become a co-founder of the San Antonio Cocktail Conference and was among the New York City bartenders featured in the 2013 documentary Hey Bartender.
His reservations-only and no-standing policies would be adopted by places like Dallas’ Bar Smyth (now closed), while Denver’s Green Russell has been among the bars that similarly posted rules of decorum for their customers. Meanwhile, speakeasy-style entrances, hand-carved ice and cucumber water are everywhere.
While the original Milk & Honey had closed, Petraske was planning to reopen at a new location.
“He was never content to leave things static,” Solomon said. “He was always looking to improve. His influence cannot be overstated.”
It was the best of times, it was the thirst of times, and 2014’s constantly unfolding craft-cocktail kaleidoscope unfurled a spirited array of events for DFW’s imbiberati. Here’s a look back at the year’s top stories:
JANUARY: Eddie “Lucky” Campbell and Michael Martensen together behind the bar at Abacus
From darkness, light: For a brief but glorious time, the chaos set in motion by Eddie “Lucky” Campbell’s displacement from the late Chesterfield and Michael Martensen’s abrupt exit, along with his bar team, from Bar Smyth and The Cedars Social actually set the stage for two of the city’s most talented and influential bar men to pair up behind the bar at Abacus. The two have a longstanding rivalry – “I’m Seabiscuit and he’s War Admiral,” Campbell once told me. “I’m hard working, and he’s a fucking genetic miracle” – that continued to unfold at Abacus to customers’ benefit, especially late, once the kitchen had closed. One evening we rolled in and the two went back and forth like b-boys, throwing down cocktail creations to put each other’s to shame until Martensen slipped off to a corner to focus on a bit of handiwork. “What’s he doing over there?” Campbell wondered with his sly smile. Martensen emerged with what you see at top: A frothy apple boilermaker made with Deep Ellum Blonde, Cointreau, apple brandy, whole egg and a hollowed-out half-eggshell cupping a whiskey shot. Boss.
MAY: Mate Hartai says goodbye to The Libertine Bar
For years, Hartai — chief barman at Remedy, opening tonight –was synonymous with the Libertine, which he helped transform from solid neighborhood bar to a den of craft-cocktail prowess and innovation. But after five years at the Libertine, Hartai decided it was finally time to move on to other things – namely The Cold Standard, the craft ice business he’s been shaping for some time – and most recently, Remedy, the new Lower Greenville project from HG Sply owner Elias Pope.
JULY: Texas Tiki Throwdown at Tales of the Cocktail, New Orleans
The DFW presence at the spirit industry’s biggest annual gathering has gotten larger and larger, with dozens of bartenders and spirit reps on hand for 2014’s event. Among the festival’s kickoff happenings was the Texas Tiki Throwdown, where DFW drink-slingers went mano-a-mano with others from Houston, Austin and San Antonio. It’s fair to say everyone left the conference room with Lone Stars in their eyes.
JULY: Driftwood introduces an oyster shooter flight
They say the world is your oyster, but sometimes oysters are your world: This little bit of brilliance from Oak Cliff’s disappointingly defunct seafood establishment briefly brightened up my existence. Four oysters on the half-shell, each shell filled upon consumption with one of four spirits or liqueurs: Manzanilla sherry, mezcal, single malt whiskey and Pernod. Let bivalves be bivalves!
AUGUST: Hendricks Gin’s Kanaracuni unveiling
Dallas was one of a handful of cities this summer in which Hendricks Gin chosed to unveil its rare Kanaracuni gin, a single-batch production made from a plant culled from the Venezuelan rainforest. Hendricks knows how to put on an event, and the fancifully exotic tasting, conducted at the Dallas Zoo, did not disappoint: Bordering on elaborate fantasy, it featured tales of adventure and large insects and finally samples of the amazing kumquat-flavored gin, which in intentionally ephemeral fashion shall never be seen again.
AUGUST: Parliament and Proof + Pantry open
As noted above, Lucky Campbell and Michael Martensen’s longstanding rivalry can occasionally reach ridiculous proportions, so it was only logical that their two long-awaited projects would open on the same night — Parliament in Uptown, and Proof + Pantry in the Arts District. (“How ridiculous is that?” Campbell told me a couple of nights before the big event.) Both have met expectations, garnering local and national acclaim.
OCTOBER: Midnight Rambler opens
Behind their Cuffs and Buttons consulting enterprise, cocktail masters Chad Solomon and Christy Pope have long been influences in DFW’s drinking scene, but it wasn’t until this fall that Midnight Rambler, the bar the two have long dreamed of opening, launched at the Joule Hotel. The swanky subterranean palace and its lineup of well-conceived libations take the city to another level, marking another step in its craft-cocktail evolution.
NOVEMBER: Charlie Papaceno leaves the Windmill Lounge
After nine years at the landmark lounge he co-founded with Louise Owens, Papaceno left the venerable dive spot to pursue plans to open a new bar in Dallas’ Cedars neighborhood. One of the scene’s elder statesmen, Papaceno’s bespectacled mug was a steady presence behind the bar at Windmill, which became an early haven for Dallas’ budding craft-bartender scene and went on to garner national attention – including a nod as one of Esquire’s best American bars.
DECEMBER: Trigger’s Toys annual benefit event featuring five pop-up bars
I was crushed to miss this epic event, which made use of the long-unused warren of space at recently opened Henry’s Majestic in the Knox-Henderson area. Five pop-up bars featuring teams of bartenders from DFW and beyond went all out to raise money for a Dallas charity serving hospitalized kids. From sports bar and tiki bar to country saloon and nightclub, it was a raucous party that garnered $100,000 for the cause.
ONGOING: Collectif 1806’s bartender book club events
The bartender education and support arm of Remy Cointreau USA, helmed locally by Emily Perkins, has helped remind that the whole craft-cocktail thing is less revolution than revival. At its periodic exclusive book club gatherings, bartenders page through some of Cointreau’s extensive collection of vintage cocktail tomes, perusing recipes and gleaning old knowledge and then passing the reaped benefits along to consumers. Everybody wins.
With a month gone by since the jewel that is Midnight Rambler beamed into downtown, it’s hard to believe it was barely a year ago that the Dallas cocktail scene seemed lost in free-fall… To recap: Everything was going just fine – better than fine, actually, with two notable spots, Bar Smyth and The Cedars Social, getting national acclaim, and then – Bam! Both places were suddenly gut-punched with the overnight departure of Michael Martensen and his top-notch bartending posse. Meanwhile, Eddie “Lucky” Campbell, an equally well-known luminary behind the stick, was still bouncing around after leaving the failed Chesterfield downtown. Sure, both said they had projects in the works, but DELAYS. The imbiberati were verklempt.
Then, on one night in August, everything was illuminated: Parliament, Campbell’s carefully polished Uptown gem, and Proof + Pantry, Martensen’s much anticipated Arts District venture, opened on the same night with his crafty little bartenders all in a row. This fall, The Bourbon Review named The Standard Pour among its top 60 bourbon bars in America.
Dallas’ cocktail mojo is flowing again, and Midnight Rambler immediately joins the dean’s list – a gorgeous space in the Joule Hotel that reveals itself in holy-moly fashion the moment you plunge into its subterranean home. From the pincushion lighting to the art-deco styling to the arcing, inverted hull of a ceiling with its sleek wooden beams, it’s if you’ve walked into…. New York. Which is no surprise, given the Big Apple origins of owners Chad Solomon and Christy Pope, whose New York-based beverage consulting firm, Cuffs & Buttons, has put its stamp on bars and hotels around the world.
Midnight Rambler has an art deco, midcentury-modern aesthetic that Solomon ascribes to David Lynch’s Silencio space in Paris and the hotel bar in Stanley Kubrick’s The Shining, minus Lloyd the bartender. Strategically placed curtains hide or reveal adjoining space based on volume, intending a sense of intimacy no matter what the crowd. The punch bowl display is a bling-y touch.
This is what he and Pope have had in mind since – well, since those dark days of last autumn, but as already noted, these things take time. The wait has been worth it. “It’s pretty much exactly how we envisioned it,” Solomon said a few days before a glorious preopening-night party whose guest list included Manhattan mixology legends Audrey Saunders of Pegu Club and Cuffs & Buttons partner Sasha Petraske of Milk & Honey (where Pope and Solomon once tended bar).
The lineup of thoughtfully conceived libations is ladled out by a relatively fresh crew of bartenders whom Solomon and Pope have molded to their well-honed specifications. Labeled vials of premixed cocktail portions sit on the backbar, awaiting call to duty: It’s all about efficiency and consistency, and save for the ample canon of classics with which humankind is blessed, few variations occur off-menu, which is okay-fine because it’s muy excelente. (Being at the Joule, it’s also pricy, with drinks ranging from $12-$15.) Creative, daring and amply sized, it features the orange-y, bourbon-based Soul Clap, the tart, poblano-kissed Wang Dang Dula and the clever Savory Hunter, whose lemongrass- and kaffir-lime infused gin, mixed with coconut and lime evoke the flavors of a delicious Thai tom kha gai soup. There’s a selection of group-friendly punches and a playful trio of shots, including a pho-themed one that incorporates beef stock.
Midnight Rambler is also notable for what you don’t see: A backroom “lab” with nifty toys like refractometers, an evaporative still and a centrifuge, all employed in the making of cocktail ingredients. “We call it a lab, but we’re not back there experimenting all the time,” Solomon says. “It’s more like a flavor house. It’s our own dedicated flavor house.” Many drinks also include a touch of mineral saline – a bit of salt that as in food enhances and brings out other flavors; two drops is all it takes.
Nibbles come from CBD Provisions, up on the main level of The Joule – including charcuterie, a tilefish dip (the fish is smoked on the hotel rooftop), black-eyed pea hummus and a knockout burger. Fries are served in a Moscow Mule mug.
Despite the intense structure and pre-planning, the occasional drink can falter: The Sound System, for instance, which I initially loved for its bold and effective use of super-funky Hamilton pot-still rum, turns out to be fickle; inadequately stirred on a later visit, it was too heavy on the rum’s overripe banana flavor. The pre-prepared vials behind the bar can also visually take some of the appeal out of having your drink prepared to order; they’re more appreciated on a busy weekend night. About the only real minus for Midnight Rambler might be its location in the Joule, whose owner, Tim Headington, has enraged preservation architects with a record of destroying historic buildings, including the recent razing of two century-old structures across the street from the hotel, as noted in a scathing column by Dallas Morning News architecture critic Mark Lamster in September. Likewise, those who support historic preservation efforts may want to consider whether they want to patronize the businesses within.
Otherwise, Midnight Rambler is a welcome and needed addition to the DFW cocktail scene. Solomon and Pope had initially considered Austin until the Joule opportunity fell into their laps; they’re now settled in Bishop Arts and have hatched something ambitious, adventurous and more glamorous than any serious cocktail bar Dallas has seen.
“It’s just another layer on top of what’s already here,” Solomon says. “This is next level. We are standing shoulder to shoulder with the best in Chicago and New York. But we’re here.”
Attention, craft cocktailers: Set your timepieces for Wednesday, Aug. 27, when Proof + Pantry, the long-awaited concept from mixmaster luminary Michael Martensen and hospitality management firm Misery Loves Co., officially opens its doors to the craft-cocktail public at One Arts Plaza in the Dallas Arts District.
OK, other publics are welcome, too, but it’s no secret that the fancydrank faction has been chomping at the bitters to witness the now-imminent reunion of some of Dallas’ most talented mixologists, whose diaspora was set in motion in November when Martensen left celebrated Bar Smyth and The Cedars Social to pursue his own ventures.
Last week, as first reported here, we caught a brief glimpse of that reunion when Proof + Pantry hosted a private 80s-themed party for those attending the 10th annual TEXSOM 2014 conference in Las Colinas. The space was still a work in progress at that point, with no menus to speak of, but that will change next week when Proof + Pantry unfurls its bar program (that’s the “proof”) and a food lineup heavy on global cuisine (aye, that be the “pantry”) from executive chef Kyle McClelland.
With Eddie “Lucky” Campbell’s Parliament also on the horizon, it should be an exciting next couple of weeks.
The official opening of one of Dallas’s most anticipated craft-cocktail bars is about a week away, but sometimes it pays to be into wine: Attendees of last weekend’s 10th annual TEXSOM conference, one of the country’s biggest wine gatherings, got a lucky peek at Michael Martensen’s Proof + Pantry space at a 1980s-themed bash that dropped a Super Freak bomb on One Arts Plaza Sunday night.
Beats dropped, wine corks popped, glasses were topped. Roast pig was served. Meanwhile, the mad bartending skills scattered to the winds when Martensen and his team left Dallas’ Bar Smyth and The Cedars Social in November crafted five shades of Negronis for a workshop-weary crowd eager to party like it was 1989. As reunions go, seeing bartenders Julian Pagan, Trina Nishimura, Josh Mceachern, Josh Hendrix and back-from-Denver Mike Steele simultaneously behind the bar again was sorta like Eric B. & Rakim getting back together – “and you ain’t seen nothing yet,” Mceachern said. “We’re just getting started.”
And indeed, Proof + Pantry’s rustic wood and metal interior is still a work in progress. In fact, one would have been hard-pressed on Saturday morning to believe any sort of gathering would be happening in the space 36 hours later, given its warehouse-like disarray. (Deadlines help.) But many features were already evident, like the Restoration-Hardware-esque decor, the classy illuminated modular shelving suspended above the marble-topped bar and the exterior courtyard with its Arts-District view.
There was more wine than anyone could drink, and with air-conditioning on the fritz in the immediate area, the sweltering atmosphere was like a jungle sometimes, it made you wonder how you kept from – well, you know. By night’s end, the contentedly reunited Proof + Pantry team was nonetheless exhausted, having worked nearly around-the-clock to make this moment happen. Still, it was clear that they wanna be startin’ something: This was just a taste of what’s to come.
The spirits scene is fluid. People move around, and maybe you’ve lost track of a few. Barmoire is here to help you out.
Last month came the official news that bartender extraordinaire Michael Martensen planned to open Proof + Pantry at One Arts Plaza; that’s still on track, with the space – formerly the Commissary – opening hopefully before summer. But while Martensen had hoped to reassemble the fine crew of bar talent that had formerly held sway at The Cedars Social and Bar Smyth, it appears at least one band member won’t be joining the reunion: Omar YeeFoon, who is joining Jason Kosmas’ The 86 Co. as Texas brand ambassador.
“I’ll be working with friends,” YeeFoon said last week over pasta and cocktails at the Windmill Lounge’s inaugural Spaghetti + Western night. “And it’s a product and a brand I believe in.”
Meanwhile, Bonnie Wilson, the bartender who helped put Whiskey Cake on the cocktails map in Plano before taking over the bar program at The Ranch at Las Colinas, is now bar programs director for the entire group of Fork It Over Restaurants, which includes Mexican Sugar and Velvet Taco. Fork It Over has already expanded the Whiskey Cake brand to Oklahoma City and will soon open one in San Antonio.
We’ve also missed the upbeat presence of Amber West, former lead bartender at Central 214 at the Hotel Palomar whose garden-to-bar enthusiasm never failed to mesmerize. West is now Texas brand ambassador for Caledonia Spirits, the Vermont-based company that produces honey-tinged Barr Hill Gin and other liquid goodies soon to appear in bars and restaurants around the state. She and her new portfolio were behind the cocktails at last Saturday’s Polo On the Lawn fundraiser in Oak Point.
She’d met Caledonia founder Todd Hardie through former Central 214 chef Graham Dodds; their similar views forged a connection. “Caledonia Spirits is all about his connection with the land, beekeeping and farming,” she said. “It’s beautiful.”
Meanwhile, for those who’ve been wondering whatever happened to bartender Michael Reith, the man whose drinks once shone at Lower Greenville’s Nora, the low-key barman has resurfaced at the esteemed Windmill Lounge on Maple Avenue, where he was last seen firing up cider-y accompaniments for the divey spot’s just-launched, above-mentioned Spaghetti + Western dinners on Mondays.
A great cocktail should take you on a little journey, and one benefit of DFW’s thriving craft-drink culture is the growing number of bar-peeps able to put you aboard that flavor train. The year 2013 was a highlight reel of riches: There was Amber West’s Wild Weeds – a Scotch-and-beer blend rimmed with smoked-almond salt – at Central 214; Chase Streitz’s nectarine-and-Fresno-chile-syrup-influenced Honey Bee Sting at Sissy’s Southern Kitchen; and the just-right, savory bacon-infused bourbon goodness – not an easy feat to pull off – that Tamsin Gray (now at Barter) achieved with the Bull Lejeune at Ser.
La Duni’s stalwart Lemon 43 spoke to my inner adolescent with its lemon fruit-gem sweetness, while Belly & Trumpet’s Scorched Belly cocktail (pictured at right) was certainly one of the year’s prettier drinks. Last summer at Bar Smyth, former bar chief Michael Martensen introduced me to the excellent Smoky Negroni, a twist on the classic cocktail (attributed to Austin’s Rob Pate) that subs mezcal for gin. Asian flavors surprised, too: At Bowl & Barrel, former bar manager Ian Reilly – now at Chino Chinatown – cleverly used hoisin sauce in a pisco-based drink called the Passerine, while Victor Tango’s Alex Fletcher incorporated miso into his gin-fueled Art of War.
I could go on. Some of my year’s favorite drinks are still on menus, some aren’t; some never were. Some can be rekindled from memory at their original locations, some have been lost to posterity. As the last year has shown us, places close, others open, sands shift. But it’s the people who make the scene: Follow them and you won’t go wrong.
My tastes are partial to the bitter and the botanical – show me a bottle of Suze behind the bar and I’m in – and classic browns like the Old Fashioned and the Sazerac. That said, here are my 15 favorite DFW cocktail discoveries of 2013.
Campbell’s hiring at the five-star restaurant showed that Abacus was as serious about its cocktails as it was about its food. This was among the first of his new additions to the menu, a gorgeous concoction of bourbon and muddled blackberries, full-bodied and smooth with echoes of grape that give this luscious drink cache beyond whiskey’s typically male demographic. “It’s delicious,” my friend Susan said after a sip or two. “I think a girl who doesn’t like whiskey would still like this.” Not to mention a boy who likes whiskey, too.
14. DOUBLE UNDER, H&G Sply (Emily Perkins via Jacob Wallace)
Who doesn’t love beets? Okay, a lot of people doesn’t love beets. But properly speaking, for those of us who do, this splash of refreshment ably answers the call – a simple mix of lively beet-infused tequila, lime and rosemary syrup. Perkins – now with Remy Cointreau – modified this creation by Portland’s Jacob Wallace for H&G’s drink list, toying with the proportions; “it’s supposed to be an earthier Margarita that never feels out of season,” she says. The taste is sour beet moxie and tangy lime, with a slight hint of herb. Unabashedly red with a flirty half-skirt of glittery salt, it sure is purdy to look at, too.
13. NEGRONI VARIATION, Lark on the Park (Matt Orth)
One benefit of the classic Negroni – equal parts gin, sweet vermouth and bitter Campari – is that it lends itself to modification: Sub mezcal for gin, as mentioned above, and you still have a formidable drink. Around the time Lark on the Park opened last spring, I was bouncing around town seeing what bartenders were doing with Suze – the herbal French bitter that had become my latest crush – and asked bar manager Orth what he could come up with. This was his second concoction – a honey-gold, bitter/botanical flourish of Suze, Gran Classico and Art in the Age’s Sage spirit, marked by a leafy, sage finish.
12. LAST NIGHT IN PERU, Victor Tango’s (Alex Fletcher)
Last summer, Fletcher, the new bar manager at Victor Tango’s, traveled to Peru to more fully explore the world of pisco (a light-shaded brandy) and came back inspired by a raisin-syrup-enhanced drink he had on his last night there. “This is my tribute to that,” he says. Employing a perfectly highlighted date syrup instead, this butterscotch-hued drink – with pisco, lime, egg white and Peruvian bitters – has a gentle, fruity sweetness that can shine all year long.
11. TWO THIRTY, Bar Smyth (Mike Steele)
In the days that followed Bar Smyth’s much-anticipated opening last March, bartender Mike Steele – whose creations twice landed in my list of 2012’s favorite cocktails – served up this doozy that he’d been working on for some time. With two ounces of Eagle Rare bourbon, ¾ of Gran Classico, ½ apiece of Pedro Ximenez sherry and Carpano Antica and a dash or two of celery bitters, it’s a linebacker of a drink, chocolate-y and mildly sweet, something you’d want to sip in front of the fire. In the version pictured above, I subbed the more maple-forward Angel’s Envy for the nutty Eagle Rare and echoed PX sherry’s raisin notes with Lustau’s East India Solero, and it was still terrific. Use mezcal in place of the bourbon, as Steele also did, and you have the Dos Y Media.
10. BAD SEED, Bar Smyth (Omar YeeFoon)
Maybe I actually waltzed into the menu-less Knox-Henderson speakeasy and asked for something with Aquavit, the Scandinavian caraway-flavored liqueur. (Doubtful.) Or maybe it was something that YeeFoon just happened to be playing with that day. (More like it.) Whatever the case, this inventive drink to which he added Averna, egg white, lemon and a creative splash of root beer and toasted sesame seeds caught my fancy for its frothy off-beat nuttiness. YeeFoon is no longer at Bar Smyth, so I don’t know whether this is still part of his repertoire, but the next time you see him around town it’s worth checking out.
9. FIGGY VIEUX CARRE, Black Swan Saloon (Gabe Sanchez)
It’s always fun to dip into Deep Ellum’s Black Swan and see what the heck bar man Gabe Sanchez is up to that night. Maybe he’s brewing coffee with bourbon – or maybe, as in this case, he’s taking a spoonful of fig jam and setting it afire. So taken was I with this element that I didn’t note at first the lineup of ingredients that would accompany it: Rye, Cognac, sweet vermouth, honey-sweet Benedictine – the classic Vieux Carre. This is Black Swan’s take on it, and cooking the jam reins in its sweetness (the drink has enough of that element already) and lets the wintry fig shine through.
8. COMFORTABLY NUMB, Five Sixty (Lee Heffter)
There’s a lot going on in this drink, but that describes a good number of Lee Heffter’s drinks on the rotating menu at Five Sixty, the Wolfgang Puck Asian-themed restaurant atop Reunion Tower downtown. With Bulleit rye, Cointreau, simple syrup, lemon, Pernod, Peychaud’s bitters and a barspoon of cherry juice, it’s a one-two punch of tart cherry/orange and sweet licorice. If you ever wondered what would happen if a Sidecar crashed into a Sazerac, here’s your answer. You’re welcome.
7. FIG SIDECAR, Nora (Michael Reith)
Speaking of figs and Sidecars: I was excited enough to learn that Nora – the excellent Afghan addition to Lower Greenville – was opening a rooftop bar area. But then bow-tied bar man Michael Reith laid this dollop of seasonal joy on me: A fig-and-winter-spice-infused Cognac to accompany the classic cocktail’s Cointreau and lemon. “I was looking for something wintry,” Reith said. “Once it gets cold outside, I love Cognac, which has that raisin taste. And Cognac and figs go together.” Yeah, like rama lama lama ka dinga da dinga dong. The result is cool fireside comfort.
6. ANEJO FLIP, Abacus (Eddie “Lucky” Campbell)
You probably haven’t heard of the Old Smugglers Awaken, a 200-year-old Havana slush of gin, egg, sugar, lemon and bitters that Campbell has included among his repertoire since his Bolsa days. Probably devised by Caribbean pirates — “Who else would be sitting around drink gin flips in Cuba?” he says — the drink was a favorite of one of Campbell’s patrons at the short-lived Chesterfield downtown until she began ordering a fizzy grapefruit tequila drink on the menu instead. “I thought – what if I combined them?” Campbell says, and this bootylicious treasure – which he dropped on me at his current station, Abacus – is the result: Anejo tequila, grapefruit, agave syrup, vanilla, whole egg and Angostura bitters. Served up in a martini glass with Abacus’ signature “A” stencil-sprayed atop, it’s deliciously creamy and sweet, with hints of warm, dark vanilla.
5. I’LL GET TO IT, The Cedars Social (Josh MacEachern)
During his days at The Cedars Social, MacEachern came up with this lovely off-menu blend of Cognac, Pedro Ximenez sherry, orange-y Grand Marnier, walnut tincture and Pernod. But while the easygoing bartender loves crafting drinks, he doesn’t like naming them, so when I’d drop in and request “that thing you made for me last time” and then ask when he was going to name it, his signature reply finally became its lasting moniker. The sippable tipple is a spin on the Sazerac, MacEachern’s favorite cocktail, and arose as he was pondering flavors that might pair well with orange. “I thought of walnut, and anise,” he says. “That’s the fun thing about cocktails – we’re basically building on what chefs have already given us.” You’ll currently find MacEachern pouring Fridays and Saturdays at Uptown’s Belly & Trumpet, where you can still savor the drink’s warm nuttiness and licorice finish.
4. REAL SLOW AND REAL LOW, Barter (Rocco Milano)
“You would think there’s no way that could all work together,” bar manager Rocco Milano said as he placed the bottles in front of me one by one at the late Private/Social (RIP): Slow and Low Rock & Rye (basically a pre-bottled Old Fashioned). Cointreau Noir. Peachy Crème de Peche. Hum, a botanical spirit distinguished by hibiscus, ginger and clove, among other flavors. And Luxardo maraschino liqueur. The ingredients would comprise one of the last drinks Milano — whose Fall Into A Glass was my favorite drink of 2012 — would pour for me there before it closed in July; back then he called it the I’ll Have One Of Those, but fortunately for us brave souls it has been reborn under its new identity at Barter, Milano’s new playground in Uptown, where it will likewise seduce you with fruity sweetness before wrapping you in its warm boa-constrictor grip.
3. ROSEMARY’S AFFAIR, La Duni (Daniel Guillen)
Here’s a cocktail that takes you from backyard garden to summer campfire on a magic carpet of licorice; it’s no wonder this cocktail earned Guillen, La Duni’s bar program manager, a slot repping North Texas in a national Bombay Sapphire-sponsored competition in Vegas. It’s not officially on La Duni’s menu, but track Guillen down and he’ll gladly make it for you, first dropping a sprig of fresh rosemary into a Collins glass, splashing it with absinthe and lighting it afire. Then he’ll douse it with enough ice to fill the glass to the brim and cover it with a coaster, capturing and taming the smoking rosemary’s savory flavor. Meanwhile, he’ll mix 2 ounces of Bombay Sapphire gin, ¾ ounce of orgeat, ½ ounce of Averna and a bit of lemon and lime, then pour the liquid over the rosemary-smoked ice. Swirl it in your mouth and you’ll find herb, citrus, smoke and probably the urge to order another.
2. ONE SMASHED MONK, The People’s Last Stand (Alex Fletcher)
Ah, Green Chartreuse: My beloved Joan Allen of liqueurs. Forever a supporting actress in many a cocktail, never the star. Can she help it if she’s larger than life? See her shine in the classic Last Word – but then send her offstage. When Fletcher (now at Victor Tango’s) headed the bar program at The People’s Last Stand, he felt it was time to give this aggressively vegetal liqueur a starring role, and the tart, sweet, highly herbaceous result outdoes even The Bourne Supremacy: Its elemental mash-up of Green Chartreuse, lime and simple, spiced up with muddled Thai basil and sugar, might seem soft on the surface, but it packs a 110-proof punch. Just like Joan Allen.
1. AMOR Y AMARGO, Hibiscus (Grant Parker)
Grant Parker’s bar program at Hibiscus is one of the better ones in town, and this Sazerac-esque drink of incredible depth – not officially on the menu – reflects his alchemistic approach. After being blown away by a similar drink at New York’s bitters-focused Amor Y Amargo bar last summer, he wanted to try to replicate the cocktail’s blend of amaros (bittersweet herbal liqueurs). For a week straight he spent a couple of hours a day perfecting this mysterious and satisfying blend of four amaros, plus Peychaud’s bitters and Bittermen’s orange cream nitrate. There’s some Cynar in there, and Averna. Possibly some Amaro Montenegro. Or not. But it’s dark and voluptuous, a drink you’ll want to take a thousand sips of, letting the flavors lindy-hop across your tongue. Cherry. Citrus. Root beer. They’re all there. “It’s essentially an Amaro Sazerac,” he says. It’s amor (love) and amargo (bitter) in a glass. And it’s fabulous.
Honorable Mentions: Brown and Stirred (Grant Parker, Hibiscus); Caribbean Winter (Matt Orth, Lark on the Park); Chocolate Bullet (Bistro 31); Holy Grail (Michael Martensen, Driftwood); The Inquisition (Emily Perkins, Victor Tango’s); Scorched Belly (Matt Perry, Belly & Trumpet); Steep Buzz (Eddie Eakin, Boulevardier).
Oh, 2013. You hater. You tried so hard to suck. In the summer, just days after influential bar man Jason Kosmas announced he was taking his talents to Austin, you pulled the plug on my beloved Private/Social, where bar manager Rocco Milano had overseen one of the best cocktail programs in town. Then, last month, you shocked us with the sudden exit of Michael Martensen and his crew of highly talented bartenders from Bar Smyth and The Cedars Social, the two brightest stars in DFW’s craft-cocktail culture. With the unfolding of The Great Unpleasantness, a scene that had solidly come of age at last lost its innocence.
But hey, that’s part of growing up. And despite assertions to the contrary, craft cocktails as we head toward 2014 are alive and swell, showing no signs of peaking: Milano has resurfaced in a major way; Eddie “Lucky” Campbell is preparing to launch Parliament; Asian-Latin fusion restaurant Chino Chinatown has opened in Trinity Groves with Ian Reilly at the bar-program helm; Origin has restyled itself in Knox-Henderson with a promising drink lineup; and the Smyth/Cedars Social diaspora is sprinkling its goodies all over town.
Are you not entertained? To what do we owe this good fortune? It’s because we, my thirsty friends, have proven ourselves worthy. We’re a smarter bunch now when it comes to craft cocktails; our palates now welcome more flavor, complexity and originality. We like menus that mirror the season, varied but not overwhelming, with options both accessible and challenging. We want bartenders steeped in history and craft and eager to command the palettes of flavor at their disposal, ready to improvise when able. Is that asking too much?
No. And DFW has answered the call. Here are my top 10 spots as we head into 2014, in alphabetical order, BECAUSE.
OK, I’ll admit: I hadn’t set foot into Abacus since I first moved to Dallas three years ago – at least not until chef Ken Rathbun lured Lucky Campbell away from The Standard Pour in Uptown. Campbell, whose bumpy road has taken him from The Mansion at Turtle Creek to renown at Bolsa to the short, chaotic life of The Chesterfield and then to TSP, set about infusing Abacus’ solid martini-and-bubbly-focused menu with the Pacific Rim sensibilities that inform the five-star restaurant’s kitchen. The result: a boost of energy and derring-do behind the bar that have given Abacus’ Men in Black new street cred.
Where Rocco Milano goes, magic follows. The execution of Private/Social paved the way for a makeover of the Uptown space, and the results are terrific: The vibe is warm and woodsy, and the bar has been opened up to give Milano and his top-notch staff room to move more freely. The house cocktails are unsurprisingly great, but it’s the added features that really set Barter apart: Milano’s “book-of-the-month” set will feature selected drinks from different classic cocktail tomes every month; first up is David Embury’s 1948 classic, “The Fine Art Of Mixing Drinks.” Add to that a mix of high-end choose-your-poison flights and an innovative series of pours that illustrate liqueurs in various stages, and you’ll see why Milano is the cocktail geek’s cocktail geek.
BLACK SWAN SALOON
Gabe Sanchez’ one-ring circus in Deep Ellum has a cult following, and with good reason: He’s been quietly cranking out some of Dallas’ more original concoctions at this dimly lighted, low-key speakeasy with the badass vibe you’d expect from a bar in the city’s tattoo epicenter. The Swan’s staff now walk the tightrope without the net of a cocktail menu, playing to tastes and whatever Sanchez has cooked up that day. Smoked fig jam with rye? You’ll find that here.
Bar manager Amber West has been among the city’s under-sung cocktail heroes, avidly and expertly using seasonal ingredients in her creations. Example: The gin-based, garden-in-a-glass First Course, like so many of her cocktails, is as beautiful to behold as it is to imbibe, with flecks of Tom Spicer’s arugula dotting its translucent surface; her Honeysuckle Gimlet is another standout. Though she’s moving into more of a consulting role to focus on gardening, the cocktails at Central 214 — located inside Hotel Palomar off the Central Expressway — will continue to carry her imprint.
The spinning modern-Asian-themed Wolfgang Puck restaurant at the top of Reunion Tower has more to offer than a fantastic view. Yes, you’ll have to endure a 45-second elevator ride and the beastly $16 price tag per cocktail, but the drinks are a journey in themselves. They’re part of a rotating series of libations designed by the chain’s Lee Hefter — bold, original and artfully presented, mirroring the restaurant’s sophisticated vibe. Try the gorgeous Fog Rolling Over Mount Fuji or the Locked and Loaded, both among my top cocktails of 2012.
Seats at the bar are few at this Henderson Avenue mainstay, but they’re worth the wait to gain an audience with bar manager Grant Parker, whose behind-the-bar expertise continues to steadily lift Hibiscus to new mixology heights. Parker hopes to gradually expand the drink menu with more adventurous offerings, but for now try his play on the lesser-known classic Emerson (also among my top-rated drinks of 2012) or the luscious, rye-based Brown and Stirred.
LARK ON THE PARK
This Klyde Warren Park newcomer is a solid playa in the craft-cocktail game, excelling at wintery drinks in particular, so now’s the time to go and warm up your belly. Bar manager Matt Orth and his crew respect seasonality and do nice spins on the classics, too; if you’re into Sazeracs or Negronis, ask for one of their variations and you won’t be disappointed.
THE STANDARD POUR
Stacked at Ground Zero of the madhouse Uptown scene, barman Brian McCullough’s strong crew is primed to feed the weekend’s party-minded mainstream tastes, armed with what must be the largest arsenal of Moscow Mule mugs outside of wherever it is Moscow Mule mugs come from. But take a closer look at the bar’s wide-ranging, Prohibition-Era-themed menu and you’ll find lots more than vodka. It also doesn’t hurt that the dark, vintage-lounge-style space exudes fun, or that its chalk-mural-adorned bar is often a refuge for displaced craft bartenders (see Abacus, Bar Smyth, The Cedars Social above).
I love this place, from its wry, respectable menu on up to its sleek, chill vibe and a team of able bartenders who never seem to be in short supply. The modest house drink list is nice – try the gin and apricot liqueur-fueled Parlor – but it’s the off-road adventures that are really fun; a spin on the classic Hanky Panky, for instance, or something using the most recent bottle on the shelf.
The godfather of them all. Charlie Papaceno and Louise Owens have been crafting cocktails since 2008 in this dive-y spot off a remote stretch of Maple Avenue. Jason Kosmas – the co-owner of New York City’s Employees Only and spirit line The 86 Co. – did time here after moving to Texas, and early adopters Campbell and Martensen threw down in friendly competition back when as well. It’s still a bartender’s bar; you’ll find a number of mixers bellied up here, drawn by the Windmill’s unpretentious atmosphere and the staff’s easygoing approach. But there’s skill here, too, and innovation; it was Charlie who introduced me recently to Ancho Reyes, a recently released ancho-chile liqueur, and the bar was listed among Esquire Magazine’s top bars of America earlier this year.
Looking forward to what 2014 may bring!
Honorable mentions: Bolsa, Victor Tango’s, Boulevardier
Ones to watch: Chino, Parliament, The Cedars Social
Booze news and adventures in cocktailing, based In Dallas, Texas, USA. By Marc Ramirez, your humble scribe and boulevardier. All content and photos mine unless otherwise indicated. http://typewriterninja.com