Shoals Sound & Service, the retro cocktail den from local cocktail luminaries Omar Yeefoon and Michael Martensen, is now open in Deep Ellum, after quietly marking its official opening night Thursday.
The svelte Elm Street locale is sexy and soulful, recalling the vibe at Bar Smyth, the swanky, short-lived speakeasy that both Martensen and Yeefoon once inhabited in Knox-Henderson. The vibe at Shoals is much more laid-back, all wood and angles and curves and comfort, with nifty artsy touches and a lounge-y back area with zig-zag-design love seats.
Patrons can get their groove on with a classics-driven drink menu (think Sidecars, Old Fashioneds, Daiquiris and French 75’s) or go off-menu with the bar staff’s own whims — or call your own shot, like a Bols Barrel-Aged Genever Old Fashioned. Liquid refreshment comes served against a 1970s backdrop with vinyl tracks from Al Green and Elton John occasionally topping the turntable.
The food offerings are simple, with vegan options available: The sandwich leans either bologna or veggie; the delicious empanadas, beef or veggie. Butter beans and jars of in-house pickled veggies are on the list too.
Martensen, who is also a partner in the Arts District’s Proof + Pantry, delivered a Champagne toast to mark Shoals’ opening, proudly acknowledging the team behind the bar. “The sacrifice they have given over the hurdles that I’ve given them are far beyond what I would have ever expected,” he said.
It’s a treat to see Yeefoon behind the bar again; after stints at Bar Smyth and The People’s Last Stand, the talented Dallas native spent a couple of years as Texas representative for The 86 Co., a now-ubiquitous New York-based line of spirits, but he never really quite warmed to the business side of the industry.
Now, with his smooth manner and signature shake, he seemed at home. Had he much missed behind being the bar? “Every day of my life,” he said.
Here’s some Halloween weekend activity that won’t have you saying Boo.
Monday’s event at Victor Tangos is the highlight, and the costume party/cocktail fest doubles as a charity effort, with proceeds benefiting Dallas CASA, an agency that helps abused and neglected children find safe and permanent homes.
The longtime Knox-Henderson craft-cocktail den is teaming up with Brian Floyd of The Barman’s Fund, a national organization of bartenders who hold monthly events to benefit worthwhile causes and donate their night’s tips to the proceeds.
The Victor Tangos party features an all-star cast of Dallas bar industry pioneers, including five members of the original teams at milestone craft-cocktail joints Bar Smyth and/or The Cedars Social, both of which earned national acclaim: Michael Martensen, Mate Hartai, Josh Hendrix, Julian Pagan and Omar YeeFoon.
Joining them will be Victor Tangos vet Emily Arseneau, Brian McCullough of The Standard Pour, Midnight Rambler’s Zach Smigiel and spirits distributor Kristen Holloway.
The fun gets underway at 7 p.m. with drink specials, with tracks spun by DJ Bryan C and prizes to be awarded for the best, most outlandish and most inappropriate costumes.
Meanwhile, on Saturday, the classic Windmill Lounge on Maple Avenue will hold its annual Halloween bash with drink specials, a midnight costume parade and contest ($100 for first place!) and DJs Chris Rose and Genova providing the beats.
They call Charlie Papaceno the godfather of Dallas’ craft-cocktail scene. Ten years ago, he and then-wife Louise Owens opened the no-frills Windmill Lounge in Oak Lawn, unassumingly planting the local flag of an ongoing national renaissance on a nondescript stretch of Maple Avenue.
With the easygoing maestro at the helm, the low-key bar became a practice ground and hangout spot for the scene’s growing field of practitioners – pioneers like Jason Kosmas, Michael Martensen, Eddie “Lucky” Campbell and Sean Conner. Its homey vibe and quality drinks earned the friendly dive a place in Esquire’s top U.S. bars of 2013.
“That was the place you’d go to see all your friends,” says Bonnie Wilson, director of independent bar programs for Addison-based FrontBurner Restaurants. “He nurtured a lot of us, and he was always willing to listen and guide us. We all learned from him.”
Now, the cocktail-community cache that Papaceno has earned is coming full circle. This time, it’s the godfather who is struggling: Late last year, Papaceno left the Windmill to launch his own bar, wanting to work on a new project. And then he found out he had Stage 4 cancer.
The #RallyForCharlie hashtag says it all: Charlie Pap has earned his support. The opportunities to help gets underway Thursday with cocktail specials at places like LARK on the Park and Black Swan Saloon to benefit the cause. But the major fundraising event happens Monday, when an “industry rally” is set for Industry Alley, Papaceno’s soon-to-open bar in the Cedars neighborhood.
“It’s awfully nice,” he says, sitting in the Lamar Avenue nightspot that’s still taking shape, with the lingering smell of fresh paint garnishing the air. “It’s humbling.”
“He nurtured a lot of us, and he was always willing to listen and guide us. We all learned from him.” — Bonnie Wilson, FrontBurner Restaurants
Monday’s cash-only event runs from 2 to 8. Twenty bucks gets you two drink tickets and pork tacos from a whole hog presented onsite. (Additional tickets can be purchased for $5 apiece.) Bartender-led teams of four will be pitted against each other in a giant game of Twister for the cause, and a silent auction will feature multicourse group dinners at places like FT33, Bolsa and Proof + Pantry.
For weeks, the ache in his ear and jaw wouldn’t go away. The first hospital visit revealed nothing. But when the pain got so bad he couldn’t sleep, he went back again; this time the tests showed he had, essentially, cancer of the tongue.
He’s been through radiation and chemo; he’s lost 30 pounds and is moving more slowly, but it hasn’t kept him from pursuing his goal. “I’m just working and trying to get better,” he says.
As a military veteran, the VA is covering his medical costs, but living expenses are another matter, especially if he’s left unable to work for a time.
Monday’s Industry Rally will showcase the bar he’s toiled to make real. It’s kind of two venues in one – an informal lounge as you enter, with a jukebox, sexy wall art and a bar with a heavy-duty zinc top and see-through panels underneath. In the rear is a cavernous, corrugated-metal-walled game room that will eventually feature pinball and pool tables. “It’s gonna be a split-personality kind of bar,” he says.
He’d originally wanted something much more intimate. “Then I saw this Quonset-hut backroom, and the office upstairs that’s like something out of some British gangster movie,” and he was sold.
A metal-gated courtyard alley winds toward the front door; hence the name. The “industry” part refers to the neighborhood’s history as an industrial area.
Nothing fancy here – no syrups, no tinctures, no shrubs. Except for Miller Lite ponies, all beers will come in a can. The cocktails will be classically simple. “There’s no reason you shouldn’t walk into a regular bar and be able to get a decent Manhattan or Old Fashioned,” Papaceno says. “It doesn’t have to be The Mansion but I don’t want to be a McDonald’s either. Something in the middle.”
So yeah, there won’t be any elaborate garnishes or a kitchen full of produce, but if he has his way, you’ll know you can walk in and get a quality drink in a comfortable atmosphere. It’s the kind of place he hopes people will go before or after the place they’re headed to that evening. Kind of like the Windmill – though he’s not looking to reinvent the place.
Industry Alley, he says, “is not a destination bar. It’s a hangout bar. Hopefully I can design a place that people can hang out in and feel comfortable.”
For Papaceno, that should be no struggle whatsoever.
It was the best of times, it was the thirst of times, and 2014’s constantly unfolding craft-cocktail kaleidoscope unfurled a spirited array of events for DFW’s imbiberati. Here’s a look back at the year’s top stories:
JANUARY: Eddie “Lucky” Campbell and Michael Martensen together behind the bar at Abacus
From darkness, light: For a brief but glorious time, the chaos set in motion by Eddie “Lucky” Campbell’s displacement from the late Chesterfield and Michael Martensen’s abrupt exit, along with his bar team, from Bar Smyth and The Cedars Social actually set the stage for two of the city’s most talented and influential bar men to pair up behind the bar at Abacus. The two have a longstanding rivalry – “I’m Seabiscuit and he’s War Admiral,” Campbell once told me. “I’m hard working, and he’s a fucking genetic miracle” – that continued to unfold at Abacus to customers’ benefit, especially late, once the kitchen had closed. One evening we rolled in and the two went back and forth like b-boys, throwing down cocktail creations to put each other’s to shame until Martensen slipped off to a corner to focus on a bit of handiwork. “What’s he doing over there?” Campbell wondered with his sly smile. Martensen emerged with what you see at top: A frothy apple boilermaker made with Deep Ellum Blonde, Cointreau, apple brandy, whole egg and a hollowed-out half-eggshell cupping a whiskey shot. Boss.
MAY: Mate Hartai says goodbye to The Libertine Bar
For years, Hartai — chief barman at Remedy, opening tonight –was synonymous with the Libertine, which he helped transform from solid neighborhood bar to a den of craft-cocktail prowess and innovation. But after five years at the Libertine, Hartai decided it was finally time to move on to other things – namely The Cold Standard, the craft ice business he’s been shaping for some time – and most recently, Remedy, the new Lower Greenville project from HG Sply owner Elias Pope.
JULY: Texas Tiki Throwdown at Tales of the Cocktail, New Orleans
The DFW presence at the spirit industry’s biggest annual gathering has gotten larger and larger, with dozens of bartenders and spirit reps on hand for 2014’s event. Among the festival’s kickoff happenings was the Texas Tiki Throwdown, where DFW drink-slingers went mano-a-mano with others from Houston, Austin and San Antonio. It’s fair to say everyone left the conference room with Lone Stars in their eyes.
JULY: Driftwood introduces an oyster shooter flight
They say the world is your oyster, but sometimes oysters are your world: This little bit of brilliance from Oak Cliff’s disappointingly defunct seafood establishment briefly brightened up my existence. Four oysters on the half-shell, each shell filled upon consumption with one of four spirits or liqueurs: Manzanilla sherry, mezcal, single malt whiskey and Pernod. Let bivalves be bivalves!
AUGUST: Hendricks Gin’s Kanaracuni unveiling
Dallas was one of a handful of cities this summer in which Hendricks Gin chosed to unveil its rare Kanaracuni gin, a single-batch production made from a plant culled from the Venezuelan rainforest. Hendricks knows how to put on an event, and the fancifully exotic tasting, conducted at the Dallas Zoo, did not disappoint: Bordering on elaborate fantasy, it featured tales of adventure and large insects and finally samples of the amazing kumquat-flavored gin, which in intentionally ephemeral fashion shall never be seen again.
AUGUST: Parliament and Proof + Pantry open
As noted above, Lucky Campbell and Michael Martensen’s longstanding rivalry can occasionally reach ridiculous proportions, so it was only logical that their two long-awaited projects would open on the same night — Parliament in Uptown, and Proof + Pantry in the Arts District. (“How ridiculous is that?” Campbell told me a couple of nights before the big event.) Both have met expectations, garnering local and national acclaim.
OCTOBER: Midnight Rambler opens
Behind their Cuffs and Buttons consulting enterprise, cocktail masters Chad Solomon and Christy Pope have long been influences in DFW’s drinking scene, but it wasn’t until this fall that Midnight Rambler, the bar the two have long dreamed of opening, launched at the Joule Hotel. The swanky subterranean palace and its lineup of well-conceived libations take the city to another level, marking another step in its craft-cocktail evolution.
NOVEMBER: Charlie Papaceno leaves the Windmill Lounge
After nine years at the landmark lounge he co-founded with Louise Owens, Papaceno left the venerable dive spot to pursue plans to open a new bar in Dallas’ Cedars neighborhood. One of the scene’s elder statesmen, Papaceno’s bespectacled mug was a steady presence behind the bar at Windmill, which became an early haven for Dallas’ budding craft-bartender scene and went on to garner national attention – including a nod as one of Esquire’s best American bars.
DECEMBER: Trigger’s Toys annual benefit event featuring five pop-up bars
I was crushed to miss this epic event, which made use of the long-unused warren of space at recently opened Henry’s Majestic in the Knox-Henderson area. Five pop-up bars featuring teams of bartenders from DFW and beyond went all out to raise money for a Dallas charity serving hospitalized kids. From sports bar and tiki bar to country saloon and nightclub, it was a raucous party that garnered $100,000 for the cause.
ONGOING: Collectif 1806’s bartender book club events
The bartender education and support arm of Remy Cointreau USA, helmed locally by Emily Perkins, has helped remind that the whole craft-cocktail thing is less revolution than revival. At its periodic exclusive book club gatherings, bartenders page through some of Cointreau’s extensive collection of vintage cocktail tomes, perusing recipes and gleaning old knowledge and then passing the reaped benefits along to consumers. Everybody wins.
Charlie Papaceno has officially left the venerable Windmill Lounge to launch a new project, marking an end to one of the craft-cocktail scene’s longest-running tenures.
The bespectacled barman will be missed, having been a droll and steady presence at the landmark lounge he co-founded nine years ago with then-wife Louise Owens. Though the two eventually divorced, they continued to operate the bar as business partners, a relationship they managed to negotiate for some time.
Papaceno, who has a new bar in the works in Dallas’ Cedars neighborhood, had effectively paved the way for his departure with the hiring earlier this year of Nora’s Michael Reith at the Windmill. But his exit earlier this week came to pass without fanfare or farewell.
That’s fine with the under-the-radar Papaceno, who has fond memories of the dive-y Dallas institution named among Esquire magazine’s best bars in 2013. “The Windmill’s great,” he says. “Look what it’s become. I feel like we cut a new path in this town that wasn’t there before.”
And they did: Papaceno and Owens opened the Windmill in 2005 on a dingy stretch of Maple Avenue after Papaceno was laid off from a corporate gig, freeing him up to pursue a longtime dream. His classic-drink know-how would help make the unassuming lounge essentially Dallas’ first craft-cocktail establishment, even though it never promoted itself as much more than your basic watering hole. It became a mainstay and occasional playground for those scattered upstarts who would eventually lead the city out of its craft-cocktail wasteland toward the vibrant scene it has now become – people like Parliament’s Eddie “Lucky” Campbell; Proof + Pantry’s Michael Martensen; and The 86 Co.’s Jason Kosmas, co-founder of Manhattan’s famous Employees Only, freshly arrived from New York.
The no-frills bar, with its angry jukebox and come-as-you-are regulars, has remained a favored hangout for local craft bartenders, but whether that status continues in Papaceno’s absence remains to be seen.
Papaceno says his new place, whose name has yet to be finalized, will hopefully open by year’s end. “It’ll be funky and homey,” he says. In other words, just like the Windmill. “Hopefully people will feel comfortable there.”
With a month gone by since the jewel that is Midnight Rambler beamed into downtown, it’s hard to believe it was barely a year ago that the Dallas cocktail scene seemed lost in free-fall… To recap: Everything was going just fine – better than fine, actually, with two notable spots, Bar Smyth and The Cedars Social, getting national acclaim, and then – Bam! Both places were suddenly gut-punched with the overnight departure of Michael Martensen and his top-notch bartending posse. Meanwhile, Eddie “Lucky” Campbell, an equally well-known luminary behind the stick, was still bouncing around after leaving the failed Chesterfield downtown. Sure, both said they had projects in the works, but DELAYS. The imbiberati were verklempt.
Then, on one night in August, everything was illuminated: Parliament, Campbell’s carefully polished Uptown gem, and Proof + Pantry, Martensen’s much anticipated Arts District venture, opened on the same night with his crafty little bartenders all in a row. This fall, The Bourbon Review named The Standard Pour among its top 60 bourbon bars in America.
Dallas’ cocktail mojo is flowing again, and Midnight Rambler immediately joins the dean’s list – a gorgeous space in the Joule Hotel that reveals itself in holy-moly fashion the moment you plunge into its subterranean home. From the pincushion lighting to the art-deco styling to the arcing, inverted hull of a ceiling with its sleek wooden beams, it’s if you’ve walked into…. New York. Which is no surprise, given the Big Apple origins of owners Chad Solomon and Christy Pope, whose New York-based beverage consulting firm, Cuffs & Buttons, has put its stamp on bars and hotels around the world.
Midnight Rambler has an art deco, midcentury-modern aesthetic that Solomon ascribes to David Lynch’s Silencio space in Paris and the hotel bar in Stanley Kubrick’s The Shining, minus Lloyd the bartender. Strategically placed curtains hide or reveal adjoining space based on volume, intending a sense of intimacy no matter what the crowd. The punch bowl display is a bling-y touch.
This is what he and Pope have had in mind since – well, since those dark days of last autumn, but as already noted, these things take time. The wait has been worth it. “It’s pretty much exactly how we envisioned it,” Solomon said a few days before a glorious preopening-night party whose guest list included Manhattan mixology legends Audrey Saunders of Pegu Club and Cuffs & Buttons partner Sasha Petraske of Milk & Honey (where Pope and Solomon once tended bar).
The lineup of thoughtfully conceived libations is ladled out by a relatively fresh crew of bartenders whom Solomon and Pope have molded to their well-honed specifications. Labeled vials of premixed cocktail portions sit on the backbar, awaiting call to duty: It’s all about efficiency and consistency, and save for the ample canon of classics with which humankind is blessed, few variations occur off-menu, which is okay-fine because it’s muy excelente. (Being at the Joule, it’s also pricy, with drinks ranging from $12-$15.) Creative, daring and amply sized, it features the orange-y, bourbon-based Soul Clap, the tart, poblano-kissed Wang Dang Dula and the clever Savory Hunter, whose lemongrass- and kaffir-lime infused gin, mixed with coconut and lime evoke the flavors of a delicious Thai tom kha gai soup. There’s a selection of group-friendly punches and a playful trio of shots, including a pho-themed one that incorporates beef stock.
Midnight Rambler is also notable for what you don’t see: A backroom “lab” with nifty toys like refractometers, an evaporative still and a centrifuge, all employed in the making of cocktail ingredients. “We call it a lab, but we’re not back there experimenting all the time,” Solomon says. “It’s more like a flavor house. It’s our own dedicated flavor house.” Many drinks also include a touch of mineral saline – a bit of salt that as in food enhances and brings out other flavors; two drops is all it takes.
Nibbles come from CBD Provisions, up on the main level of The Joule – including charcuterie, a tilefish dip (the fish is smoked on the hotel rooftop), black-eyed pea hummus and a knockout burger. Fries are served in a Moscow Mule mug.
Despite the intense structure and pre-planning, the occasional drink can falter: The Sound System, for instance, which I initially loved for its bold and effective use of super-funky Hamilton pot-still rum, turns out to be fickle; inadequately stirred on a later visit, it was too heavy on the rum’s overripe banana flavor. The pre-prepared vials behind the bar can also visually take some of the appeal out of having your drink prepared to order; they’re more appreciated on a busy weekend night. About the only real minus for Midnight Rambler might be its location in the Joule, whose owner, Tim Headington, has enraged preservation architects with a record of destroying historic buildings, including the recent razing of two century-old structures across the street from the hotel, as noted in a scathing column by Dallas Morning News architecture critic Mark Lamster in September. Likewise, those who support historic preservation efforts may want to consider whether they want to patronize the businesses within.
Otherwise, Midnight Rambler is a welcome and needed addition to the DFW cocktail scene. Solomon and Pope had initially considered Austin until the Joule opportunity fell into their laps; they’re now settled in Bishop Arts and have hatched something ambitious, adventurous and more glamorous than any serious cocktail bar Dallas has seen.
“It’s just another layer on top of what’s already here,” Solomon says. “This is next level. We are standing shoulder to shoulder with the best in Chicago and New York. But we’re here.”
No doubt no one’s happier that Parliament is finally ready to launch than Eddie “Lucky” Campbell, the man who’s spent a good portion of his life dreaming about opening his own bar. Now, with the help of business partner Andrew Brimecome, the Man With The Fedora has finally achieved that goal in Four Lounge’s former space in Uptown’s State and Allen neighborhood.
Here’s eight things you should know about the place, which officially opens tonight.
1. The menu is gorgeous. In fact, it may be the most beautiful – if crazy ambitious – drink menu I’ve ever held in my cocktail-craving little hands. Within its heavy-duty exterior rest more than 100 libations separated into a dozen or so categories, each colorfully illustrated, pleasantly organized and sprinkled with historical tidbits. “London Roads” is where you’ll find the gin, for example; in “Forbidden,” the absinthe. And somewhere toward the back is a page dedicated to pie-in-the-sky libations (with prices to match); one even comes with a gift certificate for a hat.
2. The menu won’t go live until next week. Until then, Parliament will be featuring its happy-hour menu — including one of Campbell’s favorites, the Ramos Gin Fizz.
3. The bar is a bit of a looker too. You wouldn’t be crazy if you felt somehow reminded of another place in Campbell’s past: From its chandeliered elegance to its wallpaper to its dark woody interior, it boldly recalls the Chesterfield, the cocktail haven that shone all too briefly in downtown Dallas, then fizzled when Campbell and then-partner Ed Bailey parted ways in late 2012. But it’s the half-decagon of a bar that’s the star here, a luxurious theater in the (half)-round that puts the drink makers on display.
4. There’s no kitchen, but you can order food. And then, like magic, or at least like your Uncle Morrie pulling a quarter from behind your ear, it comes from State & Allen Kitchen + Bar just down the street.
5. Those doorknobs are swans. And they come with a backstory. Seems Campbell and Brimecome were out shopping for door handles for their venture-in-progress, and Campbell came across the fowl knobs. There then followed some back-and-forth involving The Queen of England and potential bird consumption, and – well, suffice it to say it’s worth having Campbell himself spin the tale.
6. The wallpaper is another story. A tale of coincidence and fate. Might want to ask about that one too.
7. The barstools tell their own story. Nestled around the comfortable half-circle bar that dominates the room, each bears a titular nameplate dedicated to Dallas cocktail-scene luminaries and others who have found their way into Campbell’s good graces, including Jason Kosmas (“The Pioneer”) and Michael Martensen (“The Professor”). I am humbled to be among them.
8. The bar is strong enough to stand on. But don’t, unless you’re Campbell himself. The gravelly-voiced bar veteran is a natural entertainer, and every now and then he likes to climb on stuff to deliver his pronouncements from on high. At Monday’s soft opening for industry friends that preceded this week’s official launch, he did just that, thanking almost everyone who helped breathe life into his dream, including the man with whom he’s shared a friendly rivalry for five years. “Nobody has taught me more about this cocktail game than Michael Martensen,” he said.
And with Martensen’s Proof + Pantry also officially opening tonight, Dallas’ craft cocktail scene is much the better for it.
If you’ve been looking for Lauren Festa, who until recently was working mushroom and elderflower wonders at FT33, she’s now overseeing the bar program at The Rosewood Mansion at Turtle Creek. It’s a much-heralded place in Dallas bar lore, having been presided over by some of the city’s most respected mixerati – names like Michael Martensen, Lucky Campbell and Rocco Milano. “An opportunity like this doesn’t come around very often,” Festa said just before leaving FT33 – and spied not long ago, the hospitality-minded bartender seemed content to have ditched the chain mail of her former Design District home for the proper vest of her dark, new Uptown den. She was expecting to roll out her new cocktail menu by last week.
Another new lineup of libations is up and running at Spoon Bar & Kitchen, where James Slater is the new bar program manager. When chef John Tesar opened Knife in the Palomar Hotel space where Central 214 used to be, Slater was among the bartenders who made the jump. The understated Panamanian is an able bar man and now has a chance to make his mark at Tesar’s acclaimed seafood restaurant in North Dallas.
After a nice stint with Rocco Milano at Barter, Stephen Halpin has joined the crew at Parliament, the craft-cocktail pearl that itinerant barman Eddie “Lucky” Campbell has spent the last year or so forming in Uptown’s State and Allen area. Formerly of Whiskey Cake, the Irish-born Halpin has proven himself an adept mixologist and should find a worthy challenge in Parliament’s extensive tome of tipples when the bar opens this week.
Joining Halpin at Parliament is Will Croxville, fresh from Libertine Bar and a stretch last year with the celebrated Bar Smyth. Croxville has the distinction of preparing to adjust his schedule around the nearly simultaneous openings of two highly anticipated Dallas bars: He’ll also be doing time at Proof + Pantry, Michael Martensen’s long-awaited spot in the Arts District, which officially opens Wednesday.
Perhaps you’ve noticed the absence of another bearded chap at Barter; Brad Bowden, a veteran of The People’s Last Stand, says that’s because he’s lying in wait for his new gig at Midnight Rambler at the Joule Hotel. The coming speakeasy-style bar is the venture of Chad Solomon and Christy Pope, whose Cuffs and Buttons cocktail consulting firm has put its stamp on many a bar program throughout the Dallas area.
In other news, Chase Streitz, the former bar manager at Sissy’s Southern Kitchen, has been spotted behind the bar at The Standard Pour (where Cody Sharp, former sous chef at the excellent Casa Rubia in Trinity Groves, has taken over the kitchen). And finally, when we last saw Matt Perry, he was making the most of the tiny bar space at Belly & Trumpet, Apheleia Restaurant Group’s restaurant in Uptown; after the briefest of cameos at Oak – one of Apheleia’s two Design District restaurants – he’s now behind the better-than-average bar at Neighborhood Services on Lovers Lane.
Attention, craft cocktailers: Set your timepieces for Wednesday, Aug. 27, when Proof + Pantry, the long-awaited concept from mixmaster luminary Michael Martensen and hospitality management firm Misery Loves Co., officially opens its doors to the craft-cocktail public at One Arts Plaza in the Dallas Arts District.
OK, other publics are welcome, too, but it’s no secret that the fancydrank faction has been chomping at the bitters to witness the now-imminent reunion of some of Dallas’ most talented mixologists, whose diaspora was set in motion in November when Martensen left celebrated Bar Smyth and The Cedars Social to pursue his own ventures.
Last week, as first reported here, we caught a brief glimpse of that reunion when Proof + Pantry hosted a private 80s-themed party for those attending the 10th annual TEXSOM 2014 conference in Las Colinas. The space was still a work in progress at that point, with no menus to speak of, but that will change next week when Proof + Pantry unfurls its bar program (that’s the “proof”) and a food lineup heavy on global cuisine (aye, that be the “pantry”) from executive chef Kyle McClelland.
With Eddie “Lucky” Campbell’s Parliament also on the horizon, it should be an exciting next couple of weeks.
The official opening of one of Dallas’s most anticipated craft-cocktail bars is about a week away, but sometimes it pays to be into wine: Attendees of last weekend’s 10th annual TEXSOM conference, one of the country’s biggest wine gatherings, got a lucky peek at Michael Martensen’s Proof + Pantry space at a 1980s-themed bash that dropped a Super Freak bomb on One Arts Plaza Sunday night.
Beats dropped, wine corks popped, glasses were topped. Roast pig was served. Meanwhile, the mad bartending skills scattered to the winds when Martensen and his team left Dallas’ Bar Smyth and The Cedars Social in November crafted five shades of Negronis for a workshop-weary crowd eager to party like it was 1989. As reunions go, seeing bartenders Julian Pagan, Trina Nishimura, Josh Mceachern, Josh Hendrix and back-from-Denver Mike Steele simultaneously behind the bar again was sorta like Eric B. & Rakim getting back together – “and you ain’t seen nothing yet,” Mceachern said. “We’re just getting started.”
And indeed, Proof + Pantry’s rustic wood and metal interior is still a work in progress. In fact, one would have been hard-pressed on Saturday morning to believe any sort of gathering would be happening in the space 36 hours later, given its warehouse-like disarray. (Deadlines help.) But many features were already evident, like the Restoration-Hardware-esque decor, the classy illuminated modular shelving suspended above the marble-topped bar and the exterior courtyard with its Arts-District view.
There was more wine than anyone could drink, and with air-conditioning on the fritz in the immediate area, the sweltering atmosphere was like a jungle sometimes, it made you wonder how you kept from – well, you know. By night’s end, the contentedly reunited Proof + Pantry team was nonetheless exhausted, having worked nearly around-the-clock to make this moment happen. Still, it was clear that they wanna be startin’ something: This was just a taste of what’s to come.
Booze news and adventures in cocktailing, based In Dallas, Texas, USA. By Marc Ramirez, your humble scribe and boulevardier. All content and photos mine unless otherwise indicated. http://typewriterninja.com