Visit Industry Alley these days and you might notice a couple of new faces roaming the bar: Marty Reyes and his wife Jen, who goes by the catchy moniker Jen Ann Tonic.
Known around town for their occasional “Swizzle Luau Lounge” pop-ups, the jaunty tikiphiles and bar-culture enthusiasts have taken up temporary residence in the Cedars neighborhood watering hole. They’re filling in for owner Charlie Papaceno, elder statesman of the Dallas cocktail scene, who’s taking a two-month sabbatical to be with his 91-year-old father in rural New York.
“My dad is having some health issues and I’m going up there to care for him,” said Papaceno, who opened the low-key, classics-minded cocktail bar after leaving the venerable Windmill Lounge in late 2014. “He can’t be alone if we want to keep him in his house.”
While he’s gone, Papaceno is leaving his bar in the hands of the Reyes tiki tandem and bar manager Mike Steele.
The Reyeses say they’re humbled by the chance to oversee a place helping to infuse new life into the area and don’t plan to alter the laid-back, jukebox-and-pool-table feel that’s made it a bar-industry favorite. However, an actual kitchen is on the way along with a seasonal drink lineup, and an off-menu tiki selection may find its way into existence for those who carry the torch.
Papaceno hit the road Tuesday on his way to Warwick, the town where he grew up, and says he’ll be with his ailing dad through the holidays, at least.
“It’ll be nice to spend the last days of his life with him,” he said. “There’s been too many years apart for too many fathers and sons.”
Shoals Sound & Service, the retro cocktail den from local cocktail luminaries Omar Yeefoon and Michael Martensen, is now open in Deep Ellum, after quietly marking its official opening night Thursday.
The svelte Elm Street locale is sexy and soulful, recalling the vibe at Bar Smyth, the swanky, short-lived speakeasy that both Martensen and Yeefoon once inhabited in Knox-Henderson. The vibe at Shoals is much more laid-back, all wood and angles and curves and comfort, with nifty artsy touches and a lounge-y back area with zig-zag-design love seats.
Patrons can get their groove on with a classics-driven drink menu (think Sidecars, Old Fashioneds, Daiquiris and French 75’s) or go off-menu with the bar staff’s own whims — or call your own shot, like a Bols Barrel-Aged Genever Old Fashioned. Liquid refreshment comes served against a 1970s backdrop with vinyl tracks from Al Green and Elton John occasionally topping the turntable.
The food offerings are simple, with vegan options available: The sandwich leans either bologna or veggie; the delicious empanadas, beef or veggie. Butter beans and jars of in-house pickled veggies are on the list too.
Martensen, who is also a partner in the Arts District’s Proof + Pantry, delivered a Champagne toast to mark Shoals’ opening, proudly acknowledging the team behind the bar. “The sacrifice they have given over the hurdles that I’ve given them are far beyond what I would have ever expected,” he said.
It’s a treat to see Yeefoon behind the bar again; after stints at Bar Smyth and The People’s Last Stand, the talented Dallas native spent a couple of years as Texas representative for The 86 Co., a now-ubiquitous New York-based line of spirits, but he never really quite warmed to the business side of the industry.
Now, with his smooth manner and signature shake, he seemed at home. Had he much missed behind being the bar? “Every day of my life,” he said.
The Singapore Sling is the Rashomon of cocktails: Everyone remembers it differently. Like a rumor that starts at one side of the table and wildly mutates by the time it comes back round again, it’s a tasty tale whose twists and turns vary depending on who’s doing the telling.
How is it still considered a classic?
Because despite its many tweaks – “The Singapore Sling has taken a lot of abuse over the years,” wrote tiki master Jeff Berry in his book Beachbum Berry Remixed – it’s managed to stay delicious no matter how it’s interpreted. Even gonzo journalist Hunter S. Thompson considered it a favorite.
But somewhere along the line, the century-old drink attributed to bartender Ngiam Tong Boon of Singapore’s Raffles Hotel lost sight of its simpler beginnings, becoming a tropical mishmash of seven ingredients or more – and a headache for bartenders, which may be why you rarely see it on bar menus. “I remember Sasha (Petraske, founder of the classic New York City bar Milk and Honey) was not a fan,” says Chad Solomon of Dallas’ Midnight Rambler, who worked with the late cocktail legend. “But people loved drinking it. He was, like, ‘It’s got too many damn ingredients!’ ”
It’s a misfit of a drink, a gin-powered cocktail that muscled its way into the tiki canon through luck and guile, disguising itself in pineapple and grenadine. But while its more dignified origins faded in the process, two Dallas bars – Industry Alley and Midnight Rambler – are breathing new life into the Sleeping Beauty that’s been there all along.
Imagine two actor brothers born in close succession. They look just enough alike, and their names are similar enough, that they’re often confused with each other. The older brother teaches the younger one all he knows, but the younger brother’s easier disposition makes him more likable than his rugged, reserved sibling. And when the younger’s career veers from drama into comedy, making him a star, the family name rises to fame with him.
That seems to be the story of the Singapore Sling, whose sweeter flavors and catchier name propelled it through the thick and thin of cocktail lineage rather than its older brother, the Straits Sling. A sling is a type of drink, at its base a simple mix of spirit, sweetener and water. As cocktails historian David Wondrich observed in his book Imbibe!, it’s “a simple drink in the same way a tripod is a simple device: Remove one leg and it cannot stand, set it up properly and it will hold the whole weight of the world.”
The Straits Sling, born sometime in the late 1800s, was just that: A mix of gin (spirit), sweetener (Benedictine, a honey-sweet herbal liqueuer) and carbonated soda (water), plus lemon and bitters. But its defining flavor was cherry – in the form of kirsch, a dry cherry brandy.
The original Singapore Sling – at least as well as anyone can figure out – was basically the same drink, except that it used sweet cherry brandy instead of dry and subbed lime as the citrus. That’s the Singapore Sling you’ll get if you order the classic drink at Midnight Rambler in downtown Dallas, and a few dashes of Angostura make all the difference, giving depth to what would otherwise taste like an off-kilter black cherry soda.
Adam McDowell includes the mix in his entertaining and recently published Drinks: A User’s Guide, whose characterization is hard to argue with: “Here’s the correct recipe; ignore all other versions like the meaningless static they are.”
1 oz London dry gin
1 oz cherry brandy
1 oz Benedictine
1 oz lime
3 d Angostura bitters
Stir in a Collins glass. Garnish w/Maraschino cherries
You’ll also find the drink on the inaugural menu at Industry Alley just south of downtown, where owner Charlie Papaceno digs its less-is-more simplicity. “It’s like with French cooking: Here’s the mother sauce,” he says. “Here’s what we work from.”
But of course Papaceno had to tweak his version just a little. Rather than using equal parts, his recipe boosts the gin and tones down the liqueurs, with just a squeeze of lime. The drink is tart and a bit Scotchy thanks to its signature ingredient, Cherry Heering – not the summery cool pineapple drink the name usually calls to mind, but a leathery, autumn-ready gin-and-tonic.
“So, it’s like, to take it back,” Papaceno says. “Somehow it’s just gotten so tricked up.”
Until Wondrich tracked down the recipe above in a 1913 Singapore newspaper, no one really knew what the standard was for sure. By the late 1920s and early 1930s the rumor was a good ways down the table and already starting to morph; even the Raffles Hotel itself touted an “original” recipe in the 1930s with pineapple and grenadine, flowery additions that nonetheless endeared it to the wave of tiki that was just starting to emerge.
Before long the drink with the catchy name became a game of eeny meeny miny mo, something everyone did but felt free to put their own spin on. “Of all the recipes published for this drink, I have never seen any two that were alike,” wrote David Embury in The Fine Art of Mixing Drinks (1948).
Trader Vic’s Bartender’s Guide (1947) included two versions; so did Gary Regan’s The Joy of Mixology (2003), listing the neglected Straits Sling recipe as “Singapore Sling #1” and offering a second that included triple sec.
“The Singapore Sling is a perfect example of the kind of drinks that came from outside the world of tiki establishments and took up residence on tiki menus everywhere,” wrote San Francisco bar owners Martin and Rebecca Cate in Smuggler’s Cove: Exotic Cocktails, Rum and the Cult of Tiki (2016). The legendary Trader Vic, they wrote, included it on his first menu under the category, “Drinks I Have Gathered from the Four Corners of the Globe.”
Here’s a typically involved recipe, the one I favored for a while, from The PDT Cocktail Book: The Complete Bartender’s Guide from the Celebrated Speakeasy (2011):
2 oz. pineapple
1 ½ oz gin
½ oz Cherry Heering
½ oz grenadine (I use pomegranate molasses)
¼ oz Cointreau
¼ oz Benedictine
¼ oz lime
Shake with ice and strain into a chilled Collins glass filled with ice. Garnish with a cherry and a slice of pineapple.
Yep, that’s a lot of moving parts for one drink. No wonder Wondrich once wrote: “The Singapore Sling is one of those complicated drinks that taste better when you don’t have to make them.”
But, you might be saying, what about the Straits Sling? Isn’t it being neglected all over again?
Not anymore, thanks to Midnight Rambler, where mixmaster Solomon has revived his own version of the drink with a wry literary nod.
Even before he began learning the craft, Solomon had the Singapore Sling on his radar after reading Hunter S. Thompson’s Fear and Loathing in Las Vegas in high school. “(Thompson) was describing sitting poolside at his hotel with a Singapore Sling, a side of mezcal and a beer chaser,” Solomon said. “I was, like — what’s a Singapore Sling?”
Then Solomon happened into the budding cocktail renaissance underway in New York City in the early years of the millennium, working at classic bars like Milk and Honey and the Pegu Club. In 2004, Ted Haigh gave a nod to the drier Straits Sling in his book, Vintage Spirits and Forgotten Cocktails – “but if you make it as Ted as written,” Solomon says, “it’s a terrible drink. Virtually undrinkable.”
Egged on by cocktails writer Martin Douderoff, one of his Pegu Club regulars, Solomon decided to see how he could improve on the drink while keeping its historical accuracy. By early 2006, he’d hit on a Benedictine-less version that used both dry and sweet cherry brandies – kirsch and Cherry Heering. It appeared on the Pegu Club menu later that year as the Solomon Sling.
Late this summer, as Solomon prepared Midnight Rambler’s fall menu, he knew he wanted to incorporate seasonal stone-fruit flavors, but not in an overly sweet way. When one of his bartenders suggested he reincarnate the Solomon Sling, he thought,“Okay. But let’s have some fun with it: Let’s serve it Hunter S. Thompson style and miniaturize it.’”
And that’s how you’ll find it on Rambler’s current menu – served “Gonzo-style” and slightly downsized with a side of mezcal and a Miller High Life pony. It’s a delicate drink, slightly sweet with a lush cherry finish – and did I mention it comes with a side of mezcal and a Miller High Life pony?
The sibling slings are finally having their day, and there’s little to fear or loathe about it.
CASTLE HILLS – OK, maybe Castle Hills isn’t really that far away. On a good day you can get here in less than a half-hour. Sandwiched between Lewisville, The Colony, Carrollton and West Plano, its regal label is intentional, with a 30-mph main drag dubbed King Arthur Boulevard and the sprawling development of king-sized homes described on its web site as “a majestic, 2,600-acre master-planned community.”
It’s not the kind of outpost you’d expect to find a great cocktail, and yet, the very thought of being 25 miles north of downtown Dallas might make you pine for one. It’s a royal paradox.
Well, you’re in luck: With the opening of TBD Kitchen, Sean Conner’s latest venture (in partnership with Daniel Guillen), you and the villagers of Castle Hills now have two quality drinking establishments from which to choose.
TBD Kitchen, next door to Conner’s Pie 314, is the latest step in Daniel Guillen’s ongoing pilgrimage to promote Latin traditions via drink and food. Five of TBD’s nine house cocktails got test runs at the various pop-up events, seminars and South American-styled dinners that Guillen, the former beverage director for La Duni, has been throwing around the DFW area in the last year.
Along with a bold selection of agave spirits and rums, those drinks complement a menu highlighting $2 street tacos. (Also, if anyone asks whether you want the off-menu chicharrones, say yes.) The décor is hip Mexican, with Day of the Dead skulls, Mexican movie posters and kitschy candles from Target. Cushy, bendy barstools are modeled after seats on bass boats.
“It’s not like Dallas here,” Guillen says. “It’s a whole different beast. People here have money, but they want comfort food.”
Situated at the Castle Hills Village Shops, nestled deep in the thicket of $500,000-plus homes, Conner has accommodated those tastes, offering quality pizza and now tacos, with decent cocktails to boot. “There’s three kinds of food that people eat all the time,” says Conner, among Dallas-Fort Worth’s pioneering craft-cocktail bartenders. “And these are two of them.”
But are the people of Castle Hills ready for cocktails like the Chamoyada, a drink inspired by Guillen’s visits to the fruterias of Oak Cliff, or the Pachamama, featuring Peruvian brandy and not one, but two, Italian bitter liqueurs?
Or what about the Bolivar Old Fashioned, a nod to the influential Venezuelan leader, which mixes five rums, Angostura bitters infused with tobacco leaves and Brazilian coffee beans? The nicely conceived drink did well on a recent night, perhaps because of Guillen’s piece de resistance, a coconut water ice cube that gradually sweetens the drink as it’s savored.
Guillen says TBD actually stands for Tacos, Burritos and Daisies — the Daisy being a cocktail category of which the Margarita is a variation. A daily Daisy will be a staple of Guillen’s offerings. And in the (warmer) future, Guillen envisions half-price rum nights with cigars and dominoes, Cuban-style, on the patio.
As TBD was being built out, Guillen did a smart thing: He worked the bar at Pie 314. That earned him a familiarity with local residents that will serve him as he aims to nudge less adventurous palates into unfamiliar territory. “If you like Balvenie,” Guillen told one guest as he slid forward a bottle of Cartavio XO, “this is a Peruvian rum. It’s finished in sherry casks, just like Balvenie is.” The guy was inspired to give it a try.
A couple at the bar was impressed with Guillen’s Margarita Pa’Llevar (Margarita to-go), whose presentation mimics the street-ready drinks served in plastic bags in certain South America countries. It was among the drinks Guillen featured with chef David Anthony Temple at a South American dinner earlier this year, sipped through a straw coated with chamoy – fruit pulp flavored with lime and chile – for some added kick.
So maybe he’ll earn the keys to the kingdom just yet. “People are like, ‘Why here?’” Guillen says. “Even I don’t know. We were just given the chance, so we’re going to roll with it.”
Bartenders are a mobile bunch, so it’s rare that a name becomes as synonymous as a place as Kyle Hilla’s did at Bolsa.
Friday was Hilla’s last day at the Oak Cliff restaurant, marking the end of a seven-year run that saw him rise from server to bartender to manager of Bolsa’s vaunted bar program, among the pioneering establishments of DFW’s craft-cocktail scene.
“I don’t think it’s hit me yet,” Hilla said at the end of his busy final night, after the place had pretty much emptied out.
The talented barman is on his way to NorthPark Center, where he’ll be heading up the bar at The Theodore, the new venture from the owners of Bolsa, nearby Bolsa Mercado, Chicken Scratch and The Foundry. In his stead, the gifted Spencer Shelton will be assuming Bolsa’s bar reins.
Like many a bartender, Hilla didn’t set out to pour drinks. Instead, he tired of a retail manager position (“To this day, I’m still the youngest store manager in Dollar General history,” he said) and aimed to head back to school. In the meantime, he figured, he’d be a server. That eventually brought him to Bolsa, where then-bar-managers Eddie “Lucky” Campbell and Dub Davis kept prodding the Boy Wonder to get behind the bar. He resisted – until the night Campbell asked him to help make drinks at an art gallery special event.
“I had the time of my life,” he said. Two days later, he was walking the aisles of a Kroger store with now-wife Jessica and realized he’d been transformed. “Everything I saw in the store, I was like, `Hmm, what can I make a cocktail with?’ “
Hilla embraced the jigger and shaker, and in the ensuing years, as the cocktail scene began to grow, both Davis and Campbell (and Jason Kosmas, who had left New York’s Employees Only to raise a family in Texas) departed for other projects. In 2010, Hilla took over the bar.
He further streamlined the program, making his cheerful, quip-smart presence a Bolsa mainstay, along with attentive service and creative mixology. “People before me laid an amazing foundation,” he said. “I just focused it.”
Campbell and Kosmas had created one of the bar’s best-known features, the weekly cocktail challenge on Wednesdays in which two bartenders would face off, creating cocktails based on a pair of customer-chosen ingredients and let the night’s sales dictate a winner. Those ingredients occasionally verged on the ridiculous, stretching bartenders’ talents and imaginations to extremes – for instance, banana ketchup. “Think about that, buddy,” he nodded with a wry smile. (He made a Bloody Mary.) “There was a time when I hated Wednesdays.”
Others included oysters, black garlic or Pop Rocks. “Pop Rocks were terrible,” he said.
Eventually, Hilla rescheduled the challenges to just the first Wednesday of each month, and his final match – against bartender Marcos Hernandez – took place on September 3. Hilla drew saffron and tangerines, Hernandez got plums and blood orange. It was Hernandez who late last year conceived a drink that paired the bitter Italian liqueur Cynar’s artichoke flavor notes with the smokiness of toasted mesquite chips. But it was Hilla who eventually named it, calling it the Imenta.
“When we first came out with it,” Hernandez said, “it was the Oaky Smoky Arthichoke-y.”
“And that’s why we started requiring drug tests at work,” Hilla cracked.
In his seven years at Bolsa, Hilla has gotten to know a few people. “I know 99 percent of the people who come in here,” he said as the minutes ticked down on Friday night’s last shift, and he hopes some of his regulars follow him to The Theodore, set to open late next month at NorthPark. He told one pair of retiree regulars, “Y’all just need to become mall walkers. I’ll tell you what – I’ll invent a drink called the Mall Walker just for you.”
Moving on and up is the next logical step for Hilla, but it’s hard to see familiar traditions end. Bolsa was among my first cocktail finds when I moved to Dallas five years ago, so for my last Hilla-made drink there, I asked for something bitter/sweet to commemorate the moment. He produced a blend of bourbon and Cynar goodness and made clear that in spite of the change, he and Jessica won’t be forgetting Oak Cliff anytime soon.
“We just closed on a house here,” he said. “I’ll always be a part of this community.”
We all know that the people who make your cocktails can be right up there with your doctor, your shrink, your spiritual leader and your favorite podcast host when it comes to simple week-to-week survival. Sometimes they’re kind of all of those things rolled into one, except that they can also knock out a good drink – which might make them the most important people of all.
So when the best of them move on to new places, you want to know. Here’s a roundup of some of Dallas’ craft-cocktail peeps who’ve found new digs.
If you haven’t seen Eddie Eakin mixing things up at Bishop Arts’ Boulevardier lately, it’s for good reason: The buff barman has been busy readying beverage operations at soon-to-open Rapscallion, the new Lower Greenville venture from the folks behind Boulevardier.
With Eakin at the helm and one wall pretty much entirely devoted to bar space and storage, you know it’s going to be serious.
In Eakin’s absence, former Meddlesome Moth mixmaster Austin Millspaugh has stepped in to fill the void. The man who once incorporated foie gras into a cocktail is now overseeing Boulevardier’s bar program and is already in full tinker mode; if your tastes lean toward bitter, try his smoked Negroni with Fernet, thyme and Green Chartreuse. His ambitious alchemy should be interesting to watch as the year goes on.
Oak, in the Design District, is another place to put on your radar: The high-end restaurant has gotten double-barrel-serious about its cocktail program by bringing on both Michael Reith and James Slater, who between them produced three of my favorite cocktails of 2014.
One night, Reith was working his last night at the venerable Windmill Lounge in T-shirt and jeans, and the next he was pouring fancydranks in Oak’s signature white button-down shirt, black pants and tie. “I love it here,” he says. “It’s going to be a chance to shine again.”
Slater, formerly of Spoon, is likewise happy about the move; the dynamic duo have already put their formidable imprint on Oak’s cocktail menu with classic variations that include a killer Negroni and an Old Fashioned made with Old Tom gin. Though the two are different in style, their philosophies are simpatico, and the Panamanian-born Slater aims to inspire patrons to consider them as much of an accompaniment to dinner as wine.
“We’re going to change the bar program,” Slater says. “We’re like Batman and Robin.”
Meanwhile, it’s been six weeks since the much decorated Daniel Guillen left La Duni, for … well, for what no one was exactly sure – but after more than nine years with the operation, whose cocktail operations had become synonymous with his name, it was time to make a change.
It turns out there was a beast waiting to explode: The proudly Peruvian-born bartender has been unleashing his passions for Central and South American drink culture at places like Proof + Pantry and pop-up events – like next week’s cocktail dinner with Chef David Anthony Temple at Twenty Seven.
“Most bartenders focus on classic American cocktails, maybe a few from Europe,” Guillen says. “In my case, that doesn’t make sense. I would be one of many. So I thought, what can I bring to the table?” Look for more of the same while he and cocktail guru Sean Conner, he of the metroplex’s northern hinterlands, work on an upcoming project set to launch this fall.
At Blind Butcher, Ian Reilly is putting his own spin on things after joining the meat-forward establishment a couple months ago. “He’s the shit,” a departing and obviously happy patron says one evening. “He educates you and he makes you a badass drink.”
Reilly’s variation on the Old Fashioned, which he calls the Hubris, features whiskey with a hops-based syrup, because, “If I had to envision something that men here would want to drink – guys on the prowl, out celebrating, maybe going from beer to cocktails – what better way than to use hops as the sweetener?”
It’s one way that the bearded bar man is easing his way in at a place that has carved out a niche on busy Lower Greenville. “The formula here is working,” says Reilly, formerly of Bowl & Barrel and The People’s Last Stand. “I don’t want to stomp on that.”
Barter’s closing in January dispersed a number of souls to the winds – and one of them was the understated Creighten Brown, who has resurfaced at Tate’s in Uptown. (Juli Naida, as noted in 2014’s end-of-year post, has joined Mate Hartai’s team at Remedy.)
The talented tipple maker – whose Black Monk was also among my favorite cocktails last year – went from bar-back to bartender at Barter and is already hyped to be among Robbie Call’s team at Tate’s, along with Pro Contreras and Ryan Sanders. “The whole gang, man,” he says. “Good times, good times.”
Finally, Dallas recently bid farewell to two budding talents – Lauren Loiselle, who headed the bar program at Meddlesome Moth, and bartender Damon Bird of LARK at the Park. Both also figured prominently in my 2014 list but found themselves drawn to the Bay Area (and who can blame them?). “Two of our real good friends live in San Francisco,” Bird told me before they left. “We talked about it a long time and just decided to give it a go.”
Leaving Dallas was bittersweet, but both are excited about their new opportunities: Loiselle has joined the bar team at Café Du Nord, the new venture from the owners of Trick Dog. The team knows what it’s doing: Trick Dog is among four finalists for Best American Cocktail Bar at this year’s Tales of the Cocktail Spirited Awards, to be awarded next month. “I’m super stoked,” she says.
Bird, meanwhile, has nested at Mikkeller Bar, a beer-centric spot near Union Square featuring the best of brews from around the world. While he misses the craft-cocktail world, you can tell the easygoing drink-slinger has found his people. “This was my choice place,” he says.
CORRECTION: An earlier version of this post misidentified Tate’s Ryan Sanders as Ryan Frederick.
What most people know of South American drinking culture typically boils down to a handful of things – cachaca and the Caiparinha cocktail, pisco and the Pisco Sour.
Daniel Guillen, the former beverage director for La Duni restaurants and one of Dallas’ more innovative bar talents, is on a mission to change that. For several years, driven by a notion that has since become a passion, the Peruvian-born bar man has been researching South American cocktail tradition; with his departure from La Duni, he’s ready to spring his knowledge loose upon the world in a series of events that will roll out in the coming weeks.
Your first chance to experience the fruits of his obsession will be Wednesday, when Guillen pairs up with Twenty Seven chef David Anthony Temple for a six-course dinner titled “The South American Gentleman’s Companion,” named after Charles Baker’s legendary cocktail tome of 1951.
The event will be a tour de force for the 27-year-old Guillen, who puts as much thought into presenting his cocktails as he does into making them. We’re talking about drinks served in everything from tin cans to test tubes – but as always, there is method to his madness: In addition to showcasing the continent’s drinking traditions, he’s equally amped about reflecting South American street culture.
“It’s what you see when you go out of the house and grab your first bus to work,” said Guillen, who you’ll now find occasionally behind the bar at Proof + Pantry, in the Arts District. “Street cart vendors, little candy carts near the schools – you can apply those things and come up with something off the charts.”
Guillen’s libations will be paired with Chef DAT’s Latin-inspired fare, including BBQ’s gnocchi, roasted cabrito, coconut-encrusted cod and smoked duck breast tostadas.
The 7 pm reservations-only dinner is limited to 35 people and will take place at Twenty Seven, 2901 Elm Street in Deep Ellum. Price is $120 plus gratuity.
Can’t make dinner? You can still sample a lineup of South American-inspired cocktails and other surprises at a public post-dinner reception at 10 pm, with special prices for dinner guests. Think Argentinian Boilermakers, a South American Old Fashioned and Guillen’s celebrated Rosemary’s Affair, which earned him regional honors from Bombay Sapphire gin and was among my favorite cocktails of 2013.
Charlie Papaceno has officially left the venerable Windmill Lounge to launch a new project, marking an end to one of the craft-cocktail scene’s longest-running tenures.
The bespectacled barman will be missed, having been a droll and steady presence at the landmark lounge he co-founded nine years ago with then-wife Louise Owens. Though the two eventually divorced, they continued to operate the bar as business partners, a relationship they managed to negotiate for some time.
Papaceno, who has a new bar in the works in Dallas’ Cedars neighborhood, had effectively paved the way for his departure with the hiring earlier this year of Nora’s Michael Reith at the Windmill. But his exit earlier this week came to pass without fanfare or farewell.
That’s fine with the under-the-radar Papaceno, who has fond memories of the dive-y Dallas institution named among Esquire magazine’s best bars in 2013. “The Windmill’s great,” he says. “Look what it’s become. I feel like we cut a new path in this town that wasn’t there before.”
And they did: Papaceno and Owens opened the Windmill in 2005 on a dingy stretch of Maple Avenue after Papaceno was laid off from a corporate gig, freeing him up to pursue a longtime dream. His classic-drink know-how would help make the unassuming lounge essentially Dallas’ first craft-cocktail establishment, even though it never promoted itself as much more than your basic watering hole. It became a mainstay and occasional playground for those scattered upstarts who would eventually lead the city out of its craft-cocktail wasteland toward the vibrant scene it has now become – people like Parliament’s Eddie “Lucky” Campbell; Proof + Pantry’s Michael Martensen; and The 86 Co.’s Jason Kosmas, co-founder of Manhattan’s famous Employees Only, freshly arrived from New York.
The no-frills bar, with its angry jukebox and come-as-you-are regulars, has remained a favored hangout for local craft bartenders, but whether that status continues in Papaceno’s absence remains to be seen.
Papaceno says his new place, whose name has yet to be finalized, will hopefully open by year’s end. “It’ll be funky and homey,” he says. In other words, just like the Windmill. “Hopefully people will feel comfortable there.”
If you’ve been looking for Lauren Festa, who until recently was working mushroom and elderflower wonders at FT33, she’s now overseeing the bar program at The Rosewood Mansion at Turtle Creek. It’s a much-heralded place in Dallas bar lore, having been presided over by some of the city’s most respected mixerati – names like Michael Martensen, Lucky Campbell and Rocco Milano. “An opportunity like this doesn’t come around very often,” Festa said just before leaving FT33 – and spied not long ago, the hospitality-minded bartender seemed content to have ditched the chain mail of her former Design District home for the proper vest of her dark, new Uptown den. She was expecting to roll out her new cocktail menu by last week.
Another new lineup of libations is up and running at Spoon Bar & Kitchen, where James Slater is the new bar program manager. When chef John Tesar opened Knife in the Palomar Hotel space where Central 214 used to be, Slater was among the bartenders who made the jump. The understated Panamanian is an able bar man and now has a chance to make his mark at Tesar’s acclaimed seafood restaurant in North Dallas.
After a nice stint with Rocco Milano at Barter, Stephen Halpin has joined the crew at Parliament, the craft-cocktail pearl that itinerant barman Eddie “Lucky” Campbell has spent the last year or so forming in Uptown’s State and Allen area. Formerly of Whiskey Cake, the Irish-born Halpin has proven himself an adept mixologist and should find a worthy challenge in Parliament’s extensive tome of tipples when the bar opens this week.
Joining Halpin at Parliament is Will Croxville, fresh from Libertine Bar and a stretch last year with the celebrated Bar Smyth. Croxville has the distinction of preparing to adjust his schedule around the nearly simultaneous openings of two highly anticipated Dallas bars: He’ll also be doing time at Proof + Pantry, Michael Martensen’s long-awaited spot in the Arts District, which officially opens Wednesday.
Perhaps you’ve noticed the absence of another bearded chap at Barter; Brad Bowden, a veteran of The People’s Last Stand, says that’s because he’s lying in wait for his new gig at Midnight Rambler at the Joule Hotel. The coming speakeasy-style bar is the venture of Chad Solomon and Christy Pope, whose Cuffs and Buttons cocktail consulting firm has put its stamp on many a bar program throughout the Dallas area.
In other news, Chase Streitz, the former bar manager at Sissy’s Southern Kitchen, has been spotted behind the bar at The Standard Pour (where Cody Sharp, former sous chef at the excellent Casa Rubia in Trinity Groves, has taken over the kitchen). And finally, when we last saw Matt Perry, he was making the most of the tiny bar space at Belly & Trumpet, Apheleia Restaurant Group’s restaurant in Uptown; after the briefest of cameos at Oak – one of Apheleia’s two Design District restaurants – he’s now behind the better-than-average bar at Neighborhood Services on Lovers Lane.
I’m sitting with another right now and all I can think about is you. Your curves: finer. Your colors: brighter. Tucked into every pocket of a memory, some drop of precious time holding echoes of so many bright moments. Warmth and comfort lined with intrigue and amazement, there is no inch of you that has not sat silent vigil to the chaotic magic of a serendipitous night. Some light up a room when they walk into it, but you, you are the room. You have seen me in the most revealing moments of the triumph of gravity over a single stubborn object more times than I would wish. You have also watched me stand many times my height with steel in my gaze and lead in my feet. I have watched over you as you gave warmth to many in a dim cold haze and I have seen you let the wind wildly shake tail over every curve and dimension. The days you cracked, tore and buckled – but never fell – charged me with the same will. You showed me the pain of compassion in the witness of true loss. Truly there is no light I have not seen you in but always in the most intimate of proximity. Soon that will become distance; familiarity, perspective; and responsibility, pride. I can’t say goodbye because you will be the object of my many thousand-yard gazes. Hopefully tomorrow we will have the perspective to see how much we were for each other yesterday.
Your barman true, Máté Hartai
You’ll have to forgive Máté Hartai if he’s got some strong feelings about the Libertine, the Lower Greenville institution whose bar program he’s headed for the last several years. In that time, disguised as merely a popular neighborhood bar, the Libertine has instead been the Trojan Horse in our midst: Under Hartai’s stewardship, both its beer and cocktail selections have emerged as among the most daring and erudite in DFW, and yet its subtle bearing, modest location and reluctance to promote itself as much more than a community servant conspired to curb it off the star-bar radar.
Cellared beers, morel-mushroom-infused rye, beer- and cocktail-paired dinners – Hartai had them all underway before they were trendy around these parts.
But the moment has come, Hartai says, to – well, he can’t even say the words. Not to move on – no, to move in a different direction. The Cold Standard, the nascent ice enterprise he’s been nurturing for several years is demanding more and more of his attention, as are other projects he’s got in the works, so…
“It’s time to let the Libertine go,” says the Hungarian-born Hartai, who joined the Libertine as a bar-back in 2009. “I’ve trained that baby to where it can run on its own.”
Tuesday, May 27, will be Hartai’s final day at the Libertine (his final day behind the bar will be Sunday the 25th), and fittingly his stint will end with one of the bar’s signature dinners – this one a Utah-themed event featuring both of his passions, beer and spirits.(Click the link above, then the box to the right.) It’s also his birthday, and Hartai is letting it all out, planning to unveil some of his rarest cellar keepsakes.
“It’s the bridging of two things I’m passionate about,” he says. “The beer is going to be out of this world.”
Hartai, whose family came to the U.S. when he was a middle-schooler – “just young enough to lose my accent,” he says – is among the most knowledgeable of bartenders, quirky and wonkish, with a nerdy, scientific approach to his work. When Bar Smyth, the Knox-Henderson speakeasy to which Hartai was briefly attached, was invited to compete against other bars at a national cocktail-industry convention last year, it was he who devised the ingenious backpack keg with which he waded through the crowds with his Texas-stamped helmet, pouring cocktail shots.
In an industry where mobility is a constant, Hartai was a mark of steadiness and community involvement, even as he shunned social media — he had to be goaded into joining Facebook — and self-promotion. Within bartending circles, his grasp of the craft is well known.
“Everybody on this side knows what Máté has been doing,” said Eddie Eakin, bar manager at Oak Cliff’s Boulevardier. “He’s intelligent, he’s cutting edge. Definitely among the upper crust in Dallas.”
Yet some still scoff when Eakin directs them to the Libertine for cocktails, deceived by the bar’s unassuming presence. By excelling in all areas – including its solid kitchen – it couldn’t be pegged as making its “thing” any single one of them.
“It’s one of the most well-rounded bars in the city,” says bar manager Ryan Sumner of Driftwood. “If you open up a neighborhood bar – that’s what it should be.”
As the Dallas cocktail scene exponentially matured behind names like Michael Martensen, Brian McCullough and Charlie Papaceno, Hartai always viewed the Libertine, with its homey, den-like atmosphere, as a place to feel comfortable enough to take those first few steps into a much deeper pool of alcohol knowledge. Co-owners Simon McDonald and Michael Smith trusted his oddball seasonal menu inspirations, with experiments like the cocktails named after Smiths song titles; you wouldn’t know what you got until you actually ordered the drink.
Libertine’s classic cocktail menu has stayed the course since Hartai instituted it, but that’s since been supplemented by bar favorites and other rotating theme menus like “By Friends, For All,” a tribute lineup with cocktails designed by fellow craft-cocktail bartenders like Trina Nishimura and Julian Pagan. “The Brave, The Bold” featured Hartai creations named the Coburn, the Bronson, the McQueen and the Brynner with ingredients like pulled-pork-infused tequila and five-spice rum. “All it is, is a liquid kitchen to me,” he says.
He’s loved his job, he says – and why shouldn’t he? He gets to throw a party every day. But in moving on, Hartai will leave behind a consummate bar – not a great beer bar, not a great cocktail bar, but a great all-around hangout. He’s eager to see the Libertine continue to develop without him, supported by a training program he willfully built over time. “There’s a lot of talent in that house,” he says.
Co-owner McDonald wishes Hartai the best, knowing that he helped build the bar into what it is today. “He’s a really smart guy who just worked his way into knowing everything about everything,” McDonald said. “But he’s so humble about it.”
No matter where he lands, Hartai says, it won’t be for long. “I like being behind the bar too much,” he says. “It’s like when you cut down Obi-Wan: I’m going from being the old man in the robe to being the blue glowie.”
The May 27 dinner begins at 7 p.m. and seating is limited. The price is $60 a person – more than worth the opportunity to wish Hartai a happy birthday and see the Jedi in his temple one last time.
“It’s the culmination of everything I’ve been working for,” he says. “It’s gonna be a magical night for me.”
LIBERTINE BAR, 2101 Greenville Avenue. 214-824-7900.
Booze news and adventures in cocktailing, based In Dallas, Texas, USA. By Marc Ramirez, your humble scribe and boulevardier. All content and photos mine unless otherwise indicated. http://typewriterninja.com