Boulevardier, in Oak Cliff, boasts a well-established tradition of supplementing its terrific bistro cuisine with a great selection of cocktails, including Eddie Eakin’s Steep Buzz – its Maker’s Mark version was the official cocktail of Chefs for Farmers 2013 – and its most impressive spin-off, last year’s autumn-spiced Buzz-Cat.
The bar at this Bishop Arts mainstay is deceptively small and craftily appointed, and it’s always worth checking out the daily mirror special for the staff’s latest whims, like this one from bartender Ashley Williams.
KEY CHARACTERISTIC: Orange spice
WHAT’S IN IT: Whiskey, dry curaçao, honey, orange acid, Chinese bitters, nutmeg
WHY IT WORKS: This is an orange-n-spice mashup, a mix of bourbon, citrus and cold-weather spices to usher you into spring. What sets this apart is orange acid, orange juice tarted up with citric and malic acid, an ingredient the restaurant always has on hand. Here it adds acidity and a nice shrub-like tang, negating the need to add lemon or lime to the drink so that the orange flavor can shine through.
Williams wanted to make a whiskey cocktail that wasn’t heavy on whiskey; in the Citrois, it serves as the sturdy undercarriage for a drink built like a sour (spirit, sweetener, the acidity of either lemon or lime and occasionally egg white). Instead, Williams began with the orange acid, which she correctly posited would pair well with honey and the cardamom-clove spice of Chinese bitters. After adding a splash of curacao for a boost of booze and even more orange flavor, she kept groovin’ on that orange spice riff by topping the drink with orange oils and a shaving of nutmeg. The result: Orange-y goodness with an edge.
The name? It’s a blend of citrus and trois, the French word for three. With the French-inspired restaurant’s cocktail packing three expressions of orange, it seems tres apropos, non?
We all know that the people who make your cocktails can be right up there with your doctor, your shrink, your spiritual leader and your favorite podcast host when it comes to simple week-to-week survival. Sometimes they’re kind of all of those things rolled into one, except that they can also knock out a good drink – which might make them the most important people of all.
So when the best of them move on to new places, you want to know. Here’s a roundup of some of Dallas’ craft-cocktail peeps who’ve found new digs.
If you haven’t seen Eddie Eakin mixing things up at Bishop Arts’ Boulevardier lately, it’s for good reason: The buff barman has been busy readying beverage operations at soon-to-open Rapscallion, the new Lower Greenville venture from the folks behind Boulevardier.
With Eakin at the helm and one wall pretty much entirely devoted to bar space and storage, you know it’s going to be serious.
In Eakin’s absence, former Meddlesome Moth mixmaster Austin Millspaugh has stepped in to fill the void. The man who once incorporated foie gras into a cocktail is now overseeing Boulevardier’s bar program and is already in full tinker mode; if your tastes lean toward bitter, try his smoked Negroni with Fernet, thyme and Green Chartreuse. His ambitious alchemy should be interesting to watch as the year goes on.
Oak, in the Design District, is another place to put on your radar: The high-end restaurant has gotten double-barrel-serious about its cocktail program by bringing on both Michael Reith and James Slater, who between them produced three of my favorite cocktails of 2014.
One night, Reith was working his last night at the venerable Windmill Lounge in T-shirt and jeans, and the next he was pouring fancydranks in Oak’s signature white button-down shirt, black pants and tie. “I love it here,” he says. “It’s going to be a chance to shine again.”
Slater, formerly of Spoon, is likewise happy about the move; the dynamic duo have already put their formidable imprint on Oak’s cocktail menu with classic variations that include a killer Negroni and an Old Fashioned made with Old Tom gin. Though the two are different in style, their philosophies are simpatico, and the Panamanian-born Slater aims to inspire patrons to consider them as much of an accompaniment to dinner as wine.
“We’re going to change the bar program,” Slater says. “We’re like Batman and Robin.”
Meanwhile, it’s been six weeks since the much decorated Daniel Guillen left La Duni, for … well, for what no one was exactly sure – but after more than nine years with the operation, whose cocktail operations had become synonymous with his name, it was time to make a change.
It turns out there was a beast waiting to explode: The proudly Peruvian-born bartender has been unleashing his passions for Central and South American drink culture at places like Proof + Pantry and pop-up events – like next week’s cocktail dinner with Chef David Anthony Temple at Twenty Seven.
“Most bartenders focus on classic American cocktails, maybe a few from Europe,” Guillen says. “In my case, that doesn’t make sense. I would be one of many. So I thought, what can I bring to the table?” Look for more of the same while he and cocktail guru Sean Conner, he of the metroplex’s northern hinterlands, work on an upcoming project set to launch this fall.
At Blind Butcher, Ian Reilly is putting his own spin on things after joining the meat-forward establishment a couple months ago. “He’s the shit,” a departing and obviously happy patron says one evening. “He educates you and he makes you a badass drink.”
Reilly’s variation on the Old Fashioned, which he calls the Hubris, features whiskey with a hops-based syrup, because, “If I had to envision something that men here would want to drink – guys on the prowl, out celebrating, maybe going from beer to cocktails – what better way than to use hops as the sweetener?”
It’s one way that the bearded bar man is easing his way in at a place that has carved out a niche on busy Lower Greenville. “The formula here is working,” says Reilly, formerly of Bowl & Barrel and The People’s Last Stand. “I don’t want to stomp on that.”
Barter’s closing in January dispersed a number of souls to the winds – and one of them was the understated Creighten Brown, who has resurfaced at Tate’s in Uptown. (Juli Naida, as noted in 2014’s end-of-year post, has joined Mate Hartai’s team at Remedy.)
The talented tipple maker – whose Black Monk was also among my favorite cocktails last year – went from bar-back to bartender at Barter and is already hyped to be among Robbie Call’s team at Tate’s, along with Pro Contreras and Ryan Sanders. “The whole gang, man,” he says. “Good times, good times.”
Finally, Dallas recently bid farewell to two budding talents – Lauren Loiselle, who headed the bar program at Meddlesome Moth, and bartender Damon Bird of LARK at the Park. Both also figured prominently in my 2014 list but found themselves drawn to the Bay Area (and who can blame them?). “Two of our real good friends live in San Francisco,” Bird told me before they left. “We talked about it a long time and just decided to give it a go.”
Leaving Dallas was bittersweet, but both are excited about their new opportunities: Loiselle has joined the bar team at Café Du Nord, the new venture from the owners of Trick Dog. The team knows what it’s doing: Trick Dog is among four finalists for Best American Cocktail Bar at this year’s Tales of the Cocktail Spirited Awards, to be awarded next month. “I’m super stoked,” she says.
Bird, meanwhile, has nested at Mikkeller Bar, a beer-centric spot near Union Square featuring the best of brews from around the world. While he misses the craft-cocktail world, you can tell the easygoing drink-slinger has found his people. “This was my choice place,” he says.
CORRECTION: An earlier version of this post misidentified Tate’s Ryan Sanders as Ryan Frederick.
I see you, 2014. You didn’t have it easy. Not only did you have much to live up to after a year that saw DFW’s craft-cocktail scene garner national attention, but you had to do so on the heels of events that threatened to knock the wheels off the whole thing.
A year later, DFW’s mojo is back. Because beyond all the drama, a critical mass of cocktail ninjas just kept doing their thing, widespread seeds of creativity that found new places to grow and blossom, while others were enriched by the newfound talent beside them.
It was a banner year for veggies: At Victor Tango’s, former bar chief Alex Fletcher used pea-infused Old Tom gin prepared sous-vide-style for his refreshing Swee’Pea, while over at The Ranch at Las Colinas, Robin Milton’s Maverick combined roasted corn with tequila and spicy Ancho Reyes liqueur for a nice salsa-in-a-glass effect. At LARK on the Park, Matt Orth’s Hanging in the Garden served up a nom-nom liquid salad of mint, basil and cherry tomato, while Anthony Polo’s Scallywag was a scallion-laced standout at The People’s Last Stand.
Other highlights included Jason Long’s apricot-tamed Summer in Manhattan at Abacus, which appealed to both genders by giving the classic cocktail a luscious fruity smoothness. At Meddlesome Moth, bar manager Lauren Loiselle kicked another classic up a notch with her barrel-aged Negroni. And Charlie Papaceno, formerly of the Windmill Lounge, juiced up bourbon with coffee to make his energizing Kentucky Eye Opener.
I could go on. A few of these drinks are still available; some, being seasonal or dependent on a limited supply of house-made ingredients, are not; some were bartender’s creations built totally off-menu. And at least one place, regrettably, has closed (at least temporarily). But that’s the nature of the biz: Sands shift, talent moves on. As always, it’s the people who make the scene: Follow them and you won’t go wrong.
With that, here are my favorite 15 cocktails of 2014.
15. WHAT ABOUT BOB?, Michael Reith (Windmill Lounge, Oak Lawn)
Here’s a drink that’s easy to fall for, playing as it does on seasonal flavors. To be more exact, Reith’s radiant refresher at Oak Lawn’s Windmill Lounge pairs bourbon with the holiday’s New England influences: “I get a lot of people who come in here from Boston, or New Hampshire,” he says, “so I was thinking, what could I make them?” Maple and cranberry came to mind – “I was trying to evoke cranberry sauce, but in a good way,” he says – as did the spices of mulled cider. The result, named for the Bill Murray/Richard Dreyfuss comedy set in New Hampshire, supplements Angel’s Envy bourbon with lemon, cranberry juice and maple syrup, plus nutmeg, clove and cinnamon, topped with a fragrant sprig of rosemary.
14. SMOKING GARDEN, Matt Orth (LARK on the Park, downtown)
Matt Orth likes his herbs. This beauty appeared way back in January, when Orth had some house-made Thai-chili-infused St. Germain (an elderflower liqueur) on his hands. He shook that with basil, lime, slightly aged tequila, ginger liqueur and herbaceous Green Chartreuse, capping it with a smoked sprig of rosemary to wow the nose. The spicy bouquet offered pleasant heat and a sweet, sweeping floral finish, a garden-fresh treat for the senses.
13. COMMON ELDER, Lauren Festa (FT33, Design District)
Yes, I typically avoid vodka, but such is the legerdemain of Lauren Festa, who before she moved on to helm the bar program at The Mansion at Turtle Creek was making magic at FT33 in the Design District. Festa grew up watching the Food Network instead of cartoons, so maybe that explains this deceptively tame mix of Hophead vodka, elderflower syrup, ginger liqueur, ginger and lemon – a drink that started out delicately tart and sweet and then, just as it seemed about to fade, unveiled a hoppy ending all dolled up in elderflower. And with a gorgeous elderflower garnish, it was a treat to look at, too.
12. SEVENTH SAMURAI, Armando Guillen (The Standard Pour, Uptown)
Last summer, Bombay Sapphire hosted a DFW regional competition at Uptown’s Nickel & Rye, part of its annual nationwide hunt for “GQ’s Most Imaginative Bartender.” After the contest, won by FrontBurner’s Bonnie Wilson, the festivities moved on to The Standard Pour down the street, where Guillen whipped up this little number that could have easily held its own at the event. Featuring his house-made hibiscus-lemongrass cordial – which he’s just replenished, so you can still enjoy this one – it’s a play on the classic Last Word’s mix of gin, sweet, citrus and Chartreuse. Its floral and citrus medley of Bombay Sapphire, Yellow Chartreuse and Asian yuzu juice, along with the cranberry-sauce-scented cordial and a shake of lavender bitters made a tantalizing statement that gave Guillen the last word after all.
11. BLUE MOON, James Slater (Spoon Bar & Kitchen, North Dallas)
The bar at Spoon – which closed this week, at least temporarily – was not as well stocked as its other craft-cocktail siblings, but luckily James Slater, who took over the program around mid-year, had license to play. One day, exploring a Korean grocery store, he found a jar of pulpy blueberry preserves. “You could see the blueberry skins inside,” he says. He bought a jar and experimented; lighter spirits failed aesthetically, creating a dirty water effect. This is where it gets Reese’s-Peanut-Butter-Cup-good: Right around the time that Slater was noodling something dark to cloak the pulp, I walked into Spoon seeking something dark and bitter. Slater mixed the blueberries with lemon and the only two bitter amari he had on hand, Averna and Fernet, to amazing effect; the end result, garnished with aromatic mint, tamed Fernet’s aggressive bitterness with velvety sweetness and just the right hint of tart.
10. HOUSE OF FRIENDS, Matt Orth (LARK on the Park, downtown)
You get the sense that if Matt Orth weren’t busy making your bar experience all better at LARK that he’d be perfectly at home on the farm, tending to his herbs and vegetables and berries, pruning and snipping and tilling and picking and all that. From his Hanging In The Garden (noted above) to the blackberry-infused whiskey masterpiece he conceived for a Jameson competition a few months ago, he’s handy with the fruits of the earth. No wonder, then, that this delicately complex mix of tequila blanco, cilantro-infused dry vermouth, pear liqueur and sweetly herbaceous Yellow Chartreuse unfolds across the palate like a breeze on Sunnybrook Farm. Garnished with a bit of grapefruit zest, its initial agave flavor melds into cilantro, then embraces the sweet pear before waltzing away into the flowers.
9. NOGAHOLIC, Juli Naida (Barter, Uptown)
With barman extraordinaire Rocco Milano as her sensei, Juli Naida – on her way to join Mate Hartai at Remedy, officially opening today on Lower Greenville – has come a long way since her drink-slinging days at the Mason Bar. Responsible for a good portion of Barter’s current cocktail menu, she embraced Milano’s offhand suggestion of a seasonal eggnog-themed “flight” and created a series of killer cocktails to roll out in mini form. Her Nogaholic was the least dessert-y of the bunch, and to me the most delicious, evoking the flavors of eggnog sans dairy, eggs or cream: Naida dialed down Cruzan’s potent Black Strap rum with simple syrup and a tincture made with vanilla, cinnamon, clove and nutmeg. The result is wintry and belly-warming, nog without the density — or the animal products. As my friend Rachel described it: “It’s a vegan’s Christmas wish come true.”
8. SMOKY DAIQUIRI, Alex Fletcher (Victor Tango’s, Knox-Henderson)
Smoked beer. It’s a thing. A pretty funky thing, if you ask me, at least judging by the whiff I got of the German-made Aecht Schlenkerla Rauchbier, a neutral grain spirit that wormed its way into the primo lineup of beers that Victor Tango’s piled up in 2014. On its own, the malty rauchbier was earthy and harsh, almost nasty like a bad vegetable; the smell called to mind a college laundry room. So of course cocktail master Alex Fletcher – who has since taken over the bar at Henry’s Majestic – had to make a cocktail with it. “That’s what you’d want in that, though,” he said of his clever Smoky Daiquiri, which incorporated the beer into a simply presented daiquiri mix of Blackwell rum, sugar, lime and a pinch of salt. “That salty, spicy funk.” In the drink, the beer’s more off-putting traits vanished; what hit the palate instead was full-bodied lime and tamarind with a sweet tang that got even better as it warmed.
7. BENGAL LILY, Kevin Trevino (Spoon Bar & Kitchen, North Dallas)
It was the marvelous Madras curry syrup that really shone in this Indian-influenced creation from Kevin Trevino, Spoon’s former bar manager. One day Trevino – now a wine sales rep – saw the curry powder on Spoon’s kitchen shelf and decided to see what he could pull off. He combined his curry syrup with Tru Organic gin, some Fruitlab ginger liqueur and lemon; the gorgeously blonde cocktail welcomed with a zesty garam masala aroma, then smooth, lemony flavor with hints of ginger and an upper-lip-tingling curry heat. The Bengal refers to its Indian notes; Lily refers to a friend. “It’s got that beautiful Indian curry smell and a little bit of spiciness that burns on the back,” Trevino says. “Especially that ginger.” Tru dat.
6. TOP DOWN, Jordan Gantenbein (Abacus, Knox-Henderson)
Driving around with the top down – that’s what I thought summer was all about until I discovered Gantenbein’s wonderful play on the classic Sidecar. He tricked out cherry-wood-infused Cognac with seasonal Meyer lemon syrup, plus a bit of candied Meyer lemon and a Luxardo cherry garnish in a sugarcoated glass. The drink’s luscious lemon/cherry mouthfeel batted the two flavors around the tongue like a game of air hockey, with cherry emerging victorious. The result was a libation that singlehandedly redefined summer.
5. ONE MILLION IN UNMARKED BILLS, Pam Moncrief (The Usual, Fort Worth)
One evening at The Usual, I asked for my usual. Which was basically anything using a bitter liqueur. Moncrief – now at Fort Worth’s American F&B, had been working on a little something of her own off-menu, something motivated by a desire to appeal to cocktail newbies and broaden their tastes. But her blend of Ransom Old Tom gin, bitter-smooth Hungarian Zwack liqueur, Dolin Blanc vermouth and Benedictine honey liqueur can please even the heartiest cocktail fan with its well-rounded spicy depths – floral and grape giving way to a honey-bitter finish and a tang that lingers like nightclub ear. A dose of lemon oils atop gives it a nice citrus nose. “I just really enjoy herbaceousness,” Moncrief says. “Zwack and all those amaros are so herbaceous, and I feel like they don’t show up in cocktails enough.” And on that we would agree.
4. CAMARA LENTE, Damon Bird (LARK on the Park, downtown)
Take a sip of bartender Damon Bird’s barrel-aged concoction and you may find that your world has slowed to a Matrix-like sensory crawl. Maybe that’s because camara lente is sometimes interpreted as “slow motion,” or maybe it’s because this beautiful blend of mezcal, orange-y curacao, orange bitters and the bitter liqueurs Aperol and Fernet is just that good. Its mix of mellowed smoke and floral hints finish usher in a second wave of smoke and bittersweet, doused in a tobacco-leaf farewell. Bird first made it one night when he was slammed and somebody asked for “something with mezcal.” “The original version included simple syrup,” he says,” but with the barrel-aging, you don’t need it. It’s one of my few babies.”
3. ENIGMA, James Slater (Spoon Bar & Kitchen, North Dallas)
Oh Spoon, we hardly knew ye. While chef John Tesar hopes to reopen the recently shuttered place in another location soon, Dallas’ fickle relationship with seafood casts more doubts than fishing lines. Its demise would be a shame, because under the guidance of Slater and former bar manager Trevino (see Nos. 7 and 11 above), the restaurant’s bar program quietly cranked out some of the area’s more creative and well-balanced drinks in 2014. Slater’s Enigma emerged as my favorite. Noticing that a pair of Angel’s Envy bourbons were finished in port barrels, Slater was intrigued by the combo: He mixed Rittenhouse rye and port with bittersweet Aperol; the result charts a path between two classics, the Manhattan and the Boulevardier, with hints of raisin and honey. A float of orange blossom adds both a perfume-y aroma and a softly sweet, linen finish. There’s no riddle or mystery here: It’s simply delicious.
2. BLACK MONK, Creighten Brown (Barter, Uptown)
Speaking of mysteries, I pretty much went bonkers trying to figure out the enigmatic flavor in this fine cocktail. Many a sip later, I still don’t know the answer: It’s a smoky-flavored drink that’s tricky to pin down, greater than the sum of its parts: Brown took a tincture that bar manager Rocco Milano made with tonka bean, vanilla bean and lemongrass and added it to Jameson Black Barrel Reserve Irish Whiskey, bittersweet Averna, the honey-ish Benedictine and a bit of rye-and-sarsaparilla-flavored basement bitters. Every time I tried it, the image of shoe leather popped into my head, but in a most comforting way: The flavors dancing across my tongue included molasses, root beer, pecan pie, cooked honey, even smoky flan. It’s not for everyone – one taster described it as Chloraseptic – but if you enjoy a good cigar, this one is a winner.
1. DAMNED AND DETERMINED, Brad Bowden (Parliament, Uptown)
Bowden, formerly of Barter and The People’s Last Stand, was never much for Ancho Reyes, the ancho-chile-flavored liqueur that became my crush of 2014, following in the footsteps of botanical Hum and bitter Suze. But when the slightly spicy, vanilla-tinged blend became a Best New Product finalist at last summer’s Tales of the Cocktail festival in New Orleans, Bowden knew he had to do something. Damned and determined was he: Ancho’s bite made it a natural fit for tequila or mezcal, “but that’s what everyone else was doing,” he says (accurately). Instead, Bowden looked to his preferred spirit, rum, and what he devised is essentially a tiki drink, adding sweetly vegetal Green Chartreuse to Papa’s Pilar blonde – “Rum and Green Chartreuse go together like nobody’s business,” he says – along with egg white and a tropical pineapple-vanilla syrup. The egg white gives the ancho a soft bed to lie on; the syrup binds it all together. A last flourish of Angostura bitters atop and you’ve got yourself a magic carpet ride, frothy and floral with a sweet and spicy descent. While he also does a mezcal variation that he calls Aztec Brutality, the original rum version, held aloft on Pilar blonde’s creamy-smooth texture, is a year-topping keeper.
HONORABLE MENTIONS NOT NOTED ABOVE: 1874 (Erikah Lushaj, Bowen House); 1919 (Josh Uecker, Blind Butcher); Apples and Oranges (Eddie Eakin, Boulevardier); Ascension Hook (Matt Orth, LARK); El Guapo (Brian Williams, The Establishment); High Ryse (John Campbell, Abacus); Imenta (Marcos Hernandez, Bolsa); Nicaraguan Breakfast (Carlo Duncan, Parliament); Peach Pisco Sour (Creighten Brown, Barter); Soul Clap (Chad Solomon and Christy Pope, Midnight Rambler); Velvet Smoke (Juli Naida, Barter); .
And of course, a hearty thank you to those who accompanied me on my outings, without whom I could never have sampled this many cocktails.
I’m sitting with another right now and all I can think about is you. Your curves: finer. Your colors: brighter. Tucked into every pocket of a memory, some drop of precious time holding echoes of so many bright moments. Warmth and comfort lined with intrigue and amazement, there is no inch of you that has not sat silent vigil to the chaotic magic of a serendipitous night. Some light up a room when they walk into it, but you, you are the room. You have seen me in the most revealing moments of the triumph of gravity over a single stubborn object more times than I would wish. You have also watched me stand many times my height with steel in my gaze and lead in my feet. I have watched over you as you gave warmth to many in a dim cold haze and I have seen you let the wind wildly shake tail over every curve and dimension. The days you cracked, tore and buckled – but never fell – charged me with the same will. You showed me the pain of compassion in the witness of true loss. Truly there is no light I have not seen you in but always in the most intimate of proximity. Soon that will become distance; familiarity, perspective; and responsibility, pride. I can’t say goodbye because you will be the object of my many thousand-yard gazes. Hopefully tomorrow we will have the perspective to see how much we were for each other yesterday.
Your barman true, Máté Hartai
You’ll have to forgive Máté Hartai if he’s got some strong feelings about the Libertine, the Lower Greenville institution whose bar program he’s headed for the last several years. In that time, disguised as merely a popular neighborhood bar, the Libertine has instead been the Trojan Horse in our midst: Under Hartai’s stewardship, both its beer and cocktail selections have emerged as among the most daring and erudite in DFW, and yet its subtle bearing, modest location and reluctance to promote itself as much more than a community servant conspired to curb it off the star-bar radar.
Cellared beers, morel-mushroom-infused rye, beer- and cocktail-paired dinners – Hartai had them all underway before they were trendy around these parts.
But the moment has come, Hartai says, to – well, he can’t even say the words. Not to move on – no, to move in a different direction. The Cold Standard, the nascent ice enterprise he’s been nurturing for several years is demanding more and more of his attention, as are other projects he’s got in the works, so…
“It’s time to let the Libertine go,” says the Hungarian-born Hartai, who joined the Libertine as a bar-back in 2009. “I’ve trained that baby to where it can run on its own.”
Tuesday, May 27, will be Hartai’s final day at the Libertine (his final day behind the bar will be Sunday the 25th), and fittingly his stint will end with one of the bar’s signature dinners – this one a Utah-themed event featuring both of his passions, beer and spirits.(Click the link above, then the box to the right.) It’s also his birthday, and Hartai is letting it all out, planning to unveil some of his rarest cellar keepsakes.
“It’s the bridging of two things I’m passionate about,” he says. “The beer is going to be out of this world.”
Hartai, whose family came to the U.S. when he was a middle-schooler – “just young enough to lose my accent,” he says – is among the most knowledgeable of bartenders, quirky and wonkish, with a nerdy, scientific approach to his work. When Bar Smyth, the Knox-Henderson speakeasy to which Hartai was briefly attached, was invited to compete against other bars at a national cocktail-industry convention last year, it was he who devised the ingenious backpack keg with which he waded through the crowds with his Texas-stamped helmet, pouring cocktail shots.
In an industry where mobility is a constant, Hartai was a mark of steadiness and community involvement, even as he shunned social media — he had to be goaded into joining Facebook — and self-promotion. Within bartending circles, his grasp of the craft is well known.
“Everybody on this side knows what Máté has been doing,” said Eddie Eakin, bar manager at Oak Cliff’s Boulevardier. “He’s intelligent, he’s cutting edge. Definitely among the upper crust in Dallas.”
Yet some still scoff when Eakin directs them to the Libertine for cocktails, deceived by the bar’s unassuming presence. By excelling in all areas – including its solid kitchen – it couldn’t be pegged as making its “thing” any single one of them.
“It’s one of the most well-rounded bars in the city,” says bar manager Ryan Sumner of Driftwood. “If you open up a neighborhood bar – that’s what it should be.”
As the Dallas cocktail scene exponentially matured behind names like Michael Martensen, Brian McCullough and Charlie Papaceno, Hartai always viewed the Libertine, with its homey, den-like atmosphere, as a place to feel comfortable enough to take those first few steps into a much deeper pool of alcohol knowledge. Co-owners Simon McDonald and Michael Smith trusted his oddball seasonal menu inspirations, with experiments like the cocktails named after Smiths song titles; you wouldn’t know what you got until you actually ordered the drink.
Libertine’s classic cocktail menu has stayed the course since Hartai instituted it, but that’s since been supplemented by bar favorites and other rotating theme menus like “By Friends, For All,” a tribute lineup with cocktails designed by fellow craft-cocktail bartenders like Trina Nishimura and Julian Pagan. “The Brave, The Bold” featured Hartai creations named the Coburn, the Bronson, the McQueen and the Brynner with ingredients like pulled-pork-infused tequila and five-spice rum. “All it is, is a liquid kitchen to me,” he says.
He’s loved his job, he says – and why shouldn’t he? He gets to throw a party every day. But in moving on, Hartai will leave behind a consummate bar – not a great beer bar, not a great cocktail bar, but a great all-around hangout. He’s eager to see the Libertine continue to develop without him, supported by a training program he willfully built over time. “There’s a lot of talent in that house,” he says.
Co-owner McDonald wishes Hartai the best, knowing that he helped build the bar into what it is today. “He’s a really smart guy who just worked his way into knowing everything about everything,” McDonald said. “But he’s so humble about it.”
No matter where he lands, Hartai says, it won’t be for long. “I like being behind the bar too much,” he says. “It’s like when you cut down Obi-Wan: I’m going from being the old man in the robe to being the blue glowie.”
The May 27 dinner begins at 7 p.m. and seating is limited. The price is $60 a person – more than worth the opportunity to wish Hartai a happy birthday and see the Jedi in his temple one last time.
“It’s the culmination of everything I’ve been working for,” he says. “It’s gonna be a magical night for me.”
LIBERTINE BAR, 2101 Greenville Avenue. 214-824-7900.
A great cocktail should take you on a little journey, and one benefit of DFW’s thriving craft-drink culture is the growing number of bar-peeps able to put you aboard that flavor train. The year 2013 was a highlight reel of riches: There was Amber West’s Wild Weeds – a Scotch-and-beer blend rimmed with smoked-almond salt – at Central 214; Chase Streitz’s nectarine-and-Fresno-chile-syrup-influenced Honey Bee Sting at Sissy’s Southern Kitchen; and the just-right, savory bacon-infused bourbon goodness – not an easy feat to pull off – that Tamsin Gray (now at Barter) achieved with the Bull Lejeune at Ser.
La Duni’s stalwart Lemon 43 spoke to my inner adolescent with its lemon fruit-gem sweetness, while Belly & Trumpet’s Scorched Belly cocktail (pictured at right) was certainly one of the year’s prettier drinks. Last summer at Bar Smyth, former bar chief Michael Martensen introduced me to the excellent Smoky Negroni, a twist on the classic cocktail (attributed to Austin’s Rob Pate) that subs mezcal for gin. Asian flavors surprised, too: At Bowl & Barrel, former bar manager Ian Reilly – now at Chino Chinatown – cleverly used hoisin sauce in a pisco-based drink called the Passerine, while Victor Tango’s Alex Fletcher incorporated miso into his gin-fueled Art of War.
I could go on. Some of my year’s favorite drinks are still on menus, some aren’t; some never were. Some can be rekindled from memory at their original locations, some have been lost to posterity. As the last year has shown us, places close, others open, sands shift. But it’s the people who make the scene: Follow them and you won’t go wrong.
My tastes are partial to the bitter and the botanical – show me a bottle of Suze behind the bar and I’m in – and classic browns like the Old Fashioned and the Sazerac. That said, here are my 15 favorite DFW cocktail discoveries of 2013.
Campbell’s hiring at the five-star restaurant showed that Abacus was as serious about its cocktails as it was about its food. This was among the first of his new additions to the menu, a gorgeous concoction of bourbon and muddled blackberries, full-bodied and smooth with echoes of grape that give this luscious drink cache beyond whiskey’s typically male demographic. “It’s delicious,” my friend Susan said after a sip or two. “I think a girl who doesn’t like whiskey would still like this.” Not to mention a boy who likes whiskey, too.
14. DOUBLE UNDER, H&G Sply (Emily Perkins via Jacob Wallace)
Who doesn’t love beets? Okay, a lot of people doesn’t love beets. But properly speaking, for those of us who do, this splash of refreshment ably answers the call – a simple mix of lively beet-infused tequila, lime and rosemary syrup. Perkins – now with Remy Cointreau – modified this creation by Portland’s Jacob Wallace for H&G’s drink list, toying with the proportions; “it’s supposed to be an earthier Margarita that never feels out of season,” she says. The taste is sour beet moxie and tangy lime, with a slight hint of herb. Unabashedly red with a flirty half-skirt of glittery salt, it sure is purdy to look at, too.
13. NEGRONI VARIATION, Lark on the Park (Matt Orth)
One benefit of the classic Negroni – equal parts gin, sweet vermouth and bitter Campari – is that it lends itself to modification: Sub mezcal for gin, as mentioned above, and you still have a formidable drink. Around the time Lark on the Park opened last spring, I was bouncing around town seeing what bartenders were doing with Suze – the herbal French bitter that had become my latest crush – and asked bar manager Orth what he could come up with. This was his second concoction – a honey-gold, bitter/botanical flourish of Suze, Gran Classico and Art in the Age’s Sage spirit, marked by a leafy, sage finish.
12. LAST NIGHT IN PERU, Victor Tango’s (Alex Fletcher)
Last summer, Fletcher, the new bar manager at Victor Tango’s, traveled to Peru to more fully explore the world of pisco (a light-shaded brandy) and came back inspired by a raisin-syrup-enhanced drink he had on his last night there. “This is my tribute to that,” he says. Employing a perfectly highlighted date syrup instead, this butterscotch-hued drink – with pisco, lime, egg white and Peruvian bitters – has a gentle, fruity sweetness that can shine all year long.
11. TWO THIRTY, Bar Smyth (Mike Steele)
In the days that followed Bar Smyth’s much-anticipated opening last March, bartender Mike Steele – whose creations twice landed in my list of 2012’s favorite cocktails – served up this doozy that he’d been working on for some time. With two ounces of Eagle Rare bourbon, ¾ of Gran Classico, ½ apiece of Pedro Ximenez sherry and Carpano Antica and a dash or two of celery bitters, it’s a linebacker of a drink, chocolate-y and mildly sweet, something you’d want to sip in front of the fire. In the version pictured above, I subbed the more maple-forward Angel’s Envy for the nutty Eagle Rare and echoed PX sherry’s raisin notes with Lustau’s East India Solero, and it was still terrific. Use mezcal in place of the bourbon, as Steele also did, and you have the Dos Y Media.
10. BAD SEED, Bar Smyth (Omar YeeFoon)
Maybe I actually waltzed into the menu-less Knox-Henderson speakeasy and asked for something with Aquavit, the Scandinavian caraway-flavored liqueur. (Doubtful.) Or maybe it was something that YeeFoon just happened to be playing with that day. (More like it.) Whatever the case, this inventive drink to which he added Averna, egg white, lemon and a creative splash of root beer and toasted sesame seeds caught my fancy for its frothy off-beat nuttiness. YeeFoon is no longer at Bar Smyth, so I don’t know whether this is still part of his repertoire, but the next time you see him around town it’s worth checking out.
9. FIGGY VIEUX CARRE, Black Swan Saloon (Gabe Sanchez)
It’s always fun to dip into Deep Ellum’s Black Swan and see what the heck bar man Gabe Sanchez is up to that night. Maybe he’s brewing coffee with bourbon – or maybe, as in this case, he’s taking a spoonful of fig jam and setting it afire. So taken was I with this element that I didn’t note at first the lineup of ingredients that would accompany it: Rye, Cognac, sweet vermouth, honey-sweet Benedictine – the classic Vieux Carre. This is Black Swan’s take on it, and cooking the jam reins in its sweetness (the drink has enough of that element already) and lets the wintry fig shine through.
8. COMFORTABLY NUMB, Five Sixty (Lee Heffter)
There’s a lot going on in this drink, but that describes a good number of Lee Heffter’s drinks on the rotating menu at Five Sixty, the Wolfgang Puck Asian-themed restaurant atop Reunion Tower downtown. With Bulleit rye, Cointreau, simple syrup, lemon, Pernod, Peychaud’s bitters and a barspoon of cherry juice, it’s a one-two punch of tart cherry/orange and sweet licorice. If you ever wondered what would happen if a Sidecar crashed into a Sazerac, here’s your answer. You’re welcome.
7. FIG SIDECAR, Nora (Michael Reith)
Speaking of figs and Sidecars: I was excited enough to learn that Nora – the excellent Afghan addition to Lower Greenville – was opening a rooftop bar area. But then bow-tied bar man Michael Reith laid this dollop of seasonal joy on me: A fig-and-winter-spice-infused Cognac to accompany the classic cocktail’s Cointreau and lemon. “I was looking for something wintry,” Reith said. “Once it gets cold outside, I love Cognac, which has that raisin taste. And Cognac and figs go together.” Yeah, like rama lama lama ka dinga da dinga dong. The result is cool fireside comfort.
6. ANEJO FLIP, Abacus (Eddie “Lucky” Campbell)
You probably haven’t heard of the Old Smugglers Awaken, a 200-year-old Havana slush of gin, egg, sugar, lemon and bitters that Campbell has included among his repertoire since his Bolsa days. Probably devised by Caribbean pirates — “Who else would be sitting around drink gin flips in Cuba?” he says — the drink was a favorite of one of Campbell’s patrons at the short-lived Chesterfield downtown until she began ordering a fizzy grapefruit tequila drink on the menu instead. “I thought – what if I combined them?” Campbell says, and this bootylicious treasure – which he dropped on me at his current station, Abacus – is the result: Anejo tequila, grapefruit, agave syrup, vanilla, whole egg and Angostura bitters. Served up in a martini glass with Abacus’ signature “A” stencil-sprayed atop, it’s deliciously creamy and sweet, with hints of warm, dark vanilla.
5. I’LL GET TO IT, The Cedars Social (Josh MacEachern)
During his days at The Cedars Social, MacEachern came up with this lovely off-menu blend of Cognac, Pedro Ximenez sherry, orange-y Grand Marnier, walnut tincture and Pernod. But while the easygoing bartender loves crafting drinks, he doesn’t like naming them, so when I’d drop in and request “that thing you made for me last time” and then ask when he was going to name it, his signature reply finally became its lasting moniker. The sippable tipple is a spin on the Sazerac, MacEachern’s favorite cocktail, and arose as he was pondering flavors that might pair well with orange. “I thought of walnut, and anise,” he says. “That’s the fun thing about cocktails – we’re basically building on what chefs have already given us.” You’ll currently find MacEachern pouring Fridays and Saturdays at Uptown’s Belly & Trumpet, where you can still savor the drink’s warm nuttiness and licorice finish.
4. REAL SLOW AND REAL LOW, Barter (Rocco Milano)
“You would think there’s no way that could all work together,” bar manager Rocco Milano said as he placed the bottles in front of me one by one at the late Private/Social (RIP): Slow and Low Rock & Rye (basically a pre-bottled Old Fashioned). Cointreau Noir. Peachy Crème de Peche. Hum, a botanical spirit distinguished by hibiscus, ginger and clove, among other flavors. And Luxardo maraschino liqueur. The ingredients would comprise one of the last drinks Milano — whose Fall Into A Glass was my favorite drink of 2012 — would pour for me there before it closed in July; back then he called it the I’ll Have One Of Those, but fortunately for us brave souls it has been reborn under its new identity at Barter, Milano’s new playground in Uptown, where it will likewise seduce you with fruity sweetness before wrapping you in its warm boa-constrictor grip.
3. ROSEMARY’S AFFAIR, La Duni (Daniel Guillen)
Here’s a cocktail that takes you from backyard garden to summer campfire on a magic carpet of licorice; it’s no wonder this cocktail earned Guillen, La Duni’s bar program manager, a slot repping North Texas in a national Bombay Sapphire-sponsored competition in Vegas. It’s not officially on La Duni’s menu, but track Guillen down and he’ll gladly make it for you, first dropping a sprig of fresh rosemary into a Collins glass, splashing it with absinthe and lighting it afire. Then he’ll douse it with enough ice to fill the glass to the brim and cover it with a coaster, capturing and taming the smoking rosemary’s savory flavor. Meanwhile, he’ll mix 2 ounces of Bombay Sapphire gin, ¾ ounce of orgeat, ½ ounce of Averna and a bit of lemon and lime, then pour the liquid over the rosemary-smoked ice. Swirl it in your mouth and you’ll find herb, citrus, smoke and probably the urge to order another.
2. ONE SMASHED MONK, The People’s Last Stand (Alex Fletcher)
Ah, Green Chartreuse: My beloved Joan Allen of liqueurs. Forever a supporting actress in many a cocktail, never the star. Can she help it if she’s larger than life? See her shine in the classic Last Word – but then send her offstage. When Fletcher (now at Victor Tango’s) headed the bar program at The People’s Last Stand, he felt it was time to give this aggressively vegetal liqueur a starring role, and the tart, sweet, highly herbaceous result outdoes even The Bourne Supremacy: Its elemental mash-up of Green Chartreuse, lime and simple, spiced up with muddled Thai basil and sugar, might seem soft on the surface, but it packs a 110-proof punch. Just like Joan Allen.
1. AMOR Y AMARGO, Hibiscus (Grant Parker)
Grant Parker’s bar program at Hibiscus is one of the better ones in town, and this Sazerac-esque drink of incredible depth – not officially on the menu – reflects his alchemistic approach. After being blown away by a similar drink at New York’s bitters-focused Amor Y Amargo bar last summer, he wanted to try to replicate the cocktail’s blend of amaros (bittersweet herbal liqueurs). For a week straight he spent a couple of hours a day perfecting this mysterious and satisfying blend of four amaros, plus Peychaud’s bitters and Bittermen’s orange cream nitrate. There’s some Cynar in there, and Averna. Possibly some Amaro Montenegro. Or not. But it’s dark and voluptuous, a drink you’ll want to take a thousand sips of, letting the flavors lindy-hop across your tongue. Cherry. Citrus. Root beer. They’re all there. “It’s essentially an Amaro Sazerac,” he says. It’s amor (love) and amargo (bitter) in a glass. And it’s fabulous.
Honorable Mentions: Brown and Stirred (Grant Parker, Hibiscus); Caribbean Winter (Matt Orth, Lark on the Park); Chocolate Bullet (Bistro 31); Holy Grail (Michael Martensen, Driftwood); The Inquisition (Emily Perkins, Victor Tango’s); Scorched Belly (Matt Perry, Belly & Trumpet); Steep Buzz (Eddie Eakin, Boulevardier).
Hey, Chefs For Farmers: You can tell everybody this is your song, because last weekend I was reminded like a big slap in the face how wonderful life is when you’re in the world. Or in Dallas, anyway.
Yep: Four days later, I’m still recovering from the Elton-John-esque epicness that was Chefs For Farmers 2013, which brought more than a thousand of my fellow food and drink aficionados to Dallas’ Robert E. Lee Park to basically form obstacles between my appetite and all the tasty consumables that were there to be had.
Not that it mattered. I realized that by the end of the all-afternoon event that I had partaken of cow, pig, bison, duck, rabbit and boar, not to mention a bit of chicken liver spread. (Thanks to a late dinner at Nora, I managed to add lamb to the day’s lineup, too.) As CraveDFW’s Steven Doyle put it, there were a lot of critters in my belly.
Little of the fare could be called average. Far more of it ranged from very good to outstanding, from Parigi’s wild boar Bolognese (my personal fave) to the short-rib soup from The Mansion At Turtle Creek (fab) to the euphoria-inducing maple-pecan-bacon ice cream (!!!) from Jack Perkins of Maple and Motor and Slow Bone BBQ. Dude, Sweet Chocolate’s drinking chocolate with carrot-lemon foam was a standout, too.
But there were drinks, too, which is what had initially drawn your intrepid cocktails scribe to the picnic-blanket-and-revelry-covered scene. Boulevardier’s Eddie Eakin, High West Distillery’s Chris Furtado and Ten Bells Tavern’s Greg Matthews cranked out Maker’s 46 magic – including Eakin’s Steep Buzz, which married the Kentucky bourbon with Earl Grey honey syrup, ginger liqueur, lemon and apple bitters. “I’ve never made a thousand cocktails at once before,” Eakin said, managing not to seem overwhelmed.
The drinks poured forth from nearby fellow libationists, including Cedars Social’s Julian Pagan and Ryan Sumner, Central 214’s Amber West, Abacus’ Lucky Campbell and The People’s Last Stand’s Brad Bowden. I had to give my nod to the Autumn’s Apple cocktail from The Standard Pour’s Christian Armando and Brian McCullough, a spicy medley of Patron Reposado, cinnamon syrup, lemon, apple cider and Angostura bitters.
Until next year, Chefs For Farmers, when I’m counting on one of those excellent chefs to bring some goat to the party. Don’t go breakin’ my heart.
I first met Eddie Eakin in July 2012 at the Libertine Bar, where he was in the habit of ordering a bun-less burger as part of his gluten-free fitness regimen. At the time, he was readying for his job at bar manager at Boulevardier, which was just about to open in the Bishop Arts area of Dallas’ Oak Cliff neighborhood.
Since then he’s headed up one of Dallas’ better bar programs with quiet aplomb, and now it’s paid off with some national recognition: Town & Country Magazine has chosen one of Eakin’s as its signature cocktail.
That’s right: Town & Country, the high-society lifestyle magazine that’s also the longest-running general-interest publication in America.
Well done, Mr. Eakin.
About four months ago, Eakin caught wind of a national competition the magazine — which dates to 1846 — was holding for a signature cocktail to which to lend its name. Editors ultimately chose 20 recipes from bars and restaurants nationwide and submitted them to a judging panel at Harding’s restaurant in NYC.
“The only rules were that you had to send in a picture,” Eakin said. “That’s what piqued my interest. I’m a total Instagrammer. I like it more than Facebook.”
And in the end, it was his concoction that grabbed the honors. “I was very happily surprised to hear that I had won,” he says.
His now-official Town & Country cocktail ($11) is a melting pot of bourbon, Carpano Antica sweet vermouth, dark amber syrup and apple bitters. The result is very much like an Old Fashioned with an extra smooch of sugar.
Eakin’s genius was in the concept: He just wanted to come up with something a reader could replicate at home with readily available traditional American ingredients. No fancy infusions, no juices to squeeze, no syrups to make. And since the publication goes back to the mid-1800s, he wanted his drink to echo American classics and flavors (hence the apple and maple). “If you break it down,” he says, “it is really a blend of a little Manhattan and a little Old Fashioned, two of the most quintessential classic cocktails.”
RECIPE (as published in Town & County magazine’s Aug. 2013 issue)
2 oz Bulleit Bourbon
1/2 Carpano Antica Formula vermouth
1 tsp Crown Maple dark amber syrup
3 dashes Bar Keep apple bitters
Combine all ingredients in a mixing glass and stir with ice. Strain over large ice cubes in a rocks glass and garnish with an orange peel and brandied cherry.
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Booze news and adventures in cocktailing, based In Dallas, Texas, USA. By Marc Ramirez, your humble scribe and boulevardier. All content and photos mine unless otherwise indicated. http://typewriterninja.com