It’s been way too long since the vivacious Amber West has loosed her earthy mixology mettle upon the world, but that’s all going to change on Saturday with Off To The FARM, an epicurean event benefitting Project Transformation, an education-oriented agency serving low-income kids throughout North Texas.
There will be goats. And aquaponics. And hors d’oeuvres from chefs like Hibiscus’ Graham Dodds, Garden Café’s Mark Wootten and Adam West of The Porch. And of course, drinks from Amber West, whose talents once shone behind the bar at Central 214 (where Dodds was chef) before she took a job as Texas rep for Vermont-based Caledonia Spirits.
Off to the FARM runs from 2 to 6 pm Saturday at 314 W. Belt Line in Desoto, just outside of Oak Cliff. The farm facility houses both FARM (Farmers Assisting Returning Military) and Eat The Yard.
Project Transformation, a non-profit education organization offering after-school and summer programs to low-income youth, is putting on the event in partnership with FARM. Participating chefs will create their hors d’oeuvres using the farm’s locally grown produce, and it’s a fair bet that Amber’s cocktails will include some of that fresh stuff, too: As bar manager at Central 214, she had a particular knack – and an undeniable passion – for highlighting seasonal fruits of the land in her cocktails. But then Caledonia stole her away, and then she became even busier still, taking time off to have her second daughter, Sage.
“I’ve supported Project Transformation for the last three years,” she says. “Being a mom, my heart just went out to these kids who don’t have anywhere to go after school. This really saves them from being on the streets.”
And with part of Project Transformation’s curriculum including cooking and gardening workshops, she was sold.
West’s cocktails will celebrate springtime and complement the event’s Southern-style menu. And of course, they’ll feature Caledonia’s honey-kissed Barr Hill Gin. And probably herbs and honeysuckle too.
All proceeds will benefit Project Transformation. Tickets for the all-inclusive event are $35 in advance or $40 at the door and can be purchased here. More information is available here.
With Dallas’ craft-cocktail cogniscenti waiting on Pimm’s and needles for the long-anticipated official openings of Michael Martensen’s Proof + Pantry and Eddie “Lucky” Campbell’s Parliament, even a practiced imbiber could be forgiven for failing to notice the other libationary locales making marks around town. And as it turns out, some of them have Martensen’s and Campbell’s DNA on them anyway.
Here’s six places worth putting on your cocktail radar while you wait.
It would be easy to get lost in the charm of this little house of a bar. A one-time vintage clothing shop off McKinney in Uptown, Bowen House evokes a Prohibition-era estate with its bookshelves and old photographs and your great-grandmother’s precious furniture. Don’t look for a cocktail menu beyond the pair of specials scrawled on the blackboard; there isn’t one. Instead, cite your tastes and preferences to steady bartenders Erikah Lushaj or Brandon Addicks, who are eagerly devouring cocktail knowledge as they strive to build a quality bar program. They’re also capable of devising their own creations – like Lushaj’s lusciously sweet 1874 (a nod to the year the house was built), a mix of rum, Galliano, vanilla and pineapple puree that she came up with for Dallas’ recent Tiki Week celebration.
In case you haven’t been keeping your ear to the ground, Dallas now has an absinthe bar – and it’s right there in the reinvented space at Driftwood, the Oak Cliff seafood restaurant on Davis. The minimal bar that once felt more like a holding area for diners awaiting tables has been expanded into a formidable L-shape that proudly proclaims its own identity. More importantly, bar manager Ryan Sumner’s spirit selection has been pumped up with anise-flavored concoctions from around Europe and the U.S., including 14 absinthes and three versions of French pastis. The absinthes – with notes ranging from juniper to honey-plum – can be enjoyed in the traditional louche style (slowly diluted with ice water and sugar); there’s also four related cocktails, including Hemingway’s classic mix of pastis and sparkling wine, Death In The Afternoon. Menu creator Michael Martensen says the idea of pairing absinthe with seafood occurred to him the more he researched seafood. “We’re doing like they do in the south of France,” he says. You’d do well to take in your Van Gogh experience with a round of fresh-shucked oysters – and even if you haven’t been keeping your ear to the ground, you can still keep your ear.
John Tesar’s new paradise of meat in Central 214’s old space in the Palomar Hotel comes with a solid bar program, too. Another project from barman Michael Martensen, it includes nods to often disregarded “retro classics” like the Long Island Iced Tea, Harvey Wallbanger and Sex on the Beach, the idea being that if the drinks are properly made with high-quality ingredients, they’re actually quite good. For the most part, that’s true – but it’s some of the bar’s other innovations that brighten my day, including the choose-your-own-ingredient Negronis or Gin and Tonics and a smooth, floral olive-oil gin martini softened with a hint of Green Chartreuse. The delicious, slightly salty Planter’s Punch was influenced by Martensen’s recent visit to Martinique: Among a group of bartenders there to learn about the island’s rum industry, the group was enjoying Planter’s Punches on a rollicking boat ride as the craft bobbed in the rough surf. “We were getting salt water in our drinks,” Martensen said. “I tasted it and thought: This is better.” He came back and made Knife’s version with a hint of house-made salt water. He says: “Dude, once you put the salt water in there, it’s like – bam! It takes me right back to the boat.”
There are probably two things you think about when you hear Meddlesome Moth: 1) the flutter and thump of a lepidopteran under the shade of your bedside lamp; and 2) beer. While there are indeed a mighty number of quality brews to be had at this Design District mainstay, cocktail program director Lauren Loiselle, with the help of beverage director Larry Lewis, has compiled a formidable selection of craft drinks, too, from a lineup of seasonal drinks (including dandy spins on the Margarita and Moscow Mule) to a top-notch supply of barrel-aged concoctions. One recent highlight: Loiselle’s divine barrel-aged Negroni, uncorked in time for last month’s National Negroni Week, with Ford’s gin, Aperol and Dolin Dry and Dolin Blanc vermouths.
Hump Day is already worth the trip to Tate’s in Uptown for half-price specials on most of their extensive whiskey selection, but even more so now that craft bartender Ian Reilly has joined the team on Wednesdays and Saturdays. Reilly, a one-time People’s Last Stand stalwart who’s also played significant roles behind the bar at Bowl & Barrel and Chino Chinatown, is a bit of a whiskey connoisseur who has written about Japanese whiskey for both CocktailEnthusiast.com and The Dallas Morning News. With the addition of Reilly to GM Robbie Call’s crowd-pleasing squad and a stable but solid cocktail list, Tate’s is golden right now.
The former J. Pepe’s space on Greenville has been reborn as a neighborhood bar with bocce ball and a quirky array of local art. (My favorite is the one of the dog that reminds me of a Chihuahua mix my family used to have.) So yes, come to Vagabond for the art and the kitschy bar-top lamps. Come for the quality food, like excellent beef tongue pastrami. But you should also come for the drinks: The house menu devised by mixologist Eddie “Lucky” Campbell includes delicious versions of under-recognized vintage cocktails like the Bijou and Scofflaw as well as tasty modern ones like the red-pepper-influenced HydroTonic and the rum-and-white-wine-combo Ninja Sangria. (In a nod to GM Stewart Jameson, there’s a handful of Jameson whiskey cocktails, too.) Cocktail director Stephen Vasquez plans to roll out a revised menu by next month, including the excellent Aurelius, a slightly bitter, refreshing drink featuring apricot-infused Aperol that he first made for me while doing time at downtown’s LARK on the Park.
The spirits scene is fluid. People move around, and maybe you’ve lost track of a few. Barmoire is here to help you out.
Last month came the official news that bartender extraordinaire Michael Martensen planned to open Proof + Pantry at One Arts Plaza; that’s still on track, with the space – formerly the Commissary – opening hopefully before summer. But while Martensen had hoped to reassemble the fine crew of bar talent that had formerly held sway at The Cedars Social and Bar Smyth, it appears at least one band member won’t be joining the reunion: Omar YeeFoon, who is joining Jason Kosmas’ The 86 Co. as Texas brand ambassador.
“I’ll be working with friends,” YeeFoon said last week over pasta and cocktails at the Windmill Lounge’s inaugural Spaghetti + Western night. “And it’s a product and a brand I believe in.”
Meanwhile, Bonnie Wilson, the bartender who helped put Whiskey Cake on the cocktails map in Plano before taking over the bar program at The Ranch at Las Colinas, is now bar programs director for the entire group of Fork It Over Restaurants, which includes Mexican Sugar and Velvet Taco. Fork It Over has already expanded the Whiskey Cake brand to Oklahoma City and will soon open one in San Antonio.
We’ve also missed the upbeat presence of Amber West, former lead bartender at Central 214 at the Hotel Palomar whose garden-to-bar enthusiasm never failed to mesmerize. West is now Texas brand ambassador for Caledonia Spirits, the Vermont-based company that produces honey-tinged Barr Hill Gin and other liquid goodies soon to appear in bars and restaurants around the state. She and her new portfolio were behind the cocktails at last Saturday’s Polo On the Lawn fundraiser in Oak Point.
She’d met Caledonia founder Todd Hardie through former Central 214 chef Graham Dodds; their similar views forged a connection. “Caledonia Spirits is all about his connection with the land, beekeeping and farming,” she said. “It’s beautiful.”
Meanwhile, for those who’ve been wondering whatever happened to bartender Michael Reith, the man whose drinks once shone at Lower Greenville’s Nora, the low-key barman has resurfaced at the esteemed Windmill Lounge on Maple Avenue, where he was last seen firing up cider-y accompaniments for the divey spot’s just-launched, above-mentioned Spaghetti + Western dinners on Mondays.
Oh, 2013. You hater. You tried so hard to suck. In the summer, just days after influential bar man Jason Kosmas announced he was taking his talents to Austin, you pulled the plug on my beloved Private/Social, where bar manager Rocco Milano had overseen one of the best cocktail programs in town. Then, last month, you shocked us with the sudden exit of Michael Martensen and his crew of highly talented bartenders from Bar Smyth and The Cedars Social, the two brightest stars in DFW’s craft-cocktail culture. With the unfolding of The Great Unpleasantness, a scene that had solidly come of age at last lost its innocence.
But hey, that’s part of growing up. And despite assertions to the contrary, craft cocktails as we head toward 2014 are alive and swell, showing no signs of peaking: Milano has resurfaced in a major way; Eddie “Lucky” Campbell is preparing to launch Parliament; Asian-Latin fusion restaurant Chino Chinatown has opened in Trinity Groves with Ian Reilly at the bar-program helm; Origin has restyled itself in Knox-Henderson with a promising drink lineup; and the Smyth/Cedars Social diaspora is sprinkling its goodies all over town.
Are you not entertained? To what do we owe this good fortune? It’s because we, my thirsty friends, have proven ourselves worthy. We’re a smarter bunch now when it comes to craft cocktails; our palates now welcome more flavor, complexity and originality. We like menus that mirror the season, varied but not overwhelming, with options both accessible and challenging. We want bartenders steeped in history and craft and eager to command the palettes of flavor at their disposal, ready to improvise when able. Is that asking too much?
No. And DFW has answered the call. Here are my top 10 spots as we head into 2014, in alphabetical order, BECAUSE.
OK, I’ll admit: I hadn’t set foot into Abacus since I first moved to Dallas three years ago – at least not until chef Ken Rathbun lured Lucky Campbell away from The Standard Pour in Uptown. Campbell, whose bumpy road has taken him from The Mansion at Turtle Creek to renown at Bolsa to the short, chaotic life of The Chesterfield and then to TSP, set about infusing Abacus’ solid martini-and-bubbly-focused menu with the Pacific Rim sensibilities that inform the five-star restaurant’s kitchen. The result: a boost of energy and derring-do behind the bar that have given Abacus’ Men in Black new street cred.
Where Rocco Milano goes, magic follows. The execution of Private/Social paved the way for a makeover of the Uptown space, and the results are terrific: The vibe is warm and woodsy, and the bar has been opened up to give Milano and his top-notch staff room to move more freely. The house cocktails are unsurprisingly great, but it’s the added features that really set Barter apart: Milano’s “book-of-the-month” set will feature selected drinks from different classic cocktail tomes every month; first up is David Embury’s 1948 classic, “The Fine Art Of Mixing Drinks.” Add to that a mix of high-end choose-your-poison flights and an innovative series of pours that illustrate liqueurs in various stages, and you’ll see why Milano is the cocktail geek’s cocktail geek.
BLACK SWAN SALOON
Gabe Sanchez’ one-ring circus in Deep Ellum has a cult following, and with good reason: He’s been quietly cranking out some of Dallas’ more original concoctions at this dimly lighted, low-key speakeasy with the badass vibe you’d expect from a bar in the city’s tattoo epicenter. The Swan’s staff now walk the tightrope without the net of a cocktail menu, playing to tastes and whatever Sanchez has cooked up that day. Smoked fig jam with rye? You’ll find that here.
Bar manager Amber West has been among the city’s under-sung cocktail heroes, avidly and expertly using seasonal ingredients in her creations. Example: The gin-based, garden-in-a-glass First Course, like so many of her cocktails, is as beautiful to behold as it is to imbibe, with flecks of Tom Spicer’s arugula dotting its translucent surface; her Honeysuckle Gimlet is another standout. Though she’s moving into more of a consulting role to focus on gardening, the cocktails at Central 214 — located inside Hotel Palomar off the Central Expressway — will continue to carry her imprint.
The spinning modern-Asian-themed Wolfgang Puck restaurant at the top of Reunion Tower has more to offer than a fantastic view. Yes, you’ll have to endure a 45-second elevator ride and the beastly $16 price tag per cocktail, but the drinks are a journey in themselves. They’re part of a rotating series of libations designed by the chain’s Lee Hefter — bold, original and artfully presented, mirroring the restaurant’s sophisticated vibe. Try the gorgeous Fog Rolling Over Mount Fuji or the Locked and Loaded, both among my top cocktails of 2012.
Seats at the bar are few at this Henderson Avenue mainstay, but they’re worth the wait to gain an audience with bar manager Grant Parker, whose behind-the-bar expertise continues to steadily lift Hibiscus to new mixology heights. Parker hopes to gradually expand the drink menu with more adventurous offerings, but for now try his play on the lesser-known classic Emerson (also among my top-rated drinks of 2012) or the luscious, rye-based Brown and Stirred.
LARK ON THE PARK
This Klyde Warren Park newcomer is a solid playa in the craft-cocktail game, excelling at wintery drinks in particular, so now’s the time to go and warm up your belly. Bar manager Matt Orth and his crew respect seasonality and do nice spins on the classics, too; if you’re into Sazeracs or Negronis, ask for one of their variations and you won’t be disappointed.
THE STANDARD POUR
Stacked at Ground Zero of the madhouse Uptown scene, barman Brian McCullough’s strong crew is primed to feed the weekend’s party-minded mainstream tastes, armed with what must be the largest arsenal of Moscow Mule mugs outside of wherever it is Moscow Mule mugs come from. But take a closer look at the bar’s wide-ranging, Prohibition-Era-themed menu and you’ll find lots more than vodka. It also doesn’t hurt that the dark, vintage-lounge-style space exudes fun, or that its chalk-mural-adorned bar is often a refuge for displaced craft bartenders (see Abacus, Bar Smyth, The Cedars Social above).
I love this place, from its wry, respectable menu on up to its sleek, chill vibe and a team of able bartenders who never seem to be in short supply. The modest house drink list is nice – try the gin and apricot liqueur-fueled Parlor – but it’s the off-road adventures that are really fun; a spin on the classic Hanky Panky, for instance, or something using the most recent bottle on the shelf.
The godfather of them all. Charlie Papaceno and Louise Owens have been crafting cocktails since 2008 in this dive-y spot off a remote stretch of Maple Avenue. Jason Kosmas – the co-owner of New York City’s Employees Only and spirit line The 86 Co. – did time here after moving to Texas, and early adopters Campbell and Martensen threw down in friendly competition back when as well. It’s still a bartender’s bar; you’ll find a number of mixers bellied up here, drawn by the Windmill’s unpretentious atmosphere and the staff’s easygoing approach. But there’s skill here, too, and innovation; it was Charlie who introduced me recently to Ancho Reyes, a recently released ancho-chile liqueur, and the bar was listed among Esquire Magazine’s top bars of America earlier this year.
Looking forward to what 2014 may bring!
Honorable mentions: Bolsa, Victor Tango’s, Boulevardier
Ones to watch: Chino, Parliament, The Cedars Social
It’s holiday season, and that means you’ve added a few more things on your to-do list.
Give to charity
Have a holiday cocktail or two
Well, joy to your world: Now’s your chance to do both at once at the second annual Cocktails For A Cause, happening this Sunday at The Standard Pour in Uptown from 6 p.m. until close. The evening’s “ultimate pop-up bar” will feature $10 cocktails made by a rotating, ridiculously rife assortment of local bartenders, with all proceeds going toward Trigger’s Toys, a charity benefiting hospitalized children.
The cool thing, says charity founder Bryan Townsend – who named the organization after his golden Lab – is that bartenders have been clamoring to join in on the reindeer games. “It’s been overwhelming, the response,” he says. “People were actually really upset that they missed out last year.”
And not just because they might have missed the inaugural event’s spectacle of bar man extraordinaire Michael Martensen in a Santa suit: No, this is a chance to help make children’s wishes come true, to help create awwwww moments like the night when Townsend and his pals get to deliver a truckload of toys to kids Baylor Medical Center. “My favorite night of the year,” Townsend says.
Last year’s event, which Townsend coordinated along with Standard Pour’s Brian McCullough and Sean Conner of Whiskey Cake in Plano, raised $17,000. He’s hoping that Sunday’s event, combined with what sponsors have already donated, will raise as much as $50,000 to help fund the charity’s efforts in the coming year.
And so, 45 of your favorite drink crafters will be taking turns behind the bar, which as you might guess is just about every bartender in Whoville. In addition to Conner, McCullough and Martensen, the lineup includes Abacus’ Lucky Campbell, Alex Fletcher and Chris Dempsey of Victor Tango’s, Central 214’s Amber West, Bolsa’s Kyle Hilla, Bonnie Wilson of The Ranch at Las Colinas, Windmill’s Charlie Papaceno, a smattering of bar peeps from Fort Worth’s The Usual – the list goes on and you’ll be checking it twice to make sure you’re not just seeing things.
“It gives us a chance to get together and have some fun and not compete,” Conner says. “To just throw out some really good drinks and raise money for the less fortunate around holiday time.”
They have fun. You drink craft cocktails from an all-star lineup of bartenders. Children’s wishes come true. Everybody wins.
THE STANDARD POUR, 2900 McKinney Avenue, Dallas. 214-935-1370.
Hey, Chefs For Farmers: You can tell everybody this is your song, because last weekend I was reminded like a big slap in the face how wonderful life is when you’re in the world. Or in Dallas, anyway.
Yep: Four days later, I’m still recovering from the Elton-John-esque epicness that was Chefs For Farmers 2013, which brought more than a thousand of my fellow food and drink aficionados to Dallas’ Robert E. Lee Park to basically form obstacles between my appetite and all the tasty consumables that were there to be had.
Not that it mattered. I realized that by the end of the all-afternoon event that I had partaken of cow, pig, bison, duck, rabbit and boar, not to mention a bit of chicken liver spread. (Thanks to a late dinner at Nora, I managed to add lamb to the day’s lineup, too.) As CraveDFW’s Steven Doyle put it, there were a lot of critters in my belly.
Little of the fare could be called average. Far more of it ranged from very good to outstanding, from Parigi’s wild boar Bolognese (my personal fave) to the short-rib soup from The Mansion At Turtle Creek (fab) to the euphoria-inducing maple-pecan-bacon ice cream (!!!) from Jack Perkins of Maple and Motor and Slow Bone BBQ. Dude, Sweet Chocolate’s drinking chocolate with carrot-lemon foam was a standout, too.
But there were drinks, too, which is what had initially drawn your intrepid cocktails scribe to the picnic-blanket-and-revelry-covered scene. Boulevardier’s Eddie Eakin, High West Distillery’s Chris Furtado and Ten Bells Tavern’s Greg Matthews cranked out Maker’s 46 magic – including Eakin’s Steep Buzz, which married the Kentucky bourbon with Earl Grey honey syrup, ginger liqueur, lemon and apple bitters. “I’ve never made a thousand cocktails at once before,” Eakin said, managing not to seem overwhelmed.
The drinks poured forth from nearby fellow libationists, including Cedars Social’s Julian Pagan and Ryan Sumner, Central 214’s Amber West, Abacus’ Lucky Campbell and The People’s Last Stand’s Brad Bowden. I had to give my nod to the Autumn’s Apple cocktail from The Standard Pour’s Christian Armando and Brian McCullough, a spicy medley of Patron Reposado, cinnamon syrup, lemon, apple cider and Angostura bitters.
Until next year, Chefs For Farmers, when I’m counting on one of those excellent chefs to bring some goat to the party. Don’t go breakin’ my heart.
“There are going to be times when we can’t wait for somebody…. You’re either on the bus or off the bus. If you’re on the bus, and you get left behind, then you’ll find it again. If you’re off the bus in the first place — then it won’t make a damn.”
Ken Kesey, as quoted by Tom Wolfe in The Electric Kool-Aid Acid Test (1968)
So, here’s how things went on Dallas’ first-ever cocktail bus tour: Festively. By 7:05, two dozen imbibers were on the bus, a dazzling white coach and our carriage for the evening. Already, at The People’s Last Stand at Mockingbird Station, the evening’s initial libation had been sampled, some flouncy red thing with gin and Campari and watermelon and rhubarb liqueur.
For $60 apiece, the inaugural “chartered bus tour of some serious libations” would ferry us to six craft-cocktail bars from Uptown to Cedars to Deep Ellum. As you might expect, the evening’s mood was progressively buoyant; few cared that the excursion was less an actual “tour” than a series of stops via luxury taxi.
It was a group primed for fun, but not one of people looking to fog up their night in clouds of vodka and Red Bull. Those on board were willing to be led down new paths — believers in, or at least curious about, the concept of craft cocktails with their artisan ingredients, fresh-squeezed juices and creative depths. As former Private/Social barman Rocco Milano once described an evening of imbibement to local cocktail enthusiast Manny Mendoza, who’s working on a documentary about the Dallas cocktail scene: “You’re going to be inebriated at the end of the night. The difference is in how you get there.”
Wise words indeed. But to get there you had to be on the bus, and so we were. The idea was to showcase Dallas’ craft-cocktail diversity; not everyone had been to all six spots and certainly not all in one night. First came the Palomar Hotel’s Central 214, where we enjoyed bartender Amber West’s Last Monkey Standing – a bouquet of Monkey Shoulder blended scotch, Lillet Rose, chamomile, lemongrass syrup, lemon and a touch of red sorrel from Tom Spicer’s gardens.
Then, back on the bus. “Everybody here?” asked tour host and mastermind Alex Fletcher, general manager at The People’s Last Stand. Hmmm. He paused. “OK,” he said, “if you’re not here, raise your hands!”
At Uptown’s The Standard Pour we encountered the Mexican Standoff – a tequila-and-mezcal concoction from Pozo, TSP’s sister-establishment next door and one of my favorite tastes of the night – before hoofing it down the street to Tate’s, tour stop No. 4.
Levity ruled the occasion, thankfully never descending into sloppiness. “I’m surprised at how calm everybody is,” said tour co-host Brad Bowden, also of The People’s Last Stand. “I thought there’d be a lot of drunk people walking around.”
The bars themselves, too, performed admirably, firing up twenty-something drinks in quick fashion and keeping us on schedule, and somehow the bus we managed to collect a bartender or two, as well as CraveDFW’s Steven Doyle, along the way.
After Deep Ellum’s divey Black Swan came the pioneering Cedars Social south of downtown, where bartender Julian Pagan wowed with his tiki-esque Yacht Rock: “It’s Sailor Jerry rum, Velvet Falernum, cinnamon syrup, lime, and… yeah.” Yeah!
By the time the call came to head back to The People’s Last Stand for a nightcap and munchies, we were having trouble corralling even our hosts. Personally, I’d love to see more tour-like features in something like this – more info about the bars we visited, for instance, or the Dallas scene itself, but all in all, it had been a good night. Fletcher figured he’d be lucky to break even with the trial-run event; it was more about getting people out of their cocktail comfort zones.
And that was just fine with Calissa Gentry, a Cedars Social regular who’d taken the tour with friends Elaine Lagow and Genevieve Neyens. “We usually like vodka on the rocks,” she said. “But because we go to Cedars, we try new things.”
Trying new things was the reason Lagow was on the tour, too. “I’d do it again in a minute,” she said.
These cocktail bars. They’re all over Dallas. But odds are you’ve never hit six of them in one night. What if there was… a cocktail tour bus? Why doesn’t somebody make one of those?
Well, now someone has. The enrichment gets rolling at 6:30 p.m. on Thursday, Aug. 22, and for that you can thank general manager Alex Fletcher of The People’s Last Stand. “Cocktail culture has grown here at such a rapid pace,” he says. “We’ve all solidified our businesses, we have extremely high-end ingredients…. It’s time to show that off a little bit.”
In addition to the Mockingbird Station second-floor lounge, the estimated six-hour, “chartered bus tour of some serious libations” will make stops at nearby Central 214, Uptown’s Standard Pour and Tate’s, and further south, The Cedars Social and Black Swan Saloon.
Price is $60 and includes a cocktail at each stop, which despite the lack of cookies is a deal not even DART can beat. It’s also a chance to get people out of their cocktail comfort zones, both culinarily and geographically speaking. “A lot of people who come (to People’s Last Stand) never go to Black Swan, and vice versa,” Fletcher says. “And a lot of people probably haven’t been to all six of them, so why not get a handful and take everybody out for a night?”
Capacity will be limited to 40, because who wants to be the bus that shows up to a bar on Thursday night with 100 people all wanting drinks at the same time? No, you don’t want to be that bus. “We’re trying not to throw anybody in the weeds,” Fletcher says.
There’s still time (barely) to get your horse on for Saturday’s 12th annual Polo on the Lawn event at the Prestonwood Polo & Country Club. Proceeds from the May 4 event will benefit Project Transformation, which supports literacy and education programs for Dallas’ low-income youth.
Kentucky-Derby attire is encouraged. Mint juleps will flow. Celebrity judges will be on hand to award prizes for best hats and best dressed, not to mention best tailgate. It’s that kind of event. A 4 p.m. polo match will be followed by a live Kentucky Derby broadcast and other festivities, with a trophy presentation at 7 p.m.
Tickets are $45 general admission (kids under 12 are free) and grant tailgating or lawn/picnic seating, plus champagne. Guests are encouraged to bring their own picnics and beverages.
A limited number of VIP tickets, with grandstand seating and catered dinner and drinks, are available for $150. The country club is at 525 Yacht Club Road in Oak Point. For more information, call 214-533-8997.
In conjunction with the event, Central 214 bartender Amber West has been serving her twist on the mint julep, the Equestrian (see above), with a portion of each one sold also benefiting Project Transformation. The bar is located inside the Hotel Palomar at Mockingbird and the North Central Expressway.
The Psycho Smash, one of Central 214’s DIFF cocktails.
Film festivals are a lot of work. Waiting in line, waiting in line: It’s enough to drive you to drink.
Luckily, Central 214 at Dallas’ Hotel Palomar — headquarters for the Dallas International Film Festival — has your best interests in mind. The bar at the Graham Dodds restaurant is featuring two cocktails designed especially for the event by head bartender Amber West.
“I was trying to think of all the great movies,” says West, who recalls enjoying moviegoing in the days “before I became a working, crazy mommy.”
She came up with the Citizen Kane, whose plot unfolds with High West rye, orange liqueur, maple syrup, lemon and finally a nod to that fateful word, Rosebud.
Then there’s the citrus-y fresh Psycho Smash, a delicious sweet-tea frenzy of Angel’s Envy whiskey, simple syrup, mint, lemon and Angostura bitters. No doubt Mother would be proud.
“Everyone loves a smash,” West says between lunch guests, including an HBO documentary maker and an L.A. actress whose film was going to debut that night. “Plus I thought ‘psycho’ and ‘angel’ would go well together. I thought it would be kind of cute.”
The $8 drinks will run the duration of the festival, which ends Sunday, and are the ‘8’ part of Central 214’s “2-4-6-8 ” happy-hour promotion of specially priced appetizers.
Booze news and adventures in cocktailing, based In Dallas, Texas, USA. By Marc Ramirez, your humble scribe and boulevardier. All content and photos mine unless otherwise indicated. http://typewriterninja.com