Category Archives: Bars

Talkin’ ’bout the Midnight Rambler, Dallas’ ambitious new cocktail arrival

Dallas cocktails
Everything is illuminated: The new gem in Dallas’ cocktail scene.

With a month gone by since the jewel that is Midnight Rambler beamed into downtown, it’s hard to believe it was barely a year ago that the Dallas cocktail scene seemed lost in free-fall… To recap: Everything was going just fine – better than fine, actually, with two notable spots, Bar Smyth and The Cedars Social, getting national acclaim, and then – Bam! Both places were suddenly gut-punched with the overnight departure of Michael Martensen and his top-notch bartending posse. Meanwhile, Eddie “Lucky” Campbell, an equally well-known luminary behind the stick, was still bouncing around after leaving the failed Chesterfield downtown. Sure, both said they had projects in the works, but DELAYS. The imbiberati were verklempt.

Dallas cocktails
More of these? Okay then.

Then, on one night in August, everything was illuminated: Parliament, Campbell’s carefully polished Uptown gem, and Proof + Pantry, Martensen’s much anticipated Arts District venture, opened on the same night with his crafty little bartenders all in a row. This fall, The Bourbon Review named The Standard Pour among its top 60 bourbon bars in America.

Dallas’ cocktail mojo is flowing again, and Midnight Rambler immediately joins the dean’s list – a gorgeous space in the Joule Hotel that reveals itself in holy-moly fashion the moment you plunge into its subterranean home. From the pincushion lighting to the art-deco styling to the arcing, inverted hull of a ceiling with its sleek wooden beams, it’s if you’ve walked into…. New York. Which is no surprise, given the Big Apple origins of owners Chad Solomon and Christy Pope, whose New York-based beverage consulting firm, Cuffs & Buttons, has put its stamp on bars and hotels around the world.

Midnight Rambler has an art deco, midcentury-modern aesthetic that Solomon ascribes to David Lynch’s Silencio space in Paris and the hotel bar in Stanley Kubrick’s The Shining, minus Lloyd the bartender. Strategically placed curtains hide or reveal adjoining space based on volume, intending a sense of intimacy no matter what the crowd. The punch bowl display is a bling-y touch.

Dallas cocktails
Part of Midnight Rambler’s solid cocktail lineup.

This is what he and Pope have had in mind since – well, since those dark days of last autumn, but as already noted, these things take time. The wait has been worth it. “It’s pretty much exactly how we envisioned it,” Solomon said a few days before a glorious preopening-night party whose guest list included Manhattan mixology legends Audrey Saunders of Pegu Club and Cuffs & Buttons partner Sasha Petraske of Milk & Honey (where Pope and Solomon once tended bar).

The lineup of thoughtfully conceived libations is ladled out by a relatively fresh crew of bartenders whom Solomon and Pope have molded to their well-honed specifications. Labeled vials of premixed cocktail portions sit on the backbar, awaiting call to duty: It’s all about efficiency and consistency, and save for the ample canon of classics with which humankind is blessed, few variations occur off-menu, which is okay-fine because it’s muy excelente. (Being at the Joule, it’s also pricy, with drinks ranging from $12-$15.) Creative, daring and amply sized, it features the orange-y, bourbon-based Soul Clap, the tart, poblano-kissed Wang Dang Dula and the clever Savory Hunter, whose lemongrass- and kaffir-lime infused gin, mixed with coconut and lime evoke the flavors of a delicious Thai tom kha gai soup. There’s a selection of group-friendly punches and a playful trio of shots, including a pho-themed one that incorporates beef stock.

Dallas cocktails
The bar’s midcentury modern aesthetic is “pretty much exactly how we envisioned it,” co-owner Chad Solomon says.

Midnight Rambler is also notable for what you don’t see: A backroom “lab” with nifty toys like refractometers, an evaporative still and a centrifuge, all employed in the making of cocktail ingredients. “We call it a lab, but we’re not back there experimenting all the time,” Solomon says. “It’s more like a flavor house. It’s our own dedicated flavor house.” Many drinks also include a touch of mineral saline – a bit of salt that as in food enhances and brings out other flavors; two drops is all it takes.

Nibbles come from CBD Provisions, up on the main level of The Joule – including charcuterie, a tilefish dip (the fish is smoked on the hotel rooftop), black-eyed pea hummus and a knockout burger. Fries are served in a Moscow Mule mug.

Despite the intense structure and pre-planning, the occasional drink can falter: The Sound System, for instance, which I initially loved for its bold and effective use of super-funky Hamilton pot-still rum, turns out to be fickle; inadequately stirred on a later visit, it was too heavy on the rum’s overripe banana flavor. The pre-prepared vials behind the bar can also visually take some of the appeal out of having your drink prepared to order; they’re more appreciated on a busy weekend night. About the only real minus for Midnight Rambler might be its location in the Joule, whose owner, Tim Headington, has enraged preservation architects with a record of destroying historic buildings, including the recent razing of two century-old structures across the street from the hotel, as noted in a scathing column by Dallas Morning News architecture critic Mark Lamster in September. Likewise, those who support historic preservation efforts may want to consider whether they want to patronize the businesses within.

Midnight Rambler
The Savory Hunter: Refreshingly recalling your favorite Thai restaurant.

Otherwise, Midnight Rambler is a welcome and needed addition to the DFW cocktail scene. Solomon and Pope had initially considered Austin until the Joule opportunity fell into their laps; they’re now settled in Bishop Arts and have hatched something ambitious, adventurous and more glamorous than any serious cocktail bar Dallas has seen.

“It’s just another layer on top of what’s already here,” Solomon says. “This is next level. We are standing shoulder to shoulder with the best in Chicago and New York. But we’re here.”

Eight things you should know about Parliament, Eddie “Lucky” Campbell’s long-awaited cocktail den

 

Parliament
Eddie “Lucky” Campbell, all smiles on opening night.

No doubt no one’s happier that Parliament is finally ready to launch than Eddie “Lucky” Campbell, the man who’s spent a good portion of his life dreaming about opening his own bar. Now, with the help of business partner Andrew Brimecome, the Man With The Fedora has finally achieved that goal in Four Lounge’s former space in Uptown’s State and Allen neighborhood.

Here’s eight things you should know about the place, which officially opens tonight.

1. The menu is gorgeous. In fact, it may be the most beautiful – if crazy ambitious – drink menu I’ve ever held in my cocktail-craving little hands. Within its heavy-duty exterior rest more than 100 libations separated into a dozen or so categories, each colorfully illustrated, pleasantly organized and sprinkled with historical tidbits.  “London Roads” is where you’ll find the gin, for example; in “Forbidden,” the absinthe. And somewhere toward the back is a page dedicated to pie-in-the-sky libations (with prices to match); one even comes with a gift certificate for a hat.

Eddie "Lucky" Campbell
A thing of beauty: Parliament’s tome of tipples.

2. The menu won’t go live until next week. Until then, Parliament will be featuring its happy-hour menu — including one of Campbell’s favorites, the Ramos Gin Fizz.

3. The bar is a bit of a looker too. You wouldn’t be crazy if you felt somehow reminded of another place in Campbell’s past: From its chandeliered elegance to its wallpaper to its dark woody interior, it boldly recalls the Chesterfield, the cocktail haven that shone all too briefly in downtown Dallas, then fizzled when Campbell and then-partner Ed Bailey parted ways in late 2012. But it’s the half-decagon of a bar that’s the star here, a luxurious theater in the (half)-round that puts the drink makers on display.

Eddie "Lucky" Campbell
Parliament’s vintage interior, reminiscent of a former Dallas bar.

4. There’s no kitchen, but you can order food. And then, like magic, or at least like your Uncle Morrie pulling a quarter from behind your ear, it comes from State & Allen Kitchen + Bar just down the street.

5. Those doorknobs are swans. And they come with a backstory. Seems Campbell and Brimecome were out shopping for door handles for their venture-in-progress, and Campbell came across the fowl knobs. There then followed some back-and-forth involving The Queen of England and potential bird consumption, and – well, suffice it to say it’s worth having Campbell himself spin the tale.

Parliament, Uptown
Yup.  Those are swans.

6. The wallpaper is another story. A tale of coincidence and fate. Might want to ask about that one too.

7. The barstools tell their own story. Nestled around the comfortable half-circle bar that dominates the room, each bears a titular nameplate dedicated to Dallas cocktail-scene luminaries and others who have found their way into Campbell’s good graces, including Jason Kosmas (“The Pioneer”) and Michael Martensen (“The Professor”). I am humbled to be among them.

Parliament
“I got a surprise for you,” Campbell told me. “And I learned a new word.”

8. The bar is strong enough to stand on. But don’t, unless you’re Campbell himself. The gravelly-voiced bar veteran is a natural entertainer, and every now and then he likes to climb on stuff to deliver his pronouncements from on high. At Monday’s soft opening for industry friends that preceded this week’s official launch, he did just that, thanking almost everyone who helped breathe life into his dream, including the man with whom he’s shared a friendly rivalry for five years. “Nobody has taught me more about this cocktail game than Michael Martensen,” he said.

And with Martensen’s Proof + Pantry also officially opening tonight, Dallas’ craft cocktail scene is much the better for it.

Parliament
All the bar’s a stage when Campbell’s feeling the urge.

Michael Martensen’s Proof + Pantry officially set to open Wednesday, Aug. 27

Proof + Pantry
Josh Maceachern, among the reunited bar crew of Proof + Pantry.

Attention, craft cocktailers: Set your timepieces for Wednesday, Aug. 27, when Proof + Pantry, the long-awaited concept from mixmaster luminary Michael Martensen and  hospitality management firm Misery Loves Co., officially opens its doors to the craft-cocktail public at One Arts Plaza in the Dallas Arts District.

OK, other publics are welcome, too, but it’s no secret that the fancydrank faction has been chomping at the bitters to witness the now-imminent reunion of some of Dallas’ most talented mixologists, whose diaspora was set in motion in November when Martensen left celebrated Bar Smyth and The Cedars Social to pursue his own ventures.

Last week, as first reported here, we caught a brief glimpse of that reunion when Proof + Pantry hosted a private 80s-themed party for those attending the 10th annual TEXSOM 2014 conference in Las Colinas. The space was still a work in progress at that point, with no menus to speak of, but that will change next week when Proof + Pantry unfurls its bar program (that’s the “proof”) and a food lineup heavy on global cuisine (aye, that be the “pantry”) from executive chef Kyle McClelland.

With Eddie “Lucky” Campbell’s Parliament also on the horizon, it should be an exciting next couple of weeks.

Proof + Pantry party drops a bomb on One Arts Plaza, hints at what’s to come

TEXSOM 80s Party
Though still a work in progress, Proof + Pantry hit a groove Sunday night.

The official opening of one of Dallas’s most anticipated craft-cocktail bars is about a week away, but sometimes it pays to be into wine: Attendees of last weekend’s 10th annual TEXSOM conference, one of the country’s biggest wine gatherings, got a lucky peek at Michael Martensen’s Proof + Pantry space at a 1980s-themed bash that dropped a Super Freak bomb on One Arts Plaza Sunday night.

Beats dropped, wine corks popped, glasses were topped. Roast pig was served. Meanwhile, the mad bartending skills scattered to the winds when Martensen and his team left Dallas’ Bar Smyth and The Cedars Social in November crafted five shades of Negronis for a workshop-weary crowd eager to party like it was 1989. As reunions go, seeing bartenders Julian Pagan, Trina Nishimura, Josh Mceachern, Josh Hendrix and back-from-Denver Mike Steele simultaneously behind the bar again was sorta like Eric B. & Rakim getting back together – “and you ain’t seen nothing yet,” Mceachern said. “We’re just getting started.”

Proof + Pantry
Josh Maceachern, one of Michael Martensen’s reunited bartending crew.

And indeed, Proof + Pantry’s rustic wood and metal interior is still a work in progress. In fact, one would have been hard-pressed on Saturday morning to believe any sort of gathering would be happening in the space 36 hours later, given its warehouse-like disarray. (Deadlines help.)  But many features were already evident, like the Restoration-Hardware-esque decor, the classy illuminated modular shelving suspended above the marble-topped bar and the exterior courtyard with its Arts-District view.

There was more wine than anyone could drink, and with air-conditioning on the fritz in the immediate area, the sweltering atmosphere was like a jungle sometimes, it made you wonder how you kept from – well, you know.  By night’s end, the contentedly reunited Proof + Pantry team was nonetheless exhausted, having worked nearly around-the-clock to make this moment happen. Still, it was clear that they wanna be startin’ something: This was just a taste of what’s to come.

TEXSOM 2014
Attendees of TEXSOM didn’t stop ’til they got enough.
TEXSOM 2014
P+P’s exterior courtyard got a generous pour from TEXSOM 2014 attendees.
TEXSOM 2014
True that.
Proof + Pantry
This is how you 80s.
Proof + Pantry
Five shades of Negronis on the menu.

 

 

 

 

 

Driftwood has invented an even better way to eat oysters, and bacon is not even involved

What could be better than this?
What could be better than this?

True oyster lovers know there’s no better way to enjoy nature’s briny gift to humankind than to slurp them right out of the half-shell. Well, not unless you’re at Driftwood, the Oak Cliff seafood oasis that has possibly invented the perfect way to love our luscious little friends – slurped right out of the half-shell and then followed by excellent half-shell shots.

Imagine yourself sitting at Driftwood’s newly expanded absinthe bar. Imagine it’s Tuesday, Wednesday or Thursday, because those are currently the only days when this is available. Suddenly – because you’ve ordered the oyster shell shooter special – four delicious Blue Point oysters appear in front of you, gleaming in their little half-shell boats. Of course you’re ready to pounce, but wait: Here come four glorious bottles, a beckoning backdrop to your bivalve bonanza.

Driftwood
Um, this.

Now, then: You may proceed. Oyster No. 1, down the hatch. Your friendly bartender raises the first bottle – mild, sweet La Guita Manzanilla sherry – and fills your still-briny oyster shell with a mini shot. You drink. Above you, clouds part and a sunbeam envelops you in a heavenly glow. (Your mileage may vary.) Each bottle gets its turn in a half-shell as you finish off oysters two through four: Del Maguey Vida mezcal. Laphroig single malt whiskey. And finally, sweet licorice-y Pernod.

The order is deliberate, explains Dallas bar man extraordinaire Michael Martensen, who hatched the concept in collaboration with UrbanDaddy Dallas editor Kevin Gray. (Gray had been eating oysters in New York once when he was suddenly inspired to have the barkeep top off one of nature’s cups with Laphroig.) “The sherry is soft,” says Martensen, co-founder of Misery Loves Co., which owns and operates Driftwood. “The mezcal is the next softest, but introduces smokiness. The Laphroig has a burn; it’s a smoke bomb in your face. And the Pernod is a whole other flavor – it’s got a dessert quality, so you want to finish with it.”

Driftwood
And it goes a little something like this.

For those who haven’t ventured beyond more basic spirits, the four liquids might present a challenge, as several are generally acquired tastes. It’s a fine way to measure a companion’s taste for derring-do. But look, if you’re willing to put a raw oyster in your mouth, it’s not that much of a leap to consider accenting it with an intriguing alcoholic beverage, right?

The whole experience runs a reasonable 20 bucks. And just in time for National Oyster Day.

DRIFTWOOD, 642 W. Davis, Dallas., 214-942-2530.

Six places to put on your cocktail radar right now — because duh, everyone needs a cocktail radar

Driftwood, Oak Cliff
Absinthe and root beer combine to make Forbidden Beer, one reason Driftwood’s pastis-powered program should be on your list.

With Dallas’ craft-cocktail cogniscenti waiting on Pimm’s and needles for the long-anticipated official openings of Michael Martensen’s Proof + Pantry and Eddie “Lucky” Campbell’s Parliament, even a practiced imbiber could be forgiven for failing to notice the other libationary locales making marks around town. And as it turns out, some of them have Martensen’s and Campbell’s DNA on them anyway.

Here’s six places worth putting on your cocktail radar while you wait.

Uptown, Dallas
This old house is your new cocktail haunt just off the McKinney Avenue madnress.

 

BOWEN HOUSE

It would be easy to get lost in the charm of this little house of a bar. A one-time vintage clothing shop off McKinney in Uptown, Bowen House evokes a Prohibition-era estate with its bookshelves and old photographs and your great-grandmother’s precious furniture. Don’t look for a cocktail menu beyond the pair of specials scrawled on the blackboard; there isn’t one. Instead, cite your tastes and preferences to steady bartenders Erikah Lushaj or Brandon Addicks, who are eagerly devouring cocktail knowledge as they strive to build a quality bar program. They’re also capable of devising their own creations – like Lushaj’s lusciously sweet 1874 (a nod to the year the house was built), a mix of rum, Galliano, vanilla and pineapple puree that she came up with for Dallas’ recent Tiki Week celebration.

Oak Cliff, Dallas
Clockwise from top: Bartender Julian Pagan taking care of business; some of Driftwood’s pastis and anise collection; absinthe and oysters, your new favorite combo.

DRIFTWOOD

In case you haven’t been keeping your ear to the ground, Dallas now has an absinthe bar – and it’s right there in the reinvented space at Driftwood, the Oak Cliff seafood restaurant on Davis. The minimal bar that once felt more like a holding area for diners awaiting tables has been expanded into a formidable L-shape that proudly proclaims its own identity. More importantly, bar manager Ryan Sumner’s spirit selection has been pumped up with anise-flavored concoctions from around Europe and the U.S., including 14 absinthes and three versions of French pastis. The absinthes – with notes ranging from juniper to honey-plum – can be enjoyed in the traditional louche style (slowly diluted with ice water and sugar); there’s also four related cocktails, including Hemingway’s classic mix of pastis and sparkling wine, Death In The Afternoon. Menu creator Michael Martensen says the idea of pairing absinthe with seafood occurred to him the more he researched seafood. “We’re doing like they do in the south of France,” he says. You’d do well to take in your Van Gogh experience with a round of fresh-shucked oysters – and even if you haven’t been keeping your ear to the ground, you can still keep your ear.

Palomar Hotel, Dallas
From upper left: Michael Martensen stirs up his salt-water additive; a pair of tropical tipples; shaking things in Central 214’s former space; Knife’s olive oil martini.

KNIFE

John Tesar’s new paradise of meat in Central 214’s old space in the Palomar Hotel comes with a solid bar program, too. Another project from barman Michael Martensen, it includes nods to often disregarded “retro classics” like the Long Island Iced Tea, Harvey Wallbanger and Sex on the Beach, the idea being that if the drinks are properly made with high-quality ingredients, they’re actually quite good. For the most part, that’s true – but it’s some of the bar’s other innovations that brighten my day, including the choose-your-own-ingredient Negronis or Gin and Tonics and a smooth, floral olive-oil gin martini softened with a hint of Green Chartreuse. The delicious, slightly salty Planter’s Punch was influenced by Martensen’s recent visit to Martinique: Among a group of bartenders there to learn about the island’s rum industry, the group was enjoying Planter’s Punches on a rollicking boat ride as the craft bobbed in the rough surf. “We were getting salt water in our drinks,” Martensen said. “I tasted it and thought: This is better.” He came back and made Knife’s version with a hint of house-made salt water. He says: “Dude, once you put the salt water in there, it’s like – bam! It takes me right back to the boat.”

Design District, Dallas
Do the Moth: It’s not just for beer anymore.

MEDDLESOME MOTH

There are probably two things you think about when you hear Meddlesome Moth: 1) the flutter and thump of a lepidopteran under the shade of your bedside lamp; and 2) beer. While there are indeed a mighty number of quality brews to be had at this Design District mainstay, cocktail program director Lauren Loiselle, with the help of beverage director Larry Lewis, has compiled a formidable selection of craft drinks, too, from a lineup of seasonal drinks (including dandy spins on the Margarita and Moscow Mule) to a top-notch supply of barrel-aged concoctions. One recent highlight: Loiselle’s divine barrel-aged Negroni, uncorked in time for last month’s National Negroni Week, with Ford’s gin, Aperol and Dolin Dry and Dolin Blanc vermouths.

Uptown, Dallas
A local stronghold gets stronger: Bartender Ian Reilly pours a line of “snaquiris” at Tate’s.

TATE’S

Hump Day is already worth the trip to Tate’s in Uptown for half-price specials on most of their extensive whiskey selection, but even more so now that craft bartender Ian Reilly has joined the team on Wednesdays and Saturdays. Reilly, a one-time People’s Last Stand stalwart who’s also played significant roles behind the bar at Bowl & Barrel and Chino Chinatown, is a bit of a whiskey connoisseur who has written about Japanese whiskey for both CocktailEnthusiast.com and The Dallas Morning News. With the addition of Reilly to GM Robbie Call’s crowd-pleasing squad and a stable but solid cocktail list, Tate’s is golden right now.

Greenville, Dallas
Vagabond: Worth wandering over for.

VAGABOND

The former J. Pepe’s space on Greenville has been reborn as a neighborhood bar with bocce ball and a quirky array of local art. (My favorite is the one of the dog that reminds me of a Chihuahua mix my family used to have.) So yes, come to Vagabond for the art and the kitschy bar-top lamps. Come for the quality food, like excellent beef tongue pastrami. But you should also come for the drinks: The house menu devised by mixologist Eddie “Lucky” Campbell includes delicious versions of under-recognized vintage cocktails like the Bijou and Scofflaw as well as tasty modern ones like the red-pepper-influenced HydroTonic and the rum-and-white-wine-combo Ninja Sangria. (In a nod to GM Stewart Jameson, there’s a handful of Jameson whiskey cocktails, too.) Cocktail director Stephen Vasquez plans to roll out a revised menu by next month, including the excellent Aurelius, a slightly bitter, refreshing drink featuring apricot-infused Aperol that he first made for me while doing time at downtown’s LARK on the Park.

Your barman true: Libertine’s steady steward makes bittersweet decision

Libertine Bar
Libertine’s lead barman in his laboratory — but not for much longer. (Photo by Jason Raney)

I’m sitting with another right now and all I can think about is you. Your curves: finer. Your colors: brighter. Tucked into every pocket of a memory, some drop of precious time holding echoes of so many bright moments. Warmth and comfort lined with intrigue and amazement, there is no inch of you that has not sat silent vigil to the chaotic magic of a serendipitous night. Some light up a room when they walk into it, but you, you are the room. You have seen me in the most revealing moments of the triumph of gravity over a single stubborn object more times than I would wish. You have also watched me stand many times my height with steel in my gaze and lead in my feet. I have watched over you as you gave warmth to many in a dim cold haze and I have seen you let the wind wildly shake tail over every curve and dimension. The days you cracked, tore and buckled – but never fell – charged me with the same will. You showed me the pain of compassion in the witness of true loss. Truly there is no light I have not seen you in but always in the most intimate of proximity. Soon that will become distance; familiarity, perspective; and responsibility, pride. I can’t say goodbye because you will be the object of my many thousand-yard gazes. Hopefully tomorrow we will have the perspective to see how much we were for each other yesterday.

Your barman true, Máté Hartai

You’ll have to forgive Máté Hartai if he’s got some strong feelings about the Libertine, the Lower Greenville institution whose bar program he’s headed for the last several years. In that time, disguised as merely a popular neighborhood bar, the Libertine has instead been the Trojan Horse in our midst: Under Hartai’s stewardship, both its beer and cocktail selections have emerged as among the most daring and erudite in DFW, and yet its subtle bearing, modest location and reluctance to promote itself as much more than a community servant conspired to curb it off the star-bar radar.

Cellared beers, morel-mushroom-infused rye, beer- and cocktail-paired dinners – Hartai had them all underway before they were trendy around these parts.

But the moment has come, Hartai says, to – well, he can’t even say the words. Not to move on – no, to move in a different direction. The Cold Standard, the nascent ice enterprise he’s been nurturing for several years is demanding more and more of his attention, as are other projects he’s got in the works, so…

“It’s time to let the Libertine go,” says the Hungarian-born Hartai, who joined the Libertine as a bar-back in 2009. “I’ve trained that baby to where it can run on its own.”

Tuesday, May 27, will be Hartai’s final day at the Libertine (his final day behind the bar will be Sunday the 25th), and fittingly his stint will end with one of the bar’s signature dinners – this one a Utah-themed event featuring both of his passions, beer and spirits.(Click the link above, then the box to the right.) It’s also his birthday, and Hartai is letting it all out, planning to unveil some of his rarest cellar keepsakes.

“It’s the bridging of two things I’m passionate about,” he says. “The beer is going to be out of this world.”

Hartai, whose family came to the U.S. when he was a middle-schooler – “just young enough to lose my accent,” he says – is among the most knowledgeable of bartenders, quirky and wonkish, with a nerdy, scientific approach to his work. When Bar Smyth, the Knox-Henderson speakeasy to which Hartai was briefly attached, was invited to compete against other bars at a national cocktail-industry convention last year, it was he who devised the ingenious backpack keg with which he waded through the crowds with his Texas-stamped helmet, pouring cocktail shots.

In an industry where mobility is a constant, Hartai was a mark of steadiness and community involvement, even as he shunned social media — he had to be goaded into joining Facebook — and self-promotion.  Within bartending circles, his grasp of the craft is well known.

“Everybody on this side knows what Máté has been doing,” said Eddie Eakin, bar manager at Oak Cliff’s Boulevardier. “He’s intelligent, he’s cutting edge. Definitely among the upper crust in Dallas.”

Yet some still scoff when Eakin directs them to the Libertine for cocktails, deceived by the bar’s unassuming presence. By excelling in all areas – including its solid kitchen – it couldn’t be pegged as making its “thing” any single one of them.

“It’s one of the most well-rounded bars in the city,” says bar manager Ryan Sumner of Driftwood. “If you open up a neighborhood bar – that’s what it should be.”

Libertine Bar
Hartai’s budding ice enterprise, The Cold Standard, demands more attention. (Kara Edwards photo)

As the Dallas cocktail scene exponentially matured behind names like Michael Martensen, Brian McCullough and Charlie Papaceno, Hartai always viewed the Libertine, with its homey, den-like atmosphere, as a place to feel comfortable enough to take those first few steps into a much deeper pool of alcohol knowledge. Co-owners Simon McDonald and Michael Smith trusted his oddball seasonal menu inspirations, with experiments like the cocktails named after Smiths song titles; you wouldn’t know what you got until you actually ordered the drink.

Libertine’s classic cocktail menu has stayed the course since Hartai instituted it, but that’s since been supplemented by bar favorites and other rotating theme menus like “By Friends, For All,” a tribute lineup with cocktails designed by fellow craft-cocktail bartenders like Trina Nishimura and Julian Pagan. “The Brave, The Bold” featured Hartai creations named the Coburn, the Bronson, the McQueen and the Brynner with ingredients like pulled-pork-infused tequila and five-spice rum. “All it is, is a liquid kitchen to me,” he says.

He’s loved his job, he says – and why shouldn’t he? He gets to throw a party every day. But in moving on, Hartai will leave behind a consummate bar – not a great beer bar, not a great cocktail bar, but a great all-around hangout. He’s eager to see the Libertine continue to develop without him, supported by a training program he willfully built over time. “There’s a lot of talent in that house,” he says.

Co-owner McDonald wishes Hartai the best, knowing that he helped build the bar into what it is today. “He’s a really smart guy who just worked his way into knowing everything about everything,” McDonald said. “But he’s so humble about it.”

No matter where he lands, Hartai says, it won’t be for long. “I like being behind the bar too much,” he says. “It’s like when you cut down Obi-Wan: I’m going from being the old man in the robe to being the blue glowie.”

The May 27 dinner begins at 7 p.m. and seating is limited. The price is $60 a person – more than worth the opportunity to wish Hartai a happy birthday and see the Jedi in his temple one last time.

“It’s the culmination of everything I’ve been working for,” he says. “It’s gonna be a magical night for me.”

LIBERTINE BAR, 2101 Greenville Avenue. 214-824-7900.

Tales of the Cocktail 2013
Hartai and Sean Conner, formerly of Plano’s Whiskey Cake, beat a punch-cooler drum roll at last summer’s Tales of The Cocktail festival in New Orleans.

2013 tried hard to be mean, but the scene in ’14 still looks keen: DFW’s best craft-cocktail bars

Windmill Lounge
Charlie Papaceno’s down-home Windmill Lounge: Still among Dallas’ standout craft-cocktail bars. (Marc Ramirez)

Oh, 2013. You hater. You tried so hard to suck. In the summer, just days after influential bar man Jason Kosmas announced he was taking his talents to Austin, you pulled the plug on my beloved Private/Social, where bar manager Rocco Milano had overseen one of the best cocktail programs in town. Then, last month, you shocked us with the sudden exit of Michael Martensen and his crew of highly talented bartenders from Bar Smyth and The Cedars Social, the two brightest stars in DFW’s craft-cocktail culture. With the unfolding of The Great Unpleasantness, a scene that had solidly come of age at last lost its innocence.

But hey, that’s part of growing up. And despite assertions to the contrary, craft cocktails as we head toward 2014 are alive and swell, showing no signs of peaking: Milano has resurfaced in a major way; Eddie “Lucky” Campbell is preparing to launch Parliament; Asian-Latin fusion restaurant Chino Chinatown has opened in Trinity Groves with Ian Reilly at the bar-program helm; Origin has restyled itself in Knox-Henderson with a promising drink lineup; and the Smyth/Cedars Social diaspora is sprinkling its goodies all over town.

Are you not entertained? To what do we owe this good fortune? It’s because we, my thirsty friends, have proven ourselves worthy. We’re a smarter bunch now when it comes to craft cocktails; our palates now welcome more flavor, complexity and originality. We like menus that mirror the season, varied but not overwhelming, with options both accessible and challenging. We want bartenders steeped in history and craft and eager to command the palettes of flavor at their disposal, ready to improvise when able. Is that asking too much?

No. And DFW has answered the call. Here are my top 10 spots as we head into 2014, in alphabetical order, BECAUSE.

ABACUS

Bars of the Year 2013
Bartender Jordan Gantenbein, one of Abacus’ signature Men in Black, pours out a line of 75’s. (Marc Ramirez)

OK, I’ll admit: I hadn’t set foot into Abacus since I first moved to Dallas three years ago – at least not until chef Ken Rathbun lured Lucky Campbell away from The Standard Pour in Uptown. Campbell, whose bumpy road has taken him from The Mansion at Turtle Creek to renown at Bolsa to the short, chaotic life of The Chesterfield and then to TSP, set about infusing Abacus’ solid martini-and-bubbly-focused menu with the Pacific Rim sensibilities that inform the five-star restaurant’s kitchen. The result: a boost of energy and derring-do behind the bar that have given Abacus’ Men in Black new street cred.

BARTER

Bars of the Year 2013
At the newly opened Barter, drink wizard Rocco Milano has a new workshop for his alchemy. (Marc Ramirez)

Where Rocco Milano goes, magic follows. The execution of Private/Social paved the way for a makeover of the Uptown space, and the results are terrific: The vibe is warm and woodsy, and the bar has been opened up to give Milano and his top-notch staff room to move more freely. The house cocktails are unsurprisingly great, but it’s the added features that really set Barter apart: Milano’s “book-of-the-month” set will feature selected drinks from different classic cocktail tomes every month; first up is David Embury’s 1948 classic, “The Fine Art Of Mixing Drinks.” Add to that a mix of high-end choose-your-poison flights and an innovative series of pours that illustrate liqueurs in various stages, and you’ll see why Milano is the cocktail geek’s cocktail geek.

BLACK SWAN SALOON

Bars of the Year 2013
Clint Eastwood as The Man With No Name presides over the bar with no sign — the shadowy Black Swan. (Marc Ramirez)

Gabe Sanchez’ one-ring circus in Deep Ellum has a cult following, and with good reason: He’s been quietly cranking out some of Dallas’ more original concoctions at this dimly lighted, low-key speakeasy with the badass vibe you’d expect from a bar in the city’s tattoo epicenter. The Swan’s staff now walk the tightrope without the net of a cocktail menu, playing to tastes and whatever Sanchez has cooked up that day. Smoked fig jam with rye? You’ll find that here.

CENTRAL 214

Bars of the Year 2013
At Central 214, cocktails are farm fresh, a reflection of Amber West’s enthusiasm for gardening. (Marc Ramirez)

Bar manager Amber West has been among the city’s under-sung cocktail heroes, avidly and expertly using seasonal ingredients in her creations. Example: The gin-based, garden-in-a-glass First Course, like so many of her cocktails, is as beautiful to behold as it is to imbibe, with flecks of Tom Spicer’s arugula dotting its translucent surface; her Honeysuckle Gimlet is another standout. Though she’s moving into more of a consulting role to focus on gardening, the cocktails at Central 214 — located inside Hotel Palomar off the Central Expressway — will continue to carry her imprint.

FIVE SIXTY

Best bars of 2013
The buttoned-up precision of Five Sixty: It ain’t cheap, but the drinks are most excellent. (Marc Ramirez)

The spinning modern-Asian-themed Wolfgang Puck restaurant at the top of Reunion Tower has more to offer than a fantastic view. Yes, you’ll have to endure a 45-second elevator ride and the beastly $16 price tag per cocktail, but the drinks are a journey in themselves. They’re part of a rotating series of libations designed by the chain’s Lee Hefter — bold, original and artfully presented, mirroring the restaurant’s sophisticated vibe. Try the gorgeous Fog Rolling Over Mount Fuji or the Locked and Loaded, both among my top cocktails of 2012.

HIBISCUS

Best bars of 2013
Bar manager Grant Parker has given Hibiscus one of the city’s better cocktail programs. (Sheila Abbott)

Seats at the bar are few at this Henderson Avenue mainstay, but they’re worth the wait to gain an audience with bar manager Grant Parker, whose behind-the-bar expertise continues to steadily lift Hibiscus to new mixology heights. Parker hopes to gradually expand the drink menu with more adventurous offerings, but for now try his play on the lesser-known classic Emerson (also among my top-rated  drinks of 2012) or the luscious, rye-based Brown and Stirred.

LARK ON THE PARK

Bars of the Year 2013
Damon Bird of Klyde Warren Park area’s Lark on the Park, a welcome newbie on the craft-cocktail scene. (Marc Ramirez)

This Klyde Warren Park newcomer is a solid playa in the craft-cocktail game, excelling at wintery drinks in particular, so now’s the time to go and warm up your belly. Bar manager Matt Orth and his crew respect seasonality and do nice spins on the classics, too; if you’re into Sazeracs or Negronis, ask for one of their variations and you won’t be disappointed.

THE STANDARD POUR

Bars of the Year 2013
One of the signature chalk murals at The Standard Pour, a Dallas craft-cocktail mainstay. (Marc Ramirez)

Stacked at Ground Zero of the madhouse Uptown scene, barman Brian McCullough’s strong crew is primed to feed the weekend’s party-minded mainstream tastes, armed with what must be the largest arsenal of Moscow Mule mugs outside of wherever it is Moscow Mule mugs come from. But take a closer look at the bar’s wide-ranging, Prohibition-Era-themed menu and you’ll find lots more than vodka. It also doesn’t hurt that the dark, vintage-lounge-style space exudes fun, or that its chalk-mural-adorned bar is often a refuge for displaced craft bartenders (see Abacus, Bar Smyth, The Cedars Social above).

THE USUAL

Bars of the Year 2013
A loose attitude and mad skillz mark this consistently good spot on Fort Worth’s Magnolia Avenue. (Marc Ramirez)

I love this place, from its wry, respectable menu on up to its sleek, chill vibe and a team of able bartenders who never seem to be in short supply. The modest house drink list is nice – try the gin and apricot liqueur-fueled Parlor – but it’s the off-road adventures that are really fun; a spin on the classic Hanky Panky, for instance, or something using the most recent bottle on the shelf.

WINDMILL LOUNGE

Bars of the Year 2013
Windmill’s Charlie Papaceno introduced me to Ancho Reyes, a newly released ancho-chile-based liqueur. (Marc Ramirez)

The godfather of them all. Charlie Papaceno and Louise Owens have been crafting cocktails since 2008 in this dive-y spot off a remote stretch of Maple Avenue. Jason Kosmas – the co-owner of New York City’s Employees Only and spirit line The 86 Co. – did time here after moving to Texas, and early adopters Campbell and Martensen threw down in friendly competition back when as well. It’s still a bartender’s bar; you’ll find a number of mixers bellied up here, drawn by the Windmill’s unpretentious atmosphere and the staff’s easygoing approach. But there’s skill here, too, and innovation; it was Charlie who introduced me recently to Ancho Reyes, a recently released ancho-chile liqueur, and the bar was listed among Esquire Magazine’s top bars of America earlier this year.

Looking forward to what 2014 may bring!

Honorable mentions: Bolsa, Victor Tango’s, Boulevardier

Ones to watch: Chino, Parliament, The Cedars Social

It’s been 80 years since the nation regained its sanity: No one’s going to blame you for wanting to celebrate

Victor Tango event
Want to celebrate Prohibition’s end? Victor Tango’s can help. (Image courtesy of Victor Tango’s)

In many ways, Prohibition was the best thing to happen to U.S. drinking culture. The Dry Movement’s successful forging of the Eighteenth Amendment in 1920 left imbibers with nowhere to drink legally except in foreign lands, which they did while visiting Europe, Cuba or the Caribbean. America’s suddenly employment-challenged bartenders went where the work was, resettling in places like Paris or Havana where their cocktail knowledge was infused with the riches of local ingredients, concoctions and sensibilities.

They say that that which does not kill you makes you stronger, and except for a nasty batch of bathtub gin, that may be true. When Prohibition was repealed on Dec. 5, 1933, many of those newly enriched bar peeps returned with their worldly cocktail know-how (and a penchant for rum or Champagne), and those that stayed in the U.S. now had new tricks up their sleeves for enhancing inferior booze. Plus we got speakeasies.

Thursday marks the 80th anniversary of the 21st Amendment, which 86’d the 18th for good. For those of you inclined to celebrate, options abound, some of which might have you rubbing your eyes in disbelief.

First, there’s Victor Tango’s on Henderson, where classic cocktails like the Sazerac or Mary Pickford can be had from 5 pm and onward this evening for the Depression-Era price of just 80 cents apiece.  A fancy drank for less than the price of an iTunes song: crazy, no? Make sure you’re sitting down, because here’s some absolutely off-the-charts insanity: From 3 to 7 pm at Plano’s Whiskey Cake, you can responsibly indulge in your choice of five classic cocktails — like the French 75 or the Moscow Mule — for just a nickel apiece. Yes, you may need to be pinched right about now.

Uncharacteristically, tonight’s least lunatic Repeal Day gathering will be at Dallas’ Windmill Lounge, where authors Jeffrey Yarbrough and Rita Cook will be signing their book, “Prohibition in Dallas and Fort Worth: Blind Tigers, Bootleggers and Bathtub Gin,” all while presumably having cocktails.  That event runs from 5 to 7 p.m.

Additionally, a number of cocktail artists formerly of Smyth and Cedars Social will be behind the bar tonight at Bolsa from 9 p.m. onward.

So remember, while the repeal of the 18th Amendment might be to blame for Cinnabon-flavored vodka, it’s also the reason you can publicly enjoy a decent Old Fashioned all year long, and that’s one civics lesson worth remembering, at least for a night. As Alex Fletcher, Victor Tango’s bar manager, put it: “We’re celebrating our right to mix, stir, and shake up some serious libations.”

Power to the people.

VICTOR TANGO’S, 3001 N. Henderson, Dallas. 214-252-8595.

WHISKEY CAKE, 3601 Dallas Parkway, Plano. 972-993-2253.

WINDMILL LOUNGE, 5320 Maple Avenue, Dallas. 214-443-7818.

BOLSA, 614 W. Davis, Dallas. 214-943-1883.

Put me in coach: The report from Dallas’ inaugural cocktail bus tour

Central 214
Central 214’s red-sorrel-accented Last Monkey Standing, one of last week’s cocktail bus tour highlights. (Marc Ramirez)

“There are going to be times when we can’t wait for somebody…. You’re either on the bus or off the bus. If you’re on the bus, and you get left behind, then you’ll find it again. If you’re off the bus in the first place — then it won’t make a damn.”

Ken Kesey, as quoted by Tom Wolfe in The Electric Kool-Aid Acid Test (1968)

***

So, here’s how things went on Dallas’ first-ever cocktail bus tour: Festively. By 7:05, two dozen imbibers were on the bus, a dazzling white coach and our carriage for the evening. Already, at The People’s Last Stand at Mockingbird Station, the evening’s initial libation had been sampled, some flouncy red thing with gin and Campari and watermelon and rhubarb liqueur.

For $60 apiece, the inaugural “chartered bus tour of some serious libations” would ferry us to six craft-cocktail bars from Uptown to Cedars to Deep Ellum. As you might expect, the evening’s mood was progressively buoyant; few cared that the excursion was less an actual “tour” than a series of stops via luxury taxi.

For one glorious moment, Tate's Dallas' Robbie Call was on the bus -- and then he was not
For one glorious moment, Tate’s Dallas’ Robbie Christian was on the bus — and then he was not. (Marc Ramirez)

It was a group primed for fun, but not one of people looking to fog up their night in clouds of vodka and Red Bull. Those on board were willing to be led down new paths — believers in, or at least curious about, the concept of craft cocktails with their artisan ingredients, fresh-squeezed juices and creative depths. As former Private/Social barman Rocco Milano once described an evening of imbibement to local cocktail enthusiast Manny Mendoza, who’s working on a documentary about the Dallas cocktail scene: “You’re going to be inebriated at the end of the night. The difference is in how you get there.”

Wise words indeed. But to get there you had to be on the bus, and so we were. The idea was to showcase Dallas’ craft-cocktail diversity; not everyone had been to all six spots and certainly not all in one night. First came the Palomar Hotel’s Central 214, where we enjoyed bartender Amber West’s Last Monkey Standing – a bouquet of Monkey Shoulder blended scotch, Lillet Rose, chamomile, lemongrass syrup, lemon and a touch of red sorrel from Tom Spicer’s gardens.

Cocktail fan Manny Mendoza enjoys the Last Monkey Standing at tour stop No. 2, Central 214
Cocktail fan Manny Mendoza enjoys the Last Monkey Standing at tour stop No. 2, Central 214 (Marc Ramirez)

Then, back on the bus. “Everybody here?” asked tour host and mastermind Alex Fletcher, general manager at The People’s Last Stand. Hmmm. He paused. “OK,” he said, “if you’re not here, raise your hands!”

Havoc.

At Uptown’s The Standard Pour we encountered the Mexican Standoff – a tequila-and-mezcal concoction from Pozo, TSP’s sister-establishment next door and one of my favorite tastes of the night – before hoofing it down the street to Tate’s, tour stop No. 4.

Standard Pour's Brian McCullough, cranking out Mexican Standoffs.
Standard Pour’s Brian McCullough, cranking out Mexican Standoffs. (Marc Ramirez)

Levity ruled the occasion, thankfully never descending into sloppiness. “I’m surprised at how calm everybody is,” said tour co-host Brad Bowden, also of The People’s Last Stand. “I thought there’d be a lot of drunk people walking around.”

The bars themselves, too, performed admirably, firing up twenty-something drinks in quick fashion and keeping us on schedule, and somehow the bus we managed to collect a bartender or two, as well as CraveDFW’s Steven Doyle, along the way.

At Stop No. 4, tour-goers had a choice -- a basil gimlet or this bit of Scotch beauty
At Stop No. 4, tour-goers had a choice — a basil gimlet or this bit of Scotch beauty. (Marc Ramirez)

After Deep Ellum’s divey Black Swan came the pioneering Cedars Social south of downtown, where bartender Julian Pagan wowed with his tiki-esque Yacht Rock: “It’s Sailor Jerry rum, Velvet Falernum, cinnamon syrup, lime, and… yeah.” Yeah!

The Cedars Social's Yacht Rock cocktail. (Marc Ramirez)
The Cedars Social’s Yacht Rock cocktail. (Marc Ramirez)

By the time the call came to head back to The People’s Last Stand for a nightcap and munchies, we were having trouble corralling even our hosts. Personally, I’d love to see more tour-like features in something like this – more info about the bars we visited, for instance, or the Dallas scene itself, but all in all, it had been a good night. Fletcher figured he’d be lucky to break even with the trial-run event; it was more about getting people out of their cocktail comfort zones.

And that was just fine with Calissa Gentry, a Cedars Social regular who’d taken the tour with friends Elaine Lagow and Genevieve Neyens. “We usually like vodka on the rocks,” she said. “But because we go to Cedars, we try new things.”

Trying new things was the reason Lagow was on the tour, too. “I’d do it again in a minute,” she said.

"By the way, guys, great idea," said bartender Danno O'Keefe. "I hate you, because I didn't think of it first." (Marc Ramirez)
“By the way, guys, great idea,” said bartender Danno O’Keefe. “I hate you, because I didn’t think of it first.” (Marc Ramirez)
Night-night: Genevieve Neyens smooches pal Elaine at tour's end. (Marc Ramirez)
At night’s end, smooches: Genevieve Neyens bids pal Elaine Lagow farewell. (Marc Ramirez)
Central 214's bartender extraordinaire Amber West hopped aboard the tour at Stop No. 2 (Manny Mendoza)
Central 214’s bartender extraordinaire Amber West hopped aboard the tour at Stop No. 2. (Manny Mendoza)