Seven-year itch? The longtime face of Bolsa’s bar program is headed to NorthPark.
Bartenders are a mobile bunch, so it’s rare that a name becomes as synonymous as a place as Kyle Hilla’s did at Bolsa.
Friday was Hilla’s last day at the Oak Cliff restaurant, marking the end of a seven-year run that saw him rise from server to bartender to manager of Bolsa’s vaunted bar program, among the pioneering establishments of DFW’s craft-cocktail scene.
“I don’t think it’s hit me yet,” Hilla said at the end of his busy final night, after the place had pretty much emptied out.
The talented barman is on his way to NorthPark Center, where he’ll be heading up the bar at The Theodore, the new venture from the owners of Bolsa, nearby Bolsa Mercado, Chicken Scratch and The Foundry. In his stead, the gifted Spencer Shelton will be assuming Bolsa’s bar reins.
Like many a bartender, Hilla didn’t set out to pour drinks. Instead, he tired of a retail manager position (“To this day, I’m still the youngest store manager in Dollar General history,” he said) and aimed to head back to school. In the meantime, he figured, he’d be a server. That eventually brought him to Bolsa, where then-bar-managers Eddie “Lucky” Campbell and Dub Davis kept prodding the Boy Wonder to get behind the bar. He resisted – until the night Campbell asked him to help make drinks at an art gallery special event.
“I had the time of my life,” he said. Two days later, he was walking the aisles of a Kroger store with now-wife Jessica and realized he’d been transformed. “Everything I saw in the store, I was like, `Hmm, what can I make a cocktail with?’ “
Hilla embraced the jigger and shaker, and in the ensuing years, as the cocktail scene began to grow, both Davis and Campbell (and Jason Kosmas, who had left New York’s Employees Only to raise a family in Texas) departed for other projects. In 2010, Hilla took over the bar.
He further streamlined the program, making his cheerful, quip-smart presence a Bolsa mainstay, along with attentive service and creative mixology. “People before me laid an amazing foundation,” he said. “I just focused it.”
Campbell and Kosmas had created one of the bar’s best-known features, the weekly cocktail challenge on Wednesdays in which two bartenders would face off, creating cocktails based on a pair of customer-chosen ingredients and let the night’s sales dictate a winner. Those ingredients occasionally verged on the ridiculous, stretching bartenders’ talents and imaginations to extremes – for instance, banana ketchup. “Think about that, buddy,” he nodded with a wry smile. (He made a Bloody Mary.) “There was a time when I hated Wednesdays.”
Others included oysters, black garlic or Pop Rocks. “Pop Rocks were terrible,” he said.
Eventually, Hilla rescheduled the challenges to just the first Wednesday of each month, and his final match – against bartender Marcos Hernandez – took place on September 3. Hilla drew saffron and tangerines, Hernandez got plums and blood orange. It was Hernandez who late last year conceived a drink that paired the bitter Italian liqueur Cynar’s artichoke flavor notes with the smokiness of toasted mesquite chips. But it was Hilla who eventually named it, calling it the Imenta.
“When we first came out with it,” Hernandez said, “it was the Oaky Smoky Arthichoke-y.”
“And that’s why we started requiring drug tests at work,” Hilla cracked.
In his seven years at Bolsa, Hilla has gotten to know a few people. “I know 99 percent of the people who come in here,” he said as the minutes ticked down on Friday night’s last shift, and he hopes some of his regulars follow him to The Theodore, set to open late next month at NorthPark. He told one pair of retiree regulars, “Y’all just need to become mall walkers. I’ll tell you what – I’ll invent a drink called the Mall Walker just for you.”
Moving on and up is the next logical step for Hilla, but it’s hard to see familiar traditions end. Bolsa was among my first cocktail finds when I moved to Dallas five years ago, so for my last Hilla-made drink there, I asked for something bitter/sweet to commemorate the moment. He produced a blend of bourbon and Cynar goodness and made clear that in spite of the change, he and Jessica won’t be forgetting Oak Cliff anytime soon.
“We just closed on a house here,” he said. “I’ll always be a part of this community.”
Milk and Honey’s Sasha Petraske, in a still shot from the documentary Hey Bartender.
With coupes raised high, members of Dallas’ craft-cocktails community paid tribute last night to Sasha Petraske, the influential bar man who pioneered or popularized many of the elements linked with the culture today.
Petraske, who launched Milk & Honey in a quiet residential area of New York’s Lower East Side in 1999, died August 21 of unknown causes. A sartorially polished sort whose exactitude and attention to proper form inspired the way many craft cocktail establishments comport themselves today, he was also instrumental in the development of San Antonio’s cocktail scene and a beloved mentor to many in the industry nationwide.
Aleeza Gordon, of Greenwich Village’s Little Branch, delivers the memorial toast.
Bartenders across the country were invited to salute the 42-year-old legend on Monday evening at 9 p.m., the hour at which Milk & Honey would open its speakeasy-style doors. In Dallas, that went down at Midnight Rambler, whose owners, Chad Solomon and Christy Pope, both worked at Milk & Honey more than a decade ago and went on to partner with Petraske in a bar consulting business called Cuffs and Buttons.
Aleeza Gordon of Little Branch, the bar Petraske started in Greenwich Village, led the Midnight Rambler toast for the 30 or so people in attendance.
“He cared about the way that he looked,” Gordon said from her perch atop the bar. “No matter how crazy and interesting the night got, he seemed to be a gentle man. He cared about the way things were done; I think that’s why all of you came to honor him, because you feel the impact of his caring.”
At Midnight Rambler, Petraske’s favorite cocktail, the Daiquiri.
She recalled Petraske’s frequent visits to Little Branch, as well as her occasionally nervous execution of the “ridiculously simple” drinks he would order, such was his presence. “He wanted things to be done right,” she said. “But he did it in a way that made you feel good.”
And with that, a covey of daiquiris – Petraske’s favorite cocktail – rose skyward. Glasses clinked and a group bid farewell to the friend, a mentor and colleague who’d helped shape the world they now inhabited.
Petraske pioneered or made popular many of today’s craft-cocktail bar practices. (Ben Rose Photography)
Milk & Honey appeared on New York’s Lower East Side in 1999, when today’s rocketing craft cocktail renaissance was practically still on the launchpad. The proprietor was a debonair young gent named Sasha Petraske, who in deference to his mostly residential-area neighbors instituted a number of features that would be copied by other cocktail spots in years to come: A speakeasy-style unmarked location and entrance (to be inconspicuous). A reservations-only policy (to avoid lines of people outside). A no-standing policy at the bar (to quell hooliganism). And because Petraske was a decorum-minded soul, rules of behavior to maintain civility (for instance, asking men to remove their hats and not hit on women).
Other practices would follow, also to become cocktail-bar staples – things like hand-carved ice, an adherence to jiggers and water served with cucumber slices. “If he didn’t outright originate (those practices), he was the most successful champion of them early on,” said Chad Solomon, who along with fellow New York ex-pat Christy Pope now runs Midnight Rambler in downtown Dallas.
And so it was with much sadness that the craft-cocktail world absorbed the news that Petraske had died Friday of unknown causes in Hudson, N.Y., as reported by The New York Times. He was just 42.
Both Solomon and Pope got to know Petraske well, having worked at Milk & Honey in the early 2000s; both bartended and worked as servers in the intimate, 34-seat, candle-lit venue to which customers had to be buzzed in. Petraske had flown in for Midnight Rambler’s grand opening in October 2014, and the two were among the attendees’ at Petraske’s recent wedding.
“Shock doesn’t even cover it,” Solomon said Friday. “It’s a very sad day.”
Even more than his contribution to cocktail culture, Solomon said, Petraske stood out for his generosity and decency. “He was always self-aware, always about becoming a better man,” he said.
Petraske helped launch a number of prominent bars and, in partnership with others, created stalwart spots like Greenwich Village’s Little Branch, Queens’ Dutch Kills and Varnish in Los Angeles. Such was his sway that when San Antonio’s Bohanan’s Prime Steaks & Seafood sought to overhaul its bar in hopes of revitalizing the city’s Riverwalk area, Petraske was brought in to train the staff. He would go on to become a co-founder of the San Antonio Cocktail Conference and was among the New York City bartenders featured in the 2013 documentary Hey Bartender.
His reservations-only and no-standing policies would be adopted by places like Dallas’ Bar Smyth (now closed), while Denver’s Green Russell has been among the bars that similarly posted rules of decorum for their customers. Meanwhile, speakeasy-style entrances, hand-carved ice and cucumber water are everywhere.
While the original Milk & Honey had closed, Petraske was planning to reopen at a new location.
“He was never content to leave things static,” Solomon said. “He was always looking to improve. His influence cannot be overstated.”
Charlie Papaceno, who left the Windmill to start a new bar, faces a new challenge.
They call Charlie Papaceno the godfather of Dallas’ craft-cocktail scene. Ten years ago, he and then-wife Louise Owens opened the no-frills Windmill Lounge in Oak Lawn, unassumingly planting the local flag of an ongoing national renaissance on a nondescript stretch of Maple Avenue.
With the easygoing maestro at the helm, the low-key bar became a practice ground and hangout spot for the scene’s growing field of practitioners – pioneers like Jason Kosmas, Michael Martensen, Eddie “Lucky” Campbell and Sean Conner. Its homey vibe and quality drinks earned the friendly dive a place in Esquire’s top U.S. bars of 2013.
“That was the place you’d go to see all your friends,” says Bonnie Wilson, director of independent bar programs for Addison-based FrontBurner Restaurants. “He nurtured a lot of us, and he was always willing to listen and guide us. We all learned from him.”
Now, the cocktail-community cache that Papaceno has earned is coming full circle. This time, it’s the godfather who is struggling: Late last year, Papaceno left the Windmill to launch his own bar, wanting to work on a new project. And then he found out he had Stage 4 cancer.
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The #RallyForCharlie hashtag says it all: Charlie Pap has earned his support. The opportunities to help gets underway Thursday with cocktail specials at places like LARK on the Park and Black Swan Saloon to benefit the cause. But the major fundraising event happens Monday, when an “industry rally” is set for Industry Alley, Papaceno’s soon-to-open bar in the Cedars neighborhood.
“It’s awfully nice,” he says, sitting in the Lamar Avenue nightspot that’s still taking shape, with the lingering smell of fresh paint garnishing the air. “It’s humbling.”
“He nurtured a lot of us, and he was always willing to listen and guide us. We all learned from him.” — Bonnie Wilson, FrontBurner Restaurants
Monday’s cash-only event runs from 2 to 8. Twenty bucks gets you two drink tickets and pork tacos from a whole hog presented onsite. (Additional tickets can be purchased for $5 apiece.) Bartender-led teams of four will be pitted against each other in a giant game of Twister for the cause, and a silent auction will feature multicourse group dinners at places like FT33, Bolsa and Proof + Pantry.
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For weeks, the ache in his ear and jaw wouldn’t go away. The first hospital visit revealed nothing. But when the pain got so bad he couldn’t sleep, he went back again; this time the tests showed he had, essentially, cancer of the tongue.
He’s been through radiation and chemo; he’s lost 30 pounds and is moving more slowly, but it hasn’t kept him from pursuing his goal. “I’m just working and trying to get better,” he says.
As a military veteran, the VA is covering his medical costs, but living expenses are another matter, especially if he’s left unable to work for a time.
Monday’s Industry Rally will showcase the bar he’s toiled to make real. It’s kind of two venues in one – an informal lounge as you enter, with a jukebox, sexy wall art and a bar with a heavy-duty zinc top and see-through panels underneath. In the rear is a cavernous, corrugated-metal-walled game room that will eventually feature pinball and pool tables. “It’s gonna be a split-personality kind of bar,” he says.
He’d originally wanted something much more intimate. “Then I saw this Quonset-hut backroom, and the office upstairs that’s like something out of some British gangster movie,” and he was sold.
Industry Alley, a work in progress. Papaceno’s new bar should open sometime this summer.
A metal-gated courtyard alley winds toward the front door; hence the name. The “industry” part refers to the neighborhood’s history as an industrial area.
Nothing fancy here – no syrups, no tinctures, no shrubs. Except for Miller Lite ponies, all beers will come in a can. The cocktails will be classically simple. “There’s no reason you shouldn’t walk into a regular bar and be able to get a decent Manhattan or Old Fashioned,” Papaceno says. “It doesn’t have to be The Mansion but I don’t want to be a McDonald’s either. Something in the middle.”
So yeah, there won’t be any elaborate garnishes or a kitchen full of produce, but if he has his way, you’ll know you can walk in and get a quality drink in a comfortable atmosphere. It’s the kind of place he hopes people will go before or after the place they’re headed to that evening. Kind of like the Windmill – though he’s not looking to reinvent the place.
Industry Alley, he says, “is not a destination bar. It’s a hangout bar. Hopefully I can design a place that people can hang out in and feel comfortable.”
For Papaceno, that should be no struggle whatsoever.
Sherry, baby: Embrace your inner child with the RxPx.
There was a moment as I was savoring Remedy’s delicious RxPx cocktail when everything else became insignificant – any thoughts of calories, my tendency to shun “dessert-y” drinks, the bustling bar around me, the very fact that I was an adult – and I simply lapped up my ice cream like an 8-year-old kid. Such was the allure of Mate Hartai’s decadent drink, which perfectly suits the motif at recently opened Remedy on Lower Greenville Avenue.
Pedro Ximenez sherry is probably the richest player among the Spanish fortified wine’s many varieties, and its raisin-like notes make it a welcome garnish for vanilla ice cream. Hartai, the beverage master at Remedy and formerly of Libertine Bar, took that idea further, adding ice cream to an ounce of sherry and topping it with a balsamic cherry. The result is sinfully good. “It’s basically a Pedro Ximenez milk shake,” he says. “The three flavors play really well together, and then you have that cherry, and it’s, like – boom.”
Remedy’s approachable and unique bar program is inspired by the elegant soda fountains of the first half of the 20th century, before they settled into stuffy, Leave It To Beaver versions of themselves. And sodas (available straight-up) are the driving force behind Hartai’s compact, simply conceived drink menu, from its breezy highballs to the more adventurous wild cards and after-dinner treats like the RxPx.
The Oleomaize: Among the anchors of Remedy’s cocktail lineup.
At Libertine, Hartai’s wonkishly thoughtful enthusiasm for the craft made the neighborhood bar’s cocktail program an under-the-radar gem, so it’s not surprising to see him undertake Remedy’s mission with a similar zeal. The innovation here is the carbonated water itself, produced in a recirculating fountain that constantly roils the water to promote carbon dioxide absorption, which Hartai says gives it “the same level of carbonation as Topo Chico, if not better.”
The heightened fizz means Remedy’s bartenders can pump soda water into drinks without having to stir, which lets the drink retain more carbonation. In other words, upping the carbon levels itself becomes a mixing tool. (And skipping that step also means bartenders can theoretically get your drink to you faster. So there’s that.)
For the most part the cocktails pack a light-handed punch, the very definition of soft drinks to complement Remedy’s hearty comfort dishes like fried bologna sandwiches and chicken pot pie. But while the lineup has little to echo the obvious heft of, say, a Sazerac, its soda-jerk pep offers a spirited diversion.
Hartai and his Mustachio.
Among the highlights: The French-75-like Bitter Lemon, with Meyer lemon syrup meeting gin, sparkling wine and the herbal bitter Suze; the sturdy Oleomaize, Hartai’s twist on a classic Corn and Oil employing dark rum and lime syrup in its Cuba Libre-like favor, and the playful Mustachio, whose white-chocolate shavings begin to descend into the drink about halfway through to be straw-slurped along with rye, cacao and an orgeat syrup made from pistachio and pumpkin seeds. And the fantastic spiced apple soda is one worth having on its own. “It’s like Christmas in a glass,” my pleasantly surprised friend Hollie said.
The mindfully seasonal menu is about to undergo a revamp with ingredients like Meyer lemons going out of season, but Remedy sports a sufficiently good foundation to ensure that happy days will be around for some time. The warmer weather to come should prove an ideal setting for soda drinks to shine. Not to mention sherry milkshakes.
In Twenty Seven, I found Nirvana. And the Doors, Joplin and Hendrix, too. The recently debuted Deep Ellum restaurant from “underground dinner” purveyor David Anthony Temple has been open barely a month, but it’s not just the food that may take a little piece of your heart.
Twenty Seven’s compact bar, with barely a handful of stools, assumes the spotlight late Saturdays when the place burns the midnight lamp as XXVII Antique, with live lounge music from 11:30 pm to 2 am. But with a solid, just-launched cocktail menu from bar manager Moses Guidry, it shouldn’t be overlooked anytime.
“It’s a classic cocktail menu to go with the mystique of the place, the energy,” says Guidry, who works most nights at the Front Room Tavern at the Hotel Lumen near SMU. “(Twenty Seven) definitely has that classic, speakeasy vibe.”
The restaurant operates Thursday through Saturday, with four tasting menus and two seating times nightly. The space nicely reflects Temple’s animated, stylishly gonzo personality, from the dining room’s vintage touches to the barrage of art paraphernalia honoring rock icons Jimi Hendrix, Jim Morrison, Janis Joplin and Kurt Cobain – all lost to the world at age 27 – in the restrooms and adjacent corridor.
Twenty Seven recalls the iconic rockers of the so-called 27 Club.
Aside from a classic Old Fashioned and a slightly altered Aviation, Guidry’s drinks are off the beaten path, appealing to the earnest imbiber. Vodka is nowhere to be seen. Instead, there are variations on lesser known gems like the martini-esque Ford Cocktail and the A La Louisiane, a cousin of the Vieux Carre.
Guidry’s Smoke Ring, an agave-based spin on the Pisco Sour, is especially notable. Subbing mezcal and tequila for milder pisco, it enlivens the standard mix of simple syrup, lime, egg white and bitters with bracing cucumber. Cool and smooth with the faintest bit of smoky heat, it’s offered with a swirl of Peychaud’s bitters and a sea-salt-sprinkled jalapeno coin to entertain the eyes and nose. “It’s just a great way to introduce mezcal to people who haven’t had it or who think it’s too intense in other cocktails they’ve tried,” Guidry says.
The hardy A La Louisiana is another standout, pumping up the rye quotient and adding chocolate bitters to A La Louisiane’s classic formula of Benedictine, sweet vermouth and a bit of absinthe. The shade of summer tea, it breathes of orange peel and cocoa, with a warm rye finish tame enough to break on through to most palates. “I’m not a bourbon drinker, but I could drink that,” said the foxy lady sitting to my right.
A La Lousiana: For the La. Woman in you.
Less successful during one visit was the Night Rider, a bold after-dinner-style cocktail that marries the herbaceous French bitter liqueur Suze with an espresso-infused Cynar (an Italian artichoke-flavored bitter) and an attending party of vermouth, orange juice, egg white, vanilla extract and chocolate bitters. However, its potential was lost in a purple haze of aggressive coffee.
The list also features the Ford’s Cocktail, a blend of the longstanding Ford and Vancouver cocktails, but done with Ford’s gin; meanwhile, the Aviation sports the sweet Luxardo cherry liqueur and eschews the usual lavender Crème de Violette altogether. In all, there are 10 drinks on the menu, but that will grow by several in the coming weeks and rotate when called for.
“We’re going to keep it seasonal,” Guidry says. “David’s got the freshest ingredients in the kitchen, so clearly we’re going to use those at the bar as well.”
The drink list currently stands at nine but in time will likely hover around a dozen. Among the additions will be the Purple Reyes, which will light your whiskey fire with bourbon, ancho chile liqueur, Cynar, cherry liqueur and chocolate bitters.
Clockwise, from upper left: Polo’s Scallywag, Papaceno’s Kentucky Eye Opener, Brown’s Peach Pisco Sour and Long’s Summer in Manhattan.
I see you, 2014. You didn’t have it easy. Not only did you have much to live up to after a year that saw DFW’s craft-cocktail scene garner national attention, but you had to do so on the heels of events that threatened to knock the wheels off the whole thing.
A year later, DFW’s mojo is back. Because beyond all the drama, a critical mass of cocktail ninjas just kept doing their thing, widespread seeds of creativity that found new places to grow and blossom, while others were enriched by the newfound talent beside them.
It was a banner year for veggies: At Victor Tango’s, former bar chief Alex Fletcher used pea-infused Old Tom gin prepared sous-vide-style for his refreshing Swee’Pea, while over at The Ranch at Las Colinas, Robin Milton’s Maverick combined roasted corn with tequila and spicy Ancho Reyes liqueur for a nice salsa-in-a-glass effect. At LARK on the Park, Matt Orth’s Hanging in the Garden served up a nom-nom liquid salad of mint, basil and cherry tomato, while Anthony Polo’s Scallywag was a scallion-laced standout at The People’s Last Stand.
Other highlights included Jason Long’s apricot-tamed Summer in Manhattan at Abacus, which appealed to both genders by giving the classic cocktail a luscious fruity smoothness. At Meddlesome Moth, bar manager Lauren Loiselle kicked another classic up a notch with her barrel-aged Negroni. And Charlie Papaceno, formerly of the Windmill Lounge, juiced up bourbon with coffee to make his energizing Kentucky Eye Opener.
I could go on. A few of these drinks are still available; some, being seasonal or dependent on a limited supply of house-made ingredients, are not; some were bartender’s creations built totally off-menu. And at least one place, regrettably, has closed (at least temporarily). But that’s the nature of the biz: Sands shift, talent moves on. As always, it’s the people who make the scene: Follow them and you won’t go wrong.
With that, here are my favorite 15 cocktails of 2014.
Alternately named Autumn at Lake Winnepesaukee, Reith’s seasonal treat is way more fun to drink than to say.
15. WHAT ABOUT BOB?, Michael Reith (Windmill Lounge, Oak Lawn)
Here’s a drink that’s easy to fall for, playing as it does on seasonal flavors. To be more exact, Reith’s radiant refresher at Oak Lawn’s Windmill Lounge pairs bourbon with the holiday’s New England influences: “I get a lot of people who come in here from Boston, or New Hampshire,” he says, “so I was thinking, what could I make them?” Maple and cranberry came to mind – “I was trying to evoke cranberry sauce, but in a good way,” he says – as did the spices of mulled cider. The result, named for the Bill Murray/Richard Dreyfuss comedy set in New Hampshire, supplements Angel’s Envy bourbon with lemon, cranberry juice and maple syrup, plus nutmeg, clove and cinnamon, topped with a fragrant sprig of rosemary.
From its initial rosemary rush to its herbaceous conclusion, Orth’s spicy libation was one you’d want tiptoeing through your two lips.
14. SMOKING GARDEN, Matt Orth (LARK on the Park, downtown)
Matt Orth likes his herbs. This beauty appeared way back in January, when Orth had some house-made Thai-chili-infused St. Germain (an elderflower liqueur) on his hands. He shook that with basil, lime, slightly aged tequila, ginger liqueur and herbaceous Green Chartreuse, capping it with a smoked sprig of rosemary to wow the nose. The spicy bouquet offered pleasant heat and a sweet, sweeping floral finish, a garden-fresh treat for the senses.
Festa’s Common Elder: A vodka concoction of surprising depth that made you respect your elder.
13. COMMON ELDER, Lauren Festa (FT33, Design District)
Yes, I typically avoid vodka, but such is the legerdemain of Lauren Festa, who before she moved on to helm the bar program at The Mansion at Turtle Creek was making magic at FT33 in the Design District. Festa grew up watching the Food Network instead of cartoons, so maybe that explains this deceptively tame mix of Hophead vodka, elderflower syrup, ginger liqueur, ginger and lemon – a drink that started out delicately tart and sweet and then, just as it seemed about to fade, unveiled a hoppy ending all dolled up in elderflower. And with a gorgeous elderflower garnish, it was a treat to look at, too.
Getting the Last Word: Guillen’s play on one of my favorite classics made an memorable statement.
12. SEVENTH SAMURAI, Armando Guillen (The Standard Pour, Uptown)
Last summer, Bombay Sapphire hosted a DFW regional competition at Uptown’s Nickel & Rye, part of its annual nationwide hunt for “GQ’s Most Imaginative Bartender.” After the contest, won by FrontBurner’s Bonnie Wilson, the festivities moved on to The Standard Pour down the street, where Guillen whipped up this little number that could have easily held its own at the event. Featuring his house-made hibiscus-lemongrass cordial – which he’s just replenished, so you can still enjoy this one – it’s a play on the classic Last Word’s mix of gin, sweet, citrus and Chartreuse. Its floral and citrus medley of Bombay Sapphire, Yellow Chartreuse and Asian yuzu juice, along with the cranberry-sauce-scented cordial and a shake of lavender bitters made a tantalizing statement that gave Guillen the last word after all.
Why Slater’s Blue Moon hit my eye like a big pizza pie: Its amari.
11. BLUE MOON, James Slater (Spoon Bar & Kitchen, North Dallas)
The bar at Spoon – which closed this week, at least temporarily – was not as well stocked as its other craft-cocktail siblings, but luckily James Slater, who took over the program around mid-year, had license to play. One day, exploring a Korean grocery store, he found a jar of pulpy blueberry preserves. “You could see the blueberry skins inside,” he says. He bought a jar and experimented; lighter spirits failed aesthetically, creating a dirty water effect. This is where it gets Reese’s-Peanut-Butter-Cup-good: Right around the time that Slater was noodling something dark to cloak the pulp, I walked into Spoon seeking something dark and bitter. Slater mixed the blueberries with lemon and the only two bitter amari he had on hand, Averna and Fernet, to amazing effect; the end result, garnished with aromatic mint, tamed Fernet’s aggressive bitterness with velvety sweetness and just the right hint of tart.
Orth’s green bartender thumb delivered again on this concoction that deserves to be served at farmer’s markets everywhere.
10. HOUSE OF FRIENDS, Matt Orth (LARK on the Park, downtown)
You get the sense that if Matt Orth weren’t busy making your bar experience all better at LARK that he’d be perfectly at home on the farm, tending to his herbs and vegetables and berries, pruning and snipping and tilling and picking and all that. From his Hanging In The Garden (noted above) to the blackberry-infused whiskey masterpiece he conceived for a Jameson competition a few months ago, he’s handy with the fruits of the earth. No wonder, then, that this delicately complex mix of tequila blanco, cilantro-infused dry vermouth, pear liqueur and sweetly herbaceous Yellow Chartreuse unfolds across the palate like a breeze on Sunnybrook Farm. Garnished with a bit of grapefruit zest, its initial agave flavor melds into cilantro, then embraces the sweet pear before waltzing away into the flowers.
Using her noggin: Naida’s creation offered the eggnog experience in a manner even a vegan could love.
9. NOGAHOLIC, Juli Naida (Barter, Uptown)
With barman extraordinaire Rocco Milano as her sensei, Juli Naida – on her way to join Mate Hartai at Remedy, officially opening today on Lower Greenville – has come a long way since her drink-slinging days at the Mason Bar. Responsible for a good portion of Barter’s current cocktail menu, she embraced Milano’s offhand suggestion of a seasonal eggnog-themed “flight” and created a series of killer cocktails to roll out in mini form. Her Nogaholic was the least dessert-y of the bunch, and to me the most delicious, evoking the flavors of eggnog sans dairy, eggs or cream: Naida dialed down Cruzan’s potent Black Strap rum with simple syrup and a tincture made with vanilla, cinnamon, clove and nutmeg. The result is wintry and belly-warming, nog without the density — or the animal products. As my friend Rachel described it: “It’s a vegan’s Christmas wish come true.”
The Smoky Daiquiri seriously made me want to see what Fletcher, now at Henry’s Majestic, could do with a sow’s ear.
8. SMOKY DAIQUIRI, Alex Fletcher (Victor Tango’s, Knox-Henderson)
Smoked beer. It’s a thing. A pretty funky thing, if you ask me, at least judging by the whiff I got of the German-made Aecht Schlenkerla Rauchbier, a neutral grain spirit that wormed its way into the primo lineup of beers that Victor Tango’s piled up in 2014. On its own, the malty rauchbier was earthy and harsh, almost nasty like a bad vegetable; the smell called to mind a college laundry room. So of course cocktail master Alex Fletcher – who has since taken over the bar at Henry’s Majestic – had to make a cocktail with it. “That’s what you’d want in that, though,” he said of his clever Smoky Daiquiri, which incorporated the beer into a simply presented daiquiri mix of Blackwell rum, sugar, lime and a pinch of salt. “That salty, spicy funk.” In the drink, the beer’s more off-putting traits vanished; what hit the palate instead was full-bodied lime and tamarind with a sweet tang that got even better as it warmed.
Currying my favor with its skillful use of Indian influences: Trevino’s Bengal Lily.
7. BENGAL LILY, Kevin Trevino (Spoon Bar & Kitchen, North Dallas)
It was the marvelous Madras curry syrup that really shone in this Indian-influenced creation from Kevin Trevino, Spoon’s former bar manager. One day Trevino – now a wine sales rep – saw the curry powder on Spoon’s kitchen shelf and decided to see what he could pull off. He combined his curry syrup with Tru Organic gin, some Fruitlab ginger liqueur and lemon; the gorgeously blonde cocktail welcomed with a zesty garam masala aroma, then smooth, lemony flavor with hints of ginger and an upper-lip-tingling curry heat. The Bengal refers to its Indian notes; Lily refers to a friend. “It’s got that beautiful Indian curry smell and a little bit of spiciness that burns on the back,” Trevino says. “Especially that ginger.” Tru dat.
Fittingly, the top’s always down on a Sidecar, Gantenbein’s inspiration for this deliciously summery cocktail.
6. TOP DOWN, Jordan Gantenbein (Abacus, Knox-Henderson)
Driving around with the top down – that’s what I thought summer was all about until I discovered Gantenbein’s wonderful play on the classic Sidecar. He tricked out cherry-wood-infused Cognac with seasonal Meyer lemon syrup, plus a bit of candied Meyer lemon and a Luxardo cherry garnish in a sugarcoated glass. The drink’s luscious lemon/cherry mouthfeel batted the two flavors around the tongue like a game of air hockey, with cherry emerging victorious. The result was a libation that singlehandedly redefined summer.
Moncrief’s use of Ransom Old Tom gin inspired my name for this fantastic floral foray.
5. ONE MILLION IN UNMARKED BILLS, Pam Moncrief (The Usual, Fort Worth)
One evening at The Usual, I asked for my usual. Which was basically anything using a bitter liqueur. Moncrief – now at Fort Worth’s American F&B, had been working on a little something of her own off-menu, something motivated by a desire to appeal to cocktail newbies and broaden their tastes. But her blend of Ransom Old Tom gin, bitter-smooth Hungarian Zwack liqueur, Dolin Blanc vermouth and Benedictine honey liqueur can please even the heartiest cocktail fan with its well-rounded spicy depths – floral and grape giving way to a honey-bitter finish and a tang that lingers like nightclub ear. A dose of lemon oils atop gives it a nice citrus nose. “I just really enjoy herbaceousness,” Moncrief says. “Zwack and all those amaros are so herbaceous, and I feel like they don’t show up in cocktails enough.” And on that we would agree.
Bird’s barrel-aged bit of brilliance takes the edge off mezcal to smoky, bittersweet effect.
4. CAMARA LENTE, Damon Bird (LARK on the Park, downtown)
Take a sip of bartender Damon Bird’s barrel-aged concoction and you may find that your world has slowed to a Matrix-like sensory crawl. Maybe that’s because camara lente is sometimes interpreted as “slow motion,” or maybe it’s because this beautiful blend of mezcal, orange-y curacao, orange bitters and the bitter liqueurs Aperol and Fernet is just that good. Its mix of mellowed smoke and floral hints finish usher in a second wave of smoke and bittersweet, doused in a tobacco-leaf farewell. Bird first made it one night when he was slammed and somebody asked for “something with mezcal.” “The original version included simple syrup,” he says,” but with the barrel-aging, you don’t need it. It’s one of my few babies.”
The only mystery here is whether we’ll ever get to enjoy this marvelous cocktail again.
3. ENIGMA, James Slater (Spoon Bar & Kitchen, North Dallas)
Oh Spoon, we hardly knew ye. While chef John Tesar hopes to reopen the recently shuttered place in another location soon, Dallas’ fickle relationship with seafood casts more doubts than fishing lines. Its demise would be a shame, because under the guidance of Slater and former bar manager Trevino (see Nos. 7 and 11 above), the restaurant’s bar program quietly cranked out some of the area’s more creative and well-balanced drinks in 2014. Slater’s Enigma emerged as my favorite. Noticing that a pair of Angel’s Envy bourbons were finished in port barrels, Slater was intrigued by the combo: He mixed Rittenhouse rye and port with bittersweet Aperol; the result charts a path between two classics, the Manhattan and the Boulevardier, with hints of raisin and honey. A float of orange blossom adds both a perfume-y aroma and a softly sweet, linen finish. There’s no riddle or mystery here: It’s simply delicious.
The Black Monk’s aromas and flavors led me away on multiple meditative journeys, and still I remain unknowing of all its seductive secrets.
2. BLACK MONK, Creighten Brown (Barter, Uptown)
Speaking of mysteries, I pretty much went bonkers trying to figure out the enigmatic flavor in this fine cocktail. Many a sip later, I still don’t know the answer: It’s a smoky-flavored drink that’s tricky to pin down, greater than the sum of its parts: Brown took a tincture that bar manager Rocco Milano made with tonka bean, vanilla bean and lemongrass and added it to Jameson Black Barrel Reserve Irish Whiskey, bittersweet Averna, the honey-ish Benedictine and a bit of rye-and-sarsaparilla-flavored basement bitters. Every time I tried it, the image of shoe leather popped into my head, but in a most comforting way: The flavors dancing across my tongue included molasses, root beer, pecan pie, cooked honey, even smoky flan. It’s not for everyone – one taster described it as Chloraseptic – but if you enjoy a good cigar, this one is a winner.
Sugar and spice and everything nice: Bowden’s divergent path showed once and for all quien es mas Ancho.
1. DAMNED AND DETERMINED, Brad Bowden (Parliament, Uptown)
Bowden, formerly of Barter and The People’s Last Stand, was never much for Ancho Reyes, the ancho-chile-flavored liqueur that became my crush of 2014, following in the footsteps of botanical Hum and bitter Suze. But when the slightly spicy, vanilla-tinged blend became a Best New Product finalist at last summer’s Tales of the Cocktail festival in New Orleans, Bowden knew he had to do something. Damned and determined was he: Ancho’s bite made it a natural fit for tequila or mezcal, “but that’s what everyone else was doing,” he says (accurately). Instead, Bowden looked to his preferred spirit, rum, and what he devised is essentially a tiki drink, adding sweetly vegetal Green Chartreuse to Papa’s Pilar blonde – “Rum and Green Chartreuse go together like nobody’s business,” he says – along with egg white and a tropical pineapple-vanilla syrup. The egg white gives the ancho a soft bed to lie on; the syrup binds it all together. A last flourish of Angostura bitters atop and you’ve got yourself a magic carpet ride, frothy and floral with a sweet and spicy descent. While he also does a mezcal variation that he calls Aztec Brutality, the original rum version, held aloft on Pilar blonde’s creamy-smooth texture, is a year-topping keeper.
***
HONORABLE MENTIONS NOT NOTED ABOVE: 1874 (Erikah Lushaj, Bowen House); 1919 (Josh Uecker, Blind Butcher); Apples and Oranges (Eddie Eakin, Boulevardier); Ascension Hook (Matt Orth, LARK); El Guapo (Brian Williams, The Establishment); High Ryse (John Campbell, Abacus); Imenta (Marcos Hernandez, Bolsa); Nicaraguan Breakfast (Carlo Duncan, Parliament); Peach Pisco Sour (Creighten Brown, Barter); Soul Clap (Chad Solomon and Christy Pope, Midnight Rambler); Velvet Smoke (Juli Naida, Barter); .
And of course, a hearty thank you to those who accompanied me on my outings, without whom I could never have sampled this many cocktails.
Henry’s Majestic, transformed: There’s more than meets the eye.
Oh, Alex Fletcher. You sneaky little dude.
There are so many reasons why you should drag yourself to tonight’s benefit bash for Trigger’s Toys at Henry’s Majestic in Knox-Henderson – the five pop-up bars, for instance, and the fact that the whole thing benefits hospitalized kids. But here’s one more: Mr. Fletcher is about to play the little ace that he’s been holding up his sleeve.
Some were surprised when the craft-cocktail wunderkind announced he was leaving venerable Victor Tango’s, and the bar program he’d helped lift to new heights, for Henry’s, the latest venture in the curiously unfertile space at McKinney and Monticello.
True, he’d known owners Jim and Cindy Hughes of Bread Winners Cafe since his days at the cafe’s adjoining Quarter Bar in Uptown. But still… “It’s more of a leap forward for me,” he told me just after the announcement. “It’s going to open some doors.”
Apparently those doors were more than figurative, because now it all makes sense: At Henry’s, just like a Transformer, there’s more than meets the eye. Turns out there’s an unused nook or cranny or two that have been ripe for the renovating, and the space once home to Cretia’s and Acme F&B has been – surprise! – a rabbit warren of bar potential.
Do not play poker with this man: Head barman Alex Fletcher expressing himself at Henry’s Majestic.
Welcome to Atwater Alley, a long narrow corridor behind Henry’s kitchen – accessible on the Monticello Avenue side – that leads to a cozy, two-story den falling somewhere between modern Victorian and Old West saloon. Though larger, the dimly lit upstairs area is especially submarine-snug. And both stately back bars are a throwback; Fletcher thinks the upper one was actually shipped in from The Old Absinthe House in New Orleans. But incredibly, the space has sat here apparently unused for a decade — if it was ever used at all.
“This is kind of why I joined this whole team,” the typically understated Fletcher says. “I knew there was something really cool back here. I was like, `Oh, okay.’ It’s like a playground.”
It took a little work to revive, but the area is now ready to house two of tonight’s benefit pop-ups – the & and & cocktail lounge and the Booty Bar and Half-Mast Tiki Lounge. (The other three will be in Henry’s main bar area.)
For those unfortunate enough to miss tonight’s event, Fletcher plans to keep Atwater Alley going from here on out every Thursday, Friday and Saturday. “It’s a great little space,” he says.
Bolsa’s Kyle Hilla, left, is all smiles as the pop-up bar “draft” gets underway in preparation for Sunday’s annual fundraiser.
As Ryan Fussell of Fort Worth’s Bird Café put it, it was a veritable who’s-who of craft bartenders, dozens of them assembled on a weekday afternoon for the first of several steps toward a purpose greater than themselves. The site was Uptown’s Standard Pour, where five boards had been posted above the bar, each topped with the name of a trusty tipple maker.
Yes, there’s a story there, but here’s what you really need to know: That on Sunday, Dec. 14, five teams of drink-slingers will face off at Henry’s Majestic as part of the Trigger’s Toys Fantasy Draft Main Event – not only for your imbibing pleasure but for the benefit of Trigger’s Toys, a Dallas charity serving hospitalized kids and their families.
As if that’s not enough reason to get yourself over there, consider this: The agency’s third annual fundraiser will feature five pop-up bars of varying tongue-in-cheek themes, and if you’re wondering how Henry’s – the recently opened Knox-Henderson gastropub in the space once occupied by Acme F&B – is going to pull that off, you’re going to have come see for yourself the little ace that bar manager Alex Fletcher has been hiding up his sleeve.
Your five pop-up bar captains: Campbell, Sanders, Orth, Moore, Hilla. Yup, it’s going to be a party.
So on this afternoon, the gathered bartenders were at The Standard Pour for the “fantasy draft” that would produce the five teams of 13, along with bar concepts and sponsored spirit lineups. Organizer David Alan, the Austin-based Tipsy Texan himself, was here with his team, the lot of them dressed like referees. Actually, it wasn’t so much a draft as a draw, with each captain – Parliament’s Lucky Campbell, Bolsa’s Kyle Hilla, Knife’s Charlie Moore, LARK at the Park’s Matt Orth and, from Austin, Drink.Well’s Jessica Sanders – picking names out of a bowl to compile their teams. While most of the crews represent the Dallas-Fort Worth area, a number are coming in from elsewhere to aid the cause from places like Austin, San Antonio, San Diego and Los Angeles.
Knife’s Moore, left, meets outside The Standard Pour with members of his team, including Windmill Lounge’s Reith, Windmill co-founder Charlie Papaceno and Proof + Pantry’s Hendrix.
“Dang, my team looks good,” Moore crowed after drawing Fletcher’s name from the batch, adding to a lineup that already included Bolsa’s Spencer Shelton, Proof + Pantry’s Josh Hendrix and Michael Reith of the Windmill Lounge. “That’s it! It’s over. Everybody go home.”“Stacks on stacks,” Hendrix added.Your pop-up bar lineup will include a sports bar, honky-tonk saloon, nightclub, tiki bar and, of course, bespoke cocktail lounge. Each ephemeral entity is already being promoted on Facebook and other social media, and you’ll find them here:
The event runs from 8 pm to midnight at Henry’s Majestic, 4900 McKinney in Dallas. Pre-purchased tickets on Eventbrite (available here) are $20, which includes two drinks. You can also buy tickets at the door for $10, then spring for your drinks inside.
LARK’s Matt Orth, center, meets with his “drafted” team at The Standard Pour. The nightclub-themed pop-up will be called Klub Dreemz.
Along with donations from sponsoring spirit producers, last year’s bash at The Standard Pour pulled in a whopping $45,000 for Trigger’s Toys, which in addition to financial aid provides kids with toys and therapy aids. With the help of the bartenders giving their time on Sunday, founder Bryan Townsend – who named the agency for his dog after seeing the animal’s positive effect on a child in need of therapy – hopes to take that to new levels.
“Not only are you changing this industry,” an emotional Townsend told the group. “What we’re doing today will change lives.”
Esteemed barman Charlie Papaceno: No longer tilting at the Windmill.
Charlie Papaceno has officially left the venerable Windmill Lounge to launch a new project, marking an end to one of the craft-cocktail scene’s longest-running tenures.
The bespectacled barman will be missed, having been a droll and steady presence at the landmark lounge he co-founded nine years ago with then-wife Louise Owens. Though the two eventually divorced, they continued to operate the bar as business partners, a relationship they managed to negotiate for some time.
Papaceno, who has a new bar in the works in Dallas’ Cedars neighborhood, had effectively paved the way for his departure with the hiring earlier this year of Nora’s Michael Reith at the Windmill. But his exit earlier this week came to pass without fanfare or farewell.
That’s fine with the under-the-radar Papaceno, who has fond memories of the dive-y Dallas institution named among Esquire magazine’s best bars in 2013. “The Windmill’s great,” he says. “Look what it’s become. I feel like we cut a new path in this town that wasn’t there before.”
And they did: Papaceno and Owens opened the Windmill in 2005 on a dingy stretch of Maple Avenue after Papaceno was laid off from a corporate gig, freeing him up to pursue a longtime dream. His classic-drink know-how would help make the unassuming lounge essentially Dallas’ first craft-cocktail establishment, even though it never promoted itself as much more than your basic watering hole. It became a mainstay and occasional playground for those scattered upstarts who would eventually lead the city out of its craft-cocktail wasteland toward the vibrant scene it has now become – people like Parliament’s Eddie “Lucky” Campbell; Proof + Pantry’s Michael Martensen; and The 86 Co.’s Jason Kosmas, co-founder of Manhattan’s famous Employees Only, freshly arrived from New York.
The no-frills bar, with its angry jukebox and come-as-you-are regulars, has remained a favored hangout for local craft bartenders, but whether that status continues in Papaceno’s absence remains to be seen.
Papaceno says his new place, whose name has yet to be finalized, will hopefully open by year’s end. “It’ll be funky and homey,” he says. In other words, just like the Windmill. “Hopefully people will feel comfortable there.”
Booze news and adventures in cocktailing, based In Dallas, Texas, USA. By Marc Ramirez, your humble scribe and boulevardier. All content and photos mine unless otherwise indicated. http://typewriterninja.com
