Tag Archives: Austin Millspaugh

As we head into 2020, a look at DFW’s 20 best cocktails of the past decade

My favorites of 2019: At center, Homewood’s Golden Amaranth; clockwise from top left, the Inca Knife Fight at Henry’s Majestic; Ruins’ Sierra Outkast; Bourbon and Banter’s Ducktail; Five Sixty’s Paper Crane; Proper’s Pandan Swizzle; the Liberty Spikes at Bourbon and Banter; Midnight Rambler’s Seasick Crocodile; and the Spanish Gin & Tonic at Beverley’s.

DFW, you finally bested me. There was no way to keep up with the flurry of craft cocktails springing forth from the minds of the metropolis’ mix masters in 2019, with newcomers like Deep Ellum’s Ebb & Flow, Las Palmas in Uptown, downtown’s Te Deseo and The Charles in the Design District padding the bounty.

On Fitzhugh, La Viuda Negra executed a Thor-like landing with its urban-Mexico-inspired vibe and a lineup of smartly conceived drinks both agave-centric and photogenic, while Eddie Campbell’s Clover Club debuted with swanky swagger above Cedar Springs in Uptown.

There was seemingly little left under the sun to drive innovation, but surprises flourished nonetheless: At Bourbon and Banter, Hugo Osorio’s Ducktail softened Scotch with sweet citrus while his Liberty Spikes fluttered with coyly bittersweet flavor; both (see photo above) were among my favorite drinks of the year.

At Proper in Fort Worth, so was Lisa Adams’ Pandan Swizzle, which blended the nuttiness of amontillado sherry with the sweetness of its lovely signature herb. At Five Sixty, the always-crafty James Slater also employed pandan in his Paper Crane, a smooth twist on the classic Paper Plane, while Midnight Rambler’s Chad Solomon medicated his absinthe-laden Seasick Crocodile with poblano juice and Thai chile.

At Homewood on Oak Lawn, golden beet and orange leapt like dolphins across an sea of gin in Lauren Festa’s Golden Amaranth, while in Plano, there was definitely Something About Rosemary in Whiskey Cake’s nicely balanced drink of the same name. The Spanish Gin & Tonic at Beverley’s was nothing less than sublime, while in Knox-Henderson, Alex Fletcher’s Inca Knife Fight conquered my palate with coconut Pisco Sour flair.

Rounding out my year’s faves: At Ruins in Deep Ellum, Peter Novotny’s impressive Sierra Outkast — a nod to tiki’s Navy Grog — blended Oaxacan gin and rum with Swedish aquavit and garnished it with tri-color coconut candy. Meanwhile, La Viuda Negra made Mexican magic with the dazzling Purple Drink, featuring Michoacan rum and butterfly pea flower, and the terrific, raicilla-based El Papazote.

The decade saw craft cocktails grow from infancy to maturity in D-FW, led by The Usual in Fort Worth (which just marked its 10th anniversary) and then scattered, early Dallas pioneers like The Cedars Social, Victor Tangos, Bolsa, Private/Social, Windmill Lounge, Black Swan Saloon and The People’s Last Stand, along with Whiskey Cake in Plano. As our palates grew more discerning and adventurous, the quality and quantity of spirits, liqueurs and exotic ingredients grew to meet the demand. And as momentum slowed as talent scattered and pioneering bars fell by the wayside, top-notch newcomers rose up to create new energy, such as Las Almas Rotas in Fair Park; Jettison in West Dallas; Hide, Shoals Sound & Service and Ruins in Deep Ellum.

Bartenders crafted ingredients using chef-driven methods like sous vide and molecular gastronomy; others introduced us to Japanese shochu and sake, Spanish sherries and Mexico’s broad palette of agave-based spirits; we saw cocktails garnished with seaweed and tongue-numbing buzz button; we nibbled on roasted grasshoppers while sipping mezcal.

The community itself became a force, too: We saw the local bar and spirits industry come together to raise thousands of dollars for tornado and hurricane relief, for hospitalized kids and for the medical expenses of those in their own bar community family. In 2018, the scene collectively grieved the loss of three beloved barmen, Armoury’s Chad Yarbrough, Ian Brooks of Brick and Bones and Josh Meeks of Henry’s Majestic. And we saw the industry’s women in DFW become a force for change and advancement, with efforts such as The Shake Up, an all-female competition now in its second year raising money for women’s charities.

You’ve come a long way, DFW. Likewise, my tastes have changed, and over time I grew to appreciate drinks I hadn’t ranked so highly in the past or to reconsider others that I had. Looking back, about 40 of them stood out for their creativity, innovation, timeworn allure, and/or that one ingredient I couldn’t stop thinking about. In the spirit of the New Year, here, in alphabetical order, are my favorite 20 DFW cocktails of the last decade.

ALPINE BLUES – Scott Jenkins, Hide (2018)

Bolivian brandy, amaro, quinquina, walnut liqueur, clarified lemon

Jenkins’ Alpine Blues: A heady expression of forest growth in a glass.

Jenkins, resident mixmaster at Deep Ellum’s Hide, killed it in 2018 with his Oaxacan Shaman, a masterful mezcal-aguardiente mashup, and his lusciously butternutty Quest for the Sun, a sunflower-seed-infused vodka vehicle. But my favorite of all was his Alpine Blues: A whirlwind trip to the mountains had filled him with memories of brisk, chilly air and damp ground covered in foliage. Those longings inspired this reflection of nature’s growth: Nux walnut liqueur, he said, formed the base soil, deep and rich with decomposing nettles; blueberry-influenced Pasubio, an alpine bitter liqueur, was the surface – “earthy and fruity; there’s still some life in it;” Cap Corse, a quinine aperitif, and clarified lemon juice represented new growth, with the bitter citrus of biting into a young stem; Singani 63, a botanical Bolivian brandy, was the blossom. “There were specific slopes and colors in my mind,” he says. “It made me have the blues not to be there.”

AUTUMN IN BRAZIL – Jason Pollard, The Usual (2018)

Aged cachaca, sherry, sweet vermouth, demerara syrup, saffron bitters

I could have waxed all season about Pollard’s luscious Autumn in Brazil.

In 2016, Brazil’s national spirit enjoyed a brief moment in the D-FW sun, with drinks such as Spencer Shelton’s wonderful Rio Julep at Bolsa capitalizing on Amburana’s spiced banana bread notes. Two years later at The Usual, the Magnolia Avenue mainstay in Fort Worth, Pollard built on those caramel, vanilla flavors and added the rich nuttiness of sherry, then rounded it out with Cocchi di Torino sweet vermouth and caramel-esque demerara syrup. With hints of raisin, chocolate and cinnamon and the aroma of musky grapes, this was a sensational seasonal sipper.

BAD SEED – Omar YeeFoon, Bar Smyth (2013)

Aquavit, Italian bitter liqueur, egg white, lemon, root beer, toasted sesame seeds

Omar YeeFoon, Bar Smyth
For too short a time, we sipped many a care away with this caraway-flavored goodness.

By 2013, the scene had seen the rise of its first reservations-only cocktail den with Bar Smyth, which along withe People’s also featured one of the finest compilations of behind-the-bar talent ever seen in Dallas. There was no menu at this dimly lit, short-lived Knox-Henderson speakeasy, so maybe I actually waltzed in and asked YeeFoon, now co-owner of Shoals Sound & Service in Deep Ellum, to make something with aquavit, Scandinavia’s caraway-flavored liqueur. More likely it was something that YeeFoon just happened to be playing with that day. Whatever it was, this frothy number, employing Averna and an egg-white canvas, inspired lasting intrigue with its splash of sarsaparilla and a creative touch of soft sesame on the nose.

BLACK MONK – Creighten Brown, Barter (2014)

Aged Irish whiskey, Italian bitter liqueur, herbal honey liqueur, sarsaparilla bitters

The Black Monk’s aromas and flavors led me on multiple meditative journeys, yet I remained unknowing of all its seductive secrets.

Planted at the bar of this redo of Uptown’s pioneering Private/Social, I pretty much went bonkers trying to decipher the Black Monk’s enigmatic flavor. The smoky-flavored drink was tricky to pin down, greater than the sum of its parts: Brown blended Jameson Black Barrel Reserve Irish Whiskey, bittersweet Averna, the honey-ish Benedictine and a bit of rye-and-sarsaparilla-flavored basement bitters with a tincture made with tonka bean, vanilla bean and lemongrass. Every time I tried it, shoe leather images popped into my head, but in a most comforting way: The notes shuffing across my tongue included molasses, root beer, pecan pie, cooked honey, even smoky flan. The Black Monk was not for everyone – but for those who enjoy a good cigar, this one was a triumph.

BUZZ-CAT – staff at Boulevardier (2015)

Old Tom gin, Earl Grey tea-infused honey syrup, apple bitters, lemon, ginger, baked apple garnish

At Boulevardier, bar manager Eddie Eakin’s 2013 cocktail got a sweet-as-Vermont-honey makeover that was wicked good.

The craft-cocktail renaissance inspired a resurgence of classic spirits, among them Old Tom gin, the spirit’s 18th-century, slightly sweeter cousin. My favorite is the barrel-aged Tom Cat, made by Vermont’s Barr Hill, a former bee farm that infuses its spirits with a signature honey flavor. Tom Cat also happens to be sold in distinctive, small bottles that were just the size that bar manager Eddie Eakin of Bishop Arts’ Boulevardier wanted for his syrups and juices. He ordered a batch of Tom Cat for his bartenders, who began subbing it for standard gin in the Steep Buzz, a celebrated cocktail Eakin had devised in 2013.  With a baked apple slice garnish, the Buzz-Cat was a honey-perfect blend of autumny, apple-pie aroma, herbal Tom Cat spice and lingering lemon-ginger bite. “We were just trying to pour through it,” bartender Ashley Williams said. “And it just caught on.”

DAMNED AND DETERMINED – Brad Bowden, Parliament (2014)

Rum, Green Chartreuse, ancho chile liqueur, egg white, pineapple-vanilla syrup, Angostura bitters

Brad Bowden, Parliament
Sugar and spice and everything nice: Bowden’s divergent path showed quien es mas Ancho.

Bowden, who you’ll find these days at East Dallas’ Lounge Here, didn’t care much for Ancho Reyes, the ancho-chile-flavored liqueur that became my crush of 2014, following in the footsteps of botanical Hum and bitter Suze. But when the slightly spicy, vanilla-tinged blend started earning national recognition, Bowden — then at Uptown’s Parliament — said he felt “damned and determined” to do something with it. Ancho’s bite made it a natural fit for tequila or mezcal, “but that’s what everyone else was doing,” he says (accurately). Instead, he took rum, his preferred spirit, and devised what’s essentially a tiki drink, adding sweetly vegetal Green Chartreuse to Papa’s Pilar blonde – “Rum and Green Chartreuse go together like nobody’s business,” he says – along with egg white and a tropical pineapple-vanilla syrup. The egg white gives the ancho a soft bed to lie on; the syrup binds it all together. A last flourish of Angostura bitters atop makes it a magic carpet ride, frothy and floral with a sweet and spicy descent.

DOUBLE UNDER – Emily Arseneau, H&G Sply (2013)

Beet-infused tequila, triple sec, citrus, rosemary syrup, salt

Emily (Perkins) Arseneau, H&G Sply
Mad beetz: Arseneau’s refreshingly vegetal Double Under at H&G Sply.

Who doesn’t love beets? Okay, a lot of people doesn’t love beets. But properly speaking, for those of us who do, this radiant refresher ably answers the call – a simple mix of lively beet-infused tequila, lime and rosemary syrup. Arseneau – now with liquor giant Remy Cointreau – modified this creation by Portland’s Jacob Wallace for the drink list at Lower Greenville’s H&G Sply, toying with the proportions and adding Cointreau; “it’s supposed to be an earthier Margarita that never feels out of season,” she says. The taste is sour beet moxie and tangy lime, with a slight hint of herb. Unabashedly red with a flirty half-skirt of glittery salt, it was a stunner to look at, too.

EL PAPAZOTE – Saul Avila Hernandez, La Viuda Negra (2019)

Raicilla, lime, sherry, epazote syrup

The funky nature of raicilla, an agave-based spirit produced in Mexico’s Jalisco state, was given wings to fly in La Viuda Negra’s El Papazote. (Photo courtesy of Javier Villalva)

Brothers Javier and Luis Villalva’s La Viuda Negra (“The Black Widow”) on Fitzhugh was my favorite addition to the scene in 2019, with a modern rustic interior and delicious cocktails both inventive and sometimes whimsically presented. My favorite of the bunch was El Papazote, which achieved magnificence with its crafty use of funky raicilla, an agave-based spirit still uncommon beyond its native state of Jalisco. Avila gave La Venenosa’s Costa de Jalisco the sweet-and-sour treatment with lime, a dash of sherry and a syrup made with epazote, a leafy herb found in southern Mexico that accents the raicilla’s fruity-floral earthiness.

FLEUR DE FEU – Austin Millspaugh, The Standard Pour (2017)

Elderflower liqueur, green chile liqueur, Angostura bitters, cream

Austin Millspaugh, The Standard Pour
At Standard Pour, Millspaugh’s Fleur de Feu.

At Uptown’s Standard Pour, this creamy off-menu creation, with a name meaning “flower of fire,” was a low-proof treat, a deceptively sweet drink that actually leaned savory. Millspaugh, whose penchant for cocktail alchemy had previously produced a nifty Cognac spin on the classic gin Bijou, was once again inspired: He mixed St. Germain and Ancho Reyes liqueurs with Angostura bitters and poured them into a nifty Nick and Nora glass, then topped it all with a thin layer of cream that he torched it for a burnt marshmallow effect. The result unveiled a stunning contrast between the foamy top and wine-clear body below; the creamy fats lent texture and depth to a bouquet of floral and spicy flavors with smoky overtones. “You think it’s going to be sweet, but your notions are debunked the second you sip it,” he said.

MADAME HUMMINGBIRD – Lauren Festa, Flora Street Cafe (2016)

Vodka, botanical liqueur, honey-piquillo syrup

Flora Street Cafe
At Flora Street Cafe, Festa’s Madame Hummingbird made Hum liqueur great again.

Way back when Rocco Milano helmed the bar at Private/Social, may it rest in peace, he introduced me to Hum, a remarkably profuse hibiscus cordial offering notes of cardamom, clove, ginger and kaffir lime. A love affair was born; I couldn’t get enough of the stuff, and though the fling ran its course, it was always good to see an old flame. At Stephan Pyles’ then-newly opened (and now newly closed) downtown restaurant, that’s how Festa –now at Homewood — lured me in; her flower-garnished cocktail let sturdy Absolut Elyx act as handler, reining in Hum’s exuberance, but the real dash of brilliance was a chili syrup that added a tantalizing jolt of heat. “Hum and heat go well together,” she said. “It brings out the spices.”

MALTA – James Slater, Network Bar (2017)

Italian bitter liqueur, French bitter ginger liqueur, turbinado sugar syrup, blackberries

James Slater, Network Bar
At members-only Network Bar, James Slater’s Malta was berry, berry good.

Several years earlier, when Slater (now at Five Sixty) helmed the bar at now-defunct Spoon, he wowed with an off-the-cuff, darkly bittersweet Fernet-based creation he ultimately called Blue Moon, and he’s been riffing on it ever since. During a brief stint as bar director for the members-only club at Trinity Groves, his newest spin on the drink was a winner: Still mining the bitter mint depths of Fernet, it subbed blackberries for blue and ginger-forward Amer Gingembre for less aggressive Averna. The lush Gingembre tamed the harshness of its predecessor; think of the Malta as a boozy berry detox juice with a dollop of licorice-like sweetness.

MANGO LASSIE – Jesse Powell, Parliament (2018)

Guyanese aged rum, citrus, mango, yogurt, honey, tajin

Jesse Powell, Parliament
Jesse Powell’s boozy play on the classic Indian refresher was a work of mango-nificence.

During a trip to Chicago’s Pub Royale, an Anglo-Indian-style tavern, in early 2018, Powell  — now a local gin and tequila ambassador– discovered the joys of the mango lassi, India’s traditional mango milkshake. Naturally, as he savored its mix of yogurt, mango, milk and sugar, he wondered: How can I translate this into a cocktail? He came through like a champ, structuring the beverage’s viscous, sour-sweet depths atop a foundation of El Dorado 5-year, then garnishing the Creamsicle-orange drink with cool mint and a clever rim of Mexican tajin, the chili powder that often graces that country’s mango street snacks. Poured over crushed ice, it was a tasty summer refresher I still found myself craving in the cold of winter.

MEZCAL SAZERAC – Hugo Osorio, The Theodore (2017)

Mezcal, tawny port, Peychaud’s bitters, tiki bitters, absinthe

Hugo Osorio, The Theodore
New Orleans met Oaxaca in Osorio’s classic spin.

It was actually bartender Sam Gillespie, then of The Mitchell in downtown Dallas, who introduced me in late 2017 to the notion of a Sazerac built on smoky mezcal rather than the classic rye or cognac. His simple switch of spirit was solid and satisfying — but then, the very next day, I dropped by the Theodore, the former NorthPark Center lair where barman Hugo Osorio was unspooling impressive off-menu creations in his spare time. When I asked what he was working on, he replied: “How about a mezcal Sazerac?” Osorio made the drink his own by adding the wintry cinnamon spice of tiki bitters and replacing sugar with a bit of sweet tawny port, serving up a spectacular cold-weather sipper.

ONE MILLION IN UNMARKED BILLS — Pam Moncrief, The Usual (2014)

Old Tom gin, Hungarian bitter liqueur, dry vermouth, herbal honey liqueur, lemon oils

Pam Moncrief, The Usual
Moncrief’s use of Ransom Old Tom gin inspired the name for this fantastic floral foray.

In 2014, I was deep into herbal liqueur exploration, curious to see what bartenders were doing with amaro and other European-based bottlings. One evening at The Usual, Moncrief , who now runs a cocktail pop-up business in Fort Worth, had been experimenting with a blend of Ransom Old Tom gin, herbal Zwack liqueur, Dolin Blanc vermouth and Benedictine, creating a gentle, well-rounded drink with spicy depths. Floral and grape gave way to a honey-bitter finish with a tang that lingered like nightclub ear, with a dose of lemon oils atop adding a nice citrus nose. “I just really enjoy herbaceousness,” Moncrief said. “Zwack and all those amaros are so herbaceous, and I feel like they don’t show up in cocktails enough.” On that we could agree.

ROME IS BURNING – Robbie Call, Vicini (2016)

French orange bitter liqueur, mezcal, Italian bitter liqueur, anise liqueur

Vicini
Call’s response to bitter and smoky: The marvelous Rome Is Burning.

Vicini, we barely knew ye. The Frisco-based Italian restaurant’s all-too-brief run may have been a flash in the risotto pan, but it was long enough for Call to have some fun behind the stick. One slow Sunday, I put the lanky bar veteran, now assistant food and beverage manager at The Statler Hotel, on the spot by asking for something bitter and smoky. His off-the-cuff answer was genius, possibly my favorite on this entire list: A rush of French China-China and Italian Meletti anchored by mezcal and a rounding touch of Herbsaint – bitter orange and chocolate-caramel, grounded in depths of smoke and anise. Simply garnished with an orange peel, it was all I wanted in a glass, a mirepoix of worldly influences. “I’m a big fan of letting amaro drive the car and having the mezcal creep in,” Call said. So am I, Robbie. So am I.

SEPPUKU REALE – Andrew Stofko, Victor Tangos (2016)

Italian bitter liqueurs, furikake syrup, lemon, seaweed, furikake

Victor Tangos
Stofko’s Guinness-black Seppuku Reale artfully merged Italian and Japanese influences.

Amaro Montenegro is a jewel among Italian bitters; it leans toward sweet and herbal with its acridity evident only in tow. In 2016, Stofko, then at Knox-Henderson’s since-closed Victor Tangos, won a local contest with this unexpectedly intriguing taste detour: He reined in Montenegro’s sweetness with a syrup made from furikake (a Japanese spice mix of sesame seed, seaweed, sea salt and bonito flakes), upped the bitter component with Gran Classico liqueur, then added lemon to round it out.  The citrus, however, turned the drink unpleasantly dark, so Stofko went all-in and added a bit of squid ink to turn it Guinness-black. The garnish was his piece-de-resistance – a sprinkling of roasted sesame seeds on a skiff of seaweed floating atop the inky sea. Bring the drink to your nose and your palate was awakened with hints of savory Japanese; instead, you got something completely different – bewitchingly bittersweet taste tempered with piquant nuttiness. “That’s umami in a glass,” said Stofko, now bar manager at Te Deseo in downtown Dallas. “I’m just glad (Victor Tangos) let me put it on the menu.”

SLEEPY COYOTE – George Kaiho and Andrew Kelly, Jettison (2018)

Coffee-infused Oaxacan rum, cinnamon syrup, ancho chile liqueur, horchata

The Sleepy Coyote, a coffee-infused gem from Jettison’s Kaiho and Kelly, got me woke.

Kaiho and Kelly, the personable one-two punch behind the bar at Jettison, Houndstooth Coffee’s sister bar in West Dallas, wanted to create a cocktail using horchata, the Mexican cinnamon rice milk. Specifically, as a popular after-dinner destination, they wanted to craft a dessert drink, so as fans of The Big Lebowski they devised this buzzy riff on a White Russian, using a base of banana-funky Paranubes infused with coffee, cold-brew style. To that they added cinnamon syrup and a splash of spicy Ancho Reyes liqueur, then poured it over crushed ice to unleash rich, fruity cinnamon coffee with a kick.

SOUTHPAW STREETCAR – Alex Fletcher, Henry’s Majestic (2016)

Cognac, persimmon shrub, citrus, clove dust

Henry's Majestic
Fletcher’s Sidecar variation transported you to a winter wonderland.

With drinks such as his miso-inflected Art of War (2013) and a daiquiri featuring a German smoked beer (2014), Alex Fletcher – now beverage director for Dallas’ Hospitality Alliance and AT&T Discovery District – has proven to be among the cleverest of DFW bartenders. In 2016, he concocted this winter wonder at Knox-Henderson’s Henry’s Majestic, where he was GM. Using a batch of his chef’s foraged persimmons, he crafted a shrub – a fruity, concentrated syrup tanged up with vinegar – and consequently my favorite Sidecar variation ever.  A taste of the Southpaw Streetcar bounced along in tangy sweetness when suddenly, BAM! a burst of clove bathed you in winter-fire warmth. Sugar-plum visions danced in your head; in the distance, the jingling of sleigh bells and the sound of muffled hoofbeats in snow – and wait, was that Nana calling? Are the tamales steamed and ready? Oh wait – that was just Fletcher, asking if everything was OK and why your eyes had been closed for the last 10 minutes.

SPEAK OF THE DEVIL – Peter Novotny, Armoury (2015)

Pisco, plum liqueur, lemon, egg white, simple syrup, Port

Speak of the Devil cocktail
Novotny plum’d the depths of his Hungarian upbringing to create this snazzy riff on the classic Pisco Sour.

At Armoury in Deep Ellum, Novotny’s zippy take on the underappreciated Pisco Sour was inspired by his own Hungarian background. “I grew up on Hungarian liqueurs like Pecsetes,” he said, referring to a native apricot brandy. “It’s basically an eau de vie, like pisco. They’re like Hungarian moonshine.” As a fan of sours, he took the Pisco Sour recipe of un-aged brandy, citrus, simple syrup, egg white and Peruvian chuncho bitters and added Hungarian Slivovitz plum liqueur, with a boost of Pedro Ximenez Port for extra plum flavor. The result was a delightfully fruity-sweet homage to classic and cultural origins.

TIGER STYLE – Chad Solomon, Midnight Rambler (2016)

Batavia arrack, calamansi, palm sugar, pepper tincture, egg white, cassia aromatics

Chad Solomon, Midnight Rambler
Solomon’s Tiger Style was a passion fruit wildcat, my favorite among a stellar lineup of exotic cocktails he debuted in 2016, classified as “gritty tiki.”

Chad Solomon’s seasonal drink menus at this downtown Dallas gem are thoughtfully thematic and often exotic, and he was at the top of his game in 2016; his Coconut Cooler, a gin-and-sherry blend sweetened with Southeast Asian pandan, highlighted spring and offered a hint of what was to come – a powerhouse summer menu of “gritty tiki” drinks reflecting Asian, African and South American influences. The Filipino-Indonesian-accented Tiger Style was my fave, a seemingly light mix incorporating a rum-like Indonesian spirit, passion-fruit-esque calamansi, palm sugar and a tincture made from pippali (Indian long pepper) that nonetheless packed a punch. A spritz of earthy cassia aromatics atop a dehydrated lime made it a triumph of creamy orange spice dashed with a hint of Fireball cologne. “The more you drink it, the more your lips tingle,” Solomon said, quite accurately. “It takes you into the exotic, and intentionally so.”

THE NEXT 10:

  • Colada No. 2, Chad Yarbrough, Armoury D.E. (2017)
  • Delight, Scott Jenkins, Hide (2017)
  • Earth Wind and Fire, George Kaiho, Jettison (2018)
  • Grapes Three Ways, Annika Loureiro, The Cedars Social (2016)
  • Holy Smoke, Hector Zavala, Atwater Alley (2015)
  • I’ll Get To It, Josh Maceachern, The Cedars Social (2013)
  • Monkeying Around, Sam Gillespie, The Mitchell (2018)
  • Sesame Daiquiri, Jordan Gantenbein, Abacus (2015)
  • Stripper Sweat, Jackson Tran, Cosmo’s Bar & Lounge (2012)
  • Two Thirty, Mike Steele, The Cedars Social (2013)

Saturday’s Ultimate Cocktail Experience will turn Deep Ellum space into a city under a roof

The Ultimate Cocktail Experience, coming Saturday to the Bomb Factory in Deep Ellum. (Photo by Don Mamone)

On Saturday, the Bomb Factory in Deep Ellum will transform into a virtual city under a roof. Think bodegas, food trucks, a 13-piece band, a shoeshine stand.

In that sense, the always zany Ultimate Cocktail Experience will be no different – and yet very different in its quest to raise money to benefit for needy kids and their families. Each year, dozens of bartenders from Texas and beyond form teams and try to out-do each other as one-night-only pop-ups, churning out cocktails for charity while creating an identity fitting the theme.

“We really create an experience,” says event founder Bryan Townsend, who first created the event to benefit Trigger’s Toys, the charity he started 10 years ago. “I want it to be the kind of thing where people look at their friends and say, ‘What the hell is going on?’”

What began as a modest holiday-season party at an Uptown bar has eclipsed $200,000 in proceeds each of the last two years. Now in its 10thyear, the event has raised $1.2 million in all, moving from the grassy expanse of Klyde Warren Park into the massive Deep Ellum venue.

“It’s turned into this thing,” Townsend says. “I’ve been really proud of what we’ve been able to accomplish.”

A scene from 2016’s Ultimate Cocktail Experience at Klyde Warren Park. (Photo by Don Mamone)

Ten years ago, Townsend was feeling trapped in the corporate job he had then and began to focus on other things – like his dog, Trigger. He and Trigger were at a Grapevine hospital one day when a nurse told him about a little girl in therapy who’d been unable to socialize with others.

Townsend said: Maybe she’d like to give Trigger a treat?

The girl did, and then Townsend wondered if she might want to follow Trigger through one of the play tunnels in the children’s ward. When that happened, the nurse went and got the girl’s mom, because it was so unlike the girl to be so social.

Inspired by the experience, Townsend created Trigger’s Toys, a nonprofit providing toys, therapy aids and financial assistance to hospitalized kids and their families. As the proceeds grew, Townsend spread the benefits around, with funds now also providing therapy services at Bryan’s House, a Dallas agency serving kids with cerebral palsy, autism, Down syndrome and more.

That’s the mission at the heart of Saturday’s revelry, which runs from 7-11 p.m. at the Bomb Factory, or starting at 6 p.m. for VIP ticket holders. Attendees might encounter breakdancers, drum lines, fortune tellers, even a dog park.

“We want to it be like you’re walking through a city,” says Townsend, vice president and sales director for spirits producer The 86 Co. “What would you see?

Four different pop-ups will vie for top honors:

Elevate, a glam hotel-style bar headed by Megan McClinton and Jason Pollard (The Usual, Fort Worth);

The Lab, a molecular mixology bar led by Fernanda Rossano (High & Tight, Deep Ellum) and Austin Millspaugh (Standard Pour, Uptown);

Corner Bar, a neighborhood-bar concept led by Ravinder Singh (Macellaio, Bishop Arts) and Jones Long (Knife, Mockingbird Station); and

Neon, headed by Zach Potts (Gung Ho, Lower Greenville) and Kelsey Ramage (Trash Collective, Toronto).

Tickets run from $68 to $128 and are available here.

Best cocktails 2017: DFW’s revitalized scene shows it can handle the (low) proof

Kyle Hilla, Chad Solomon, Brittany Day, Austin Gurley, Gabe Sanchez
Some of the year’s best, clockwise from upper left: Kyle Hilla’s Undercut; Chad Solomon’s Screwpine Fix; Hugo Osorio’s Big Stick Mojito; Brittany Day’s Prolific Poet; Austin Gurley’s Smokey Bandit; Gabe Sanchez’s Calvados Sidecar.

As 2017 got underway, it wasn’t insane to wonder if the local craft-cocktail scene had lost its mojo despite its expanding influence around the region. Sure, Hide had just opened in Deep Ellum, with its fancypants behind-the-scenes gadgetry elevating its ambitious alchemy, and well-etched torchbearers like The Standard Pour, Atwater Alley, Bolsa, Jettison, Black Swan, Bowen House, Thompson’s Bookstore and Industry Alley (to name a few) powered on, doing what they do.

But even as cocktail lists sprouted like bluebonnets throughout North Texas – in Frisco, in Lewisville, in Trophy Club, for god’s sakes – too many of the area’s proliferating iterations emerged uninspired or even unhinged, seemingly designed more to ride the trend than to propel it forward. Overall, creativity seemed stifled by malaise. Had things finally peaked?

Then July brought Shoals, the soulful, back-to-basics cocktail lounge in Deep Ellum, and Fair Park’s Las Almas Rotas, whose heartfelt ambience admirably sated Dallas’ growing thirst for mezcal. And as the year pulled to a close, Bourbon & Banter appeared down the rabbit hole of downtown Dallas’ Statler Hotel, sprinkling its craft savvy with photogenic dashes of Wonderland whimsy.

Scott Jenkins, Nick Backlund
Hide, Deep Ellum’s science-y cocktail lab, gave life to some of 2017’s best cocktails.

DFW did get its groove back, and then decided to make a night of it. In 2017, a wave of low-proof cocktails met the need for an evening’s worth of social nectars without the boozy kick that might send one home early. Low-alcohol cocktails dotted menus at Hide, Uptown’s Standard Pour and sherry-focused Jettison in Oak Cliff; Yayoi, in Plano, made its Wasabi Bloody Mary with Japanese shochu, while Bourbon & Banter’s excellent Undercut put Cynar, an Italian bitter liqueur, in the spotlight.

Hide also blazed tasty trails with savory cocktails, employing mushrooms in its magnificent Champion, bananas in its Tally Man and chicken stock in – well, more on that later. At Bourbon & Banter, Kyle Hilla topped two of his stellar cocktails with small spoonfuls of savory goodness. Meanwhile, green chilies surfaced as a popular flavor as bartenders toyed with a pair of newly arrived ingredients, poblano-driven Ancho Reyes Verde and St. George’s multi-peppered green chile vodka;  elsewhere, Hatch green chile syrup ignited Skyler Chastain’s Santa Fe Smash at The People’s Last Stand at Mockingbird Station.

Sprezza
Sprezza’s Julieta. Get to it, Romeo.

Ever-flourishing agave-based spirits drove some of the year’s best drinks. Smoky mezcal danced with Ancho Reyes Verde and lemon liqueur in Brittany Day’s Prolific Poet at Thompson’s Bookstore in Fort Worth; at High and Tight in Deep Ellum, it partnered with cinnamon-infused whiskey to amp up the smoke in Austin Gurley’s solid Smokey Bandit. And at East Dallas’ Lounge Here, Brad Bowden flexed aged tequila’s guns in Dirty D’s Thang, his tribute to an aging dive-bar ladies man in long-ago New Orleans.

Gin sparkled in Sprezza’s Julieta in Oak Lawn, in George Kaiho’s Sylvan at Oak Cliff’s Jettison and in Chad Solomon’s remarkable Screwpine Fix at downtown’s Midnight Rambler, where it was infused with lemongrass and paired with Bolivian pisco. And Robbie Call used Gracias A Dios’ agave-based gin and his own vanilla-spiced tonic for a smoky Spanish Gin Tonic, a short-lived gem at since-shuttered Filament in Deep Ellum.

Finally, the force was strong in 2017’s classic covers, with solid spins on drinks like the Old Fashioned, Sazerac, Bijou, Last Word and Pina Colada. At Black Swan, Gabe Sanchez’s Calvados-anchored Sidecar was a thing of beauty; Scandinavian aquavit fancied up The Keeper’s gimlet in Plano; and at the Theodore in NorthPark Center, Hugo Osorio’s falernum-spiked Bee’s Knees and Big Stick Mojito, juiced up with raspberry coulis, were as pretty as they were delicious.

My tastes are my own, of course. I love the botanicals of gin and the smoke of mezcal, the warm comfort of whiskey and the bittersweet beauty of European amari; I’m drawn to flavor combinations that lure me to unfamiliar territory and drinks that go down like great train rides, where every ingredient is visible along the way.

Here were my 15 favorite cocktails of 2017.

Jason Long, Abacus
Long’s lush La Joya showed you can still count on Abacus.

  1. LA JOYA (Jason Long, Abacus)

Tequila reposado, Green Chartreuse, sweet vermouth, Port, orange bitters

At this cozy upscale lounge welcoming patrons of the celebrated Knox-Henderson restaurant, Long’s agave-driven play on a classic Bijou (French for “jewel”) was a bouquet of caramel, grape-y sweetness. Eager to make a drink honoring a tequila-loving colleague, Long tinkered with the floral Bijou, subbing smooth, aged tequila for gin plus a touch of Port. The name is the classic’s Spanish translation and an equally perfect gift for somebody special.

Jeremy Koeninger, Parliament
When you needed to cool off in Uptown, it was time to go Due South. (Photo by SungJoon Bruce Koo)

  1. DUE SOUTH (Jeremy Koeninger, Parliament)

Rum, coconut, pineapple, orange, jalapeno, nutmeg

At Parliament, Koeninger put a Texas spin on the tropical Painkiller, itself a spin on the Pina Colada. “I wanted something a little less tiki,” he says. “And being from Texas, I like the combination of spicy and sweet.” So he added jalapeno and called it the Due South for the happy coincidence that any south-of-the-border spirit works as well as rum – except for, apparently, cachaca. (What up, Brazil?) Pisco in particular is fantastic. As you might expect, it’s a great warm-weather refresher, with its creamy pineapple, cool citrus and nutty spice, with some lingering heat on the tongue to boot.

  1. MAMBO MORADO (Jonathan Garcia, Jose)

Blueberry/lavender-infused sotol, sunflower seed orgeat, lime, Campari, Crème de Violette

The drinks at this Highland Park gem naturally lean agave, and Garcia drew upon a pisco-based concoction he’d made for a local competition and funked it up by subbing little-known sotol, distilled in Chihuahua from desert Spoon, an agave cousin. Hacienda de Chihuahua’s delicately smoky sotol gets the tiki snow cone treatment here, draped it in floral, fruity and slightly nutty tones with a splash of bitter Campari to rein in the sweetness.

James Slater, Network Bar
At members-only Network Bar, James Slater’s Malta was berry berry good.

  1. MALTA (James Slater, Network Bar)

Fernet, Amer Gingembre, turbinado syrup, blackberries

A few years ago when Slater was helming the bar at Spoon (now closed), he wowed with an off-the-cuff, darkly bittersweet creation he ultimately named Blue Moon, and he’s been riffing on it ever since. Though he’s since left his brief post as bar director for the members-only club at Trinity Groves, his latest spin on the drink was a winner: Still mining the bitter mint depths of Fernet, it subbed blackberries for blue and a ginger-forward bitter liqueur for less aggressive Averna, taming Fernet’s harshness while retaining its flavor; gorgeous Amer Gingembre does the same with ginger. Think of the Malta as a boozy berry detox juice with a dollop of licorice-like sweetness.

Hugo Osorio, The Theodore
New Orleans meets Oaxaca in Osorio’s classic spin, and now I can’t wait to have a chicken mole po’boy.

  1. MEZCAL SAZERAC (Hugo Osorio, The Theodore)

Mezcal, tawny port, Peychaud’s bitters, tiki bitters, absinthe

It was actually Sam Gillespie of The Mitchell, in downtown Dallas, who recently introduced me to the notion of a Sazerac built on smoky mezcal rather than the classic rye or cognac. His simple switch of spirit was solid and satisfying – but then, the very next day, I happened to drop by the Theodore, the NorthPark Center lair where barman Hugo Osorio has been unspooling impressive off-menu creations in his spare time. When I asked for something new, he said: “How about a mezcal Sazerac?” Osorio made the drink his own by adding the wintry cinnamon spice of tiki bitters and replacing sugar with a bit of sweet tawny port, serving up a spectacular sipper for the season.

Jesse Powell, Parliament
At Parliament, Jesse Powell’s Osage County is built on childhood memories.

  1. OSAGE COUNTY (Jesse Powell, Parliament)

Sarsaparilla/vanilla-infused rum, Mexican fernet, demerara syrup, lime, cola, absinthe

God bless Jesse Powell’s grandparents in small-town Osage County, Oklahoma, for supplying him with all the sarsaparilla sweets a little boy could eat, because otherwise we might never have had this bodacious burst of root beer candy in a glass. When Powell visited them again not so long ago, “they had the same exact candy, and I was like, I want to come back and make a cocktail like that.” The infused rum pairs with earthy fernet and cola to echo herbal vanilla root beer with a hint of licorice and a drink that makes you feel like a kid in a candy store.

Scott Jenkins, Hide
At Hide, Jenkins’ Winner Winner was chicken soup for the cocktail soul.

  1. WINNER WINNER (Scott Jenkins, Hide)

Ford’s gin, chicken broth, clarified lemon, thyme

Why did the imbiber cross the road? To get to this drink at Hide. Though the bar’s beverage director, Scott Jenkins, is a fan of savory cocktails, he knows consumers don’t always warm to the idea. But once the menu’s magnificent mushroom-driven Champion earned a following, he knew he had license to do more. One day, as he was looking for something to complement gin and thyme, a thought occurred: What about chicken stock? “I gave it a try,” he said, “and I was, like, yeah. It’s got that saltiness.” Before you pooh-pooh the idea, know that Brits drink something called a Bullshot, a Bloody Mary alter-ego mix of vodka and beef consommé. (Midnight Rambler’s Pho King Champ shot is not far off, either, with a little oloroso sherry thrown in.) In Jenkins’ yummy Winner Winner, the broth grows more robust as you drink – offering a much-needed remedy for flu season.

Brick and Bones
Its namesake might not have the fastest run in the west, but Brick and Bones’ Slowpoke Rodriguez is a rush of sweet and heat.

  1. SLOWPOKE RODRIGUEZ (Dre Cantu, Brick and Bones)

Hibiscus-infused tequila, blood orange liqueur, amaretto, jalapeno syrup

All the drinks at Brick and Bones are named for occasionally obscure cartoon characters, and this one pays homage to Speedy Gonzales’ acceleration-challenged cousin. While its namesake might be slow, this drink is a carefree rush of floral sweet with a dash of heat, with exuberant hibiscus the life of the party. With citrus-y blood orange liqueur and sweet amaretto, “it’s like a Margarita without the acid,” Cantu says.

Michael Sturdivant, The Cedars Social
Sturdivant draws on Angus Winchester’s No. 4 and takes it up a notch.

  1. NO. 5 (Michael Sturdivant, The Cedars Social)

Uncle Val’s Botanical Gin, celery heart, lemon, honey, burnt Green Chartreuse

At The Cedars Social, the pioneering craft-cocktail joint just south of downtown, bar manager Sturdivant is always up for a challenge. For a good while, the bar menu featured a terrific drink called the No. 4, a creation of former Tanqueray Gin rep Angus Winchester. “People would order it all the time,” Sturdivant says. Then, this year, “I was trying to impress a girl at the bar who ordered one, and I told her I could do one better.” His botanical re-do, poured over flamed floral Chartreuse, is somewhere between the original and the classic Bee’s Knees (gin, lemon and honey): On the palate, it’s candied lemon tailgated by a mambo of lush botanicals, aromatic sweet celery and a pleasant, lingering burn.

Austin Millspaugh, The Standard Pour
At Standard Pour, Millspaugh’s Fleur de Feu is like an after-dinner treat  around the campfire.

  1. FLEUR DE FEU (Austin Millspaugh, The Standard Pour)

St. Germain elderflower liqueur, Ancho Reyes Verde, Angostura bitters, cream

Austin Millspaugh, you so cray. This creamy off-menu knockout at Uptown’s Standard Pour, with a name that means “flower of fire,” is a low-proof treat, a deceptively sweet drink that actually turns out to be more savory. After the first three ingredients are mixed and poured into a nifty Nick and Nora glass, Millspaugh tops it all with a thin layer of cream, then torches it for a burnt marshmallow effect and a stunning contrast between the foamy top and wine-clear body below. “You think it’s going to be sweet,” he says. “But your notions are debunked the second you sip it.” The creamy fats add texture and depth to a beautiful mix of floral and spicy flavors with smoky overtones.

Kyle Hilla, Bourbon & Banter
Hilla merged two of his favorite ingredients — Suze and turmeric — in Bourbon & Banter’s savory Rat Tail.

  1. RAT TAIL (Kyle Hilla, Bourbon & Banter)

Tequila, mezcal, Suze, lime, agave syrup, turmeric

A fan of the bitter spice turmeric, Hilla wanted to feature it in a cocktail at the speakeasy-style bar where each of his house cocktails features  a little razzle-dazzle. He muddled actual turmeric root rather than using the familiar powder, but its tannic earthiness was too overwhelming for tequila, and smoky mezcal was too strong, so he went half and half and added bitter Suze for some botanicals. As with all the bar’s hairstyle-themed drinks, Hilla put some thought into the Rat Tail’s picture-perfect presentation, serving it in a capita and capping it with a spoonful of avocado, cilantro and Basque Espelette pepper, whose mix of flavors both complement and counter. Marked by turmeric’s orange-yellow hue, it drinks like an earthy, slightly bitter Margarita.

John Ruiz, Hide
It’s high time we had more low-proof cocktails like Hide’s No Scurvy Here.

  1. NO SCURVY HERE (John Ruiz, Hide)

Suze, Italicus, orange, lemon, egg white, maple, eucalyptus tincture

Texas this year saw the coming of Italicus, a lovely bergamot-forward liqueur from Italy, and in this low-proof libation it pairs with Suze, an equally lovely French gentian liqueur. Ruiz initially set out to produce a Suze “sour” – a category of cocktail built on spirit, citrus and sweetener –and when bar manager Scott Jenkins brought Italicus to the shelf, Ruiz had his tools in place. With a few tweaks brainstormed with his colleagues, Ruiz’s result is soft bitter orange: Bittersweet bergamot and sweet maple balance Suze’s earthy bitterness with the abundant citrus – hence the name – playing off the drink’s orange notes.

Chad Yarbrough, Armoury DE
If your mouth likes pina coladas and getting caught in a rain of fizzy tang, Yarbrough’s Colada No. 2 is your escape.

  1. COLADA NO. 2 (Chad Yarbrough, Armoury)

Cachaca, lime, orgeat, soda, coconut balsamic

This tangy tiki tipple, an obvious nod to its classic predecessor, was conceived as Yarbrough was browsing 1890 Marketplace, the most excellent olive oil and vinegar shop that at the time had just opened a few blocks away on Main in Deep Ellum. Having discovered the shop’s coconut balsamic vinegar, “I tried it and I was, like, we have to do something with this,” he said. Thus was born the Colada No. 2, a sweet and nutty mouthparty tempered by a tantalizing tang. Tangs a lot, Mr. Yarbrough. Tangs a lot.

Deep Ellum
This ain’t rocket science: Hide’s Delight is perfect for your afternoon.

  1. DELIGHT (Scott Jenkins, Hide)

Aperol, Cynar, clarified grapefruit, elderflower liqueur

Nothing at Hide is simple. They just make it look that way. Mostly when you’re not looking, spirits are “milk washed” and relieved of their harshness, citrus juices are clarified for a pure veneer and soda and tonic water are eschewed in favor of a lighter-handed carbonating device. The radiant Delight – Jenkins’ low-proof, bittersweet ballet of Italian aperitifs tamed with soft grapefruit and elderflower – is perfectly crisp and flavorful, whirled in a Perlini device for a delicate fizz that curls up on the roof of your mouth like a cat settling onto a sunny windowsill.

Jeff Trevino, LARK on the Park
This time around, Johnnie gets the Last Word.

  1. JOHNNIE’S WORD (Jeff Trevino, LARK on the Park)

Johnnie Walker Triple Grain Blended Scotch, Yellow Chartreuse, apricot liqueur, lemon

For a time, LARK drifted into a bit of a tailspin, but with Trevino at the helm, the drinks, at least, have regained their footing. This was the finest of his new additions to the menu, a play on the Last Word – a classic which, full disclosure, I adore – that drinks like candied apricot in a glass. Trevino says when he first tasted the fruity, spicy notes in this American-oak-aged whiskey, part of Johnnie Walker’s Blenders’ Batch series, “I immediately thought of apricot,” he said. “We didn’t have anything on the menu that was like a Last Word, so I built it that way.” With whiskey standing in for gin, lemon for lime, Yellow Chartreuse for Green and apricot liqueur for maraschino, it’s a handsome, honey-gold humdinger with bold autumn flair.

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For one night, Dallas bartenders take over a San Francisco bar — for charity

Pacific Cocktail Haven
The Standard Pour bar crew, doing its thing at San Francisco’s PCH — for charity.

For any serious Dallas cocktail fan, the crew behind the bar Sunday would have looked familiar – Austin Millspaugh, Jorge Herrera and Christian Rodriguez, the popular Thursday night crew from The Standard Pour in Uptown – jostling shakers, swirling liquids, torching lemon peels and working the room in their dapper TSP uniforms. It was a practiced environment for the TSP crew, but a typical Uptown crowd this was not. A glimpse outside made it clear: They weren’t in Dallas anymore.

Chinatown was a half-mile away; the Transamerica Pyramid a few blocks beyond that. Five miles to the west, the Golden Gate Bridge. On Sunday, the Standard Pour team – which in recent months has made a habit of doing guest pop-ups at other bars – took things to a whole new level, bringing their traveling “TSP Takeover” to Pacific Cocktail Haven, or PCH, one of San Francisco’s newer cocktail joints.

Pacific Cocktail Haven
TSP’s Herrera talks cocktails with a thirsty patron who teaches at Stanford University.

“We’re going into a West Coast stronghold,” Millspaugh had said before the trip, aware that the city, along with New York, had forged the beginnings of today’s craft-cocktail revival. “We have to bring our A-game.”

And that they did, with a six-drink lineup sponsored by Pernod Ricard USA. As with their previous pop-ups at Dallas’ Industry Alley and High & Tight, it was all for charity – with Planned Parenthood the recipient of this night’s proceeds.

Though PCH has hosted guest bartenders before, “we’ve never had a team take over the bar,” said Kevin Diedrich, PCH’s operating partner. The bar, typically closed on Sundays, had opened for this special event. “It’s a cool way to share what we do, but also for them to share with they do. We went through the drink list this afternoon. There’s some cool flavors. They’re pushing the boundaries.”

Pacific Cocktail Haven
Millspaugh, garnishing his quirky Light Camera Action — reminiscent of caramel-truffle popcorn.

There was Rodriguez’ tropical Bad and Boujee, a mix of tequila, horchata, lime, cinnamon-vanilla syrup, Topo Chico and tiki bitters.

Herrera’s Tourist Trap was a crowd favorite featuring Irish whiskey, Yellow Chartreuse, bittersweet liqueur, sweet vermouth and a tobacco tincture.

Millspaugh, meanwhile, in typical Millspaughian fashion, had concocted the cocktail equivalent of caramel-truffle popcorn with his disorientingly delicious Light, Camera, Action – an ensemble of Irish whiskey, nutty Oloroso sherry, popcorn liquid, dehyrdrated foie gras and black truffle salt.

“It’s weird,” said one woman, a Stanford University instructor. “I feel like I’m drinking a movie.”

Pacific Cocktail Haven
Rodriguez’ tiki-style Bad to Boujee.

The TSP team showcased Texas hospitality and flair, with Millspaugh at one point grating dehydrated foie gras directly into a woman’s mouth. He, Herrera and Rodriguez have drawn a loyal following on Thursdays at The Standard Pour, which has made a habit of trying not to be a standard bar.

Last year, the McKinney Avenue venue featured a weekly series of guest crews from other Dallas bars; a weekly event felt like too much, so as 2017 rolled around they brainstormed. What if the TSP team spent one night a month working at other bars, they thought? “We’re just trying to get our names out there,” Rodriguez says.

Pacific Cocktail Haven
Pacific Cocktail Haven is one of the San Francisco’s newer and most well-regarded cocktail spots.

Their first “takeover” took place at Knox-Henderson’s Atwater Alley, after which Herrera proposed the idea of doing it all for a good cause. April’s event at Industry Alley, sponsored by Remy Cointreau, benefited Texas Scottish Rite Hospital for Children, while proceeds from their March pop-up at Deep Ellum’s High & Tight, sponsored by Avion tequila and St. Germain, went to the Dallas office of the National Multiple Sclerosis Society. Each event raised $1,300 or more for charity.

They recently met Jessamine McClellan, the San Francisco-based national brand ambassador for Redbreast Irish whiskey, and told her about the project, pitching the idea of taking their show on the road. She suggested the idea to Diedrich, who agreed to host the TSP crew. The Standard Pour offered to partially subsidize their trip, and the deal was done.

“The idea is, one, to showcase the place we work at, and two, to give back,” Millspaugh said. “It’s, like, paying it forward.”

Pacific Cocktail Haven
The Standard Pour crew: Rodriguez, Herrera and Millspaugh.

Standard Pour’s cocktail “takeover” for charity lands at Industry Alley Sunday

Industry Alley
The poster for Sunday’s benefit event, the second of what the bartenders hope to make a monthly occurrence.

When it comes to benefit events involving cocktails, there’s always room for one more. This weekend, Dallas’ Industry Alley is pulling off what perhaps no other local cocktail bar has done by throwing two benefit events on consecutive nights.

On Sunday, a team of bartenders from Uptown’s Standard Pour will be slinging drinks at the Cedars District bar, all for a good cause: All of the night’s tips will benefit Scottish Rite Hospital for Children.

“The Standard Pour Takeover” runs from 8 p.m. to 2 a.m. Sunday at Industry Alley, just one night after the bar hosts a pair of pop-up dinners from two teams of Dallas chefs, also to benefit Scottish Rite.

Standard Pour bartenders Austin Millspaugh, Christian Rodriguez and Jorge Herrera started the takeover events as a way of both promoting their bar and giving back, and they hope to make it a monthly thing. Last month’s inaugural benefit takeover, at Deep Ellum’s High and Tight and sponsored by Avion tequila and St. Germain elderflower liqueur, benefited the Dallas office of the National Multiple Sclerosis Society.

“It’s, like, paying it forward,” Millspaugh said. “And people get to experience different venues.”

Sunday’s event will be sponsored by Remy Cointreau, so look for cocktails featuring Mount Gay Rum, Botanist Gin and, of course, Cointreau.

The event is free to attend.

From Italy to Mexico to Southeast Asia, global flavors marked 2016’s best in DFW cocktails

Some of 2016's best, clockwise from upper left: At Abacus, Gantenbein's Smoke on the Water; at Jettison, Kaiho's Good Morning Jerez; at Sprezza, Zapata's Aperrat Sour; and at Henry's Majestic, Fletcher's Salt Lake Suburb.
Some of 2016’s best, clockwise from upper left: At Abacus, Gantenbein’s Smoke on the Water; at Jettison, Kaiho’s Good Morning Jerez; at Sprezza, Zapata’s Aperrat Sour; and at Henry’s Majestic, Fletcher’s Salt Lake Suburb.

The demands of the local craft-cocktail scene are too much for one country to handle, and the luckier we all are for that: 2016 was the year that Mexico, Spain and Italy came to the rescue. You could almost sense the year’s cocktail vibes being garnished with a neat little Luxardo cherry as north Oak Cliff’s Jettison opened in October, capping a year in which mezcal tilted even more mainstream, bitter liqueurs took center stage and sherry quietly earned a place at the table.

All three claimed territory on cocktail menus as bartenders became not only more versatile with each but confident that their patrons would drink them, too. Sherry popped up in drinks from heavyweights Knox-Henderson’s Victor Tangos, Abacus and Atwater Alley to newcomers like Oak Lawn’s Sprezza, Uptown’s Next Door and Flora Street Café, in the Arts District. Nowhere, though, was the Spanish fortified wine wielded more freely than in the dark confines of Jettison, where George Kaiho’s cocktail list spotlights sherry and mezcal – and occasionally coffee, as in his wonderful Good Morning Jerez. Spirits writer Warren Bobrow, who blogs at The Cocktail Whisperer, predicts sherry cocktails will be a national trend in 2017 – so way to go, DFW. You’re ahead of the game.

That wasn’t all 2016 had in store: Cachaca, the national spirit of Brazil, had a starring role in at least half a dozen spring menu highlights around town; banana, typically maligned and eschewed as a flavor in cocktails, enjoyed a solid summer run (as in the Magilla Gorilla at Deep Ellum’s Brick and Bones, made with banana-infused rye); and cognac, typically relegated to Sidecar status, tried on some new outfits  – as in Andrew Stofko’s tasty Cobra Kai at Victor Tangos, which put cognac front and center backed by sherry(!), dry vermouth, fuji apple syrup and bitter amaro.

Some of the year’s strongest overall drink lineups lay in typical strongholds like Midnight Rambler, Parliament and The People’s Last Stand, but the bar team at Knox-Henderson’s Abacus quietly made noise while The Cedars Social, the landmark lounge just south of downtown, showed solid signs of returning to top-tier status.

Among the year’s highlights: At Henry’s Majestic, Alex Fletcher’s Salt Lake Suburb – rye, apple shrub and soda – was a feat of simplicity; at Italian restaurant Sprezza, Daniel Zapata’s Aperrat Sour mined Aperol’s citrus-floral radiance. At Sissy’s Southern Kitchen, former lead barman Michael Reith smashed a home run with his strawberries-and-bourbon Louisville Slugger; and at Deep Ellum’s Armoury D.E., Chad Yarbrough’s Bow Street Bouncer elegantly echoed a classic Boulevardier with Irish whiskey, Lillet Blanc, aperitif wine and bitter Suze.

My tastes are my own, of course. I love the juniper of gin and the smoke of mezcal, the warm comfort of whiskey and the bittersweet beauty of Italian amaros; I’m drawn to flavor combinations that lure me down rabbit holes I haven’t been before and favor any drink offering a mouthful of an experience, where every ingredient, down to the garnish, is discernible or enhancing in some way.

Here were my favorite 15 craft cocktails of 2015.

Cedars Social
A better name than Eleven-Fifty: Mike Sturdivant’s coffee-bean-laced cocktail.

15. TEN MINUTES TILL MIDNIGHT (Mike Sturdivant, The Cedars Social)

Sheep’s Dip Scotch, Cynar, vanilla syrup, Suze, burnt coffee bean

This is dessert in a glass for people who love Old Fashioneds. As a craft bartender, one is practically required to go through a Cynar phase, and as Sturdivant, Cedars Social’s bar manager, went through his, he knew how well the Italian bitter played with coffee. Challenged by a European guest’s veteran palate, Sturdivant devised this drink late one evening; you can guess the time. He mixed bitter Cynar with vanilla syrup, Suze and bourbon-y Sheep’s Dip Scotch, garnishing it with a rolled lemon peel filled with burnt coffee beans that sit right up in your nose as you sip. The result evokes chocolate cake with a slight bitter finish and almost clings to your tongue, the beans guiding your senses. “The chocolate versus bitter versus strong Old-Fashioned-style drink kind of goes in and out as you smell the coffee,” Sturdivant says. “I like drinks that change flavors as they sit.”

Filament
In the garden of gin and vermouth: Filament’s Push It tiptoed through my two lips.

14. PUSH IT (Seth Brammer, Filament)

Gin, Cocchi Rosa, lemon, pink peppercorn, sea salt

As I wrote in March, Cocchi Rosa, the lush and rosy vermouth variation from the fine folks at Cocchi, is one of the best things you’ll ever put in your mouth. Flowery and fruity with the slightest hint of bitter, it’s a sensational sipper on its own, but beverage manager Brammer’s creation subtly backed it with gin’s botanical notes and a splash of lemon to round it out. Served in a Collins glass with floating peppercorns and a rim of fine sea salt, it was playful and beautiful to look at – but those little pink globules were more than decorative, adding a floral pop of their own. If Tom Collins and sangria had a little garden rendezvous, this would be the result.

Gantenbein's Scarlet Gael: Like drinking Scotch on a bed of pillows.
Gantenbein’s Scarlet Gael: Like drinking Scotch on a bed of pillows.

13. SCARLET GAEL (Jordan Gantenbein, Abacus)

Ardbeg 10-year Scotch, hibiscus tea syrup, honey, lime, vanilla tincture, egg white

The constantly evolving menu at Abacus featured a number of hits from Gantenbein, from Smoke On The Water, his shishito-infused tequila gem, to the whimsical Apple Of My Eye (featuring gelatinized apple pucker) and beautifully seasonal Rosemary Wreath. The Scarlet Gael emerged as my favorite, a drink he initially made for a Scotch-paired dinner and then put on the menu. Smoky and light with a soft citrus finish, it’s a marriage of Ardbeg’s peatiness and the soft sweetness of honey, hibiscus and vanilla, a trio of tiny rosebuds atop the froth.

Spencer Shelton's Rio Julep, evoking memories of Southern monkey bread.
Spencer Shelton’s Rio Julep, evoking memories of Southern monkey bread.

12. RIO JULEP (Spencer Shelton, Bolsa)

Aged cachaca, Cynar, grapefruit bitters, salt dash

A sudden influx of Avua cachaca graced Dallas early in the year, and no one embraced the Brazilian sugar-cane spirit more enthusiastically than Bolsa’s Shelton. Inspired by local bartender Daniel Guillen’s Cynar Julep and notions of Southern monkey bread, he crafted a Boulevardier riff subbing Amburana, Avua’s aged cachaca, for bourbon; Cynar for Campari; and grapefruit bitters and mint for sweet vermouth, to accent the herbaceousness. His creation earned him a nod in Saveur magazine. As I noted in April, Shelton wanted to show how bready, nutty Amburana could shine despite its seemingly delicate character. “The first time I tasted this, I thought it would get lost in a cocktail,” he says. “But no – it has this really interesting way of sitting on top and being predominant.”

Austin Gurley, High and Tight
Among the perks of Deep Ellum’s High and Tight was the coffee-powered Mayahuel’s Awakening.

11. MAYAHUEL’S AWAKENING (Austin Gurley, High and Tight)

Tequila, mezcal, cold-brew vanilla coffee, brown sugar, cinnamon

Fans of Mexican café de olla know the belly-warming sweetness that comes with every sip. This was not that drink – but as I wrote in May, it could have been its boozy cousin. “It pretty much came from my love for Mexican coffees,” says Gurley, who blended concentrated Madagascar cold-brew vanilla coffee with fruity reposado tequila, smoky mezcal and rich brown-sugar simple syrup, completing the salute to its stovetop Mexican relative with a dash of Fee Brothers’ Bourbon Barrel bitters, with its notes of cinnamon and vanilla. Served in a coupe half-rimmed with cinnamon-vanilla sugar, it was a perfect nightcap of comforting café de olla flavor and agave-spirit brawn, whose name (say it “ma-ya-WELL)” recalls the Aztec goddess of fertility and agave, from which mezcal and tequila are born.

Boulevardier
Ashley Williams’ Save The Date was a delightful riff on the Pisco Sour.

10. SAVE THE DATE (Ashley Williams, Boulevardier)

Aged cachaca, tamarind concentrate, amaro, egg white, lemon, Angostura bitters

As cachaca danced its way through Dallas last spring, it was Avua’s aged Amburana that shone brightest with its full-bodied cinnamon grape-y-ness. Williams, now at Filament, mixed the nutty, bready spirit with savory tamarind concentrate, bittersweet Meletti amaro, egg white, lemon and Angostura bitters for a wonderfully balanced variation on a Pisco Sour. The cachaca refused to be buried, dominating the finish with a hint of bitter Meletti. Lavishly presented with a radiant and aromatic flower resting atop the foam amid swirls of Angostura, it was one I could have enjoyed all night.

Parliament
Jesse Powell’s banana-influenced rye cocktail is not a Toronto, but it smacks you like one.

9. NOTATORONTO (Jesse Powell, Parliament)

Rye, banana liqueur, Fernet Vallet

Powell, a crowd favorite at busy Parliament, is used to pouring shots of whiskey or bitter Fernet for visiting bartenders, but as he briefly obsessed over Giffard’s lovely Banane du Bresil liqueur, he decided to try something different. “I thought – what do I like to drink, cocktail-wise, with Fernet?” he says, and the answer was a Toronto, a mix of Canadian whiskey, Fernet, simple syrup and bitters. Eventually he came up with this blend of Tennessee’s Dickel rye, Banane du Bresil and Mexican Fernet. Perfectly calibrated to meld whiskey power with banana sweet, it’s like a Toronto – but not.

The Standard Pour
Austin Millspaugh’s Bijou variation was one of several innovative ways cognac found its way into DFW cocktails in 2016.

8. COGNAC BIJOU (Austin Millspaugh, The Standard Pour)

Cognac, sweet vermouth, Green Chartreuse, root beer bitters, black truffle salt

Millspaugh is a cocktail explorer’s bartender, thoughtful and learned with something new always up his sleeve to drop on bold palates. Some of his finest 2016 creations were ultimately too adventurous to make it onto menus in original form, while others – like the one incorporating cuttlefish ink – were just too exotic for their own good. But when Millspaugh hits, it’s a thing of beauty – as in his Cure What Ails Ya, a cross between a classic Penicillin and a sangrita, on Standard Pour’s current menu. My favorite of his creations was this play on the classic Bijou, which subbed Cognac for gin and rounded it out with a well-conceived touch of earthy sarsaparilla flavor.

Flora Street Cafe
At Flora Street Cafe, Festa’s Madame Hummingbird made Hum great again.

7. MADAME HUMMINGBIRD (Lauren Festa, Flora Street Café)

Vodka, Hum, honey-piquillo syrup

Way back when Rocco Milano helmed the bar at Private/Social, may it rest in peace, he introduced me to Hum, a remarkably profuse hibiscus cordial offering notes of cardamom, clove, ginger and kaffir lime. A love affair was born; I couldn’t get enough of the stuff, and though the fling finally ran its course, it’s always good to see an old flame. That’s how the crafty Festa, at Stephen Pyles’ new downtown restaurant, lured me in; her flower-garnished cocktail lets sturdy Absolut Elyx act as handler, reining in Hum’s exuberance, but the real dash of brilliance is the chili syrup, which adds a welcome jolt of heat. “Hum and heat go well together,” Festa says. “It brings out the spices.” Or as my buddy Tim said after trying it: “You don’t even remember what it is that you’re experiencing. All you know is that there’s a perfect storm.”

Henry's Majestic
Fletcher’s Sidecar variation is like sipping through a winter wonderland.

6. SOUTHPAW STREETCAR (Alex Fletcher, Henry’s Majestic)

Cognac, persimmon shrub, citrus, clove dust

What do you do when your chef hauls in 80 pounds’ worth of foraged persimmons? Well, if you’re Alex Fletcher, you think on it a bit, make a shrub and craft my favorite Sidecar variation ever. Fletcher’s Southpaw Streetcar lets you roll along in tangy persimmon sweetness when suddenly, BAM! A burst of clove hits your tongue to bathe you in winter-fire goodness. Sugar-plum visions dance in your head; in the distance, you hear the jingling of sleigh bells and the sound of muffled hoofbeats in snow – and wait, is that Nana calling? Are the tamales steamed and ready? Oh wait – that’s just Fletcher, asking if everything’s OK and why your eyes have been closed for the last 10 minutes.

Atwater Alley
Cleve’s Agave Temptress: Making mezcal and cognac play nice together.

5. AGAVE TEMPTRESS (Ricky Cleva, Atwater Alley)

Mezcal, cognac, cinnamon, lemon, strawberry, Campari, thyme

Cleva was on fire in 2016; his Montenegro-fronted Before The Devil Knows You’re Dead and Japanese-Scotch-based Drunken Angel could easily have made this list. His Agave Temptress was my favorite of all; as winter headed into spring, he’d already been making wintery cognac and spring-evocative mezcal cocktails each featuring cinnamon and lemon, and he figured, why not combine the two spirits? As he quickly found out, it’s because they don’t easily play well together, but as he toyed with adding other ingredients he gradually hit upon a perfect mix, adding muddled strawberry for sweetness and a bit of bitter Campari to dry it out. The result? Tamed smoke and bitter, anchored by caramel-apple cognac; a sprig of slapped thyme atop the drink added a defining touch of spring fragrance.

The Cedars Social
If you like grapes, this is your drink: Loureiro’s Grapes Three Ways.

4. GRAPES THREE WAYS (Annika Loureiro, The Cedars Social)

Pisco, genever, grilled-grape syrup, lemon, port

Put a crafty bartender and a talented pastry chef together and you’ve got magic. (See Rocco Milano and Matt Medling, Private/Social, c. 2011.) Last summer, pastry chef Loureiro, in whose dream world the dessert and cocktail stations would exist side by side, had already paired grape-y Pisco Porton with malty Bols genever when, inspired by bar manager Mike Sturdivant, she amped up the grape with a patio-ready spritzer in mind. First she reflected the distilled grape by grilling fresh Concords and making a syrup – then, after adding some lemon to accentuate the sweetness topped it off with raisin-y tawny port. “We wanted those tannins in there, so you really got the full flavor of grape,” she says. The drink is a wave of tangy, smoky grape, a hefty sangria with the hue of strawberry tea; if grapes you like, this is your drink.

Chad Solomon, Midnight Rambler
Solomon’s Tiger Style was a passionfruit wildcat from Midnight Rambler’s summer lineup of “gritty tiki.”

3. TIGER STYLE (Chad Solomon, Midnight Rambler)

Batavia Arrack, calamansi, palm sugar, pippali, egg white, cassia aromatics

Chad Solomon’s seasonal drink menus are thoughtfully thematic and often exotic, and he was on fire this year; his Coconut Cooler, a gin-and-sherry blend sweetened with Southeast Asian pandan, was a spring highlight and offered a small preview of what was to come – a powerhouse summer menu of “gritty tiki” drinks reflecting Asian, African and South American influences. The Filipino-Indonesian-accented Tiger Style was my favorite, a seemingly light mix of Batavia Arrack (an Asian-style rum), passionfruit-y calamansi, palm sugar and Indonesian pippali that nonetheless packed a punch. A spritz of Indonesian cassia aromatics atop a dehydrated lime pulled you into the drink’s creamy orange-spice lushness, countered by the peppery pippali tincture’s gradual trail of heat. “The more you drink it, the more your lips tingle,” Solomon said, quite accurately. “It takes you into the exotic, and intentionally so.”

Victor Tangos
Stofko’s Guinness-black Seppuku Reale artfully merged Italian and Japanese influences.

2. SEPPUKU REALE (Andrew Stofko, Victor Tangos)

Amaro Montenegro, Gran Classico, furikake syrup, lemon, nori, furikake

Amaro Montenegro may be my favorite of the Italian bitter liqueurs; it leans toward sweet and herbal with the bitter only evident in tow. Stofko won a local Montenegro contest with this bold cocktail, crafting an unexpected taste detour to create one of the more interesting drinks I’ve ever enjoyed. Aiming to subdue Montenegro’s sweetness with an umami-ness he knew he’d like, Stofko crafted a syrup from furikake, a Japanese spice mix of sesame seed, seaweed (nori), sea salt and bonito flakes; upped the bitter component with Gran Classico; then added some lemon to round it out. The citrus, however, made the drink unpleasantly dark, so Stofko went all-in and added a bit of squid ink to turn it Guinness-black. The garnish was his piece-de-resistance – a sprinkling of roasted sesame seeds on a skiff of seaweed, floating atop the sea of dark; bring it to your nose and the aroma portended savory Japanese. “It just wakes up your palate,” Stofko says. Instead, you got something completely different: A bewitching bittersweet taste tempered with savory nuttiness. “That’s umami in a glass,” Stofko says. “I’m just glad (former GM) Matt (Ragan) let me put it on the menu.”

Vicini
Call’s response to bitter and smoky: The marvelous Rome Is Burning.

1. ROME IS BURNING (Robbie Call, Vicini)

China-China, mezcal, Meletti, Herbsaint

Ah, Vicini. We were just getting to know you. The Frisco-based Italian restaurant’s all-too-brief run may have been a flash in the risotto pan, but it was long enough for Call to have some fun behind the stick. One slow Sunday, the lanky Tate’s veteran, who now heads the bar at Oak Lawn’s Madrina, answered the call for something bitter and smoky. This was the luscious result – a rush of French and Italian bitter liqueurs anchored by mezcal and a rounding touch of Herbsaint, bitter orange and chocolate-caramel grounded in depths of smoke and anise. Simply garnished with an orange peel, it was everything I wanted in a glass, a mirepoix of worldly influences. “I’m a big fan of letting amaro drive the car and having the mezcal creep in,” Call says. So am I, Robbie. So am I.

As DFW’s craft-cocktail universe continued to expand in 2016, these stars shone brightest

Bartender Jordan Gantenbein's delicious and gorgeously seasonal Rosemary Wreath -- aged tequila, apple cider, lemon, apricot liqueur and fino sherry -- was one reason Abacus was among my favorite craft-cocktail bars in 2016.
Bartender Jordan Gantenbein’s delicious and gorgeously seasonal Rosemary Wreath — featuring aged tequila, apple cider, lemon, apricot liqueur and fino sherry — was one reason Abacus was among my favorite craft-cocktail bars in 2016.

One evening last month, having somehow wandered far beyond my urban comfort zone, I stopped in for a drink at Rye, a bustling bistro just off the square in McKinney. No, not McKinney Avenue, the trendy SMU hang in Uptown where, not surprisingly, some of DFW’s best cocktail joints have clustered in the last five years – but McKinney, the fast-growing former farm center 45 minutes north of Dallas.

Surely, I thought, even at this suburban outpost, I could score a decent gin and tonic. Maybe even an Old Fashioned. But as I scanned bar manager Manny Casas’ drink list, I found myself eyeballing anything-but-rural components: Mole bitters; gomme syrup; aloe liqueur; Fernet Francisco; honey-blessed Barr Hill gin. And then I noticed the small barrel to my left, which – as I would soon discover – harbored a terrific barrel-aged variation on the classic Negroni. My cocktail destinations had grown by one.

It’s more challenging than ever to keep up with the constantly expanding universe of cocktails in Dallas-Fort Worth. In the area’s farthest reaches, and in places that five years ago would have been content to serve simple mixed drinks, you can now order a Sazerac, or a Last Word, and avoid the indignity of blank stares or massive shade.

Quantity doesn’t necessarily equal quality, of course, and pretty surroundings alone do not a great cocktail bar make. DFW’s craft cocktail landscape in 2016 wasn’t without its casualties – notably Knox-Henderson’s Hibiscus, whose small but well-informed bar program enjoyed a loyal following, and noble but aborted ventures like Frisco’s Vicini and, in Lower Greenville, Knuckle Sandwich and Remedy, destined to close by year’s end.

But from straight-up cocktail joints like Oak Cliff’s Jettison and clubby enclaves like Quill in the Design District to cocktail-minded restaurants like East Dallas’ Lounge Here, Uptown’s Next Door and Quarter Bar in (gulp) Trophy Club, the boozy buffet available to cocktail drinkers showed few signs of abating. (And Hide in Deep Ellum and Frisco’s Bottled in Bond are still to come.)

At their very best, these spots echo – and often are part of – fine restaurants, serving up not just great drinks but a successful mix of efficient, attentive and consistent service; fresh ingredients attuned to the passing seasons; an energizing and welcoming vibe; the ability to cater to tastes simple and complex; and a savvy and innovative staff behind the bar.

Here, in alphabetical order, were my favorite 15 craft-cocktail spots in 2016.

Abacus
Bartender Jason Long shaking things up at Abacus.

ABACUS

Most come to the highly regarded Knox-Henderson restaurant for its fine dining – but personally, I never make it past the classy, comfortable bar and its black-clad crew of Jordan Gantenbein, Jason Long and John Campbell. Abacus’ thoughtful and playful drink list is a standout from season to season – Gantenbein’s Rosemary Wreath (pictured at top) was a wintry thing of beauty – but the off-road adventures are equally delicious and fun, as in Long’s recent mix of mezcal, cinnamon syrup and amaro.

Atwater Alley
A dark, intimate atmosphere accents Atwater’s speakeasy character.

ATWATER ALLEY

A couple of years have passed since Henry’s Majestic, at this once-cursed location on McKinney in Knox-Henderson, unveiled the speakeasy pearl buried within its oyster depths. Named for the nondescript thoroughfare from which it’s accessed, Atwater is a two-story, dimly lit sanctuary swathed in senatorial wood, where bartenders like Ricky Cleva (and the occasional guest bartender) let their talents run wild like wildebeests in the nighttime streets. Jumanji!

Everything you need to know about Black Swan is embodied in the Clint Eastwood image above the bar.
Everything you need to know about Black Swan is embodied in the Clint Eastwood image above the bar.

BLACK SWAN SALOON

Black Swan is a craft-cocktail lover’s dive bar, where barman Gabe Sanchez makes it look easy, firing volleys of classic and original drinks at the eager Deep Ellum hordes while somehow creating a backyard post-BBQ atmosphere. Among DFW’s early craft-cocktail spots, the Swan’s speakeasy vibe (there’s no signage outside) is captured in the image of Clint Eastwood above the back bar: anonymous and enigmatic, rough around the edges, coolly efficient. No drink list here; just tell Sanchez what you’re in the mood for or point at one of his latest jarred infusions, and let your Drink With No Name come riding into town.

Still creating after all these years: Bolsa's bar was among DFW's early craft cocktail practitioners.
Still creating after all these years: Bolsa’s bar was among DFW’s early craft cocktail practitioners. (Photo courtesy of Bolsa Restaurant)

BOLSA

Among DFW’s earliest craft-cocktail purveyors, the modestly sized bar-in-the-round at this Bishop Arts mainstay is going strong under lead barman Spencer Shelton, whose wonky spirits wisdom continues to fuel Bolsa’s culture of experimentation. The well-honed southside outpost, with a bold seasonal drink menu – take Shelton’s smoky bitter Mi Alma Rota, featuring mezcal and Fernet – is a last-stop refuge for neighborhood regulars and others looking for uncommon spirits and across-the-board creativity.

The clothing is gone but the vintage remains at Uptown's Bowen House.
The clothing is gone but the vintage remains at Uptown’s Bowen House.

BOWEN HOUSE

The place is gorgeous, dah-ling. But owner Pasha Heidari’s homey hideaway a stone’s throw from the madness of Uptown’s McKinney Avenue has finally settled into a groove nice enough to match its elegant Prohibition-Era character, what with its turn-of-the-century library and great-granddad’s framed pictures on the wall. A viable drink list now complements the able bar squad’s ability to craft something to your own tastes, and a sickle-shaped bar counter promotes interaction.

Go ahead and call it a comeback: The Cedars Social's latest resurrection is divine.
Go ahead and call it a comeback: The Cedars Social’s latest resurrection is divine.

THE CEDARS SOCIAL

Look who’s back. Once the shining light in Dallas’ budding craft drink scene, The Cedars Social’s nationally acclaimed promise imploded in what I simply refer to as The Great Unpleasantness, thereafter plummeting off the craft-cocktail radar. Several iterations later, barman Mike Sturdivant is at the helm, and things are looking bright again: Along with Dallas pastry chef Annika Loureiro, he’s crafted a refreshingly original drink menu – including the Soju Spice, which makes excellent use of the Korean rice-based spirit – while staying true to pre- and Prohibition-era classics.

Forget the fancy stuff: Industry Alley does craft cocktails the old-school way.
Forget the fancy stuff: Industry Alley does craft cocktails the old-school way. (Photo courtesy of Industry Alley Bar)

INDUSTRY ALLEY BAR

When Charlie Papaceno left the Windmill Lounge in late 2014, among his goals in opening Industry Alley was to recreate the lounge’s come-as-you-are vibe. In that he has succeeded, creating a down-home atmosphere that’s a favorite for Cedars-area locals and industry regulars alike. You won’t find fireworks, fancy syrups, infusions or house-made bitters here – just the makings of a good time and classic cocktails like the legendary Singapore Sling.

Oak Cliff, Sylvan Thirty
Jettison’s cozy space in Oak Cliff adjoins the most recent of Houndstooth Coffee’s four locations.

JETTISON

The latest addition to Oak Cliff is a welcome one, especially for imbibers of sherry, the Spanish fortified wine, and mezcal, the smoky agave spirit mostly from Oaxaca. Discreetly nestled within the Sylvan Thirty complex next to Houndstooth Coffee, whose owner, Sean Henry, launched Jettison as his initial cocktail venture, it’s a sleek and shadowy hidey-hole where barman George Kaiho crafts excellent classic twists like the Red Headed Oaxacan, a play on the Penicillin fielding both tequila and mezcal along with honeyed ginger syrup, lemon and a float of Scotch.

Dallas cocktails
Midnight Rambler: Setting the pace in Dallas-Fort Worth’s craft-cocktail scene.

MIDNIGHT RAMBLER

This rock-and-roll hideaway in the underbelly of downtown Dallas’ Joule Hotel is truly a gem — and it keeps getting better, with its lush and well-structured space equipped to manage the peaks and valleys of hotel and weekend crowds. The long-awaited project from Chad Solomon and Christy Pope, which opened just over two years ago, is purposely efficient, lavishly designed and wholly adventurous, driven by Solomon’s bordering-on-geeky cocktail-science know-how: Witness the Pinetop Perker, which graced the spring menu, a woodsy wallop of genever, aquavit, pine, lemon, egg white, apple schnapps and a perfume-like “alpine woodland essence” spritzed onto a dehydrated lemon wheel.

If it's gin and whiskey beauty you seek, venture to The Mitchell.
If the beauty of whiskey and gin you seek, venture to The Mitchell.

THE MITCHELL

What if there were a place where you could pluck away the plumage of more involved libations and jump directly into the embrace of your whiskey or gin without feeling like a vegan at a Vegas buffet? Well, my friends, The Mitchell is your place: The stately space in the former home of Eddie “Lucky” Campbell’s Chesterfield in downtown Dallas boasts 50 kinds of gin and a hundred different whiskeys, the better to meet your martini, Old Fashioned or straight-up sipping requirements. And the glassware is beautiful too.

Bartender Jesse Powell dropping a Ramos Gin Fizz at Parliament.
Bartender Jesse Powell, dropping a Ramos Gin Fizz at Parliament.

PARLIAMENT

Comfortably nestled within the labyrinth of Uptown apartments off raucous McKinney Avenue, Lucky Campbell’s gem of a bar can often be as busy as its 100-plus drink list. Just the same, the well-trained crew, featuring the occasional visiting star bartender, keeps the crowds soused and entertained from behind the horseshoe-shaped bar, whether the vibe is loud or laid-back. With concoctions like Jesse Powell’s unnamed mix of aged tequila, sweet potato truffle syrup, sherry, apple and cinnamon, Parliament is a first-rate cocktail den with Cheers-style ease, a special combination indeed.

Rock steady: The People's Last Stand.
Rock steady: The People’s Last Stand, at Mockingbird Station.

THE PEOPLE’S LAST STAND

The Mockingbird Station stalwart is still going strong in its second-level space, churning out an ever-changing list of libations behind a veteran bar team led by general manager Devin McCullough. The drinks are original and varied – and occasionally playful, as in the wintry Petra at Night, a hot rum cider mix served with apple slices and mini wafers, and Mr. Joe Black, an equally snack-y blend of rye and cold-brew coffee featuring blackberries, brown sugar and cayenne-sugared pecans. “Everybody’s got their little side munch going on,” McCullough said.

Brian McCullough's battle-ready bar on McKinney, still firing on all cylinders.
Brian McCullough’s battle-ready bar on McKinney, still firing on all cylinders.

THE STANDARD POUR

Just up the street from Parliament, the McKinney Avenue landmark remains, as I described it last year, a craft-cocktail battleship – built to weather weekend barrages of bar hoppers but equally effective quietly docked on a Tuesday eve. A crew staffed by talents like Austin Millspaugh and Jorge Herrera helps take the sting out of former lead barman Christian Armando’s departure, pumping out a stream of solid originals as well as the ubiquitous Moscow Mules. Like Parliament and Industry Alley, Brian McCullough’s stalwart staple maintains a homey vibe whether rafting calm stream or raging river.

Bars of the Year 2013
A wry, loose attitude and remarkable consistency define this craft-cocktail institution on Fort Worth’s Magnolia Avenue.

THE USUAL

While the cheeky drink menu has barely changed, the bartenders at this seemingly never-understaffed Magnolia Avenue haven in Fort Worth are more than handy with the palette of potions behind the bar. I said this last year, and it holds true today: More than anything, what impresses about The Usual – among DFW’s pioneering craft-cocktail joints – is that I have yet to have a drink there that didn’t qualify as a success, which is something I can’t say about that many places.

Victor Tangos restaurant in Dallas. (Photo by Mei-Chun Jau)
Lively and inventive, Victor Tangos still makes craft-cocktailers’ hearts skip a beat. (Photo by Mei-Chun Jau)

VICTOR TANGOS

Another of DFW’s initial craft-cocktail practitioners, this Henderson Avenue landmark found its footing again under beloved general manager Matt Ragan. Though Ragan recently departed, the cocktail program remains in the able hands of bar manager Andrew Stofko, one of the city’s most exciting young talents; among Stofko’s 2016 creations was The Dread Pirate Roberts, whose intricate mix of Brazilian cachaca, grapefruit liqueur, bitter Suze, lemon, cinnamon syrup, Angostura and hopped grapefruit bitters was wonderfully reminiscent of tart apple pie.

Runners-up: Armoury DE, Flora Street Café, Lounge Here, Small Brewpub, Thompson’s Bookstore.

Standard Pour bartender wins local cocktail battle, will represent DFW at national competition

Espolon Cocktail Fight 2016
Dallas’ Jorge Herrera takes on Fort Worth’s Amber Davidson in the final round of DFW’s Espolon competition.

For a lot of people, the idea of making a few drinks brings to mind mixing a little vodka with soda over ice, but for the craft bartenders who strutted their stuff before the judges earlier this week, it meant much, much more – firing up an original cocktail and then knocking out a dozen tequila classics, all within minutes. And with flair, to boot.

Espolon's annual contest for the DFW region was held at the Design District's DEC On Dragon.
Espolon’s annual contest for the DFW region was held at the Design District’s DEC On Dragon.

Jorge Herrera is on his way to New York City because he managed to make the whole thing look easy. A veteran of Plano’s Mexican Sugar who joined The Standard Pour in Uptown earlier this year, Herrera took top prize at Monday’s Espolón Cocktail Fight for the right to represent the DFW area at the tequila brand’s national finals in November.

Held at the DEC on Dragon, the event – part culinary competition, part WWF – was a raucous, “luchador-style” affair pitting Dallas drink slingers against their Fort Worth brethren.

Here, in photos, are some of the highlights.

In the first matchup, Devin “El Guapo” McCullough of The People’s Last Stand, at Mockingbird Station, took on Amber “Waves of Pain” Davidson of Fort Worth’s Bird Cafe. Contestants had two minutes to set up their stations and three minutes to prepare their original cocktails for the judges.

Espolon contest round 1
McCullough and Davidson, going mano a mano before the thunderous crowd. Both of their cocktails — McCullough’s coffee-inflected Milkman and Davidson’s black-salt-rimmed Pearls and Spice — earned them passage into the second round.

Next up was Jonathan “Manila Killa” Garcia, also of The People’s Last Stand, against Jermey “Big Jerm” Elliott of Citizen, in Uptown. Garcia appeared in a conical hat while Elliott fired up the crowd by stripping down to shorts and a tank top.

Espolon contest round 2
Elliott crafting his cocktail, A Mexican at Lumpinee, featuring curry powder and Thai basil/pineapple syrup, in the contest’s second matchup.

 

 

 

 

With competitors taking the stage with painted faces, or in skimpy or outlandish outfits, supporters embraced the costumed spirit of things and advantaged the nearby photo booth.

The crowds were pumped full of enthusiasm and tequila, especially the boisterous Fort Worth contingent.
The crowds were pumped full of enthusiasm and tequila, especially the boisterous Fort Worth contingent.

The third matchup pitted Cody Barboza, of Deep Ellum’s Armoury D.E., against Jason Pollard of The Usual, in Fort Worth. Both Barboza’s mescal-fueled El Rico and Pollard’s One Hour Break — which leaned savory with Averna and molé bitters — earned second-round status.

Cody Barboza, Armoury D.E.
Barboza’s El Rico cocktail, which paired Espolon reposado with mezcal, fruit and jalapeño with a chocolate/salt rim.

In the fourth duel, Brittany “B-Day” Day of Thompson’s, in Fort Worth, faced off against Geovanni “Geo” Alafita of Knife, near Mockingbird Station. Day’s Smoke In The Morning went smoky-sweet with mezcal, maple syrup and Allspice Dram while Alafita’s preciously presented Rosario combined tequila with mildly bitter Aperol, cilantro and jalapeño.

Espolon contest 2016
Clockwise, from upper left: Day, of Thompson’s; Alafita’s Rosario; Alafita pouring his drink; Day’s Smoke In The Morning, after a drink or two.

In addition to taste, presentation and how well the tequila shone through, contestants were judged on showmanship. In addition to yours truly, the panel included chef Nick Walker of The Mansion at Turtle Creek, Bonnie Wilson Coetzee of FrontBurner Restaurants and Frederick Wildman brand ambassador Austin Millspaugh.

Walker, Wilson Coetzee, Millspaugh
Three of the night’s judges: Walker, of The Mansion, FrontBurner’s Coetzee and Millspaugh, of Frederick Wildman distributors.

The fifth and final first-round match was easily the most entertaining as the typically understated Jorge “Don Juan” Herrera of The Standard Pour took the platform with a lovely lady on each arm in his duel against Sean “McDoozy” McDowell of Thompson’s. But Herrera put some shine on his show by completing his deceptively simple drink with plenty of time to spare, then lighting up a cigar and preening before the crowd as McDowell continued to race against the clock.

Herrera’s Carolina cocktail was lush with cigar-infused Grand Marnier, while McDowell’s tart Trade With Mexico bundled both Espolón blanco and reposado with tea and homemade ginger beer. Both advanced to the second round.

Espolon contest 2016
Clockwise from upper left, McDowell’s Trade with Mexico; the two rivals take the stage; Herrera’s Big Daddy strut; Herrera’s Carolina cocktail; the competitors in action.

In the second round, the top six contestants each had to crank out 10 El Diablos — a lesser known tequila classic featuring reposado tequila, créme de cassis, lime and ginger beer — within a few minutes’ time.

Round Two: McDowell, Pollard and Davidson of Fort Worth double-down on El Diablos against Dallas' Herrera, McCullough and Barboza as co-emcee Chase Streitz calls the action.
Round Two: McDowell, Pollard and Davidson of Fort Worth double-down on El Diablos against Dallas’ Herrera, McCullough and Barboza as co-emcee Chase Streitz calls the action.

Herrera’s and Davidson’s were dubbed mas macho by the judges and both advanced to the final round, where each had to craft a Margarita using Espolón blanco, a Paloma with Espolón reposado and an Old Fashioned with Espolón añejo — again, within a few minutes.

A taste of each drink, then the judges conferred, taking into account the entire night. It was Herrera’s performance that was judged best overall, which means he’ll be competing at Espolón’s national finals in early November.

Espolon contest 2016
Brian McCullough, co-founder of The Standard Pour, embraces Herrera as the bartender is named winner of Espolon’s DFW contest.

 

Brian McCullough, co-founder of The Standard Pour, said he had no doubt that the Uptown bar’s attention to efficiency on busy weekend nights helped prepare Herrera for the competition’s fast-paced demands.

Between that and Herrera’s previous training at FrontBurner, which owns Mexican Sugar, “he’s been working toward winning this ever since he started working here,” McCullough said.

To watch a normally subdued guy transform into the very picture of confidence made him proud.

“Seeing him do that was like seeing him come out of his shell,” McCullough said.

 

Barrels of fun: Campari competition shows tasty things come to those who wait

Mike Steele, Industry Alley
At Industry Alley, Mike Steele’s barrel-aged Sir Reginald, among the competition’s nine entries.

More than a month has passed since Dallas’ last two cocktail competitions, both coincidentally arranged for the same day in June. While a few ingredients may have been pre-prepared a day or three ahead, the bartenders at both the “Disaronno Mixing Star” contest (won by Smoke’s Mandy Meggs) and the subsequent Pisco Mercenaries’ “Pisco Punch Duel” (won by Rapscallion’s Andres Zevallos) pretty much shook or stirred their cocktails up in real time.

Last week, though, brought a different sort of beverage bout, one that deliciously demonstrated how patience and ingenuity can create liquid gold. The Campari Barrel-Aged Cocktail Competition, organized by local rep Chase Streitz, showed how barrel-aging smooths out liquor’s hard edges while adding beautiful depths of flavor; mixtures are conceived and left to age for weeks in a barrel, the wooden cocoon from which will hopefully emerge a beautiful butterfly of a drink.

Robbie Call, Madrina
At Madrina, Robbie Call pours his beer-enhanced Frenchie cocktail, the base of which was barrel-aged.

The rules were this: Contestants had up to six weeks to age their cocktail in a 5-liter barrel. Each was to be built on a base of Bulldog gin, a London Dry-style spirit featuring several influences not typically seen in gins – lotus leaf, poppy and the lychee-like dragon eye fruit. The final presentation could include no more than seven ingredients, one of which had to be the Italian bitter liqueur Campari or one of its products.

In all, nine bartenders fielded entries. Some concoctions had entered the barrel fully assembled and then reappeared, transformed; others, like Robbie Call’s Frenchie, went into the barrel in partial form and were enhanced with other ingredients before serving.

Call, the bar manager at Madrina, poured out his bright barrel-aged mix of gin, Aperol and herbal-sweet Dolin Genepy and shook it with lemon, simple and egg white; that was then strained into a half-glass of Duvel beer.

The result craftily utilized the egg white, which sat atop the cocktail and gave it the appearance of a frothy summer ale. “It makes a great foam,” said visiting judge Amanda Olig, of Denver’s Meadowlark Kitchen. “It looks like the head on a beer.”

Peter Novotny, Armoury D.E.
Novotny’s Sancho cocktail, at Armoury D.E.

Another notable was Peter Novotny’s Sancho, a play on the classic Martinez and a recent addition to the specials board at Deep Ellum’s Armoury. Featuring gin, orange bitters, roasted-black-pepper-infused cherry liqueur and dry vermouth infused with the cherry-vanilla influence of tonka beans, its unaged version was pleasantly sweet and worth drinking on its own. (One judge, in fact, preferred it over the aged one.)

The barrel-aged drink was boozy and winter-ready, illustrating how the process can take a drink from sunny-weather refresher to winter warmer.

All of the entries evidenced the undeniable influence of wood. These were vigorous barrels. “You’re not going to get rid of the taste of the wood,” said Dee Sweis, who tends bar at The People’s Last Stand. “That’s the whole point of barrel-aging.”

A few bartenders got a rein on those woodsy depths by pre-treating their barrels: For his Churchill Negroni, Michael Reith of Sissy’s Southern Kitchen in Knox-Henderson poured sweet Spanish sherry into his barrel and rotated it daily for a week before replacing it with his classic Negroni combination of gin, Campari and sweet vermouth.

Michael Reith, Sissy's Southern Kitchen
Reith rotated his barrel for a week with sweet sherry before setting his Negroni to age.

But Reith also elaborately pre-spiced his gin with goodies including clove, coriander, star anise and dried fruits, his overall goal being to evoke sherry and tobacco, two of Winston Churchill’s favorite ingredients. “Rather than actually using tobacco, I wanted to hit those notes,” he said.

The result was luscious and beautiful, and it took second in the judging. Parliament’s Drew Garison took third with his Summer in SoHo, a mix of pear and white-peppercorn-infused gin, apricot liqueur, Aperol and lavender bitters.

On the top prize, though, we all agreed on an unlikely source: Renfield’s Corner, the high-volume party den in Uptown where Rogher Jeri’s sultry Bulldog and Zen, playing off the gin’s Eastern and Western influences, was all at once thoughtfully presented, bold and well-conceived. He combined the spirit with dry vermouth, a touch of ginger liqueur and herbal Yellow Chartreuse, and a vinegary lemon-lavender shrub. Halfway through the aging process, he added a jalapeño oleo saccharum, a classic sugar oil typically extracted from citrus.

What made Jeri’s effort so intriguing is that in unaged form, there was nothing special about the drink. It was both blond and bland, a little cloudy in appearance, an ugly duckling loosed into the world. But it returned a swan: Tart and nicely balanced, with a handsome amber hue and a just-right singe of jalapeno, which can often be overdone. It was a startling metamorphosis.

Rogher Jeri, Renfield's Corner
Jeri’s remarkable Bulldog and Zen.

“It’s like a wasabi burn,” said judge Austin Millspaugh, local rep for liquor distributor Frederick Wildman and Sons, as he sipped. “It clears your nose and then dies off.”

“It travels through your palate and, just as it starts to heat up, it sweetens,” Streitz added.

To top it off, Jeri gave a nod to the gin’s signature ingredients by garnishing the drink with a lavender stem and a lotus flower sculpted from a jalapeno. It was exquisite. Or as judge Pezhmon Sabet, secretary of the the U.S. Bartender’s Guild’s North Texas chapter, said: “That’s a badass drink.”

Was it Churchill who said good things come to those who wait?

Follow the bouncing bartender: Nine craft-cocktail moves you should know about

Hops and Hominy, Cafe du Nord
Unfortunately for Dallas, Meddlesome Moth’s Loiselle has taken her talents to ‘Frisco. Um, the one in California. Shown here at San Fransciso’s Hops and Hominy, she’s now at Cafe du Nord.

We all know that the people who make your cocktails can be right up there with your doctor, your shrink, your spiritual leader and your favorite podcast host when it comes to simple week-to-week survival. Sometimes they’re kind of all of those things rolled into one, except that they can also knock out a good drink – which might make them the most important people of all.

So when the best of them move on to new places, you want to know. Here’s a roundup of some of Dallas’ craft-cocktail peeps who’ve found new digs.

Chefs for Farmers 2013
Don’t start freakin’ if you haven’t seen Eakin: He’s over at soon-to-open Rapscallion.

If you haven’t seen Eddie Eakin mixing things up at Bishop Arts’ Boulevardier lately, it’s for good reason: The buff barman has been busy readying beverage operations at soon-to-open Rapscallion, the new Lower Greenville venture from the folks behind Boulevardier.

With Eakin at the helm and one wall pretty much entirely devoted to bar space and storage, you know it’s going to be serious.

In Eakin’s absence, former Meddlesome Moth mixmaster Austin Millspaugh has stepped in to fill the void. The man who once incorporated foie gras into a cocktail is now overseeing Boulevardier’s bar program and is already in full tinker mode; if your tastes lean toward bitter, try his smoked Negroni with Fernet, thyme and Green Chartreuse. His ambitious alchemy should be interesting to watch as the year goes on.

Boulevardier, Dallas
Millspaugh: Your new master of ceremonies at Boulevardier.

Oak, in the Design District, is another place to put on your radar: The high-end restaurant has gotten double-barrel-serious about its cocktail program by bringing on both Michael Reith and James Slater, who between them produced three of my favorite cocktails of 2014.

One night, Reith was working his last night at the venerable Windmill Lounge in T-shirt and jeans, and the next he was pouring fancydranks in Oak’s signature white button-down shirt, black pants and tie. “I love it here,” he says. “It’s going to be a chance to shine again.”

Spoon Bar & Kitchen
Done with the utensils: After gigs at Knife and Spoon, Slater is now at Oak.

Slater, formerly of Spoon, is likewise happy about the move; the dynamic duo have already put their formidable imprint on Oak’s cocktail menu with classic variations that include a killer Negroni and an Old Fashioned made with Old Tom gin. Though the two are different in style, their philosophies are simpatico, and the Panamanian-born Slater aims to inspire patrons to consider them as much of an accompaniment to dinner as wine.

“We’re going to change the bar program,” Slater says. “We’re like Batman and Robin.”

Oak
Reith: Taking things up a notch at Oak.

Meanwhile, it’s been six weeks since the much decorated Daniel Guillen left La Duni, for … well, for what no one was exactly sure – but after more than nine years with the operation, whose cocktail operations had become synonymous with his name, it was time to make a change.

It turns out there was a beast waiting to explode: The proudly Peruvian-born bartender has been unleashing his passions for Central and South American drink culture at places like Proof + Pantry and pop-up events – like next week’s cocktail dinner with Chef David Anthony Temple at Twenty Seven.

Proof + Pantry
Guillen, here at Proof + Pantry, is loosing Latin libations on Dallas after his long stint at La Duni.

“Most bartenders focus on classic American cocktails, maybe a few from Europe,” Guillen says. “In my case, that doesn’t make sense. I would be one of many. So I thought, what can I bring to the table?” Look for more of the same while he and cocktail guru Sean Conner, he of the metroplex’s northern hinterlands, work on an upcoming project set to launch this fall.

At Blind Butcher, Ian Reilly is putting his own spin on things after joining the meat-forward establishment a couple months ago. “He’s the shit,” a departing and obviously happy patron says one evening. “He educates you and he makes you a badass drink.”

Reilly’s variation on the Old Fashioned, which he calls the Hubris, features whiskey with a hops-based syrup, because, “If I had to envision something that men here would want to drink – guys on the prowl, out celebrating, maybe going from beer to cocktails – what better way than to use hops as the sweetener?”

Blind Butcher
The Beard and the Butcher: Reilly, now pouring on Lower Greenville.

It’s one way that the bearded bar man is easing his way in at a place that has carved out a niche on busy Lower Greenville. “The formula here is working,” says Reilly, formerly of Bowl & Barrel and The People’s Last Stand. “I don’t want to stomp on that.”

Barter’s closing in January dispersed a number of souls to the winds – and one of them was the understated Creighten Brown, who has resurfaced at Tate’s in Uptown. (Juli Naida, as noted in 2014’s end-of-year post, has joined Mate Hartai’s team at Remedy.)

Tate's Uptown
Mr. Brown is back Uptown, at Tate’s.

The talented tipple maker – whose Black Monk was also among my favorite cocktails last year – went from bar-back to bartender at Barter and is already hyped to be among Robbie Call’s team at Tate’s, along with Pro Contreras and Ryan Sanders. “The whole gang, man,” he says. “Good times, good times.”

Finally, Dallas recently bid farewell to two budding talents – Lauren Loiselle, who headed the bar program at Meddlesome Moth, and bartender Damon Bird of LARK at the Park. Both also figured prominently in my 2014 list but found themselves drawn to the Bay Area (and who can blame them?). “Two of our real good friends live in San Francisco,” Bird told me before they left. “We talked about it a long time and just decided to give it a go.”

Mikkeller Bar, San Francisco
The Bird has flown: Formerly at LARK, he’s now settling in at San Francisco’s Mikkeller Bar.

Leaving Dallas was bittersweet, but both are excited about their new opportunities: Loiselle has joined the bar team at Café Du Nord, the new venture from the owners of Trick Dog. The team knows what it’s doing: Trick Dog is among four finalists for Best American Cocktail Bar at this year’s Tales of the Cocktail Spirited Awards, to be awarded next month. “I’m super stoked,” she says.

Bird, meanwhile, has nested at Mikkeller Bar, a beer-centric spot near Union Square featuring the best of brews from around the world. While he misses the craft-cocktail world, you can tell the easygoing drink-slinger has found his people. “This was my choice place,” he says.

CORRECTION: An earlier version of this post misidentified Tate’s Ryan Sanders as Ryan Frederick.