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Best-of lists, Cocktails, Dallas

One last look at 2013: The year’s best in Dallas cocktails

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Matt Perry, Belly & Trumpet
Belly & Trumpet’s Scorched Belly: Among 2013’s more noteworthy cocktails.

A great cocktail should take you on a little journey, and one benefit of DFW’s thriving craft-drink culture is the growing number of bar-peeps able to put you aboard that flavor train. The year 2013 was a highlight reel of riches: There was Amber West’s Wild Weeds – a Scotch-and-beer blend rimmed with smoked-almond salt – at Central 214; Chase Streitz’s nectarine-and-Fresno-chile-syrup-influenced Honey Bee Sting at Sissy’s Southern Kitchen; and the just-right, savory bacon-infused bourbon goodness – not an easy feat to pull off – that Tamsin Gray (now at Barter) achieved with the Bull Lejeune at Ser.

La Duni’s stalwart Lemon 43 spoke to my inner adolescent with its lemon fruit-gem sweetness, while Belly & Trumpet’s Scorched Belly cocktail (pictured at right) was certainly one of the year’s prettier drinks. Last summer at Bar Smyth, former bar chief Michael Martensen introduced me to the excellent Smoky Negroni, a twist on the classic cocktail (attributed to Austin’s Rob Pate) that subs mezcal for gin. Asian flavors surprised, too: At Bowl & Barrel, former bar manager Ian Reilly – now at Chino Chinatown – cleverly used hoisin sauce in a pisco-based drink called the Passerine, while Victor Tango’s Alex Fletcher incorporated miso into his gin-fueled Art of War.

I could go on. Some of my year’s favorite drinks are still on menus, some aren’t; some never were. Some can be rekindled from memory at their original locations, some have been lost to posterity. As the last year has shown us, places close, others open, sands shift. But it’s the people who make the scene: Follow them and you won’t go wrong.

My tastes are partial to the bitter and the botanical – show me a bottle of Suze behind the bar and I’m in – and classic browns like the Old Fashioned and the Sazerac. That said, here are my 15 favorite DFW cocktail discoveries of 2013.

Eddie "Lucky" Campbell, Abacus
The Blackberry Smash: One more reason things are looking up at Abacus.

15. BLACKBERRY SMASH, Abacus (Eddie “Lucky” Campbell)

Campbell’s hiring at the five-star restaurant showed that Abacus was as serious about its cocktails as it was about its food. This was among the first of his new additions to the menu, a gorgeous concoction of bourbon and muddled blackberries, full-bodied and smooth with echoes of grape that give this luscious drink cache beyond whiskey’s typically male demographic. “It’s delicious,” my friend Susan said after a sip or two. “I think a girl who doesn’t like whiskey would still like this.” Not to mention a boy who likes whiskey, too.

Jacob Wallace/Emily Perkins, H&G Sply
Mad beetz: H&G Sply’s refreshingly vegetal Double Under

14. DOUBLE UNDER, H&G Sply (Emily Perkins via Jacob Wallace)

Who doesn’t love beets? Okay, a lot of people doesn’t love beets. But properly speaking, for those of us who do, this splash of refreshment ably answers the call – a simple mix of lively beet-infused tequila, lime and rosemary syrup. Perkins – now with Remy Cointreau – modified this creation by Portland’s Jacob Wallace for H&G’s drink list, toying with the proportions; “it’s supposed to be an earthier Margarita that never feels out of season,” she says. The taste is sour beet moxie and tangy lime, with a slight hint of herb. Unabashedly red with a flirty half-skirt of glittery salt, it sure is purdy to look at, too.

Matt Orth, Lark on the Park
Keeping things in proportion: Suze leads the way in this twist on the classic cocktail.

13. NEGRONI VARIATION, Lark on the Park (Matt Orth)

One benefit of the classic Negroni – equal parts gin, sweet vermouth and bitter Campari – is that it lends itself to modification: Sub mezcal for gin, as mentioned above, and you still have a formidable drink. Around the time Lark on the Park opened last spring, I was bouncing around town seeing what bartenders were doing with Suze – the herbal French bitter that had become my latest crush – and asked bar manager Orth what he could come up with. This was his second concoction – a honey-gold, bitter/botanical flourish of Suze, Gran Classico and Art in the Age’s Sage spirit, marked by a leafy, sage finish.

Alex Fletcher, Victor Tango's
You have no idea how lucky Dallas is that Alex Fletcher didn’t leave Peru a day earlier until you’ve had this drink.

12. LAST NIGHT IN PERU, Victor Tango’s (Alex Fletcher)

Last summer, Fletcher, the new bar manager at Victor Tango’s, traveled to Peru to more fully explore the world of pisco (a light-shaded brandy) and came back inspired by a raisin-syrup-enhanced drink he had on his last night there. “This is my tribute to that,” he says. Employing a perfectly highlighted date syrup instead, this butterscotch-hued drink – with pisco, lime, egg white and Peruvian bitters – has a gentle, fruity sweetness that can shine all year long.

Mike Steele, Bar Smyth
Bitter/sweet legacy: Former Dallas bartender Mike Steele is now in Denver, but left us with this gem.

11. TWO THIRTY, Bar Smyth (Mike Steele)

In the days that followed Bar Smyth’s much-anticipated opening last March, bartender Mike Steele – whose creations twice landed in my list of 2012’s favorite cocktails – served up this doozy that he’d been working on for some time. With two ounces of Eagle Rare bourbon, ¾ of Gran Classico, ½ apiece of Pedro Ximenez sherry and Carpano Antica and a dash or two of celery bitters, it’s a linebacker of a drink, chocolate-y and mildly sweet, something you’d want to sip in front of the fire. In the version pictured above, I subbed the more maple-forward Angel’s Envy for the nutty Eagle Rare and echoed PX sherry’s raisin notes with Lustau’s East India Solero, and it was still terrific. Use mezcal in place of the bourbon, as Steele also did, and you have the Dos Y Media.

Omar YeeFoon, Bar Smyth
For too short a time, we sipped our cares away with this caraway-flavored goodness from Omar YeeFoon.

10. BAD SEED, Bar Smyth (Omar YeeFoon)

Maybe I actually waltzed into the menu-less Knox-Henderson speakeasy and asked for something with Aquavit, the Scandinavian caraway-flavored liqueur. (Doubtful.) Or maybe it was something that YeeFoon just happened to be playing with that day. (More like it.) Whatever the case, this inventive drink to which he added Averna, egg white, lemon and a creative splash of root beer and toasted sesame seeds caught my fancy for its frothy off-beat nuttiness. YeeFoon is no longer at Bar Smyth, so I don’t know whether this is still part of his repertoire, but the next time you see him around town it’s worth checking out.

Gabe Sanchez, Black Swan Saloon
Go fig or don’t go at all: Black Swan’s Vieux Carre.

9. FIGGY VIEUX CARRE, Black Swan Saloon (Gabe Sanchez)

It’s always fun to dip into Deep Ellum’s Black Swan and see what the heck bar man Gabe Sanchez is up to that night. Maybe he’s brewing coffee with bourbon – or maybe, as in this case, he’s taking a spoonful of fig jam and setting it afire. So taken was I with this element that I didn’t note at first the lineup of ingredients that would accompany it: Rye, Cognac, sweet vermouth, honey-sweet Benedictine – the classic Vieux Carre. This is Black Swan’s take on it, and cooking the jam reins in its sweetness (the drink has enough of that element already) and lets the wintry fig shine through.

Lee Heffter, Five Sixty
Find me at Five Sixty, and chances are I’ve become Comfortably Numb.

8. COMFORTABLY NUMB, Five Sixty (Lee Heffter)

There’s a lot going on in this drink, but that describes a good number of Lee Heffter’s drinks on the rotating menu at Five Sixty, the Wolfgang Puck Asian-themed restaurant atop Reunion Tower downtown. With Bulleit rye, Cointreau, simple syrup, lemon, Pernod, Peychaud’s bitters and a barspoon of cherry juice, it’s a one-two punch of tart cherry/orange and sweet licorice. If you ever wondered what would happen if a Sidecar crashed into a Sazerac, here’s your answer. You’re welcome.

Michael Reith, Nora
Michael Reith’s Fig Sidecar could be your main ride at Nora.

7. FIG SIDECAR, Nora (Michael Reith)

Speaking of figs and Sidecars: I was excited enough to learn that Nora – the excellent Afghan addition to Lower Greenville – was opening a rooftop bar area. But then bow-tied bar man Michael Reith laid this dollop of seasonal joy on me: A fig-and-winter-spice-infused Cognac to accompany the classic cocktail’s Cointreau and lemon. “I was looking for something wintry,” Reith said. “Once it gets cold outside, I love Cognac, which has that raisin taste. And Cognac and figs go together.” Yeah, like rama lama lama ka dinga da dinga dong. The result is cool fireside comfort.

Eddie "Lucky" Campbell, Abacus
Campbell’s Anejo Flip: Caribbean pirates get a Texas twist.

6. ANEJO FLIP, Abacus (Eddie “Lucky” Campbell)

You probably haven’t heard of the Old Smugglers Awaken, a 200-year-old Havana slush of gin, egg, sugar, lemon and bitters that Campbell has included among his repertoire since his Bolsa days. Probably devised by Caribbean pirates — “Who else would be sitting around drink gin flips in Cuba?” he says — the drink was a favorite of one of Campbell’s patrons at the short-lived Chesterfield downtown until she began ordering a fizzy grapefruit tequila drink on the menu instead. “I thought – what if I combined them?” Campbell says, and this bootylicious treasure – which he dropped on me at his current station, Abacus – is the result: Anejo tequila, grapefruit, agave syrup, vanilla, whole egg and Angostura bitters. Served up in a martini glass with Abacus’ signature “A” stencil-sprayed atop, it’s deliciously creamy and sweet, with hints of warm, dark vanilla.

Josh MacEachern, Cedars Social/Belly & Trumpet
MacEachern’s I’ll Get To It: Try to get to it.

5. I’LL GET TO IT, The Cedars Social (Josh MacEachern)

During his days at The Cedars Social, MacEachern came up with this lovely off-menu blend of Cognac, Pedro Ximenez sherry, orange-y Grand Marnier, walnut tincture and Pernod. But while the easygoing bartender loves crafting drinks, he doesn’t like naming them, so when I’d drop in and request “that thing you made for me last time” and then ask when he was going to name it, his signature reply finally became its lasting moniker. The sippable tipple is a spin on the Sazerac, MacEachern’s favorite cocktail, and arose as he was pondering flavors that might pair well with orange. “I thought of walnut, and anise,” he says. “That’s the fun thing about cocktails – we’re basically building on what chefs have already given us.” You’ll currently find MacEachern pouring Fridays and Saturdays at Uptown’s Belly & Trumpet, where you can still savor the drink’s warm nuttiness and licorice finish.

Rocco Milano, Barter
I’ll have one of those: A cocktail finds new life at Barter.

4. REAL SLOW AND REAL LOW, Barter (Rocco Milano)

“You would think there’s no way that could all work together,” bar manager Rocco Milano said as he placed the bottles in front of me one by one at the late Private/Social (RIP): Slow and Low Rock & Rye (basically a pre-bottled Old Fashioned). Cointreau Noir. Peachy Crème de Peche. Hum, a botanical spirit distinguished by hibiscus, ginger and clove, among other flavors. And Luxardo maraschino liqueur. The ingredients would comprise one of the last drinks Milano — whose Fall Into A Glass was my favorite drink of 2012 — would pour for me there before it closed in July; back then he called it the I’ll Have One Of Those, but fortunately for us brave souls it has been reborn under its new identity at Barter, Milano’s new playground in Uptown, where it will likewise seduce you with fruity sweetness before wrapping you in its warm boa-constrictor grip.

Daniel Guillen, La Duni
Basic ingredients, intricate results: Rosemary’s Affair is one to remember.

3. ROSEMARY’S AFFAIR, La Duni (Daniel Guillen)

Here’s a cocktail that takes you from backyard garden to summer campfire on a magic carpet of licorice; it’s no wonder this cocktail earned Guillen, La Duni’s bar program manager, a slot repping North Texas in a national Bombay Sapphire-sponsored competition in Vegas. It’s not officially on La Duni’s menu, but track Guillen down and he’ll gladly make it for you, first dropping a sprig of fresh rosemary into a Collins glass, splashing it with absinthe and lighting it afire. Then he’ll douse it with enough ice to fill the glass to the brim and cover it with a coaster, capturing and taming the smoking rosemary’s savory flavor. Meanwhile, he’ll mix 2 ounces of Bombay Sapphire gin, ¾ ounce of orgeat, ½ ounce of Averna and a bit of lemon and lime, then pour the liquid over the rosemary-smoked ice. Swirl it in your mouth and you’ll find herb, citrus, smoke and probably the urge to order another.

Alex Fletcher, The People's Last Stand
Into the spotlight: A not-for-the-timid starring role for Green Chartreuse.

2. ONE SMASHED MONK, The People’s Last Stand (Alex Fletcher)

Ah, Green Chartreuse: My beloved Joan Allen of liqueurs. Forever a supporting actress in many a cocktail, never the star. Can she help it if she’s larger than life? See her shine in the classic Last Word – but then send her offstage. When Fletcher (now at Victor Tango’s) headed the bar program at The People’s Last Stand, he felt it was time to give this aggressively vegetal liqueur a starring role, and the tart, sweet, highly herbaceous result outdoes even The Bourne Supremacy: Its elemental mash-up of Green Chartreuse, lime and simple, spiced up with muddled Thai basil and sugar, might seem soft on the surface, but it packs a 110-proof punch. Just like Joan Allen.

Grant Parker, Hibiscus
It’s about the journey, not the destination: Grant Parker’s Amor Y Amargo.

1. AMOR Y AMARGO, Hibiscus (Grant Parker)

Grant Parker’s bar program at Hibiscus is one of the better ones in town, and this Sazerac-esque drink of incredible depth – not officially on the menu – reflects his alchemistic approach. After being blown away by a similar drink at New York’s bitters-focused Amor Y Amargo bar last summer, he wanted to try to replicate the cocktail’s blend of amaros (bittersweet herbal liqueurs). For a week straight he spent a couple of hours a day perfecting this mysterious and satisfying blend of four amaros, plus Peychaud’s bitters and Bittermen’s orange cream nitrate. There’s some Cynar in there, and Averna. Possibly some Amaro Montenegro. Or not. But it’s dark and voluptuous, a drink you’ll want to take a thousand sips of, letting the flavors lindy-hop across your tongue. Cherry. Citrus. Root beer. They’re all there. “It’s essentially an Amaro Sazerac,” he says. It’s amor (love) and amargo (bitter) in a glass. And it’s fabulous.

***

Honorable Mentions: Brown and Stirred (Grant Parker, Hibiscus); Caribbean Winter (Matt Orth, Lark on the Park); Chocolate Bullet (Bistro 31); Holy Grail (Michael Martensen, Driftwood); The Inquisition (Emily Perkins, Victor Tango’s); Scorched Belly (Matt Perry, Belly & Trumpet);  Steep Buzz (Eddie Eakin, Boulevardier).

Competitions and Honors, Events, Whiskey

Doing it the Old Fashioned way: Dallas bartenders face off at whiskey competition

By Charlie Tips Ferrin, Smyth
This apple-walnut Old Fashioned earned 2nd-place honors.

“We’re kind of scrunched for space, but I’m doing the best I can,” Ryan Sumner said as he kicked off the Clyde May’s Whiskey Old-Fashioned competition at The People’s Last Stand with a version featuring apple bitters, demerara syrup and the French bitter Suze.

Consider this post Old-Fashionably late: It’s been a couple of weeks since 16 bartenders vied for the top prize of $500, each with up to six minutes to make and present their drink for the judges. Clyde May’s was the vehicle here, an apple-ish, bordering-on-caustic whiskey with some colorful moonshine roots, and each contestant spun a different version of the cocktail stalwart while adhering to its traditional mix of whiskey, sweetener, bitters and water.

Clyde Mays Old Fashioned competition
Chase Streitz of Sissy’s Southern Kitchen, serving up his twist on the classic cocktail.

Cinnamon, vanilla, peach and, of course, apple were popular flavors. One of my favorite versions came from Greg Matthews of Oak Cliff’s Ten Bells Tavern, who froze Mudsmith Coffee’s steeped coffee into cubes and punctuated his whiskey concoction with a vanilla sugar made with Mexican vanilla beans, hazelnut bitters and a vanilla/hazelnut garnish.

Clyde Mays Old Fashioned competition
The vanilla-accented version from Ten Bells’ Greg Matthews featured coffee ice cubes.

La Duni’s Daniel Guillen shone, too, gussying up his Old Fashioned with sherry, Campari and a roasted red pepper and pecan jam. And Smyth’s Charlie Tips Ferrin, like his compatriot Sumner, served his summery green apple/walnut drink in little mason jars – “in the spirit of the moonshine that it came from,” he said.

Clyde Mays Old Fashioned competition
Ryan Fussell of Ruth’s Chris Steak House prepares his drink’s fig garnish.

Brad Bowden of The People’s Last Stand infused his whiskey with smoked peaches, while Ryan Fussell of Ruth’s Chris Steak House strived to use ingredients that would have been available in the 1800s, when the classic cocktail was born. He topped it with a warm fig garnish. (“Figs are badass,” pronounced photographer Mary Szefcyk, clearly impressed with the choice.)

Brad Bowden of The People's Last Stand infused Clyde Mays with smoked peaches for his entry.
Brad Bowden of The People’s Last Stand infused whiskey with smoked peaches for his entry.

In the end it was Smyth’s Omar YeeFoon who walked away with top honors, flavoring his version with Plantation 5-year-old rum, Angostura and tiki bitters, cane syrup and a light dash of orange oils.  With Ferrin placing second and Sumner taking third, it was a Smyth sweep, which if nothing else proved the speakeasy boys could come through in scrunch time.

Clyde Mays Old Fashioned competition
Smyth’s Omar YeeFoon with the double-stir on his way to the evening’s top honors.

And if you’d like to see Smyth’s Ryan Sumner explain the method behind his Old Fashioned twist, here’s a link to my YouTube video:

Old Fashioned variation, from Smyth’s Ryan Sumner

Competitions and Honors, Events, Tales of the Cocktail

At TOTC’s national bar battle, Dallas’ Bar Smyth showed it could pack a good punch (and a few good cocktails besides)

At Tales of the Cocktail 2013
The Bar Smyth crew — sharing space with Chicago’s Barrel House Flat — was one of eight bars facing off against a deluge of humanity.

You can’t say Dallas’ Bar Smyth didn’t try. Did any of the other half-dozen establishments facing off at Tales of the Cocktail’s Bare-Knuckle Bar Fight sport a derby-hatted fire eater?  Could any of them claim to wield as original a punch as mobile cocktail service poured out of a backpack keg?

That was Bar Smyth, going big and gloves-off in its debut at the nation’s largest cocktail conference in New Orleans. Friday night’s annual showdown-slash-party pitted bar crew against bar crew for yearlong bragging rights, measuring bars on the quality of their beverages, sense of atmosphere and ability to churn out cocktails for the great, buzzing tides of humanity thirsting for drink. It was a madhouse. It was supposed to be.

Tales of the Cocktail 2013
Smyth’s record-album covers evoked the Dallas speakeasy’s 70’s-esque decor, part of the judging criteria.

The chaotic hordes began forming outside the Jackson Brewery’s microscopic entryway well ahead of the event’s 10 p.m. start time and before long resembled a ravenous weasel trying to poke its nose into some tiny field mouse’s hiding hole. Once inside, the senses were dazzled by a raging tumult, tables piled with pasta trays, a spunky rockabilly band and monitors spilling footage of Muhammad Ali.

Tales of the Cocktail 2013
The event was sponsored by The 86 Co., a new spirit line that includes Tequila Cabeza.
Tales of the Cocktail 2013
The drink lineup from New York City’s The Daily included a chamomile Negroni and a watermelon-shiso Collins.

But people were here for the drinks, and of those there was plenty: Eight bars in all, plucked from around the country by The 86 Co., the just-launched spirit line that sponsored this year’s event. The company’s aim was to showcase notable up-and-coming bars rather than the established stalwarts of years past: There was Miami’s Broken Shaker, with its Santeria vibe and a killer banana-mint daiquiri; Queens’ Sweet Leaf with its Jose Camel, a tequila-mezcal pachanga laced with coffee liqueur and Punt e Mes; the two were my favorite sips of the night.

Tales of the Cocktail 2013
The atmosphere at Miami’s Broken Shaker recalled a botanica store.

Los Angeles’ Old Lightning threw down with a mezcal Negroni. New York City’s The Daily had a popcorn machine and an air of uniformed aplomb amid the fray. Chicago’s Barrel House Flat poured shots from a bottle labeled “Encyclopedia Brown” – a tantalizing formula of Rittenhouse Rye, Punt e Mes, Amaro Montenegro, Cynar, Angostura bitters and salt.

I failed to find San Diego’s Polite Provisions in the maelstrom, but Boston’s Citizen Public House and Oyster Bar was remarkably hospitable considering its three-deep crowd and the fact that it was bartender Sabrina Kershaw’s birthday; the bar’s red-velvety Negroni variation, called The New Black, was as delicious as it was alluring.

Tales of the Cocktail 2013
Sweet Leaf, of Queens, served up one of my favorite drinks of the night, with tequila, mezcal and coffee liqueur.

Dallas’ Bar Smyth made the most of its prime real estate on the brewery’s second floor. Smyth barmen Mike Martensen, Omar Yeefoon, Josh Hendrix, Julian Pagan and, inexplicably, Standard Pour’s Brian McCullough slung drinks as fast as they could muster. The crew donned Lone Star aprons, and bar host Ryan Sumner stirred up the crowd, occasionally from atop the bar counter – whooping and hollering, ringing a bell, kick-starting choruses of “Deep In The Heart of Texas.”

And despite a superior Cuba Libre anchoring its drink lineup, it was what Smyth had conjured beyond the bar that set it apart: Bar-back Charlie Ferrin blazed a trail through the darkness, wowing anyone within eyeshot with his fire-eating prowess. (“You only see the bartender side of me,” the longtime circus performer explained.) And bartender Mate Hartai waded through the crowd with a handmade backpack keg and a Texas-stamped helmet, pouring shots of Smyth’s Mexican Monk, a habanero-watermelon spin on a Tom Collins.

Tales of the Cocktail 2013
Smyth’s Mate Hartai poured drinks from his handmade backpack keg.
Tales of the Cocktail 2013
Hartai’s boozy contraption.

Texas represented well: There was Austin star barman Bill Norris; The 86 Co.’s Jason Kosmas, the bartender extraordinaire recently relocated to Austin from Dallas; Emily Perkins of Dallas’ Victor Tango; Bonnie Wilson of The Ranch at Las Colinas; Kevin Gray of CocktailEnthusiast.com and Hypeworthy’s Nico Martini.

When it was all over, Boston’s Public House had taken People’s Choice honors, no doubt aided by its giveaway signature cozies and fans (brilliant in light of the unspeakable humidity) and a machine dispensing frozen Julep Slushies. Then it was time for the judges’ decision: “We got to try drinks tonight from some of the best bars in the world,” one of them announced. “Those of you who tend bar know what it takes. Not just cocktail creativity, but teamwork, speed and execution. We know what it takes to make people happy not just this one night, but every night of the year.” And with that it was declared that The Daily of New York City had taken top prize.

Ah, Dallas. There’s always next year.

Tales of the Cocktail 2013
Lone Star pride: Smyth’s Ryan Sumner works up the crowd.
Tales of the Cocktail 2013
The fired-up champion bartenders of New York’s The Daily.
Competitions and Honors, Events, Tales of the Cocktail

Tales of the Cocktail 2013: It’s not just gin cannons. But whoa: Gin cannons!

At the William Grant and Sons party, Tales of the Cocktail 2013
Yup, that’s a gin cannon.

As the 11th annual Tales of the Cocktail conference winds to a close, we’ve learned about airport bars and the Prohibition-Era invasion of Cuba by American bartenders, slogged our way through cocktail competitions and witnessed elaborate fetes featuring fancy hats, gin cannons and a band suspended in midair.

Dallas bartenders have done us proud, too: Bar Smyth’s Omar Yeefoon took the title of “Stoli’s Most Original Bartender” at the UrbanDaddy-sponsored cocktail contest of the same name, throwing down an unlikely combo of Stoli Salted Karamel vodka, sweet vermouth, Angostura bitters and Prosecco. “I was thinking, this would never make a good cocktail,” Yeefoon said. But apparently it did, giving him the edge over four other bartenders from around the country.

William Grant and Sons party, TOTC 2013
The Wednesday night scene inside New Orleans’ newly revamped Civic Theater.

Bonnie Wilson of The Ranch at Las Colinas represented DFW at Anchor Distilling’s 21-Cocktail Salute competition, where drink-makers each had to fire up an original shot, punch and cocktail. Her tangy Fire and Brimstone shot featured Hirsch small-batch bourbon, lime, honey syrup and Cholula hot sauce; the winner of that contest won’t be known until well after the conference wraps up this weekend.

But hey. The Hendrick’s Gin cannon.  The sight was part of the annual packed-to-the-gills William Grant and Sons party, held this year at New Orleans’ beautifully revamped Civic Theatre. It had to be seen to be believed, and let’s just you had to get your kisser up close to avoid having your entire upper torso drenched in alcohol, unless you were looking to cool off, in which case you would have been faulted by no one.

Tales of the Cocktail 2013
Bonnie Wilson of The Ranch at Las Colinas dishes up drinks at the 21-Cocktail Salute competition.

 

Bars, Events, Tales of the Cocktail

Dallas’ Bar Smyth chosen to compete at national bar battle in New Orleans

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Are these bartenders ready to represent or what? Some of the Bar Smyth staff headed to New Orleans.
Are these bartenders ready to represent or what? Some of the Bar Smyth staff headed to New Orleans.

Another big coup for Dallas on the national cocktail front: Bar Smyth has been chosen to compete in this year’s bar-versus-bar-versus bar cage match at next month’s annual Tales of the Cocktail conference in New Orleans.

Smyth’s selection to the so-called Bare Knuckle Bar Fight gives the months-old lounge another dose of national publicity in the short time since it opened earlier this year in the Knox-Henderson neighborhood. In March, Vogue magazine cited the new venture from Michael Martensen and Brian Williams – co-owners of The Cedars Social – as a factor in naming Dallas one of the four “buzziest cultural capitals” in the world alongside Lisbon, Toronto and Istanbul.

Smyth will go up against six other competitors: Polite Provisions (San Diego), Sweat Leaf (Queens, NY), Broken Shaker (Miami), The Daily (New York City), Barrel House Flat (Chicago) and Citizen Pub (Boston).

This year’s bar battle royale is unusual in the sense that the establishments chosen to compete are typically seasoned entities with some mileage under their tires. It’s part of a new focus on new and upcoming bars, a philosophy espoused by the event’s new host, The 86 Co., which launched a new line of spirits earlier this year.

Surely it helped that Dallas bartender extraordinaire Jason Kosmas is among The 86 Co.’s ringleaders, putting Smyth and its smooth 1970s vibe that much closer to the national radar. “It’s usually the biggest and best that get the acclaim,” Kosmas said. “But (this year’s contestants) will be the ones that get no acclaim.”

Dallas' Bar Smyth, about to prove itself on the national stage
Bar Smyth, about to prove itself on the national stage despite opening just three months ago.

But Smyth’s bartenders – including Omar Yeefoon, Josh Hendrix, Trina Nishimura and Mate Hartai – are among the best in Dallas’ come-of-age craft-cocktail culture. They’ll help Smyth represent at the annual event, which in essence is a massive wall-to-wall party of 1,000 people with competing bar staffs scattered throughout a gi-normous space, judged for character, quality, originality and speed in a frenzied atmosphere.

“They’re going up against some real talent,” Kosmas said. And this year’s focus will be riffs on the classics, daring each bar staff to not adhere too closely nor to venture too far from the original formula. “It was, like, these events have to outdo themselves every year,” he said. “We figured, let’s just go back to the basics.”

Bars are also expected to recreate in some small form the character of their actual establishment. Last year, for instance, Seattle’s Rob Roy brought along its signature deer-hoof lamp.

“We’re flattered,” said Smyth’s Martensen. “Our brains are already working. Do we show up with vinyl records?”

The team will no doubt have some tricks up its sleeve, and perhaps one surprising advantage: Bar Smyth is the only one of the seven competing bars that doesn’t have a Web site. Added Martensen: “Now that our wheels are spinning, now that we know who we’re competing against…. We can see what they do. ”

“We’re excited,” Yeefoon added. “Bring it.”

Tales of the Cocktail's annual competition: Not for the faint of bar
Tales of the Cocktail’s annual competition: Not for the faint of bar
Bars, Knox-Henderson

Retro room: The Establishment is officially up and running

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Before entire music libraries and players fit in your hip pocket, there was the age of console stereo systems. Back then, you’d veg out to the vinyl crackle of REM or Pink Floyd in the darkness, the light of the receiver glowing from behind the frequencies on the AM/FM radio display.

That’s the feel you get at The Establishment, the long-anticipated cocktail lounge from Mike Martensen and Brian Williams in Dallas’ Knox-Henderson neighborhood.

It’s no accident, because if The Cedars Social, the James-Beard-nominated bar Martensen and Williams co-own south of downtown, is decidedly 70s retro, The Establishment is even more so — dark, cozy and swank, with sleek wood paneling creeping from the walls onto the ceiling above the bar.

Plush, U-shaped booths wallow in the murk. A shag-carpeted back room features vinyl-ornamented shelves. The whole scene is soul-ified by a soundtrack courtesy of Al Green, Stevie Wonder and Earth, Wind and Fire and recalling a time of gold chains, leisure suits and bell bottoms.

“I feel like I could walk into that (back) room and hair would grow on my chest,” said Ian Reilly, who runs the bar at Dallas’ Bowl and Barrel.

The speakeasy atmosphere begins on Travis Street, where no obvious sign or entry marks The Establishment’s existence. An unlit hallway bends into the nightlight-dim lounge, where the bar glows in the darkness like the Yamaha tuner in your daddy’s man cave.

“I think this is what my dad thought his basement bar looked like,” said Charlie Papaceno, the stalwart behind Dallas’ Windmill Lounge, admiring The Establishment’s wood-paneled setup with a Manhattan in hand. “I’m sure when he looked at it, this is what he saw.”

In its purposefully quiet, early opening days, small numbers and familiar faces demonstrated the intimacy of the space, snug as a den. So far there are no stools at the bar and plenty of room to move around or melt into the shadows, as long as the numbers remain limited. And Martensen insists that’s the idea: A host will make sure attendance tops out at 48, which is why reservations may ultimately be recommended. “It’s never going to be crowded,” he says.

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Not everything about the room is perfect: A prominent staircase, set off by a pair of stanchions, leads temptingly to nowhere but offices. But that’s a small trifle, and of course it’s the drinks we’re here for. There’s no menu, just a list of spirits, your own desires and the whims of the dapper wizards behind the bar. Name a poison, vote spirit-forward or not, claim a preference for bitter or sweet — whatever you fancy. Mezcal is how I dive in: bartender Mike Steele churns out the Slow Trombone, an apricot-tinged concoction he’s still perfecting. Later, Omar Yeefoon, The Establishment’s bar program manager, works magic with Hum, one of my preferred liqueurs.

“That’s the great thing about working here,” says Steele, exhibiting a sheet of note paper with scribbled ingredients and proportions on both sides. “All these drinks, I came up with last night.”

If hit-or-miss experimentation isn’t your thing, go safe with a classic; in the hands of these bartenders, you won’t go wrong.

And when Marvin Gaye’s “Got to Give It Up” comes on, you’ll know you’ve officially crossed the Boogie Nights barrier.

— Marc Ramirez, 3/8/13

 

Barmoire

Cocktails of the Year 2012

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The DFW cocktail scene has come a long way in the last two years, and as many a bartender knows, I’ve been no stranger to it. Restaurants now launch with bar programs no longer a second thought, the qualities of ice and citrus oils are strongly considered, and drinkers once keen on vodka-and-Red-Bull are growing more adventurous palates.

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Some of the local drinks unveiled in 2012, these ones at Dallas’ Five Sixty. At middle left, Rolling Fog Over Mount Fuji; at middle right, Locked and Loaded.

Our craft cocktail architects have, in the last year, designed menus built on the shoulders of the past – reintroducing old classics, embellishing and remodeling, thinking up creations of their own.  Luckily, I have taken it upon myself to sample many of these libations on behalf of the greater good. I have, as they say, taken one for the team.

I can’t claim to have sampled every drink out there. I’m just one man, for god’s sakes. (Thanks to all who sacrificed themselves to join me for the effort.) And I have my own tastes and habitats: In general, my spirits of choice are gin, whiskey, tequila, rum, gasoline and vodka, in that order. Ha ha, vodka – I kid you, I kid you.

But as we say Peace Out to 2012, I leave you with my top 10 favorite local discoveries of the past year. Ah, what the heck: In the spirit of the annum, let’s just make it 12.

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12. MEXICALI BLUES, Tate’s, Dallas (J.W. Tate)

Blending the glamour of aged tequila and house-made grenadine with the smokiness of mezcal, this is Salma Hayek in a coupe, bold and feminine. The borderland babe, named for a Grateful Dead song, is garnished with a palm-tree V of thyme planted in a floating lime-slice island, with a muddle of pepper upping the Baja heat.

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11. STRIPPER SWEAT – Cosmo’s Bar & Lounge, Dallas (Jackson Tran)

“Somebody asked me to make them a drink called Stripper Sweat. I think they had just come from a strip club,” says Tran, adept with flavor even as he churns out the shots and mixed drinks usually favored by the crowd at this Lakewood dive-bar gem. Partial to pairing vodka with the elderflower sweet of St. Germain, he gave complexity to this summery play on vodka-cranberry by mixing vanilla vodka with cranberry, St. Germain and the earthy licorice punch of Fernet. Shaken with an orange wedge, the pulpy, apricot-like mixture is poured over ice, frothy as a raspberry fizz.

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10. COLONEL SANDERS – Sissy’s Southern Kitchen, Dallas (Chase Streitz)

When Streitz, the beverage director at Sissy’s, was asked to design happy-hour drinks around the Henderson Avenue restaurant’s most popular spirits, he spun simple gold from Makers 46, honeying it up with Benedictine and splash of orange bitters over crushed ice.  The drink’s initially aggression softens as the ice melts and muddles the accompanying orange slice, a pleasant pre- or post-dinner relaxer.

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9. THE PEOPLE’S OLD FASHIONED – The People’s Last Stand, Dallas (Omar Yeefoon)

Though Yeefoon no longer pours at this Mockingbird Station bar, he left his mark on the place with this luscious take on the classic whiskey cocktail that couples maple syrup with Rittenhouse rye along with a touch of Angostura bitters and flame-drawn orange oils.  The result: A strong whiskey handshake with a rush of almost tamarind-y sweetness.

8. ROLLING FOG OVER MOUNT FUJI, Five Sixty, Dallas (Lee Hefter)

This gorgeous and aptly named drink at Wolfgang Puck’s Asian-themed restaurant atop Reunion Tower also has depth – and properly made, the illusion of height. Japanese Hibiki 12 whiskey is shaken with Aperol, lemon, simple syrup and egg white, then poured into a small fishbowl of a glass. A mountainous ice slab juts out from the foamy egg-white surface, towering over the pink-hued landscape beneath and evoking the drink’s name. It has the taste and feel of sherbet, with an herbal Aperol finish.

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7. FIG MANHATTAN, Tate’s, Dallas (J.W. Tate)

This classic re-do land-rushes the prairie of your tongue with a bracing yet savory sweetness, the house-made fig syrup ably enhancing the Uptown bar’s orangey dark brown blend of Rittenhouse 100 rye, Cocchi D’Torino vermouth and Angostura bitters. It’s rich, not cloying, with a fig essence that elevates rather than just flavors this classic.

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6. TINY’S FAREWELL, The Cedars Social, Dallas (Mike Steele)

Basically, Steele wanted to make a stirred tiki drink, one without the citrus juice that calls for shaking or the mounds of crushed ice that typically characterize these Caribbean-styled cocktails. He produced this blend of Cana Brava rum, Dolin dry vermouth, Domaine de Canton ginger liqueur, Kronan Swedish punsch, pineapple syrup and tiki bitters. A diaphanous lemony yellow, it’s honey-sweet with a fruity frontal assault and minty finish underscored by the warm essence of rum. The coup de grace is a swath of grapefruit ignited to draw out the oils and citrusy aroma. The story behind the name? “I always wanted to have a tiki bar,” Steele says. “I figured I’d have this really huge guy behind the bar named Tiny with really big arms, crushing ice. But when I made this drink, it was like, `Tiny, we don’t need you anymore.’ “

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5. EMERSON, Hibiscus, Dallas (Grant Parker)

OK, nothing fancy here – just Parker’s take on a little-known classic that deserves wider recognition. The traditional Emerson is gin, sweet vermouth, maraschino liqueur and lime. Parker, the low-key force behind this Henderson Avenue restaurant’s bar, subs the sweeter and less botanical Old Tom gin and uses the spicy, herbaceous Carpano Antica as his vermouth. The result is a drink that starts fruity (especially cherry), but then U-turns with a dazzling chocolate-and-spice finish. “During the cold season, the Antica gives it a nice cinnamon flavor,” Parker says. “And when the weather turns hot, it’s a nice aperitif.”

4. LOCKED AND LOADED, Five Sixty, Dallas (Lee Hefter)

“That reminds me of breakfast, man,” says Five Sixty bartender Casey Griggs of Locked And Loaded. “That reminds me of some pancakes.” This drink created by Los Angeles-based Lee Hefter, Wolfgang Puck’s right-hand chef, is a buffet of bourbon, maple syrup, Carpano Antica sweet vermouth, lemon juice, egg white, rhubarb bitters and a sly rinse of Laphroig. Its hue is somewhere between butterscotch and Chimay Triple, and the bourbon is purposely understated, with a creamy finish marked by rhubarb candy sweetness.

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3. LINNEO’S REMEDY (Ian Reilly)

One evening when Reilly was still working at The People’s Last Stand, I asked him to concoct a drink to feed my growing fascination with mezcal. At the time, he, too, was toying with mezcal and employing his philosophy of temperance – that is, avoiding the urge to compound the agave-based spirit’s smoky Latin flavor with heat and rather using it as a player in an equal, four-part structure a la the classic Last Word. This is what he came up with: a balance of mezcal, Aperol, ginger liqueur and lime.  The result is a delicious sweet-and-sour mix caught up in an undercurrent of peaty mezcal. Reilly – since relocated to just-opened Bowl and Barrel – now opts for saffron-spiced Strega over orangey Aperol, and the name he chose recalls Spain’s medicinal use of bitters as well as Swedish naturalist (and agave’s identifier) Carl Linnaeus – or Carlos Linneo, as he would have been known in Spanish. “I guess all of those, the idea of soothing and balance, combined into Linneo’s Remedy,” Reilly says.

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2. SECRETS AND LIES, The Cedars Social, Dallas (Mike Steele)

This off-the-menu treasure, inspired by a drink Steele once served in Denver, takes premium whiskey, enhances it with port and Strega and adds strong hints of Carpano Antica, vanilla syrup and a cardamom tincture. “I think cardamom and vanilla go really well together, and it’s a good, rich flavor for the fall,” he says. “Plus it goes really well with whiskey.” Every ingredient comes through, a beautiful balance of bite, herbs and holiday warmth. “One time, somebody asked me what was in it,” says the affable Steele from behind the bar of this pioneering spot south of downtown. “I said, `Secrets and lies, man, secrets and lies. And it just went from there.”

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1. FALL INTO A GLASS, Private/Social, Dallas (Rocco Milano)

It’s really not fair when Hum is in the game, because anyone who knows me knows that I adore this liqueur dominated by flavors of ginger, cardamom and clove. It’s a feisty pit bull of an ingredient, but Milano – who introduced me to Hum about a year ago – has a knack for grabbing the leash and making it shine. The gin-hefeweizen-lemon Shandy that he’d added to the summer menu at Uptown’s Private/Social, a twist on the classic French 75, was so popular that he didn’t want to part ways with it in the fall; Hum seemed a natural autumn boost for this cleverly named drink. What you get is a mix of citrus and spritz with a frothy sheen of beer, the finish a wave of autumnal Hum. “It’s amazing how different .75 oz of Hum can make a cocktail taste,” he says. “When I presented the drink to the staff during training, everyone said the exact same thing: You nailed the flavors of fall.”

Want to make it yourself? Here’s the recipe.

FALL INTO A GLASS

2 oz light-bodied gin (such as Citadelle)

1 oz lemon juice

1½ oz simple syrup

¾ oz Hum liqueur

Combine all ingredients, shake and strain into a snifter. Top with 2-3 oz wheat beer (such as McKinney-based Franconia).

— Marc Ramirez 1/9/13 

 

Barmoire

Tippling at Windmill — for a good cause

It was way too much fun for a Tuesday night. Then again, with five of the city’s best barmen joining forces at Dallas’ Windmill Lounge to raise money for victims of Hurricane Sandy, the revelry was all for a good cause.

For four-plus hours, the star lineup churned out a New York-inspired menu of cocktails including Manhattans, Brooklynites and Green Hornets. “The Penicillin was the star of the show,” said Omar Yeefoon, who did bar duty along with Jason Kosmas, Mate’ Hartai, Julian Pagan and the Windmill’s own Charlie Papaceno.

It was the final stop on the group’s All 4 1 tour of four Texas cities, benefiting bar and restaurant owners in New York’s East Village who suffered superstorm damage. 

There were T-shirts. There were toasts. There was even a bullhorn: The group auctioned off some rare and not-so-rare bottles of booze. Tuesday’s event raised about $3,000, Yeefoon said, with about $8,000 raised in all.

“We’re pretty stoked, to be honest,” Yeefoon said. No doubt those business owners will be, too.

The Libertine’s Mate’ Hartai plays auctioneer as Kosmas, Pagan and Papaceno look on.

Omar Yeefoon, of Cedars Social, takes a breather.

Happy revelers Mikki Mallow (center) and Jodi Mallow Maas.

The commemorative T.

Mr. Charlie Papaceno.

— Marc Ramirez, posted 11-24-12

Barmoire

A double-whammy of feel-good

A great cocktail: Definitely a day-brightener. Giving to a good cause: Ditto. Doing both at the same time: Awesome.

Consider it charitable multi-tasking. From 6 to 10 p.m. Tuesday, you can enjoy New York-themed cocktails AND benefit victims of Hurricane Sandy as four of the city’s best barmen do duty at Dallas’ Windmill Lounge to raise funds for bar and restaurant owners in Manhattan’s East Village.

The effort, called All 4 1, is the handiwork of four accomplished bardudes — Omar Yeefoon and Julian Pagan of Cedars Social, Libertine Bar’s Mate Hartai and Marquee Grill & Bar’s Jason Kosmas — who last week stepped behind bars in Austin, Houston and San Antonio raising money for the cause. Originally the four had been looking for a way to do guest spots around Texas, but when the largest Atlantic storm on record pummeled the East Coast last month, they suddenly had a purpose.

Kosmas, a New York transplant who still co-owns Manhattan’s Employees Only, personally knew people in the East Village whose businesses had been devastated by the superstorm. A fun idea turned into a focused one.

“We’re just trying to make sure some of these places don’t shut down, or at least not for long if they do,” Yeefoon said.

Tuesday night, the four will be at the old-school Windmill Lounge making New York-themed cocktails for a minimum $5 donation apiece. T-shirts will be available too.

“Of course we have a good time while we’re doing it, but now we’re, like, really into the charity,” Yeefoon said.

Go. Be like Omar. Have a good time while you’re doing it, and be really into the charity. It’s a double-whammy of feel-good.

The event is one of two going on around town Tuesday as the ongoing Manhattan Project moves northward to Plano’s Whiskey Cake (not Hibiscus, as originally planned). From 7 to 9 p.m., the bar will be dishing up free Manhattans in a periodic series of events designed to promote whiskeys, and the classic cocktail, throughout the colder season.

Some of the whiskeys available for sampling at ongoing Manhattan Project events.

— Marc Ramirez, posted 11/18/12