Tag Archives: Knox-Henderson

Counting on Abacus: This five-star restaurant is ramping up its cocktails

Abacus' Blackberry Smash is among the acclaimed restaurant's new bar offerings.
Abacus’ Blackberry Smash is among the acclaimed restaurant’s new bar offerings.

AND JUST LIKE THAT, sweet things are already happening behind the bar at Abacus, the five-star fancypants restaurant that has long wowed critics with its Pacific Rim cuisine. The recent addition of bartender-slash-apothecary Lucky Campbell to its staff of able libationists was a sign that the Knox-Henderson landmark was ready to boost its bar program too.

Hint one that change is afoot: The barrel flanking one end of the swanky bar’s bottle stash. Mid-afternoon last Friday, that barrel was filled with Old Fashioneds and presumably destined to age, but by 10 p.m. Campbell was already positing that the bar had sold more Old Fashioneds in one night than in the past two months. By weekend’s end, he said, the barrel was nearly empty.

This is Abacus, people. Wine, Martinis and Champagne cocktails are the rule, right?

But witness the new, Asian-flavored menu (priced from $12-$14), set to roll out today: A deliciously gorgeous Blackberry Smash made with Maker’s Mark bourbon. A Brandy Stinger featuring Tempus Fugit’s top-notch crème de menthe. And preparing to float lava-lamp-style in the extremely dry, Champagne-driven Femme Fatale: pearls of effing Violette.

That’s right: little spheres of lavender-y Creme de Violette, one of Campbell’s lab projects. A jasmine-tea cordial and five-spice tincture are already bubbling in a back room, and even the Martini menu has been primped, with one knockout version offering Islay-Scotch-and-cracked-pepper blue cheese olives, stuffed in-house.

Said bartender Jordan Gantenbein: “I’ve been waiting three years to do this.”

The sensibilities that guide Abacus’ renowned kitchen are seeping into the dimly lit bar.  So it wasn’t surprising to find Chef de Cuisine Daniel Burr himself on a stool late one night, helping the black-clad bar samurai as they brainstormed an Asian-themed Margarita variation and suggesting matcha green tea powder as a component.

There are some real curiosities on the new menu, like the clever Banksy with “spray-paint spices,” a Yuzu Collins with Bing Cherry soda and the “Ninja Rita,” with its foam of Togarashi, a Japanese spice powder.

Abacus is having some fun now. This is a place worth keeping an eye on.

Lucky Campbell
Abacus’ grapefruity Rio Star is one of the standouts on its redone cocktail menu.

Retro room: The Establishment is officially up and running

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Before entire music libraries and players fit in your hip pocket, there was the age of console stereo systems. Back then, you’d veg out to the vinyl crackle of REM or Pink Floyd in the darkness, the light of the receiver glowing from behind the frequencies on the AM/FM radio display.

That’s the feel you get at The Establishment, the long-anticipated cocktail lounge from Mike Martensen and Brian Williams in Dallas’ Knox-Henderson neighborhood.

It’s no accident, because if The Cedars Social, the James-Beard-nominated bar Martensen and Williams co-own south of downtown, is decidedly 70s retro, The Establishment is even more so — dark, cozy and swank, with sleek wood paneling creeping from the walls onto the ceiling above the bar.

Plush, U-shaped booths wallow in the murk. A shag-carpeted back room features vinyl-ornamented shelves. The whole scene is soul-ified by a soundtrack courtesy of Al Green, Stevie Wonder and Earth, Wind and Fire and recalling a time of gold chains, leisure suits and bell bottoms.

“I feel like I could walk into that (back) room and hair would grow on my chest,” said Ian Reilly, who runs the bar at Dallas’ Bowl and Barrel.

The speakeasy atmosphere begins on Travis Street, where no obvious sign or entry marks The Establishment’s existence. An unlit hallway bends into the nightlight-dim lounge, where the bar glows in the darkness like the Yamaha tuner in your daddy’s man cave.

“I think this is what my dad thought his basement bar looked like,” said Charlie Papaceno, the stalwart behind Dallas’ Windmill Lounge, admiring The Establishment’s wood-paneled setup with a Manhattan in hand. “I’m sure when he looked at it, this is what he saw.”

In its purposefully quiet, early opening days, small numbers and familiar faces demonstrated the intimacy of the space, snug as a den. So far there are no stools at the bar and plenty of room to move around or melt into the shadows, as long as the numbers remain limited. And Martensen insists that’s the idea: A host will make sure attendance tops out at 48, which is why reservations may ultimately be recommended. “It’s never going to be crowded,” he says.

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Not everything about the room is perfect: A prominent staircase, set off by a pair of stanchions, leads temptingly to nowhere but offices. But that’s a small trifle, and of course it’s the drinks we’re here for. There’s no menu, just a list of spirits, your own desires and the whims of the dapper wizards behind the bar. Name a poison, vote spirit-forward or not, claim a preference for bitter or sweet — whatever you fancy. Mezcal is how I dive in: bartender Mike Steele churns out the Slow Trombone, an apricot-tinged concoction he’s still perfecting. Later, Omar Yeefoon, The Establishment’s bar program manager, works magic with Hum, one of my preferred liqueurs.

“That’s the great thing about working here,” says Steele, exhibiting a sheet of note paper with scribbled ingredients and proportions on both sides. “All these drinks, I came up with last night.”

If hit-or-miss experimentation isn’t your thing, go safe with a classic; in the hands of these bartenders, you won’t go wrong.

And when Marvin Gaye’s “Got to Give It Up” comes on, you’ll know you’ve officially crossed the Boogie Nights barrier.

— Marc Ramirez, 3/8/13