Petraske pioneered or made popular many of today’s craft-cocktail bar practices. (Ben Rose Photography)
Milk & Honey appeared on New York’s Lower East Side in 1999, when today’s rocketing craft cocktail renaissance was practically still on the launchpad. The proprietor was a debonair young gent named Sasha Petraske, who in deference to his mostly residential-area neighbors instituted a number of features that would be copied by other cocktail spots in years to come: A speakeasy-style unmarked location and entrance (to be inconspicuous). A reservations-only policy (to avoid lines of people outside). A no-standing policy at the bar (to quell hooliganism). And because Petraske was a decorum-minded soul, rules of behavior to maintain civility (for instance, asking men to remove their hats and not hit on women).
Other practices would follow, also to become cocktail-bar staples – things like hand-carved ice, an adherence to jiggers and water served with cucumber slices. “If he didn’t outright originate (those practices), he was the most successful champion of them early on,” said Chad Solomon, who along with fellow New York ex-pat Christy Pope now runs Midnight Rambler in downtown Dallas.
And so it was with much sadness that the craft-cocktail world absorbed the news that Petraske had died Friday of unknown causes in Hudson, N.Y., as reported by The New York Times. He was just 42.
Both Solomon and Pope got to know Petraske well, having worked at Milk & Honey in the early 2000s; both bartended and worked as servers in the intimate, 34-seat, candle-lit venue to which customers had to be buzzed in. Petraske had flown in for Midnight Rambler’s grand opening in October 2014, and the two were among the attendees’ at Petraske’s recent wedding.
“Shock doesn’t even cover it,” Solomon said Friday. “It’s a very sad day.”
Even more than his contribution to cocktail culture, Solomon said, Petraske stood out for his generosity and decency. “He was always self-aware, always about becoming a better man,” he said.
Petraske helped launch a number of prominent bars and, in partnership with others, created stalwart spots like Greenwich Village’s Little Branch, Queens’ Dutch Kills and Varnish in Los Angeles. Such was his sway that when San Antonio’s Bohanan’s Prime Steaks & Seafood sought to overhaul its bar in hopes of revitalizing the city’s Riverwalk area, Petraske was brought in to train the staff. He would go on to become a co-founder of the San Antonio Cocktail Conference and was among the New York City bartenders featured in the 2013 documentary Hey Bartender.
His reservations-only and no-standing policies would be adopted by places like Dallas’ Bar Smyth (now closed), while Denver’s Green Russell has been among the bars that similarly posted rules of decorum for their customers. Meanwhile, speakeasy-style entrances, hand-carved ice and cucumber water are everywhere.
While the original Milk & Honey had closed, Petraske was planning to reopen at a new location.
“He was never content to leave things static,” Solomon said. “He was always looking to improve. His influence cannot be overstated.”
An unforgettable cocktail launched an unforgettable year: Martensen’s Apple Boilermaker.
It was the best of times, it was the thirst of times, and 2014’s constantly unfolding craft-cocktail kaleidoscope unfurled a spirited array of events for DFW’s imbiberati. Here’s a look back at the year’s top stories:
Campbell and Martensen: Spittin’ spirited rhymes at Abacus for all too brief a time.
JANUARY: Eddie “Lucky” Campbell and Michael Martensen together behind the bar at Abacus
From darkness, light: For a brief but glorious time, the chaos set in motion by Eddie “Lucky” Campbell’s displacement from the late Chesterfield and Michael Martensen’s abrupt exit, along with his bar team, from Bar Smyth and The Cedars Social actually set the stage for two of the city’s most talented and influential bar men to pair up behind the bar at Abacus. The two have a longstanding rivalry – “I’m Seabiscuit and he’s War Admiral,” Campbell once told me. “I’m hard working, and he’s a fucking genetic miracle” – that continued to unfold at Abacus to customers’ benefit, especially late, once the kitchen had closed. One evening we rolled in and the two went back and forth like b-boys, throwing down cocktail creations to put each other’s to shame until Martensen slipped off to a corner to focus on a bit of handiwork. “What’s he doing over there?” Campbell wondered with his sly smile. Martensen emerged with what you see at top: A frothy apple boilermaker made with Deep Ellum Blonde, Cointreau, apple brandy, whole egg and a hollowed-out half-eggshell cupping a whiskey shot. Boss.
Libertine’s influential former head barman doing his thing.
MAY: Mate Hartai says goodbye to The Libertine Bar
For years, Hartai — chief barman at Remedy, opening tonight –was synonymous with the Libertine, which he helped transform from solid neighborhood bar to a den of craft-cocktail prowess and innovation. But after five years at the Libertine, Hartai decided it was finally time to move on to other things – namely The Cold Standard, the craft ice business he’s been shaping for some time – and most recently, Remedy, the new Lower Greenville project from HG Sply owner Elias Pope.
The Dallas crew, clockwise from upper right: Hartai, Brian McCullough and Charlie Moore; Bonnie Wilson, Trina Nishimura and Julian Pagan; Josh MacEachern and Josh Hendrix.
JULY: Texas Tiki Throwdown at Tales of the Cocktail, New Orleans
The DFW presence at the spirit industry’s biggest annual gathering has gotten larger and larger, with dozens of bartenders and spirit reps on hand for 2014’s event. Among the festival’s kickoff happenings was the Texas Tiki Throwdown, where DFW drink-slingers went mano-a-mano with others from Houston, Austin and San Antonio. It’s fair to say everyone left the conference room with Lone Stars in their eyes.
Um, this.
JULY: Driftwood introduces an oyster shooter flight
They say the world is your oyster, but sometimes oysters are your world: This little bit of brilliance from Oak Cliff’s disappointingly defunct seafood establishment briefly brightened up my existence. Four oysters on the half-shell, each shell filled upon consumption with one of four spirits or liqueurs: Manzanilla sherry, mezcal, single malt whiskey and Pernod. Let bivalves be bivalves!
Out of the wilderness, a mysterious elixir.
AUGUST: Hendricks Gin’s Kanaracuni unveiling
Dallas was one of a handful of cities this summer in which Hendricks Gin chosed to unveil its rare Kanaracuni gin, a single-batch production made from a plant culled from the Venezuelan rainforest. Hendricks knows how to put on an event, and the fancifully exotic tasting, conducted at the Dallas Zoo, did not disappoint: Bordering on elaborate fantasy, it featured tales of adventure and large insects and finally samples of the amazing kumquat-flavored gin, which in intentionally ephemeral fashion shall never be seen again.
Josh Maceachern, among Michael Martensen’s reunited bartending crew at Proof + Pantry.
AUGUST: Parliament and Proof + Pantry open
As noted above, Lucky Campbell and Michael Martensen’s longstanding rivalry can occasionally reach ridiculous proportions, so it was only logical that their two long-awaited projects would open on the same night — Parliament in Uptown, and Proof + Pantry in the Arts District. (“How ridiculous is that?” Campbell told me a couple of nights before the big event.) Both have met expectations, garnering local and national acclaim.
Everything is illuminated: The new gem in Dallas’ cocktail scene.
OCTOBER: Midnight Rambler opens
Behind their Cuffs and Buttons consulting enterprise, cocktail masters Chad Solomon and Christy Pope have long been influences in DFW’s drinking scene, but it wasn’t until this fall that Midnight Rambler, the bar the two have long dreamed of opening, launched at the Joule Hotel. The swanky subterranean palace and its lineup of well-conceived libations take the city to another level, marking another step in its craft-cocktail evolution.
Venerable barman Charlie Papaceno: No longer tilting at the Windmill.
NOVEMBER: Charlie Papaceno leaves the Windmill Lounge
After nine years at the landmark lounge he co-founded with Louise Owens, Papaceno left the venerable dive spot to pursue plans to open a new bar in Dallas’ Cedars neighborhood. One of the scene’s elder statesmen, Papaceno’s bespectacled mug was a steady presence behind the bar at Windmill, which became an early haven for Dallas’ budding craft-bartender scene and went on to garner national attention – including a nod as one of Esquire’s best American bars.
Slinging tiki drinks at one of five pop-up bars at Henry’s epic Trigger’s Toys benefit. (Mary Christine Szefzyk)
DECEMBER: Trigger’s Toys annual benefit event featuring five pop-up bars
I was crushed to miss this epic event, which made use of the long-unused warren of space at recently opened Henry’s Majestic in the Knox-Henderson area. Five pop-up bars featuring teams of bartenders from DFW and beyond went all out to raise money for a Dallas charity serving hospitalized kids. From sports bar and tiki bar to country saloon and nightclub, it was a raucous party that garnered $100,000 for the cause.
ONGOING: Collectif 1806’s bartender book club events
The bartender education and support arm of Remy Cointreau USA, helmed locally by Emily Perkins, has helped remind that the whole craft-cocktail thing is less revolution than revival. At its periodic exclusive book club gatherings, bartenders page through some of Cointreau’s extensive collection of vintage cocktail tomes, perusing recipes and gleaning old knowledge and then passing the reaped benefits along to consumers. Everybody wins.
Clockwise, from upper left: Polo’s Scallywag, Papaceno’s Kentucky Eye Opener, Brown’s Peach Pisco Sour and Long’s Summer in Manhattan.
I see you, 2014. You didn’t have it easy. Not only did you have much to live up to after a year that saw DFW’s craft-cocktail scene garner national attention, but you had to do so on the heels of events that threatened to knock the wheels off the whole thing.
A year later, DFW’s mojo is back. Because beyond all the drama, a critical mass of cocktail ninjas just kept doing their thing, widespread seeds of creativity that found new places to grow and blossom, while others were enriched by the newfound talent beside them.
It was a banner year for veggies: At Victor Tango’s, former bar chief Alex Fletcher used pea-infused Old Tom gin prepared sous-vide-style for his refreshing Swee’Pea, while over at The Ranch at Las Colinas, Robin Milton’s Maverick combined roasted corn with tequila and spicy Ancho Reyes liqueur for a nice salsa-in-a-glass effect. At LARK on the Park, Matt Orth’s Hanging in the Garden served up a nom-nom liquid salad of mint, basil and cherry tomato, while Anthony Polo’s Scallywag was a scallion-laced standout at The People’s Last Stand.
Other highlights included Jason Long’s apricot-tamed Summer in Manhattan at Abacus, which appealed to both genders by giving the classic cocktail a luscious fruity smoothness. At Meddlesome Moth, bar manager Lauren Loiselle kicked another classic up a notch with her barrel-aged Negroni. And Charlie Papaceno, formerly of the Windmill Lounge, juiced up bourbon with coffee to make his energizing Kentucky Eye Opener.
I could go on. A few of these drinks are still available; some, being seasonal or dependent on a limited supply of house-made ingredients, are not; some were bartender’s creations built totally off-menu. And at least one place, regrettably, has closed (at least temporarily). But that’s the nature of the biz: Sands shift, talent moves on. As always, it’s the people who make the scene: Follow them and you won’t go wrong.
With that, here are my favorite 15 cocktails of 2014.
Alternately named Autumn at Lake Winnepesaukee, Reith’s seasonal treat is way more fun to drink than to say.
15. WHAT ABOUT BOB?, Michael Reith (Windmill Lounge, Oak Lawn)
Here’s a drink that’s easy to fall for, playing as it does on seasonal flavors. To be more exact, Reith’s radiant refresher at Oak Lawn’s Windmill Lounge pairs bourbon with the holiday’s New England influences: “I get a lot of people who come in here from Boston, or New Hampshire,” he says, “so I was thinking, what could I make them?” Maple and cranberry came to mind – “I was trying to evoke cranberry sauce, but in a good way,” he says – as did the spices of mulled cider. The result, named for the Bill Murray/Richard Dreyfuss comedy set in New Hampshire, supplements Angel’s Envy bourbon with lemon, cranberry juice and maple syrup, plus nutmeg, clove and cinnamon, topped with a fragrant sprig of rosemary.
From its initial rosemary rush to its herbaceous conclusion, Orth’s spicy libation was one you’d want tiptoeing through your two lips.
14. SMOKING GARDEN, Matt Orth (LARK on the Park, downtown)
Matt Orth likes his herbs. This beauty appeared way back in January, when Orth had some house-made Thai-chili-infused St. Germain (an elderflower liqueur) on his hands. He shook that with basil, lime, slightly aged tequila, ginger liqueur and herbaceous Green Chartreuse, capping it with a smoked sprig of rosemary to wow the nose. The spicy bouquet offered pleasant heat and a sweet, sweeping floral finish, a garden-fresh treat for the senses.
Festa’s Common Elder: A vodka concoction of surprising depth that made you respect your elder.
13. COMMON ELDER, Lauren Festa (FT33, Design District)
Yes, I typically avoid vodka, but such is the legerdemain of Lauren Festa, who before she moved on to helm the bar program at The Mansion at Turtle Creek was making magic at FT33 in the Design District. Festa grew up watching the Food Network instead of cartoons, so maybe that explains this deceptively tame mix of Hophead vodka, elderflower syrup, ginger liqueur, ginger and lemon – a drink that started out delicately tart and sweet and then, just as it seemed about to fade, unveiled a hoppy ending all dolled up in elderflower. And with a gorgeous elderflower garnish, it was a treat to look at, too.
Getting the Last Word: Guillen’s play on one of my favorite classics made an memorable statement.
12. SEVENTH SAMURAI, Armando Guillen (The Standard Pour, Uptown)
Last summer, Bombay Sapphire hosted a DFW regional competition at Uptown’s Nickel & Rye, part of its annual nationwide hunt for “GQ’s Most Imaginative Bartender.” After the contest, won by FrontBurner’s Bonnie Wilson, the festivities moved on to The Standard Pour down the street, where Guillen whipped up this little number that could have easily held its own at the event. Featuring his house-made hibiscus-lemongrass cordial – which he’s just replenished, so you can still enjoy this one – it’s a play on the classic Last Word’s mix of gin, sweet, citrus and Chartreuse. Its floral and citrus medley of Bombay Sapphire, Yellow Chartreuse and Asian yuzu juice, along with the cranberry-sauce-scented cordial and a shake of lavender bitters made a tantalizing statement that gave Guillen the last word after all.
Why Slater’s Blue Moon hit my eye like a big pizza pie: Its amari.
11. BLUE MOON, James Slater (Spoon Bar & Kitchen, North Dallas)
The bar at Spoon – which closed this week, at least temporarily – was not as well stocked as its other craft-cocktail siblings, but luckily James Slater, who took over the program around mid-year, had license to play. One day, exploring a Korean grocery store, he found a jar of pulpy blueberry preserves. “You could see the blueberry skins inside,” he says. He bought a jar and experimented; lighter spirits failed aesthetically, creating a dirty water effect. This is where it gets Reese’s-Peanut-Butter-Cup-good: Right around the time that Slater was noodling something dark to cloak the pulp, I walked into Spoon seeking something dark and bitter. Slater mixed the blueberries with lemon and the only two bitter amari he had on hand, Averna and Fernet, to amazing effect; the end result, garnished with aromatic mint, tamed Fernet’s aggressive bitterness with velvety sweetness and just the right hint of tart.
Orth’s green bartender thumb delivered again on this concoction that deserves to be served at farmer’s markets everywhere.
10. HOUSE OF FRIENDS, Matt Orth (LARK on the Park, downtown)
You get the sense that if Matt Orth weren’t busy making your bar experience all better at LARK that he’d be perfectly at home on the farm, tending to his herbs and vegetables and berries, pruning and snipping and tilling and picking and all that. From his Hanging In The Garden (noted above) to the blackberry-infused whiskey masterpiece he conceived for a Jameson competition a few months ago, he’s handy with the fruits of the earth. No wonder, then, that this delicately complex mix of tequila blanco, cilantro-infused dry vermouth, pear liqueur and sweetly herbaceous Yellow Chartreuse unfolds across the palate like a breeze on Sunnybrook Farm. Garnished with a bit of grapefruit zest, its initial agave flavor melds into cilantro, then embraces the sweet pear before waltzing away into the flowers.
Using her noggin: Naida’s creation offered the eggnog experience in a manner even a vegan could love.
9. NOGAHOLIC, Juli Naida (Barter, Uptown)
With barman extraordinaire Rocco Milano as her sensei, Juli Naida – on her way to join Mate Hartai at Remedy, officially opening today on Lower Greenville – has come a long way since her drink-slinging days at the Mason Bar. Responsible for a good portion of Barter’s current cocktail menu, she embraced Milano’s offhand suggestion of a seasonal eggnog-themed “flight” and created a series of killer cocktails to roll out in mini form. Her Nogaholic was the least dessert-y of the bunch, and to me the most delicious, evoking the flavors of eggnog sans dairy, eggs or cream: Naida dialed down Cruzan’s potent Black Strap rum with simple syrup and a tincture made with vanilla, cinnamon, clove and nutmeg. The result is wintry and belly-warming, nog without the density — or the animal products. As my friend Rachel described it: “It’s a vegan’s Christmas wish come true.”
The Smoky Daiquiri seriously made me want to see what Fletcher, now at Henry’s Majestic, could do with a sow’s ear.
8. SMOKY DAIQUIRI, Alex Fletcher (Victor Tango’s, Knox-Henderson)
Smoked beer. It’s a thing. A pretty funky thing, if you ask me, at least judging by the whiff I got of the German-made Aecht Schlenkerla Rauchbier, a neutral grain spirit that wormed its way into the primo lineup of beers that Victor Tango’s piled up in 2014. On its own, the malty rauchbier was earthy and harsh, almost nasty like a bad vegetable; the smell called to mind a college laundry room. So of course cocktail master Alex Fletcher – who has since taken over the bar at Henry’s Majestic – had to make a cocktail with it. “That’s what you’d want in that, though,” he said of his clever Smoky Daiquiri, which incorporated the beer into a simply presented daiquiri mix of Blackwell rum, sugar, lime and a pinch of salt. “That salty, spicy funk.” In the drink, the beer’s more off-putting traits vanished; what hit the palate instead was full-bodied lime and tamarind with a sweet tang that got even better as it warmed.
Currying my favor with its skillful use of Indian influences: Trevino’s Bengal Lily.
7. BENGAL LILY, Kevin Trevino (Spoon Bar & Kitchen, North Dallas)
It was the marvelous Madras curry syrup that really shone in this Indian-influenced creation from Kevin Trevino, Spoon’s former bar manager. One day Trevino – now a wine sales rep – saw the curry powder on Spoon’s kitchen shelf and decided to see what he could pull off. He combined his curry syrup with Tru Organic gin, some Fruitlab ginger liqueur and lemon; the gorgeously blonde cocktail welcomed with a zesty garam masala aroma, then smooth, lemony flavor with hints of ginger and an upper-lip-tingling curry heat. The Bengal refers to its Indian notes; Lily refers to a friend. “It’s got that beautiful Indian curry smell and a little bit of spiciness that burns on the back,” Trevino says. “Especially that ginger.” Tru dat.
Fittingly, the top’s always down on a Sidecar, Gantenbein’s inspiration for this deliciously summery cocktail.
6. TOP DOWN, Jordan Gantenbein (Abacus, Knox-Henderson)
Driving around with the top down – that’s what I thought summer was all about until I discovered Gantenbein’s wonderful play on the classic Sidecar. He tricked out cherry-wood-infused Cognac with seasonal Meyer lemon syrup, plus a bit of candied Meyer lemon and a Luxardo cherry garnish in a sugarcoated glass. The drink’s luscious lemon/cherry mouthfeel batted the two flavors around the tongue like a game of air hockey, with cherry emerging victorious. The result was a libation that singlehandedly redefined summer.
Moncrief’s use of Ransom Old Tom gin inspired my name for this fantastic floral foray.
5. ONE MILLION IN UNMARKED BILLS, Pam Moncrief (The Usual, Fort Worth)
One evening at The Usual, I asked for my usual. Which was basically anything using a bitter liqueur. Moncrief – now at Fort Worth’s American F&B, had been working on a little something of her own off-menu, something motivated by a desire to appeal to cocktail newbies and broaden their tastes. But her blend of Ransom Old Tom gin, bitter-smooth Hungarian Zwack liqueur, Dolin Blanc vermouth and Benedictine honey liqueur can please even the heartiest cocktail fan with its well-rounded spicy depths – floral and grape giving way to a honey-bitter finish and a tang that lingers like nightclub ear. A dose of lemon oils atop gives it a nice citrus nose. “I just really enjoy herbaceousness,” Moncrief says. “Zwack and all those amaros are so herbaceous, and I feel like they don’t show up in cocktails enough.” And on that we would agree.
Bird’s barrel-aged bit of brilliance takes the edge off mezcal to smoky, bittersweet effect.
4. CAMARA LENTE, Damon Bird (LARK on the Park, downtown)
Take a sip of bartender Damon Bird’s barrel-aged concoction and you may find that your world has slowed to a Matrix-like sensory crawl. Maybe that’s because camara lente is sometimes interpreted as “slow motion,” or maybe it’s because this beautiful blend of mezcal, orange-y curacao, orange bitters and the bitter liqueurs Aperol and Fernet is just that good. Its mix of mellowed smoke and floral hints finish usher in a second wave of smoke and bittersweet, doused in a tobacco-leaf farewell. Bird first made it one night when he was slammed and somebody asked for “something with mezcal.” “The original version included simple syrup,” he says,” but with the barrel-aging, you don’t need it. It’s one of my few babies.”
The only mystery here is whether we’ll ever get to enjoy this marvelous cocktail again.
3. ENIGMA, James Slater (Spoon Bar & Kitchen, North Dallas)
Oh Spoon, we hardly knew ye. While chef John Tesar hopes to reopen the recently shuttered place in another location soon, Dallas’ fickle relationship with seafood casts more doubts than fishing lines. Its demise would be a shame, because under the guidance of Slater and former bar manager Trevino (see Nos. 7 and 11 above), the restaurant’s bar program quietly cranked out some of the area’s more creative and well-balanced drinks in 2014. Slater’s Enigma emerged as my favorite. Noticing that a pair of Angel’s Envy bourbons were finished in port barrels, Slater was intrigued by the combo: He mixed Rittenhouse rye and port with bittersweet Aperol; the result charts a path between two classics, the Manhattan and the Boulevardier, with hints of raisin and honey. A float of orange blossom adds both a perfume-y aroma and a softly sweet, linen finish. There’s no riddle or mystery here: It’s simply delicious.
The Black Monk’s aromas and flavors led me away on multiple meditative journeys, and still I remain unknowing of all its seductive secrets.
2. BLACK MONK, Creighten Brown (Barter, Uptown)
Speaking of mysteries, I pretty much went bonkers trying to figure out the enigmatic flavor in this fine cocktail. Many a sip later, I still don’t know the answer: It’s a smoky-flavored drink that’s tricky to pin down, greater than the sum of its parts: Brown took a tincture that bar manager Rocco Milano made with tonka bean, vanilla bean and lemongrass and added it to Jameson Black Barrel Reserve Irish Whiskey, bittersweet Averna, the honey-ish Benedictine and a bit of rye-and-sarsaparilla-flavored basement bitters. Every time I tried it, the image of shoe leather popped into my head, but in a most comforting way: The flavors dancing across my tongue included molasses, root beer, pecan pie, cooked honey, even smoky flan. It’s not for everyone – one taster described it as Chloraseptic – but if you enjoy a good cigar, this one is a winner.
Sugar and spice and everything nice: Bowden’s divergent path showed once and for all quien es mas Ancho.
1. DAMNED AND DETERMINED, Brad Bowden (Parliament, Uptown)
Bowden, formerly of Barter and The People’s Last Stand, was never much for Ancho Reyes, the ancho-chile-flavored liqueur that became my crush of 2014, following in the footsteps of botanical Hum and bitter Suze. But when the slightly spicy, vanilla-tinged blend became a Best New Product finalist at last summer’s Tales of the Cocktail festival in New Orleans, Bowden knew he had to do something. Damned and determined was he: Ancho’s bite made it a natural fit for tequila or mezcal, “but that’s what everyone else was doing,” he says (accurately). Instead, Bowden looked to his preferred spirit, rum, and what he devised is essentially a tiki drink, adding sweetly vegetal Green Chartreuse to Papa’s Pilar blonde – “Rum and Green Chartreuse go together like nobody’s business,” he says – along with egg white and a tropical pineapple-vanilla syrup. The egg white gives the ancho a soft bed to lie on; the syrup binds it all together. A last flourish of Angostura bitters atop and you’ve got yourself a magic carpet ride, frothy and floral with a sweet and spicy descent. While he also does a mezcal variation that he calls Aztec Brutality, the original rum version, held aloft on Pilar blonde’s creamy-smooth texture, is a year-topping keeper.
***
HONORABLE MENTIONS NOT NOTED ABOVE: 1874 (Erikah Lushaj, Bowen House); 1919 (Josh Uecker, Blind Butcher); Apples and Oranges (Eddie Eakin, Boulevardier); Ascension Hook (Matt Orth, LARK); El Guapo (Brian Williams, The Establishment); High Ryse (John Campbell, Abacus); Imenta (Marcos Hernandez, Bolsa); Nicaraguan Breakfast (Carlo Duncan, Parliament); Peach Pisco Sour (Creighten Brown, Barter); Soul Clap (Chad Solomon and Christy Pope, Midnight Rambler); Velvet Smoke (Juli Naida, Barter); .
And of course, a hearty thank you to those who accompanied me on my outings, without whom I could never have sampled this many cocktails.
Everything is illuminated: The new gem in Dallas’ cocktail scene.
With a month gone by since the jewel that is Midnight Rambler beamed into downtown, it’s hard to believe it was barely a year ago that the Dallas cocktail scene seemed lost in free-fall… To recap: Everything was going just fine – better than fine, actually, with two notable spots, Bar Smyth and The Cedars Social, getting national acclaim, and then – Bam! Both places were suddenly gut-punched with the overnight departure of Michael Martensen and his top-notch bartending posse. Meanwhile, Eddie “Lucky” Campbell, an equally well-known luminary behind the stick, was still bouncing around after leaving the failed Chesterfield downtown. Sure, both said they had projects in the works, but DELAYS. The imbiberati were verklempt.
More of these? Okay then.
Then, on one night in August, everything was illuminated: Parliament, Campbell’s carefully polished Uptown gem, and Proof + Pantry, Martensen’s much anticipated Arts District venture, opened on the same night with his crafty little bartenders all in a row. This fall, The Bourbon Review named The Standard Pour among its top 60 bourbon bars in America.
Dallas’ cocktail mojo is flowing again, and Midnight Rambler immediately joins the dean’s list – a gorgeous space in the Joule Hotel that reveals itself in holy-moly fashion the moment you plunge into its subterranean home. From the pincushion lighting to the art-deco styling to the arcing, inverted hull of a ceiling with its sleek wooden beams, it’s if you’ve walked into…. New York. Which is no surprise, given the Big Apple origins of owners Chad Solomon and Christy Pope, whose New York-based beverage consulting firm, Cuffs & Buttons, has put its stamp on bars and hotels around the world.
Midnight Rambler has an art deco, midcentury-modern aesthetic that Solomon ascribes to David Lynch’s Silencio space in Paris and the hotel bar in Stanley Kubrick’s The Shining, minus Lloyd the bartender. Strategically placed curtains hide or reveal adjoining space based on volume, intending a sense of intimacy no matter what the crowd. The punch bowl display is a bling-y touch.
Part of Midnight Rambler’s solid cocktail lineup.
This is what he and Pope have had in mind since – well, since those dark days of last autumn, but as already noted, these things take time. The wait has been worth it. “It’s pretty much exactly how we envisioned it,” Solomon said a few days before a glorious preopening-night party whose guest list included Manhattan mixology legends Audrey Saunders of Pegu Club and Cuffs & Buttons partner Sasha Petraske of Milk & Honey (where Pope and Solomon once tended bar).
The lineup of thoughtfully conceived libations is ladled out by a relatively fresh crew of bartenders whom Solomon and Pope have molded to their well-honed specifications. Labeled vials of premixed cocktail portions sit on the backbar, awaiting call to duty: It’s all about efficiency and consistency, and save for the ample canon of classics with which humankind is blessed, few variations occur off-menu, which is okay-fine because it’s muy excelente. (Being at the Joule, it’s also pricy, with drinks ranging from $12-$15.) Creative, daring and amply sized, it features the orange-y, bourbon-based Soul Clap, the tart, poblano-kissed Wang Dang Dula and the clever Savory Hunter, whose lemongrass- and kaffir-lime infused gin, mixed with coconut and lime evoke the flavors of a delicious Thai tom kha gai soup. There’s a selection of group-friendly punches and a playful trio of shots, including a pho-themed one that incorporates beef stock.
The bar’s midcentury modern aesthetic is “pretty much exactly how we envisioned it,” co-owner Chad Solomon says.
Midnight Rambler is also notable for what you don’t see: A backroom “lab” with nifty toys like refractometers, an evaporative still and a centrifuge, all employed in the making of cocktail ingredients. “We call it a lab, but we’re not back there experimenting all the time,” Solomon says. “It’s more like a flavor house. It’s our own dedicated flavor house.” Many drinks also include a touch of mineral saline – a bit of salt that as in food enhances and brings out other flavors; two drops is all it takes.
Nibbles come from CBD Provisions, up on the main level of The Joule – including charcuterie, a tilefish dip (the fish is smoked on the hotel rooftop), black-eyed pea hummus and a knockout burger. Fries are served in a Moscow Mule mug.
Despite the intense structure and pre-planning, the occasional drink can falter: The Sound System, for instance, which I initially loved for its bold and effective use of super-funky Hamilton pot-still rum, turns out to be fickle; inadequately stirred on a later visit, it was too heavy on the rum’s overripe banana flavor. The pre-prepared vials behind the bar can also visually take some of the appeal out of having your drink prepared to order; they’re more appreciated on a busy weekend night. About the only real minus for Midnight Rambler might be its location in the Joule, whose owner, Tim Headington, has enraged preservation architects with a record of destroying historic buildings, including the recent razing of two century-old structures across the street from the hotel, as noted in a scathing column by Dallas Morning News architecture critic Mark Lamster in September. Likewise, those who support historic preservation efforts may want to consider whether they want to patronize the businesses within.
The Savory Hunter: Refreshingly recalling your favorite Thai restaurant.
Otherwise, Midnight Rambler is a welcome and needed addition to the DFW cocktail scene. Solomon and Pope had initially considered Austin until the Joule opportunity fell into their laps; they’re now settled in Bishop Arts and have hatched something ambitious, adventurous and more glamorous than any serious cocktail bar Dallas has seen.
“It’s just another layer on top of what’s already here,” Solomon says. “This is next level. We are standing shoulder to shoulder with the best in Chicago and New York. But we’re here.”
She’s over here: Lauren Festa, now at The Mansion.
Bar peeps are on the move again.
If you’ve been looking for Lauren Festa, who until recently was working mushroom and elderflower wonders at FT33, she’s now overseeing the bar program at The Rosewood Mansion at Turtle Creek. It’s a much-heralded place in Dallas bar lore, having been presided over by some of the city’s most respected mixerati – names like Michael Martensen, Lucky Campbell and Rocco Milano. “An opportunity like this doesn’t come around very often,” Festa said just before leaving FT33 – and spied not long ago, the hospitality-minded bartender seemed content to have ditched the chain mail of her former Design District home for the proper vest of her dark, new Uptown den. She was expecting to roll out her new cocktail menu by last week.
From Knife to Spoon: Bartender James Slater
Another new lineup of libations is up and running at Spoon Bar & Kitchen, where James Slater is the new bar program manager. When chef John Tesar opened Knife in the Palomar Hotel space where Central 214 used to be, Slater was among the bartenders who made the jump. The understated Panamanian is an able bar man and now has a chance to make his mark at Tesar’s acclaimed seafood restaurant in North Dallas.
After a nice stint with Rocco Milano at Barter, Stephen Halpin has joined the crew at Parliament, the craft-cocktail pearl that itinerant barman Eddie “Lucky” Campbell has spent the last year or so forming in Uptown’s State and Allen area. Formerly of Whiskey Cake, the Irish-born Halpin has proven himself an adept mixologist and should find a worthy challenge in Parliament’s extensive tome of tipples when the bar opens this week.
He’s a member of Parliament now: Bartender Stephen Halpin.
Joining Halpin at Parliament is Will Croxville, fresh from Libertine Bar and a stretch last year with the celebrated Bar Smyth. Croxville has the distinction of preparing to adjust his schedule around the nearly simultaneous openings of two highly anticipated Dallas bars: He’ll also be doing time at Proof + Pantry, Michael Martensen’s long-awaited spot in the Arts District, which officially opens Wednesday.
Perhaps you’ve noticed the absence of another bearded chap at Barter; Brad Bowden, a veteran of The People’s Last Stand, says that’s because he’s lying in wait for his new gig at Midnight Rambler at the Joule Hotel. The coming speakeasy-style bar is the venture of Chad Solomon and Christy Pope, whose Cuffs and Buttons cocktail consulting firm has put its stamp on many a bar program throughout the Dallas area.
Ramblin’ Man: Brad Bowden, formerly of Barter, is on his way downtown.
In other news, Chase Streitz, the former bar manager at Sissy’s Southern Kitchen, has been spotted behind the bar at The Standard Pour (where Cody Sharp, former sous chef at the excellent Casa Rubia in Trinity Groves, has taken over the kitchen). And finally, when we last saw Matt Perry, he was making the most of the tiny bar space at Belly & Trumpet, Apheleia Restaurant Group’s restaurant in Uptown; after the briefest of cameos at Oak – one of Apheleia’s two Design District restaurants – he’s now behind the better-than-average bar at Neighborhood Services on Lovers Lane.
Booze news and adventures in cocktailing, based In Dallas, Texas, USA. By Marc Ramirez, your humble scribe and boulevardier. All content and photos mine unless otherwise indicated. http://typewriterninja.com
