Five years ago, Yangdup Lama and his business partner launched Sidecar in New Delhi; last year, the two-story neighborhood bar and speakeasy was named India’s best bar and came in at No. 67 in an annual ranking of the world’s best cocktail bars (and No. 18 in Asia) – the only establishment in India to make the global list . Meanwhile, Lama was named Travel + Leisure Asia’s 2022 Mixologist of the Year.
Not bad for an accidental bartender, as Lama likes to describe himself. Last week, the energetically elfin, 27-year industry vet purposely found himself in North Texas, where he’d been drafted to design the cocktail program at Sanjh, the posh, highly anticipated Indian restaurant recently opened in Irving.
At a pop-up event at Sanjh in Irving, Yangdup Lama of New Delhi’s Sidecar stirs up his namesake Old Fashioned.
For a long time, he says, bartenders in India looked to the West for inspiration as they crafted basic martinis and Manhattans in New Delhi’s fledgling cocktail scene. But with people around the globe increasingly warming to Indian flavors, Lama and others have proudly embraced the chance to showcase the country’s richness of flavors and culture in their own land and beyond.
In North Texas, such flavors have gone woefully underutilized in cocktails, which is why what Lama aims to do at Sanjh is so exciting.
From ‘accidental bartender’ to national industry icon
Lama, from the hill district of Darjeeling, joined Delhi’s Hyatt Regency in the 1990s with others who’d worked banquets and restaurants; having joined later than most of his colleagues, he said, he was assigned to the Hyatt’s chic Polo Lounge, where he had zero experience.
“I had no clue what I was doing,” he said. “But I started to enjoy the space. I realized you could be casual and build relationships with guests.”
He embraced the challenge. In short time, Lama was named India’s bartender of the year. Since then he’s won bartending competitions, worked as a brand ambassador, authored a cocktail book, started a bartending school and trained bartenders throughout India and beyond.
Lama’s Tea Tonic, built around a Darjeeling-tea-infused sweet vermouth, reflects his enthusiasm for featuring the flavors of his native India.
Pop-up showcases creations for Irving restaurant
Last week, Lama hosted a pop-up event in Sanjh’s second-floor lounge to showcase some of his creations for the restaurant, including a gimlet tinged with a Himalayan cherry tincture brought from India and a tea tonic boldly anchored by a Darjeeling-tea-infused sweet vermouth.
“Whenever I make a menu, there’s always one tea element,” he said.
His Jaam E Aam, featuring roasted cumin liqueur blended with gin, mango puree and chili tincture, is refreshingly lush while leaning on a rarely mined taste profile.
Then there’s the Chaat, named for the Indian street food typically laced with flavors spanning the spectrum of sweet, spicy, savory and salty with a bit of crunch. “It’s Hindi for ‘to lick,’” Lama said. “There’s something for everyone in a chaat.”
Yangdup Lama pours a pair of Jaam E Aams, featuring a roasted cumin liqueur with gin, mango puree and a chili tincture.
Lama built his eponymous cocktail on a base of tequila, lime and a syrup made from chaat masala, a spice mix whose range of variable ingredients can include amchoor, coriander, cumin, asefetida, ginger and chili powder. The silky, boldly flavorful drink was topped with a pepper-cilantro foam.
Lama said he hoped to not only tap the range of Indian food and culture but to inspire nostalgia as well, and he may have nailed it mostly with his Yang’s Old Fashioned. He mixed Buffalo Trace bourbon and Angostura bitters with a syrup made from betel nut.
“Every Indian at some point will have an experience with this,” he said, proffering a betel leaf, typically rolled with ground areca nut and slaked lime and chewed as a mouth freshener or snack. “For a lot of people it’s a habit. You can bite on it any time of day.”
Vijay Patel, at rear, a retired businessman attending the pop-up from Austin, waxed nostalgic over the betel nut flavor in Lama’s Yang’s Old Fashioned. “Dude,” he said. “That’s paan.”
Vijay Patel, a retired businessman visiting from Austin, was captivated from the first sip.
“Dude. This is paan,” Patel said, citing the name given the mixture throughout South Asia. “People snack on it in the afternoon. It’s like putting on a shirt, dude. It’s no big deal.”
Patel’s reaction infused the visiting bartender with no small amount of joy.
“The idea is to translate some of it, what people have done at home,” Lama smiled.
One of Lama’s spur-of-the-moment creations.
Sanjh, 5250 N. O’Connor Blvd., Ste. 146, Irving. Cocktails are priced at $16.
Four years ago, the guys behind a pioneering pair of Dallas cocktail bars were a year into their follow-up venture producing a line of bottled cocktails they hoped could quench consumers’ appetite for drinks without sacrificing quality – and that might eventually prove profitable.
“It’s just crack and pour,” Rocco Milano said then. “That’s the beauty of OTR, brother.”
OTR stands for On The Rocks, and the operation is anything but after being acquired this week by Beam Suntory Inc., the Chicago-based, global liquor giant that wields Jim Beam, Maker’s Mark, Knob Creek, Laphroaig, Yamazaki and Hibiki among its portfolio – and those are just the whisk(e)ys. Terms of the deal were not disclosed.
“It has been a hell of a ride and I am so excited for all that the future holds!” Milano wrote in a Facebook post announcing the news. “So happy to be part of the BSI family!”
Among OTR’s collection in its early pre-partnership days: The Aviation, Cosmopolitan and Mango Daiquiri
The jovial one-time theology major from Santa Cruz, Calif., was among the Dallas craft-cocktail scene’s early luminaries as it blossomed in the early 2010s, emerging from The Mansion at Turtle Creek to preside over the two well-regarded Uptown restaurant bar programs.
After both sites ran their course, Milano joined Barter owner Patrick Halbert and Andrew Gill, Halbert’s cousin, in an effort to design a line of ready-to-drink cocktails. Pre-mixed drinks were a fast-growing playing field at the time, and On The Rocks would soar, winning acclaim in the process.
Their venture wasn’t by design. The three initially planned to open a distillery as Barter plowed through its final days, but when some Virgin Airlines bigwigs came by the place to celebrate the airline’s Love Field debut in late 2014, an offhand remark by one of them – something to the effect of, “These drinks are so good, I wish we could have them on planes” – set their wheels spinning.
That led to more serious talks, then intros to other airlines, a crash course in bottled-cocktail science and plenty of their own capital. They started out in a bare-bones warehouse near Love Field that resembled like a chemistry grad students’ enclave, with bottles, beakers, cylinders and pipettes.
As the group gained notice and eventually a minority interest from Beam Suntory, their bottled cocktails – some of them classics, others Milano’s own creations – began to bear familiar Beam Suntory names, like a Mai Tai featuring Cruzan rum, a Hornitos tequila Margarita or a Knob Creek whiskey Old Fashioned.
The OTR team: Milano, Halbert and Gill in a photo taken in 2016. (photo courtesy of On The Rocks)
“On the Rocks is the pioneer in the premium pre-mixed cocktails category, and joining forces couldn’t come at a better time,” Albert Baladi, president & CEO of Beam Suntory, said in a press release announcing the acquisition. “On The Rocks is perfectly positioned to address evolving consumer preferences, including convenience, quality, the emerging home-premise, and cocktails-to-go.”
According to the release, Halbert and Milano will continue to play roles with the brand.
“On The Rocks is extremely proud of what we’ve accomplished and the leadership position we’ve built in this rapidly growing sector over the last five years,” Halbert said. “We are thrilled to join the Beam Suntory family…. We’re confident that this is just the beginning.”
My favorites of 2019: At center, Homewood’s Golden Amaranth; clockwise from top left, the Inca Knife Fight at Henry’s Majestic; Ruins’ Sierra Outkast; Bourbon and Banter’s Ducktail; Five Sixty’s Paper Crane; Proper’s Pandan Swizzle; the Liberty Spikes at Bourbon and Banter; Midnight Rambler’s Seasick Crocodile; and the Spanish Gin & Tonic at Beverley’s.
DFW, you finally bested me. There was no way to keep up with
the flurry of craft cocktails springing forth from the minds of the metropolis’
mix masters in 2019, with newcomers like Deep Ellum’s Ebb & Flow, Las
Palmas in Uptown, downtown’s Te Deseo and The Charles in the Design District
padding the bounty.
On Fitzhugh, La Viuda Negra executed a Thor-like landing with its urban-Mexico-inspired vibe and a lineup of smartly conceived drinks both agave-centric and photogenic, while Eddie Campbell’s Clover Club debuted with swanky swagger above Cedar Springs in Uptown.
There was seemingly little left under the sun to drive innovation, but surprises flourished nonetheless: At Bourbon and Banter, Hugo Osorio’s Ducktail softened Scotch with sweet citrus while his Liberty Spikes fluttered with coyly bittersweet flavor; both (see photo above) were among my favorite drinks of the year.
At Proper in Fort Worth, so was Lisa Adams’ Pandan Swizzle, which blended the nuttiness of amontillado sherry with the sweetness of its lovely signature herb. At Five Sixty, the always-crafty James Slater also employed pandan in his Paper Crane, a smooth twist on the classic Paper Plane, while Midnight Rambler’s Chad Solomon medicated his absinthe-laden Seasick Crocodile with poblano juice and Thai chile.
At Homewood on Oak Lawn, golden beet and orange leapt like dolphins across an sea of gin in Lauren Festa’s Golden Amaranth, while in Plano, there was definitely Something About Rosemary in Whiskey Cake’s nicely balanced drink of the same name. The Spanish Gin & Tonic at Beverley’s was nothing less than sublime, while in Knox-Henderson, Alex Fletcher’s Inca Knife Fight conquered my palate with coconut Pisco Sour flair.
Rounding out my year’s faves: At Ruins in Deep Ellum, Peter Novotny’s impressive Sierra Outkast — a nod to tiki’s Navy Grog — blended Oaxacan gin and rum with Swedish aquavit and garnished it with tri-color coconut candy. Meanwhile, La Viuda Negra made Mexican magic with the dazzling Purple Drink, featuring Michoacan rum and butterfly pea flower, and the terrific, raicilla-based El Papazote.
The decade saw craft cocktails grow from infancy to maturity in D-FW, led by The Usual in Fort Worth (which just marked its 10th anniversary) and then scattered, early Dallas pioneers like The Cedars Social, Victor Tangos, Bolsa, Private/Social, Windmill Lounge, Black Swan Saloon and The People’s Last Stand, along with Whiskey Cake in Plano. As our palates grew more discerning and adventurous, the quality and quantity of spirits, liqueurs and exotic ingredients grew to meet the demand. And as momentum slowed as talent scattered and pioneering bars fell by the wayside, top-notch newcomers rose up to create new energy, such as Las Almas Rotas in Fair Park; Jettison in West Dallas; Hide, Shoals Sound & Service and Ruins in Deep Ellum.
Bartenders crafted ingredients using chef-driven methods like sous vide and molecular gastronomy; others introduced us to Japanese shochu and sake, Spanish sherries and Mexico’s broad palette of agave-based spirits; we saw cocktails garnished with seaweed and tongue-numbing buzz button; we nibbled on roasted grasshoppers while sipping mezcal.
The community itself became a force, too: We saw the local bar and spirits industry come together to raise thousands of dollars for tornado and hurricane relief, for hospitalized kids and for the medical expenses of those in their own bar community family. In 2018, the scene collectively grieved the loss of three beloved barmen, Armoury’s Chad Yarbrough, Ian Brooks of Brick and Bones and Josh Meeks of Henry’s Majestic. And we saw the industry’s women in DFW become a force for change and advancement, with efforts such as The Shake Up, an all-female competition now in its second year raising money for women’s charities.
You’ve come a long way, DFW. Likewise, my tastes have changed, and over time I grew to appreciate drinks I hadn’t ranked so highly in the past or to reconsider others that I had. Looking back, about 40 of them stood out for their creativity, innovation, timeworn allure, and/or that one ingredient I couldn’t stop thinking about. In the spirit of the New Year, here, in alphabetical order, are my favorite 20 DFW cocktails of the last decade.
Jenkins’ Alpine Blues: A heady expression of forest growth in a glass.
Jenkins, resident mixmaster at Deep Ellum’s Hide, killed it in 2018 with his Oaxacan Shaman, a masterful mezcal-aguardiente mashup, and his lusciously butternutty Quest for the Sun, a sunflower-seed-infused vodka vehicle. But my favorite of all was his Alpine Blues: A whirlwind trip to the mountains had filled him with memories of brisk, chilly air and damp ground covered in foliage. Those longings inspired this reflection of nature’s growth: Nux walnut liqueur, he said, formed the base soil, deep and rich with decomposing nettles; blueberry-influenced Pasubio, an alpine bitter liqueur, was the surface – “earthy and fruity; there’s still some life in it;” Cap Corse, a quinine aperitif, and clarified lemon juice represented new growth, with the bitter citrus of biting into a young stem; Singani 63, a botanical Bolivian brandy, was the blossom. “There were specific slopes and colors in my mind,” he says. “It made me have the blues not to be there.”
AUTUMN IN BRAZIL – Jason Pollard, The Usual (2018)
I could have waxed all season about Pollard’s luscious Autumn in Brazil.
In 2016, Brazil’s national spirit enjoyed a brief moment in the D-FW sun, with drinks such as Spencer Shelton’s wonderful Rio Julep at Bolsa capitalizing on Amburana’s spiced banana bread notes. Two years later at The Usual, the Magnolia Avenue mainstay in Fort Worth, Pollard built on those caramel, vanilla flavors and added the rich nuttiness of sherry, then rounded it out with Cocchi di Torino sweet vermouth and caramel-esque demerara syrup. With hints of raisin, chocolate and cinnamon and the aroma of musky grapes, this was a sensational seasonal sipper.
For too short a time, we sipped many a care away with this caraway-flavored goodness.
By 2013, the scene had seen the rise of its first reservations-only cocktail den with Bar Smyth, which along withe People’s also featured one of the finest compilations of behind-the-bar talent ever seen in Dallas. There was no menu at this dimly lit, short-lived Knox-Henderson speakeasy, so maybe I actually waltzed in and asked YeeFoon, now co-owner of Shoals Sound & Service in Deep Ellum, to make something with aquavit, Scandinavia’s caraway-flavored liqueur. More likely it was something that YeeFoon just happened to be playing with that day. Whatever it was, this frothy number, employing Averna and an egg-white canvas, inspired lasting intrigue with its splash of sarsaparilla and a creative touch of soft sesame on the nose.
The Black Monk’s aromas and flavors led me on multiple meditative journeys, yet I remained unknowing of all its seductive secrets.
Planted at the bar of this redo of Uptown’s pioneering Private/Social, I pretty much went bonkers trying to decipher the Black Monk’s enigmatic flavor. The smoky-flavored drink was tricky to pin down, greater than the sum of its parts: Brown blended Jameson Black Barrel Reserve Irish Whiskey, bittersweet Averna, the honey-ish Benedictine and a bit of rye-and-sarsaparilla-flavored basement bitters with a tincture made with tonka bean, vanilla bean and lemongrass. Every time I tried it, shoe leather images popped into my head, but in a most comforting way: The notes shuffing across my tongue included molasses, root beer, pecan pie, cooked honey, even smoky flan. The Black Monk was not for everyone – but for those who enjoy a good cigar, this one was a triumph.
BUZZ-CAT – staff at Boulevardier (2015)
Old
Tom gin, Earl Grey tea-infused honey syrup, apple bitters, lemon, ginger, baked
apple garnish
At Boulevardier, bar manager Eddie Eakin’s 2013 cocktail got a sweet-as-Vermont-honey makeover that was wicked good.
The craft-cocktail renaissance inspired a resurgence of classic spirits, among them Old Tom gin, the spirit’s 18th-century, slightly sweeter cousin. My favorite is the barrel-aged Tom Cat, made by Vermont’s Barr Hill, a former bee farm that infuses its spirits with a signature honey flavor. Tom Cat also happens to be sold in distinctive, small bottles that were just the size that bar manager Eddie Eakin of Bishop Arts’ Boulevardier wanted for his syrups and juices. He ordered a batch of Tom Cat for his bartenders, who began subbing it for standard gin in the Steep Buzz, a celebrated cocktail Eakin had devised in 2013. With a baked apple slice garnish, the Buzz-Cat was a honey-perfect blend of autumny, apple-pie aroma, herbal Tom Cat spice and lingering lemon-ginger bite. “We were just trying to pour through it,” bartender Ashley Williams said. “And it just caught on.”
DAMNED AND DETERMINED – Brad Bowden, Parliament (2014)
Sugar and spice and everything nice: Bowden’s divergent path showed quien es mas Ancho.
Bowden, who you’ll find these days at East Dallas’ Lounge Here, didn’t care much for Ancho Reyes, the ancho-chile-flavored liqueur that became my crush of 2014, following in the footsteps of botanical Hum and bitter Suze. But when the slightly spicy, vanilla-tinged blend started earning national recognition, Bowden — then at Uptown’s Parliament — said he felt “damned and determined” to do something with it. Ancho’s bite made it a natural fit for tequila or mezcal, “but that’s what everyone else was doing,” he says (accurately). Instead, he took rum, his preferred spirit, and devised what’s essentially a tiki drink, adding sweetly vegetal Green Chartreuse to Papa’s Pilar blonde – “Rum and Green Chartreuse go together like nobody’s business,” he says – along with egg white and a tropical pineapple-vanilla syrup. The egg white gives the ancho a soft bed to lie on; the syrup binds it all together. A last flourish of Angostura bitters atop makes it a magic carpet ride, frothy and floral with a sweet and spicy descent.
DOUBLE UNDER – Emily Arseneau, H&G Sply (2013)
Beet-infused tequila, triple sec, citrus, rosemary syrup, salt
Mad beetz: Arseneau’s refreshingly vegetal Double Under at H&G Sply.
Who doesn’t love beets? Okay, a lot of people doesn’t love beets. But properly speaking, for those of us who do, this radiant refresher ably answers the call – a simple mix of lively beet-infused tequila, lime and rosemary syrup. Arseneau – now with liquor giant Remy Cointreau – modified this creation by Portland’s Jacob Wallace for the drink list at Lower Greenville’s H&G Sply, toying with the proportions and adding Cointreau; “it’s supposed to be an earthier Margarita that never feels out of season,” she says. The taste is sour beet moxie and tangy lime, with a slight hint of herb. Unabashedly red with a flirty half-skirt of glittery salt, it was a stunner to look at, too.
EL PAPAZOTE – Saul Avila Hernandez, La Viuda Negra (2019)
Raicilla, lime, sherry, epazote syrup
The funky nature of raicilla, an agave-based spirit produced in Mexico’s Jalisco state, was given wings to fly in La Viuda Negra’s El Papazote. (Photo courtesy of Javier Villalva)
Brothers Javier and Luis Villalva’s La Viuda Negra (“The Black Widow”) on Fitzhugh was my favorite addition to the scene in 2019, with a modern rustic interior and delicious cocktails both inventive and sometimes whimsically presented. My favorite of the bunch was El Papazote, which achieved magnificence with its crafty use of funky raicilla, an agave-based spirit still uncommon beyond its native state of Jalisco. Avila gave La Venenosa’s Costa de Jalisco the sweet-and-sour treatment with lime, a dash of sherry and a syrup made with epazote, a leafy herb found in southern Mexico that accents the raicilla’s fruity-floral earthiness.
FLEUR DE FEU – Austin Millspaugh, The Standard Pour (2017)
Elderflower liqueur, green chile liqueur, Angostura bitters, cream
At Standard Pour, Millspaugh’s Fleur de Feu.
At Uptown’s Standard Pour, this creamy off-menu creation, with a name meaning “flower of fire,” was a low-proof treat, a deceptively sweet drink that actually leaned savory. Millspaugh, whose penchant for cocktail alchemy had previously produced a nifty Cognac spin on the classic gin Bijou, was once again inspired: He mixed St. Germain and Ancho Reyes liqueurs with Angostura bitters and poured them into a nifty Nick and Nora glass, then topped it all with a thin layer of cream that he torched it for a burnt marshmallow effect. The result unveiled a stunning contrast between the foamy top and wine-clear body below; the creamy fats lent texture and depth to a bouquet of floral and spicy flavors with smoky overtones. “You think it’s going to be sweet, but your notions are debunked the second you sip it,” he said.
MADAME HUMMINGBIRD – Lauren Festa, Flora Street Cafe (2016)
Vodka, botanical liqueur, honey-piquillo syrup
At Flora Street Cafe, Festa’s Madame Hummingbird made Hum liqueur great again.
Way back when Rocco Milano helmed the bar at Private/Social, may it rest in peace, he introduced me to Hum, a remarkably profuse hibiscus cordial offering notes of cardamom, clove, ginger and kaffir lime. A love affair was born; I couldn’t get enough of the stuff, and though the fling ran its course, it was always good to see an old flame. At Stephan Pyles’ then-newly opened (and now newly closed) downtown restaurant, that’s how Festa –now at Homewood — lured me in; her flower-garnished cocktail let sturdy Absolut Elyx act as handler, reining in Hum’s exuberance, but the real dash of brilliance was a chili syrup that added a tantalizing jolt of heat. “Hum and heat go well together,” she said. “It brings out the spices.”
MALTA – James Slater, Network Bar (2017)
Italian bitter liqueur, French bitter ginger liqueur, turbinado sugar syrup, blackberries
At members-only Network Bar, James Slater’s Malta was berry, berry good.
Several years earlier, when Slater (now at Five Sixty) helmed the bar at now-defunct Spoon, he wowed with an off-the-cuff, darkly bittersweet Fernet-based creation he ultimately called Blue Moon, and he’s been riffing on it ever since. During a brief stint as bar director for the members-only club at Trinity Groves, his newest spin on the drink was a winner: Still mining the bitter mint depths of Fernet, it subbed blackberries for blue and ginger-forward Amer Gingembre for less aggressive Averna. The lush Gingembre tamed the harshness of its predecessor; think of the Malta as a boozy berry detox juice with a dollop of licorice-like sweetness.
Jesse Powell’s boozy play on the classic Indian refresher was a work of mango-nificence.
During a trip to Chicago’s Pub Royale, an Anglo-Indian-style tavern, in early 2018, Powell — now a local gin and tequila ambassador– discovered the joys of the mango lassi, India’s traditional mango milkshake. Naturally, as he savored its mix of yogurt, mango, milk and sugar, he wondered: How can I translate this into a cocktail? He came through like a champ, structuring the beverage’s viscous, sour-sweet depths atop a foundation of El Dorado 5-year, then garnishing the Creamsicle-orange drink with cool mint and a clever rim of Mexican tajin, the chili powder that often graces that country’s mango street snacks. Poured over crushed ice, it was a tasty summer refresher I still found myself craving in the cold of winter.
It was actually bartender Sam Gillespie, then of The Mitchell in downtown Dallas, who introduced me in late 2017 to the notion of a Sazerac built on smoky mezcal rather than the classic rye or cognac. His simple switch of spirit was solid and satisfying — but then, the very next day, I dropped by the Theodore, the former NorthPark Center lair where barman Hugo Osorio was unspooling impressive off-menu creations in his spare time. When I asked what he was working on, he replied: “How about a mezcal Sazerac?” Osorio made the drink his own by adding the wintry cinnamon spice of tiki bitters and replacing sugar with a bit of sweet tawny port, serving up a spectacular cold-weather sipper.
ONE MILLION IN UNMARKED BILLS — Pam Moncrief, The Usual (2014)
Old Tom gin, Hungarian bitter liqueur, dry vermouth, herbal honey liqueur, lemon oils
Moncrief’s use of Ransom Old Tom gin inspired the name for this fantastic floral foray.
In 2014, I was deep into herbal liqueur exploration, curious to see what bartenders were doing with amaro and other European-based bottlings. One evening at The Usual, Moncrief , who now runs a cocktail pop-up business in Fort Worth, had been experimenting with a blend of Ransom Old Tom gin, herbal Zwack liqueur, Dolin Blanc vermouth and Benedictine, creating a gentle, well-rounded drink with spicy depths. Floral and grape gave way to a honey-bitter finish with a tang that lingered like nightclub ear, with a dose of lemon oils atop adding a nice citrus nose. “I just really enjoy herbaceousness,” Moncrief said. “Zwack and all those amaros are so herbaceous, and I feel like they don’t show up in cocktails enough.” On that we could agree.
ROME IS BURNING – Robbie Call, Vicini (2016)
French orange bitter liqueur, mezcal, Italian bitter liqueur, anise liqueur
Call’s response to bitter and smoky: The marvelous Rome Is Burning.
Vicini, we barely knew ye. The Frisco-based Italian restaurant’s all-too-brief run may have been a flash in the risotto pan, but it was long enough for Call to have some fun behind the stick. One slow Sunday, I put the lanky bar veteran, now assistant food and beverage manager at The Statler Hotel, on the spot by asking for something bitter and smoky. His off-the-cuff answer was genius, possibly my favorite on this entire list: A rush of French China-China and Italian Meletti anchored by mezcal and a rounding touch of Herbsaint – bitter orange and chocolate-caramel, grounded in depths of smoke and anise. Simply garnished with an orange peel, it was all I wanted in a glass, a mirepoix of worldly influences. “I’m a big fan of letting amaro drive the car and having the mezcal creep in,” Call said. So am I, Robbie. So am I.
SEPPUKU REALE – Andrew Stofko, Victor Tangos (2016)
Italian bitter liqueurs, furikake syrup, lemon, seaweed, furikake
Stofko’s Guinness-black Seppuku Reale artfully merged Italian and Japanese influences.
Amaro Montenegro is a jewel among Italian bitters; it leans toward sweet and herbal with its acridity evident only in tow. In 2016, Stofko, then at Knox-Henderson’s since-closed Victor Tangos, won a local contest with this unexpectedly intriguing taste detour: He reined in Montenegro’s sweetness with a syrup made from furikake (a Japanese spice mix of sesame seed, seaweed, sea salt and bonito flakes), upped the bitter component with Gran Classico liqueur, then added lemon to round it out. The citrus, however, turned the drink unpleasantly dark, so Stofko went all-in and added a bit of squid ink to turn it Guinness-black. The garnish was his piece-de-resistance – a sprinkling of roasted sesame seeds on a skiff of seaweed floating atop the inky sea. Bring the drink to your nose and your palate was awakened with hints of savory Japanese; instead, you got something completely different – bewitchingly bittersweet taste tempered with piquant nuttiness. “That’s umami in a glass,” said Stofko, now bar manager at Te Deseo in downtown Dallas. “I’m just glad (Victor Tangos) let me put it on the menu.”
SLEEPY COYOTE – George Kaiho and Andrew Kelly, Jettison (2018)
The Sleepy Coyote, a coffee-infused gem from Jettison’s Kaiho and Kelly, got me woke.
Kaiho and Kelly, the personable one-two punch behind the bar at Jettison, Houndstooth Coffee’s sister bar in West Dallas, wanted to create a cocktail using horchata, the Mexican cinnamon rice milk. Specifically, as a popular after-dinner destination, they wanted to craft a dessert drink, so as fans of The Big Lebowski they devised this buzzy riff on a White Russian, using a base of banana-funky Paranubes infused with coffee, cold-brew style. To that they added cinnamon syrup and a splash of spicy Ancho Reyes liqueur, then poured it over crushed ice to unleash rich, fruity cinnamon coffee with a kick.
SOUTHPAW STREETCAR – Alex Fletcher, Henry’s Majestic (2016)
Cognac, persimmon shrub, citrus, clove dust
Fletcher’s Sidecar variation transported you to a winter wonderland.
With drinks such as his miso-inflected Art of War (2013) and a daiquiri featuring a German smoked beer (2014), Alex Fletcher – now beverage director for Dallas’ Hospitality Alliance and AT&T Discovery District – has proven to be among the cleverest of DFW bartenders. In 2016, he concocted this winter wonder at Knox-Henderson’s Henry’s Majestic, where he was GM. Using a batch of his chef’s foraged persimmons, he crafted a shrub – a fruity, concentrated syrup tanged up with vinegar – and consequently my favorite Sidecar variation ever. A taste of the Southpaw Streetcar bounced along in tangy sweetness when suddenly, BAM! a burst of clove bathed you in winter-fire warmth. Sugar-plum visions danced in your head; in the distance, the jingling of sleigh bells and the sound of muffled hoofbeats in snow – and wait, was that Nana calling? Are the tamales steamed and ready? Oh wait – that was just Fletcher, asking if everything was OK and why your eyes had been closed for the last 10 minutes.
SPEAK OF THE DEVIL – Peter Novotny, Armoury (2015)
Pisco, plum liqueur, lemon, egg white, simple syrup, Port
Novotny plum’d the depths of his Hungarian upbringing to create this snazzy riff on the classic Pisco Sour.
At Armoury in Deep Ellum, Novotny’s zippy take on the underappreciated Pisco Sour was inspired by his own Hungarian background. “I grew up on Hungarian liqueurs like Pecsetes,” he said, referring to a native apricot brandy. “It’s basically an eau de vie, like pisco. They’re like Hungarian moonshine.” As a fan of sours, he took the Pisco Sour recipe of un-aged brandy, citrus, simple syrup, egg white and Peruvian chuncho bitters and added Hungarian Slivovitz plum liqueur, with a boost of Pedro Ximenez Port for extra plum flavor. The result was a delightfully fruity-sweet homage to classic and cultural origins.
TIGER STYLE – Chad Solomon, Midnight Rambler (2016)
Solomon’s Tiger Style was a passion fruit wildcat, my favorite among a stellar lineup of exotic cocktails he debuted in 2016, classified as “gritty tiki.”
Chad Solomon’s seasonal drink menus at this downtown Dallas gem are thoughtfully thematic and often exotic, and he was at the top of his game in 2016; his Coconut Cooler, a gin-and-sherry blend sweetened with Southeast Asian pandan, highlighted spring and offered a hint of what was to come – a powerhouse summer menu of “gritty tiki” drinks reflecting Asian, African and South American influences. The Filipino-Indonesian-accented Tiger Style was my fave, a seemingly light mix incorporating a rum-like Indonesian spirit, passion-fruit-esque calamansi, palm sugar and a tincture made from pippali (Indian long pepper) that nonetheless packed a punch. A spritz of earthy cassia aromatics atop a dehydrated lime made it a triumph of creamy orange spice dashed with a hint of Fireball cologne. “The more you drink it, the more your lips tingle,” Solomon said, quite accurately. “It takes you into the exotic, and intentionally so.”
THE NEXT 10:
Colada No. 2, Chad Yarbrough, Armoury D.E. (2017)
Delight, Scott Jenkins, Hide (2017)
Earth Wind and Fire, George Kaiho, Jettison (2018)
Grapes Three Ways, Annika Loureiro, The Cedars Social (2016)
Holy Smoke, Hector Zavala, Atwater Alley (2015)
I’ll Get To It, Josh Maceachern, The Cedars Social (2013)
Monkeying Around, Sam Gillespie, The Mitchell (2018)
Sesame Daiquiri, Jordan Gantenbein, Abacus (2015)
Stripper Sweat, Jackson Tran, Cosmo’s Bar & Lounge (2012)
Mustache seesaws. Vodka ice cream. A magical wall through which seemingly disembodied hands offer cocktails for the taking. It might sound like something out of an Alice in Wonderland fantasyland, but that’s what you’ll find on the evening of Sunday, Oct. 13, at Deep Ellum’s Harlowe MXM and its adjoining sister bar, Trick Pony.
The event is the 8thannual Ultimate Cocktail Experience, which in its previous seven years has raised nearly $1 million total for Dallas-based Trigger’s Toys, a non-profit organization aiding hospitalized kids and their families.
2018’s Ultimate Cocktail Experience took place at The Bomb Factory. Image from video footage produced for the event.
“It’s one of those days when everybody comes together,” said Naomi Ayala, president of the U.S Bartenders Guild’s Dallas chapter, at a recent group workshop. “It’s for the kids.”
Originally known as the Fantasy Bar Draft and then Cocktails for a Cause, the Ultimate Cocktail Event has snowballed since its initial runs at The Standard Pour in Uptown and Henry’s Majestic in Knox-Henderson, held more recently at massive venues like the Bomb Factory and Klyde Warren Park. This year’s move to Harlowe/Trick Pony takes the party back to its roots while maintaining its spirit and spectacle.
“We’re toning it back down,” says Brian McCullough, among the event’s
original organizers. “Everyone will feel the whole thing a little more.”
The Ultimate Cocktail Experience, now in its 8th year, has raised nearly $1 million for Trigger’s Toys.
The Ultimate Cocktail Event runs from 6 to 11 p.m. and capitalizes on the Harlowe/Trick Pony complex’s two-story design – a perfect setting for the gala’s traditional five-way battle of pop-up bars staffed by more than a hundred bar industry pros from DFW and beyond.
Every year, five teams of bartenders conceive an imaginary bar and spend time developing the drinks, concept and clever marketing campaigns in pursuit of the coveted people’s choice prize. This year’s event is an all-star reunion, bringing together each of the last five year’s winners for a bid at the ultimate crown.
“We’re even bringing back Ampersand and Ampersand,” says Stephen Halpin, Dallas-based manager of trade education for Patron Tequila, referring to the cheeky name of 2014’s champ.
But as Ayala said, it’s all about the kids. It was Bryan Townsend, vice president of global sales for spirits producer The 86 Co., who launched Trigger’s Toys 11 years ago after witnessing the positive effect that his dog, Trigger, had on an antisocial child at a local care facility.
This year’s move to Harlowe MXM/Trick Pony takes the annual benefit back to its bar roots. Image from video footage produced for the event.
Now, in addition to providing financial support for kids and their families facing long-term hospital care, Trigger’s Toys every year buys holiday-season gifts for them and their families and funds therapeutic care for kids with autism, cerebral palsy and other conditions through an organization called Bryan’s House.
“It has just evolved and evolved,” Townsend says.
Joining “& and &,” helmed by the Statler Hotel’s Kyle Hilla, will be 2018 champ Elevate, captained by Megan McClinton and Jason Pollard of The Usual in Fort Worth; 2017 champ Cuba, led by Nicholas Grammer of The Mitchell; 2016 winner American Carnival, headed by Andrew Stofko of Te Deseo; and 2015 champ Zoom Zoom, led by Zach Smigiel of Billy Can Can.
NOTE: A previous version of this post stated that Ravinder Singh of Sloane’s Corner would be leading team Cuba; Nicholas Grammer has since stepped in to take his place.
With the proper skull set, you can do most anything.
My brother Michael, for all of his unreadable stoicism, has a knack for giving Christmas gifts with staying power. So when he gave me a set of skull-shaped ice molds this last holiday season, I was pretty sure they’d be conscripted into duty eventually.
Not that I really needed ice molds – as a longtime cocktail enthusiast, my freezer is well stocked with cube molds large and small, including a set of Buffalo Trace-branded ones with protruding buffalo images on one side. But ice in the actual shape of skulls – that was a fresh addition to the collection. And since I had also given Michael a skull-shaped shot glass at the same Christmas exchange, it turned out to be a heady coincidence. I let them the ice molds sit until the right idea took hold.
I’m nine years older than Michael, who we called changuito – Spanish for “little monkey” – when he was little for his boundless, off-the-wall energy, cheery smile and his love for Curious George, the famous cartoon monkey. (No doubt he would be mortified to know I was sharing this fact.) He and I were also both into monster movies and science fiction, and I remember taking him to see Star Wars for the first time when it was re-released for the premiere of The Empire Strikes Back. That was on my mind when I recently realized that I had never actually gotten around to seeing Kong: Skull Island, the lauded 2017 semi-reboot of the classic giant gorilla franchise.
Inspired, I searched for it in my Netflix and Amazon Primate – I mean, Prime – libraries, but the cheapskate in me was put off by the rental price when there were so many free movies awaiting in my watch queue. I picked one of those for the time being, but still let the inspiration ride: If I couldn’t actually watch Skull Island, I figured, I would come up with a drink using one of those skull ice cubes instead.
My Skull Island cocktail is basically a tropical Old Fashioned, packed with nods to the whole Kong vibe – gorillas, jungles, exotic islands. Naturally, I built it on Monkey Shoulder blended malt Scotch – not just for its fruity, buttery notes but its malt brawn, which would go toe-to-toe with the tropical sweetness that would come: First, a roar of banana liqueur, then a dash of tiki bitters. And finally, I poured the whole mixture over that toothsome skull ice cube… which offered one last creepy grin before tilting wayward in the Scotchy surf.
Skulls are spineless and cannot stay upright in liquid. Otherwise, the Skull Island is not monkeying around.
While I haven’t yet gotten around to seeing that movie, here’s a drink in the meantime that, while deliciously tropical sweet, will still put hair on your chest.
Combine ingredients in a mixing glass, add ice and stir. Pour into an Old Fashioned or short rocks glass over one large ice cube, ideally one shaped like a skull. Sip and periodically pound chest.
Some of the year’s best, clockwise from upper left: Cody Riggs’ Bitter Marriage at The Mitchell; Griffin Keys’ Let Me Clarify at Boulevardier; Matt Konrad’s Witch Hunter at Thompson’s Bookstore; and Ryan Payne’s Blu-Tang Clan at Tiny Victories.
Housing prices are falling, the stock market is flailing, but if there’s anything we can count on, it’s craft cocktails: From Dallas to Lewisville to Frisco, from Fort Worth to Trophy Club to McKinney, imbibers in 2018 had an ever-growing bounty of riches from which to choose.
The scene welcomed new destinations like Ruins, 4 Kahunas, 3Eleven and Tiny Victories into the fold, along with solid cocktail programs at new restaurants like Macellaio, Sachet and Bullion in Dallas, and Local Yocal in McKinney. While trying to keep up with it all is a Sisyphean effort, some trends did emerge from within the fray.
This was the year of designer dessert drinks and aguardientes, or sugarcane-based spirits: Rum, the most common, was more widely implemented, and not just at 4 Kahunas, Arlington’s legit new tiki outpost. With the thirst for new and unique liquors reaching ever farther into untapped regions, a pair of lesser-known aguardientes found footing in local cocktails – Oaxaca’s fabulous Paranubes and Michoacan-based charanda.
It wasn’t all sugarland, though: Singani 63, a gorgeous Bolivian brandy similar to pisco, and Italicus, the beautiful bergamot-flavored Italian aperitif, also made welcome inroads, while Spanish sherries flourished and Japanese shochu tiptoed on the fringes, most notably in George Kaiho’s ingenious Earth Wind and Fire at Jettison, which teamed it with mezcal and Green Chartreuse.
Visually, bartenders went the extra mile to create drinks as photogenic as they were tasty, such as Griffin Keys’ Let Me Clarify, a stunning Queen’s Swizzle variation at Bishop Arts’ Boulevardier; Matt Konrad’s fernet-topped Witch Hunter at Thompson’s Bookstore in Fort Worth; Ryan Payne’s captivating Blu-Tang Clan at Tiny Victories; and at the Mitchell, Cody Riggs’ tongue-in-cheek Bitter Marriage, garnished with a faux business card hawking the divorce firm of Ditcher, Quick and Hyde.
Cocktails were also a natural landing zone for turmeric, the “it” health ingredient of the year — for example, Wes Enid’s Turmeric Daiquiri at Atwater Alley in Knox-Henderson. Meanwhile, bartenders more boldly employed nuttiness as a flavor – as in Jones Long’s pecan-infused A Drink With No Name at Bolsa, or Kaiho’s sesame-paste-enhanced Concrete Jungle at Jettison – and increasingly looked to tropical fruits like banana, mango, passion fruit and guava.
As always, the cocktail cornucopia was hard to narrow down, but these were my 15 favorite drinks of 2018.
Guillen’s Gaucho Highball: Don’t cry for me, Argentina.
15. GAUCHO HIGHBALL (Daniel Guillen, La Duni, NorthPark Center)
Glenfiddich 12 Single Malt, Fernet, grapefruit soda
In the summer, the Speyside single malt Glenfiddich launched a campaign pushing its 12-year-old Scotch as the perfect vehicle for a whisky highball, a drink typically supplemented simply with club soda. But Guillen, beverage manager at La Duni, gave the drink Argentinian flair with a splash of Fernet – a darkly bitter Italian liqueur beloved in the South American nation – and a housemade grapefruit soda. “It’s so simple, and yet so good,” Guillen said. “You could drink a few of these, just like that.” With Glenfiddich’s rich pear-apple depths rolling over your palate, held in check by a pull of Fernet’s bitter reins, you might tend to agree – especially at the ridiculous happy hour price of just $6 a pop.
If a light touch you seek, this Brick and Bones invention will ride to your rescue.
14. DUDLEY DO-RIGHT (Bar team, Brick and Bones, Deep Ellum)
Tomato-infused vodka, basil syrup, lemongrass water
It may be the hardest sell on the menu, but Dudley Do-Right is the low-key star of the Brick and Bones show, where every drink is named for a cartoon character. A delicately flavored triumvirate of tomato-infused vodka, basil syrup and lemongrass water, “it’s like a Caprese salad” in liquid form, said bar co-owner Cliff Edgar. Simple, bright and refreshing, so nuanced is its touch that the vodka, typically content to be the vehicle for other flavors, actually shines in this one – completing a righteous drink worthy of its name.
Tiki met salted caramel in this one-night-only gem from Uptown’s Parliament at a pop-up event in Oklahoma City.
13. TAI OF SUM YUNG GAI (Eddie Campbell, Parliament, Uptown)
Pyrat XO Rum, lime, pineapple, ginger orgeat, soy sauce reduction
This one’s a bit of a cheat as it was rolled out at Parliament’s one-night pop-up fundraiser at Oklahoma City’s Jones Assembly in July. The event was pure Parliament, with a half-dozen bartenders making the trip along with a dazzling 21-drink menu. (Pop-ups typically sport no more than half a dozen.) “We wanted to keep it low-maintenance,” quipped bar owner Eddie Campbell. The lineup included this deliciously innovative tiki blend of rum and citrus tanged up with a ginger orgeat, then rimmed with a soy sauce reduction. Think sweet tropical meets salted caramel and you get the idea.
The Queen is Dead was among several Industry Alley cocktails bartender Tommy Fogle named after songs by The Smiths.
12. THE QUEEN IS DEAD (Tommy Fogle, Industry Alley, The Cedars)
Sherry, orange curacao, Licor 43, lemon
At Industry Alley, the low-key cocktail haven in Dallas’ Cedars neighborhood, bartender Tommy Fogle found his groove with liquorous treats like the Golden Mylk Fizz, a creamy riot of honey, coconut and turmeric, and the Boys Don’t Cry, a bitter spin on a cocktail from New Orleans’ Cure (hence the name). But my favorite of all was The Queen is Dead, a sherry-forward jewel that adorned the fortified wine with a wreath of lemon, orange curacao and Spanish vanilla liqueur, unleashing a citrus-grape tang that zipped across your palate like Zeke Elliott headed for the goal line.
When it came to Pisco Sour variations, I found myself constantly seeking Greener Pastures.
11. GREENER PASTURES (Cody Barboza, Armoury D.E., Deep Ellum)
Pisco Porton, Green Chartreuse, Luxardo maraschino, rosemary, lime, egg white
Armoury’s got a thing for Pisco Sour variations, which is fine with me, because so do I. Having already produced the Hungarian-influenced Speak of the Devil, which showed up on this list two years ago, the Deep Ellum bar this year introduced Barboza’s Greener Pastures, more fragrant and floral with a sprig of smoked rosemary. The herb’s aromas were just muscular enough to cap the cocktail’s botanical brawn.
The Old Spiced: Here to fulfill your dark chocolate cravings.
10. OLD SPICED (Jones Long, Lounge Here, East Dallas)
Coffee-infused bourbon, crème de cacao, Fernet Branca, mole bitters
Jones Long, formerly of Oak Cliff’s Bolsa and Ruins in Deep Ellum, took over the bar program at East Dallas’ Lounge Here earlier this year. She took to her new role with aplomb and creativity, even fashioning faux olives from pickled grapes in her Don Vito, a riff on the classic Godfather. But my favorite was the Old Spiced, a hearty handshake of a drink that was not unlike biting into a bar of spicy dark chocolate, only more refreshing. It’s so satisfying that I can’t even be annoyed that every time I order it, I’m reminded of the Old Spice commercial jingle.
Libertine, you nut, you. Lower Greenville’s longtime cocktail landmark still got it goin’ on.
9. FIDELIO (Daniel Zoch, Libertine Bar, Lower Greenville)
The Libertine, on Lower Greenville, was one of Dallas’ early craft mainstays thanks to former bar manager Mate Hartai (now with spirits producer The 86 Co.), and while its cocktail program might not get much attention anymore, it’s still going strong with seasonal drinks like Daniel Zoch’s Fidelio. A dessert-like dance of sweet rum, delicately bittersweet Amaro Montenegro and pistachio, rimmed with ground pistachio dust, the Fidelio is creamy, nutty and lush, with just enough bitter to give it a lovely, nuanced finish.
Bowen House brought the heat with the peppery Puesto Del Sol.
8. PUESTO DEL SOL (Kayla McDowell/Greg Huston, Bowen House, Uptown)
Espolon blanco, muddled roasted red pepper, rosemary syrup, lemon, black pepper
It’s a joy to listen to McDowell and Huston brainstorm behind the bar, and this savory concoction was one of their many menu collaborations, pairing slightly fruity tequila with roasted pepper for a gently spicy sipper of a cocktail. Peppery citrus on the nose paved the way for a rosemary-forward body and a finish that complemented the drink’s aromas. Looking forward to seeing what this team comes up with in 2019.
A tribute to Pixar’s Coco, Mendoza’s Grito had me salivating for a sequel.
7. GRITO! (Henry Mendoza, The People’s Last Stand, Mockingbird Station)
Mezcal, lime, pink/black peppercorn syrup, agave, sage, Boston Bittahs
Mendoza’s Grito had me aay-yai-yai-ing like a joyful mariachi – the sound of which the drink’s name recalls. The first of several libations Mendoza devised in tribute to Pixar’s Day-of-the-Dead-themed Coco, its cool but fiery mix of smoky mezcal and sage, peppercorn syrup, agave and bitters was an otherworldly journey through smoke and citrus spice. Topped with a sprinkling of red peppercorn and cigarillos of dried sage, its pachanga-in-your-mouth mix of pepper and chamomile/citrus bitters was what made this spicy number shine.
The Nut House: Banana-nut bread in a glass.
6. NUT HOUSE (Josh Brawner, LARK on the Park, Downtown Dallas)
Flor de Cana 7-year rum, Don Ciccio & Figli nocino, Tempus Fugit Crème de Banane, walnut bitters, nutmeg
Hey LARK, it was real: Shannon Wynne’s airy, chalk-art-bathed restaurant shuttered before year’s end, but not before its bar program had returned to the glory of its opening days. Bar manager Josh Brawner’s Nut House was a standout, inspired by his love of banana nut bread. “I’m a foodie, so I always try to replicate things in my drinks,” says Brawner, now at Wynne’s Meddlesome Moth. Built on aged rum, the Nut House was a liquid treat, festive and nutty, awash in walnut and banana liqueurs with a dash of walnut bitters to boot; a shaving of nutmeg added flattering aromatics.
I could wax Brazilian all day about Pollard’s luscious Autumn in Brazil.
5. AUTUMN IN BRAZIL (Jason Pollard, The Usual, Fort Worth)
Avua Amburana, sherry, Cocchi di Torino, demerara syrup, saffron bitters
A couple of years have passed since cachaca, Brazil’s national spirit, enjoyed a brief moment in the DFW sun, but thankfully The Usual’s Jason Pollard hasn’t let the spirit’s grassy, banana-fruit magic slip into obscurity. His Autumn in Brazil takes Avua’s aged Amburana cachaca and balances its notes of caramel, vanilla and spiced bread with the rich nuttiness of sherry, rounding it out with sweet vermouth and caramel-esque demerara syrup. With hints of raisin, chocolate and cinnamon and the aroma of musky grapes, it’s a sensational seasonal sipper.
Powell’s Mango Lassie, a fabulous reinterpretation of India’s summer refresher.
On a trip to Chicago’s Pub Royale – an Anglo-Indian-style tavern – earlier this year, Powell discovered the wonder of the mango lassi, India’s traditional mango milkshake. Naturally, as he savored its mix of yogurt, mango, milk and sugar, he thought to himself: How can I make this into a cocktail? Luckily for Dallas, he came through like a champ, structuring its viscous, sour-sweet depths atop a foundation of rum and garnishing the Creamsicle-orange drink with cool mint and a clever rim of Mexican tajin, the chili powder often gracing that country’s mango street snacks. Poured over crushed ice, it was a tasty summer refresher that I still craved in the cold of winter.
The Mitchell’s Gillespie wasn’t monkeying around when he came up with this cocktail.
3. MONKEYING AROUND (Sam Gillespie, The Mitchell, Downtown Dallas)
Gin, Chareau, Genepy des Alpes, Dolin Blanc
Gillespie originally crafted this exquisite spring cocktail for a special event at the bar featuring Monkey 47, a berry-influenced gin made in Germany’s Black Forest. He accentuated its flavors and feel with rich aloe liqueur, herbal alpine liqueur and dry vermouth, but the gin’s high price-point made it impractical to put on The Mitchell’s standard menu. Instead, he substituted standout Botanist gin, serving the drink in a clear patterned glass that highlighted its see-through appearance. With herbs and white grape on the nose, it’s a gorgeously botanical Martini – all cucumber, spearmint and sweet spice and an herbal sweet-sour finish.
This gem from Kaiho and Kelly got me woke.
2. SLEEPY COYOTE (George Kaiho/Andrew Kelly, Jettison, West Dallas)
Kaiho and Kelly, the personable one-two punch behind the bar at Jettison, wanted to create a cocktail using horchata, the Mexican cinnamon rice milk. Specifically, as a popular after-dinner destination, they wanted to craft a dessert drink, so as fans of The Big Lebowski they devised this buzzy riff on a White Russian, using a base of banana-funky Paranubes – a Oaxacan aguardiente – infused with coffee, cold-brew style. To that they added cinnamon syrup and a splash of spicy Ancho Reyes liqueur, then poured it over crushed ice for a rich cinnamon coffee with a kick.
Jenkins’ Alpine Blues: A heady expression of forest growth in a glass.
Scott Jenkins, Hide’s resident mixmaster, killed it again this year: The Oaxacan Shaman, his mezcal-aguardiente mashup, was masterful, and Quest for the Sun, a sunflower-seed-infused vodka vehicle, was lusciously butternutty. But my favorite of all was his Alpine Blues: He missed the mountains, see; a whirlwind trip had filled him with memories of brisk, chilly air and damp ground covered in foliage. He let his longings inspire this wonderfully balanced reflection of nature’s growth. In his mind, walnut liqueur formed the base soil, deep and rich with decomposing nettles; blueberry-influenced alpine bitter liqueur was the surface – “earthy and fruity; there’s still some life in it;” a quinine aperitif and clarified lemon juice were the new growth, with the bitter citrus of biting into a young stem; Singani 63, a botanical Bolivian brandy, was the blossom. “There were specific slopes and colors in my mind,” he says. “It made me have the blues not to be there.”
J.P. Hunter and Chris Powell, two of the four kahunas, confer at the bar with bar manager Brad Bowden at newly opened 4 Kahunas, a tiki bar in Arlington.
Step past the industrial park-like façade of 4 Kahunas in Arlington and you’ll find yourself in the likes of something the Dallas-Fort Worth area hasn’t had in some time: A real live tiki joint, one that even the most ardent tikiphile can enjoy.
“I never thought I’d work in a place where patrons were battling with little pirate ships and shark mouths,” said bar manager Brad Bowden of one evening’s crowd. “They were like little kids.“
With a four-page tiki drink menu backed by a thatched-roof bar, island-inspired wall art and a soundtrack infused with surf and exotica, 4 Kahunas embraces the tiki aesthetic with a fervor not seen in DFW since the days of Trader Vic’s.
Tiki-philes know that its culture extends far beyond cocktails, but ever since Vic’s sailed off into the horizon, those who’ve carry a torch for tiki have only marginally seen their daiquiri dreams fulfilled, from Proper’s ongoing three-month “tiki pop-up” in Fort Worth to, in Dallas, a short-lived tiki reboot of Sunset Lounge in 2013 and the confused clubbiness of Pilikia.
Otherwise, tiki has been relegated to a random once-a-week or off-menu exercise, with its fruity coconut libations periodically surfacing at places like Lower Greenville’s Rapscallion, East Dallas’ Lounge Here and The People’s Last Stand in Mockingbird Station.
Bowden is a long-time practitioner of the tiki craft, including drinks like Don the Beachcomber’s classic 1930s cocktail, the Missionary’s Downfall.
Now, in a budding commercial complex behind a stretch of Division Street car dealerships in Arlington, 4 Kahunas – which marked its grand opening on Sunday – has planted its tiki flag, with a modest but lovingly appointed space with a half-dozen or so stools at the bar, a couple of high-tops and several large booths.
“I’ve had more people ask for Singapore Slings here in Arlington than I ever did in Dallas,” Bowden says – and the tiki classic isn’t even on the menu. “I had no idea there was so much interest in the Mid Cities.”
Among the drink’s fans is Marc Davis, a Hawaiian-born Filipino/Pacific-Islander who runs a local food truck called Smoke and Pickle. Having stumbled onto 4 Kahunas while seeking a parking spot at Arlington’s 4thof July celebration, he was suddenly gripped by memories of his island upbringing and his dad’s love for Singapore Slings and Marlboros. “I like the low-key vibe,” he says.
Tiki’s laid-back Polynesian flavor flourished in the 1930s and 1940s, with Trader Vic’s and its Zombies and Mai Tais leading the way. Though the trend would fizzle within a few decades, the ongoing re-emergence of craft cocktails revived interest in its tropical tipples, with places like Smuggler’s Cove in San Francisco and PKNY in New York among the first to resuscitate its rummy riches.
Several years ago, on a visit to Vegas,4 Kahunas co-owners J.P. Hunter and Chris Powell visited the venerable Frankie’s Tiki Room, and it was enough to revive Hunter’s California childhood memories – the L.A. beaches, the plastic monkey cocktail garnishes his mom would give him off her drinks.
Hunter, a University of Texas-Arlington grad nearing retirement in the construction business in Houston, was already eyeing a third act. Why not do something he really enjoyed? He and Powell recruited two other college friends as investors, their four caricatured faces now represented by large carved wooden tiki heads behind the bar.
“Our only missing link was a bar manager,” Hunter says. “And lo and behold, there’s Brad.”
The bar teems with tiki touches like island art pieces and mermaid bag hooks, fully embracing the culture’s Polynesian vibe.
Bowden, already spinning tiki classics and variations at Lounge Here in East Dallas, was more than ready to crank out Painkillers and Headhunters (as well as my personal tiki favorite, the flaming-lime-boat-topped Jet Pilot). With Bowden on board, 4 Kahunas quietly opened on June 9, but it wasn’t long before word spread among fanatical tikiphiles, never mind the out-of-the-way location.
“We’ve already had people coming in from Chicago, Atlanta, Florida,” Hunter says.
It’s a decidedly unchain-y place in a bar-and-grill-leaning city that Hunter says finally has greater ambitions – and affordable Arlington represented a chance to be part of a scene that’s just starting to grow. Says Hunter: “The train is just leaving the station.”
Viva the West End: YO Steakhouse’s Tex Mex is a fiesta in a glass.
If you’re looking for somewhere to mark Cinco de Mayo, you could do worse than Dallas’ West End, where the day happens to coincide with Dallas Fest, the neighborhood’s annual showcase of artists, musicians, brew masters and chefs.
You’ll find plenty to drink at the outdoor extravaganza, but you aren’t likely to guzzle anything more guapo than the Tex Mex at Y.O. Ranch Steakhouse, a nod to a holiday that isn’t authentically feted much anywhere in Mexico except in Puebla, the site of the battle it commemorates.
Here in the U.S., though, Cinco de Mayo has become a convenient excuse to swill, even if nobody knows why – and to market drinks to said imbibers, which explains how, when Y.O.’s s front-of-the-house manager Nicole Hester realized the double dose of action going on in the area, suddenly had the idea for a drink with a red, white and green ice cube.
Hester’s inspiration came from a Pride Day cocktail she’d seen at a bar in New York City, where she worked before returning to Dallas. That drink, she explained to her fellow Y.O. managers, featured an ice cube layered in the colors of the LGBT movement’s rainbow flag. “I said, this should be easier because it’s only three colors instead of seven,” Hester explained.
Given the owner’s go-ahead, Hester set to work developing the tri-color Cinco de Mayo cube as well as a Margarita-like drink to put it in. Her first version, using pureed jalapeno and water for the green and Godiva white chocolate liqueur for the white, was too spicy – and as the cube melted, white flakes developed in the drink. Not a good look. “I had to start all over,” she said.
She tried a new version, again freezing the bottom layer before adding the middle one, and again before adding the top. This time, she infused the tequila with jalapeno for heat, crafting the cube with strata of pureed mint, coconut milk and a strawberry/prickly pear mixer boosted with pomegranate.
The finishing touch to the drink – a mix of house tequila, Cointreau, lemon, agave and soda – is a Mexican flag and a rim of red, white and green colored sugars. Its orange-y charm is drinkable enough, and it’s best swigged through the straw; consider the rim purely decorative, since the drink is already sweet.
It’s a fiesta in a glass – and while the $10 drink will be served only on the patio during Saturday’s Dallas Fest, it’s also Y.O. Ranch Steakhouse’s cocktail of the month, meaning you can throw this Tex-Mex party in your mouth all May long.
Y.O. Ranch Steakhouse, 702 Ross Ave., Dallas. 214-744-3287.
Japan’s sake-influenced Sakura Martini is among the dozens of global cocktails that will roll out over the next few months at Trick Pony. (Photo by Austin Marc Graf)
If there’s one thing that unites the majority of the globe, it’s the sweet relief and refreshment that many of us find at day’s end in a cocktail glass. Now, all-world barman Alex Fletcher is summoning the spirits of the earth to Deep Ellum’s Trick Pony, where starting Tuesday (today) and for the next few months, you can sample international sips one drink at a time.
The drinks of “Around the World in 80 Cocktails” — a nod to the Jules Verne novel, made into its best-known movie version in 1956 — will be rolled out weekly in groups of six. One of them will get a social-media push daily, but all six will be available during the week. “It’s a trip all over the world,” says Fletcher, who handles operations for the group that owns Harlowe MXM, Breadwinners and Henry’s Majestic.
Some familiar names dot the overall list, standards like Peru’s Pisco Sour, France’s French 75, Tahiti’s Mai Tai and Brazil’s Caipirinha. But there’s also a sake martini from Japan, a rum-based drink called a “Hot Dog” from Martinique and the Suffering Bastard, a gin-and-brandy concoction from Egypt.
The lineup represents nations from Iceland and Indonesia to Uruguay and the Netherlands. The Kenya-based Dawa is a Caipirinha-like cocktail that involves muddling lemons with cream honey. Vietnam’s Fishy Surprise supplements whiskey and Drambuie with a bit of fish sauce.
The Rhubarb Fizz, by way of Australia. (Photo by Austin Marc Graf)
“There’s some cool stuff from Thailand that I found,” Fletcher says, such as the Siam Sunrays, which flavors up vodka with ginger, lemongrass and Thai chili. “I tried to find places where people didn’t know cocktails existed.”
In addition to the sake martini and Caipirinha, this week will kick off with Spain’s cava-infused Agua de Valencia, Hollywood’s bourbon-based Brown Derby, a rhubarb fizz from Australia and the Jamaican Planter’s Punch.
Coming off Trick Pony’s last special program – a lineup of cheesy 1980s drinks – Fletcher’s bar team was jazzed but wanted something more challenging. The fact that Fletcher threw 80 cocktails at them may have made them think twice.
He says he first got the idea while perusing the web site of Hendricks Gin, a brand given to fanciful, old-timey imagery. The hot-air balloons reminded him of the 1956 movie and then, a book called “Around the World in 80 Cocktails” was published last fall.
Bourbon, grapefruit and honey syrup make Week 1’s Brown Derby, created in Hollywood, California. (Photo by Austin Marc Graf)
He’s even had a 5-foot-by-10-foot world map produced for the occasion, which ultimately will be smattered with travelogue-style Polaroids of each drink.
All are established cocktails. “Why reinvent the wheel?” he says. “Why not showcase what’s going on around the world?”
He did have to ignore some of his discoveries because the ingredients weren’t available locally, while other specifics, like measurements, were inexact or described in old terms such as “a hogshead of lime juice.”
“I thought, ‘How am I going to make this into something my bartenders will understand?’” he says. “What does that mean in ounces?”
In a few months, this map will be covered with Polaroids of cocktails from around the world. Think globally, drink locally,
The drinks aren’t necessarily arranged by region; Fletcher says he tried not to bunch similar flavor profiles together to avoid “a palate blowout.”
One drink he found from Hong Kong is traditionally served punch-style in, literally, half a globe – which makes sense because it involves a dozen ingredients.
“I saw that, and I’m, like, ‘I’m in,’” Fletcher says. And he may or may not have ordered some globes for the event, which means you might not only be able to drink in the world, but drink from the world too.
You could buy a bomber jacket…. or you could buy this cocktail.
There’s a built-in air of exclusivity that comes with opening a pricy membership-only bar, but the people behind Dallas’ Network Bar – which recently launched at Trinity Groves – seem determined not to let that affect perception of their drink prices. And in fact, the cocktails on bar manager James Slater’s well constructed menu do ring in at a respectable $13, which is on the low high-end of what you’ll find around town. (For comparison, drinks at Five Sixty, at Reunion Tower, run $16 apiece.) And there’s a $7 cocktail happy hour.
But there’s one drink you won’t find on Network Bar’s menu that puts even the high high-end libations to shame. Forget that $30 fishbowl Margarita you’re dunking your snout into – and meet the Golden Dawn, which at $150 is decidedly a fancydrank splurge and like the bar itself, a hidden gem that only those willing to fork over the dough can try. (I had the pleasure of accompanying my Dallas Morning News colleague Tiney Ricciardi for a tasting. She wrote about it here.)
Slater applies the final touch, a lemon-peel garnish.
The good news is, like many of the drinks on Slater’s menu, the Golden Dawn is pretty delicious – and not just because it makes Gran Patron Burdeos, a so-called “luxury anejo tequila” – the star of the show. You could probably count on one finger the reasons you’d actually mix a spirit like this into a cocktail, and this would be it. Slater’s Golden Dawn, served in what looks like a silver, leaf-laden chalice, expertly layers the aged tequila’s vanilla/raisin nuances with a lovely balance of bittersweet French Amer aperitif, blood-orange liqueur and a touch of absinthe.
I’m king of the world.
But slow down there, tiger. Before you can plant your lips on this baby, Slater amps up the spectacle with a few poofs of homemade perfume around the glass – even the stem, so that the experience extends to your fingers – and a final sprinkling of gold flakes.
It’s a big show, of course, which you might expect in a cocktail this expensive – and a good way, as all eyes drift to the what-the-heck-is-going-on-over-there pageant unfolding before you, to set yourself apart from not just a good chunk of cash but from your fellow hobnobbing professionals who, like you, have paid $500 to $1,000 for a year’s Network Bar membership.
Raise that chalice proudly, O intrepid overlord – and whatever you do, don’t chug.
Greet the Golden Dawn. (Photo by Devin McCullough, courtesy of Network Bar)
Booze news and adventures in cocktailing, based In Dallas, Texas, USA. By Marc Ramirez, your humble scribe and boulevardier. All content and photos mine unless otherwise indicated. http://typewriterninja.com
