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One last look at 2013: The year’s best in Dallas cocktails

 

Matt Perry, Belly & Trumpet
Belly & Trumpet’s Scorched Belly: Among 2013’s more noteworthy cocktails.

A great cocktail should take you on a little journey, and one benefit of DFW’s thriving craft-drink culture is the growing number of bar-peeps able to put you aboard that flavor train. The year 2013 was a highlight reel of riches: There was Amber West’s Wild Weeds – a Scotch-and-beer blend rimmed with smoked-almond salt – at Central 214; Chase Streitz’s nectarine-and-Fresno-chile-syrup-influenced Honey Bee Sting at Sissy’s Southern Kitchen; and the just-right, savory bacon-infused bourbon goodness – not an easy feat to pull off – that Tamsin Gray (now at Barter) achieved with the Bull Lejeune at Ser.

La Duni’s stalwart Lemon 43 spoke to my inner adolescent with its lemon fruit-gem sweetness, while Belly & Trumpet’s Scorched Belly cocktail (pictured at right) was certainly one of the year’s prettier drinks. Last summer at Bar Smyth, former bar chief Michael Martensen introduced me to the excellent Smoky Negroni, a twist on the classic cocktail (attributed to Austin’s Rob Pate) that subs mezcal for gin. Asian flavors surprised, too: At Bowl & Barrel, former bar manager Ian Reilly – now at Chino Chinatown – cleverly used hoisin sauce in a pisco-based drink called the Passerine, while Victor Tango’s Alex Fletcher incorporated miso into his gin-fueled Art of War.

I could go on. Some of my year’s favorite drinks are still on menus, some aren’t; some never were. Some can be rekindled from memory at their original locations, some have been lost to posterity. As the last year has shown us, places close, others open, sands shift. But it’s the people who make the scene: Follow them and you won’t go wrong.

My tastes are partial to the bitter and the botanical – show me a bottle of Suze behind the bar and I’m in – and classic browns like the Old Fashioned and the Sazerac. That said, here are my 15 favorite DFW cocktail discoveries of 2013.

Eddie "Lucky" Campbell, Abacus
The Blackberry Smash: One more reason things are looking up at Abacus.

15. BLACKBERRY SMASH, Abacus (Eddie “Lucky” Campbell)

Campbell’s hiring at the five-star restaurant showed that Abacus was as serious about its cocktails as it was about its food. This was among the first of his new additions to the menu, a gorgeous concoction of bourbon and muddled blackberries, full-bodied and smooth with echoes of grape that give this luscious drink cache beyond whiskey’s typically male demographic. “It’s delicious,” my friend Susan said after a sip or two. “I think a girl who doesn’t like whiskey would still like this.” Not to mention a boy who likes whiskey, too.

Jacob Wallace/Emily Perkins, H&G Sply
Mad beetz: H&G Sply’s refreshingly vegetal Double Under

14. DOUBLE UNDER, H&G Sply (Emily Perkins via Jacob Wallace)

Who doesn’t love beets? Okay, a lot of people doesn’t love beets. But properly speaking, for those of us who do, this splash of refreshment ably answers the call – a simple mix of lively beet-infused tequila, lime and rosemary syrup. Perkins – now with Remy Cointreau – modified this creation by Portland’s Jacob Wallace for H&G’s drink list, toying with the proportions; “it’s supposed to be an earthier Margarita that never feels out of season,” she says. The taste is sour beet moxie and tangy lime, with a slight hint of herb. Unabashedly red with a flirty half-skirt of glittery salt, it sure is purdy to look at, too.

Matt Orth, Lark on the Park
Keeping things in proportion: Suze leads the way in this twist on the classic cocktail.

13. NEGRONI VARIATION, Lark on the Park (Matt Orth)

One benefit of the classic Negroni – equal parts gin, sweet vermouth and bitter Campari – is that it lends itself to modification: Sub mezcal for gin, as mentioned above, and you still have a formidable drink. Around the time Lark on the Park opened last spring, I was bouncing around town seeing what bartenders were doing with Suze – the herbal French bitter that had become my latest crush – and asked bar manager Orth what he could come up with. This was his second concoction – a honey-gold, bitter/botanical flourish of Suze, Gran Classico and Art in the Age’s Sage spirit, marked by a leafy, sage finish.

Alex Fletcher, Victor Tango's
You have no idea how lucky Dallas is that Alex Fletcher didn’t leave Peru a day earlier until you’ve had this drink.

12. LAST NIGHT IN PERU, Victor Tango’s (Alex Fletcher)

Last summer, Fletcher, the new bar manager at Victor Tango’s, traveled to Peru to more fully explore the world of pisco (a light-shaded brandy) and came back inspired by a raisin-syrup-enhanced drink he had on his last night there. “This is my tribute to that,” he says. Employing a perfectly highlighted date syrup instead, this butterscotch-hued drink – with pisco, lime, egg white and Peruvian bitters – has a gentle, fruity sweetness that can shine all year long.

Mike Steele, Bar Smyth
Bitter/sweet legacy: Former Dallas bartender Mike Steele is now in Denver, but left us with this gem.

11. TWO THIRTY, Bar Smyth (Mike Steele)

In the days that followed Bar Smyth’s much-anticipated opening last March, bartender Mike Steele – whose creations twice landed in my list of 2012’s favorite cocktails – served up this doozy that he’d been working on for some time. With two ounces of Eagle Rare bourbon, ¾ of Gran Classico, ½ apiece of Pedro Ximenez sherry and Carpano Antica and a dash or two of celery bitters, it’s a linebacker of a drink, chocolate-y and mildly sweet, something you’d want to sip in front of the fire. In the version pictured above, I subbed the more maple-forward Angel’s Envy for the nutty Eagle Rare and echoed PX sherry’s raisin notes with Lustau’s East India Solero, and it was still terrific. Use mezcal in place of the bourbon, as Steele also did, and you have the Dos Y Media.

Omar YeeFoon, Bar Smyth
For too short a time, we sipped our cares away with this caraway-flavored goodness from Omar YeeFoon.

10. BAD SEED, Bar Smyth (Omar YeeFoon)

Maybe I actually waltzed into the menu-less Knox-Henderson speakeasy and asked for something with Aquavit, the Scandinavian caraway-flavored liqueur. (Doubtful.) Or maybe it was something that YeeFoon just happened to be playing with that day. (More like it.) Whatever the case, this inventive drink to which he added Averna, egg white, lemon and a creative splash of root beer and toasted sesame seeds caught my fancy for its frothy off-beat nuttiness. YeeFoon is no longer at Bar Smyth, so I don’t know whether this is still part of his repertoire, but the next time you see him around town it’s worth checking out.

Gabe Sanchez, Black Swan Saloon
Go fig or don’t go at all: Black Swan’s Vieux Carre.

9. FIGGY VIEUX CARRE, Black Swan Saloon (Gabe Sanchez)

It’s always fun to dip into Deep Ellum’s Black Swan and see what the heck bar man Gabe Sanchez is up to that night. Maybe he’s brewing coffee with bourbon – or maybe, as in this case, he’s taking a spoonful of fig jam and setting it afire. So taken was I with this element that I didn’t note at first the lineup of ingredients that would accompany it: Rye, Cognac, sweet vermouth, honey-sweet Benedictine – the classic Vieux Carre. This is Black Swan’s take on it, and cooking the jam reins in its sweetness (the drink has enough of that element already) and lets the wintry fig shine through.

Lee Heffter, Five Sixty
Find me at Five Sixty, and chances are I’ve become Comfortably Numb.

8. COMFORTABLY NUMB, Five Sixty (Lee Heffter)

There’s a lot going on in this drink, but that describes a good number of Lee Heffter’s drinks on the rotating menu at Five Sixty, the Wolfgang Puck Asian-themed restaurant atop Reunion Tower downtown. With Bulleit rye, Cointreau, simple syrup, lemon, Pernod, Peychaud’s bitters and a barspoon of cherry juice, it’s a one-two punch of tart cherry/orange and sweet licorice. If you ever wondered what would happen if a Sidecar crashed into a Sazerac, here’s your answer. You’re welcome.

Michael Reith, Nora
Michael Reith’s Fig Sidecar could be your main ride at Nora.

7. FIG SIDECAR, Nora (Michael Reith)

Speaking of figs and Sidecars: I was excited enough to learn that Nora – the excellent Afghan addition to Lower Greenville – was opening a rooftop bar area. But then bow-tied bar man Michael Reith laid this dollop of seasonal joy on me: A fig-and-winter-spice-infused Cognac to accompany the classic cocktail’s Cointreau and lemon. “I was looking for something wintry,” Reith said. “Once it gets cold outside, I love Cognac, which has that raisin taste. And Cognac and figs go together.” Yeah, like rama lama lama ka dinga da dinga dong. The result is cool fireside comfort.

Eddie "Lucky" Campbell, Abacus
Campbell’s Anejo Flip: Caribbean pirates get a Texas twist.

6. ANEJO FLIP, Abacus (Eddie “Lucky” Campbell)

You probably haven’t heard of the Old Smugglers Awaken, a 200-year-old Havana slush of gin, egg, sugar, lemon and bitters that Campbell has included among his repertoire since his Bolsa days. Probably devised by Caribbean pirates — “Who else would be sitting around drink gin flips in Cuba?” he says — the drink was a favorite of one of Campbell’s patrons at the short-lived Chesterfield downtown until she began ordering a fizzy grapefruit tequila drink on the menu instead. “I thought – what if I combined them?” Campbell says, and this bootylicious treasure – which he dropped on me at his current station, Abacus – is the result: Anejo tequila, grapefruit, agave syrup, vanilla, whole egg and Angostura bitters. Served up in a martini glass with Abacus’ signature “A” stencil-sprayed atop, it’s deliciously creamy and sweet, with hints of warm, dark vanilla.

Josh MacEachern, Cedars Social/Belly & Trumpet
MacEachern’s I’ll Get To It: Try to get to it.

5. I’LL GET TO IT, The Cedars Social (Josh MacEachern)

During his days at The Cedars Social, MacEachern came up with this lovely off-menu blend of Cognac, Pedro Ximenez sherry, orange-y Grand Marnier, walnut tincture and Pernod. But while the easygoing bartender loves crafting drinks, he doesn’t like naming them, so when I’d drop in and request “that thing you made for me last time” and then ask when he was going to name it, his signature reply finally became its lasting moniker. The sippable tipple is a spin on the Sazerac, MacEachern’s favorite cocktail, and arose as he was pondering flavors that might pair well with orange. “I thought of walnut, and anise,” he says. “That’s the fun thing about cocktails – we’re basically building on what chefs have already given us.” You’ll currently find MacEachern pouring Fridays and Saturdays at Uptown’s Belly & Trumpet, where you can still savor the drink’s warm nuttiness and licorice finish.

Rocco Milano, Barter
I’ll have one of those: A cocktail finds new life at Barter.

4. REAL SLOW AND REAL LOW, Barter (Rocco Milano)

“You would think there’s no way that could all work together,” bar manager Rocco Milano said as he placed the bottles in front of me one by one at the late Private/Social (RIP): Slow and Low Rock & Rye (basically a pre-bottled Old Fashioned). Cointreau Noir. Peachy Crème de Peche. Hum, a botanical spirit distinguished by hibiscus, ginger and clove, among other flavors. And Luxardo maraschino liqueur. The ingredients would comprise one of the last drinks Milano — whose Fall Into A Glass was my favorite drink of 2012 — would pour for me there before it closed in July; back then he called it the I’ll Have One Of Those, but fortunately for us brave souls it has been reborn under its new identity at Barter, Milano’s new playground in Uptown, where it will likewise seduce you with fruity sweetness before wrapping you in its warm boa-constrictor grip.

Daniel Guillen, La Duni
Basic ingredients, intricate results: Rosemary’s Affair is one to remember.

3. ROSEMARY’S AFFAIR, La Duni (Daniel Guillen)

Here’s a cocktail that takes you from backyard garden to summer campfire on a magic carpet of licorice; it’s no wonder this cocktail earned Guillen, La Duni’s bar program manager, a slot repping North Texas in a national Bombay Sapphire-sponsored competition in Vegas. It’s not officially on La Duni’s menu, but track Guillen down and he’ll gladly make it for you, first dropping a sprig of fresh rosemary into a Collins glass, splashing it with absinthe and lighting it afire. Then he’ll douse it with enough ice to fill the glass to the brim and cover it with a coaster, capturing and taming the smoking rosemary’s savory flavor. Meanwhile, he’ll mix 2 ounces of Bombay Sapphire gin, ¾ ounce of orgeat, ½ ounce of Averna and a bit of lemon and lime, then pour the liquid over the rosemary-smoked ice. Swirl it in your mouth and you’ll find herb, citrus, smoke and probably the urge to order another.

Alex Fletcher, The People's Last Stand
Into the spotlight: A not-for-the-timid starring role for Green Chartreuse.

2. ONE SMASHED MONK, The People’s Last Stand (Alex Fletcher)

Ah, Green Chartreuse: My beloved Joan Allen of liqueurs. Forever a supporting actress in many a cocktail, never the star. Can she help it if she’s larger than life? See her shine in the classic Last Word – but then send her offstage. When Fletcher (now at Victor Tango’s) headed the bar program at The People’s Last Stand, he felt it was time to give this aggressively vegetal liqueur a starring role, and the tart, sweet, highly herbaceous result outdoes even The Bourne Supremacy: Its elemental mash-up of Green Chartreuse, lime and simple, spiced up with muddled Thai basil and sugar, might seem soft on the surface, but it packs a 110-proof punch. Just like Joan Allen.

Grant Parker, Hibiscus
It’s about the journey, not the destination: Grant Parker’s Amor Y Amargo.

1. AMOR Y AMARGO, Hibiscus (Grant Parker)

Grant Parker’s bar program at Hibiscus is one of the better ones in town, and this Sazerac-esque drink of incredible depth – not officially on the menu – reflects his alchemistic approach. After being blown away by a similar drink at New York’s bitters-focused Amor Y Amargo bar last summer, he wanted to try to replicate the cocktail’s blend of amaros (bittersweet herbal liqueurs). For a week straight he spent a couple of hours a day perfecting this mysterious and satisfying blend of four amaros, plus Peychaud’s bitters and Bittermen’s orange cream nitrate. There’s some Cynar in there, and Averna. Possibly some Amaro Montenegro. Or not. But it’s dark and voluptuous, a drink you’ll want to take a thousand sips of, letting the flavors lindy-hop across your tongue. Cherry. Citrus. Root beer. They’re all there. “It’s essentially an Amaro Sazerac,” he says. It’s amor (love) and amargo (bitter) in a glass. And it’s fabulous.

***

Honorable Mentions: Brown and Stirred (Grant Parker, Hibiscus); Caribbean Winter (Matt Orth, Lark on the Park); Chocolate Bullet (Bistro 31); Holy Grail (Michael Martensen, Driftwood); The Inquisition (Emily Perkins, Victor Tango’s); Scorched Belly (Matt Perry, Belly & Trumpet);  Steep Buzz (Eddie Eakin, Boulevardier).

2013 tried hard to be mean, but the scene in ’14 still looks keen: DFW’s best craft-cocktail bars

Windmill Lounge
Charlie Papaceno’s down-home Windmill Lounge: Still among Dallas’ standout craft-cocktail bars. (Marc Ramirez)

Oh, 2013. You hater. You tried so hard to suck. In the summer, just days after influential bar man Jason Kosmas announced he was taking his talents to Austin, you pulled the plug on my beloved Private/Social, where bar manager Rocco Milano had overseen one of the best cocktail programs in town. Then, last month, you shocked us with the sudden exit of Michael Martensen and his crew of highly talented bartenders from Bar Smyth and The Cedars Social, the two brightest stars in DFW’s craft-cocktail culture. With the unfolding of The Great Unpleasantness, a scene that had solidly come of age at last lost its innocence.

But hey, that’s part of growing up. And despite assertions to the contrary, craft cocktails as we head toward 2014 are alive and swell, showing no signs of peaking: Milano has resurfaced in a major way; Eddie “Lucky” Campbell is preparing to launch Parliament; Asian-Latin fusion restaurant Chino Chinatown has opened in Trinity Groves with Ian Reilly at the bar-program helm; Origin has restyled itself in Knox-Henderson with a promising drink lineup; and the Smyth/Cedars Social diaspora is sprinkling its goodies all over town.

Are you not entertained? To what do we owe this good fortune? It’s because we, my thirsty friends, have proven ourselves worthy. We’re a smarter bunch now when it comes to craft cocktails; our palates now welcome more flavor, complexity and originality. We like menus that mirror the season, varied but not overwhelming, with options both accessible and challenging. We want bartenders steeped in history and craft and eager to command the palettes of flavor at their disposal, ready to improvise when able. Is that asking too much?

No. And DFW has answered the call. Here are my top 10 spots as we head into 2014, in alphabetical order, BECAUSE.

ABACUS

Bars of the Year 2013
Bartender Jordan Gantenbein, one of Abacus’ signature Men in Black, pours out a line of 75’s. (Marc Ramirez)

OK, I’ll admit: I hadn’t set foot into Abacus since I first moved to Dallas three years ago – at least not until chef Ken Rathbun lured Lucky Campbell away from The Standard Pour in Uptown. Campbell, whose bumpy road has taken him from The Mansion at Turtle Creek to renown at Bolsa to the short, chaotic life of The Chesterfield and then to TSP, set about infusing Abacus’ solid martini-and-bubbly-focused menu with the Pacific Rim sensibilities that inform the five-star restaurant’s kitchen. The result: a boost of energy and derring-do behind the bar that have given Abacus’ Men in Black new street cred.

BARTER

Bars of the Year 2013
At the newly opened Barter, drink wizard Rocco Milano has a new workshop for his alchemy. (Marc Ramirez)

Where Rocco Milano goes, magic follows. The execution of Private/Social paved the way for a makeover of the Uptown space, and the results are terrific: The vibe is warm and woodsy, and the bar has been opened up to give Milano and his top-notch staff room to move more freely. The house cocktails are unsurprisingly great, but it’s the added features that really set Barter apart: Milano’s “book-of-the-month” set will feature selected drinks from different classic cocktail tomes every month; first up is David Embury’s 1948 classic, “The Fine Art Of Mixing Drinks.” Add to that a mix of high-end choose-your-poison flights and an innovative series of pours that illustrate liqueurs in various stages, and you’ll see why Milano is the cocktail geek’s cocktail geek.

BLACK SWAN SALOON

Bars of the Year 2013
Clint Eastwood as The Man With No Name presides over the bar with no sign — the shadowy Black Swan. (Marc Ramirez)

Gabe Sanchez’ one-ring circus in Deep Ellum has a cult following, and with good reason: He’s been quietly cranking out some of Dallas’ more original concoctions at this dimly lighted, low-key speakeasy with the badass vibe you’d expect from a bar in the city’s tattoo epicenter. The Swan’s staff now walk the tightrope without the net of a cocktail menu, playing to tastes and whatever Sanchez has cooked up that day. Smoked fig jam with rye? You’ll find that here.

CENTRAL 214

Bars of the Year 2013
At Central 214, cocktails are farm fresh, a reflection of Amber West’s enthusiasm for gardening. (Marc Ramirez)

Bar manager Amber West has been among the city’s under-sung cocktail heroes, avidly and expertly using seasonal ingredients in her creations. Example: The gin-based, garden-in-a-glass First Course, like so many of her cocktails, is as beautiful to behold as it is to imbibe, with flecks of Tom Spicer’s arugula dotting its translucent surface; her Honeysuckle Gimlet is another standout. Though she’s moving into more of a consulting role to focus on gardening, the cocktails at Central 214 — located inside Hotel Palomar off the Central Expressway — will continue to carry her imprint.

FIVE SIXTY

Best bars of 2013
The buttoned-up precision of Five Sixty: It ain’t cheap, but the drinks are most excellent. (Marc Ramirez)

The spinning modern-Asian-themed Wolfgang Puck restaurant at the top of Reunion Tower has more to offer than a fantastic view. Yes, you’ll have to endure a 45-second elevator ride and the beastly $16 price tag per cocktail, but the drinks are a journey in themselves. They’re part of a rotating series of libations designed by the chain’s Lee Hefter — bold, original and artfully presented, mirroring the restaurant’s sophisticated vibe. Try the gorgeous Fog Rolling Over Mount Fuji or the Locked and Loaded, both among my top cocktails of 2012.

HIBISCUS

Best bars of 2013
Bar manager Grant Parker has given Hibiscus one of the city’s better cocktail programs. (Sheila Abbott)

Seats at the bar are few at this Henderson Avenue mainstay, but they’re worth the wait to gain an audience with bar manager Grant Parker, whose behind-the-bar expertise continues to steadily lift Hibiscus to new mixology heights. Parker hopes to gradually expand the drink menu with more adventurous offerings, but for now try his play on the lesser-known classic Emerson (also among my top-rated  drinks of 2012) or the luscious, rye-based Brown and Stirred.

LARK ON THE PARK

Bars of the Year 2013
Damon Bird of Klyde Warren Park area’s Lark on the Park, a welcome newbie on the craft-cocktail scene. (Marc Ramirez)

This Klyde Warren Park newcomer is a solid playa in the craft-cocktail game, excelling at wintery drinks in particular, so now’s the time to go and warm up your belly. Bar manager Matt Orth and his crew respect seasonality and do nice spins on the classics, too; if you’re into Sazeracs or Negronis, ask for one of their variations and you won’t be disappointed.

THE STANDARD POUR

Bars of the Year 2013
One of the signature chalk murals at The Standard Pour, a Dallas craft-cocktail mainstay. (Marc Ramirez)

Stacked at Ground Zero of the madhouse Uptown scene, barman Brian McCullough’s strong crew is primed to feed the weekend’s party-minded mainstream tastes, armed with what must be the largest arsenal of Moscow Mule mugs outside of wherever it is Moscow Mule mugs come from. But take a closer look at the bar’s wide-ranging, Prohibition-Era-themed menu and you’ll find lots more than vodka. It also doesn’t hurt that the dark, vintage-lounge-style space exudes fun, or that its chalk-mural-adorned bar is often a refuge for displaced craft bartenders (see Abacus, Bar Smyth, The Cedars Social above).

THE USUAL

Bars of the Year 2013
A loose attitude and mad skillz mark this consistently good spot on Fort Worth’s Magnolia Avenue. (Marc Ramirez)

I love this place, from its wry, respectable menu on up to its sleek, chill vibe and a team of able bartenders who never seem to be in short supply. The modest house drink list is nice – try the gin and apricot liqueur-fueled Parlor – but it’s the off-road adventures that are really fun; a spin on the classic Hanky Panky, for instance, or something using the most recent bottle on the shelf.

WINDMILL LOUNGE

Bars of the Year 2013
Windmill’s Charlie Papaceno introduced me to Ancho Reyes, a newly released ancho-chile-based liqueur. (Marc Ramirez)

The godfather of them all. Charlie Papaceno and Louise Owens have been crafting cocktails since 2008 in this dive-y spot off a remote stretch of Maple Avenue. Jason Kosmas – the co-owner of New York City’s Employees Only and spirit line The 86 Co. – did time here after moving to Texas, and early adopters Campbell and Martensen threw down in friendly competition back when as well. It’s still a bartender’s bar; you’ll find a number of mixers bellied up here, drawn by the Windmill’s unpretentious atmosphere and the staff’s easygoing approach. But there’s skill here, too, and innovation; it was Charlie who introduced me recently to Ancho Reyes, a recently released ancho-chile liqueur, and the bar was listed among Esquire Magazine’s top bars of America earlier this year.

Looking forward to what 2014 may bring!

Honorable mentions: Bolsa, Victor Tango’s, Boulevardier

Ones to watch: Chino, Parliament, The Cedars Social

Pours without pretense: Are Dallas’ cocktail bars keeping it real (casual)?

imageThe Windmill’s Charlie Papaceno: Unpretentious before it was cool.

Interesting story yesterday from The New York Times, which notes the number of craft cocktail joints popping up around the country that are striving for a more casual vibe. These places, the article says, are “part of what is shaping up as a fresh chapter for high-end mixology: a new breed of cocktail bar that seeks to retain the profession’s hard-won artistry while shedding the pretensions that often come with it.”

In other words, the complete opposite of cocktail culture’s stuffy stereotype – things like secret entrances, purposely subtle signage, bans on canned beer and rules against standing at the bar.

But for the most part, when it comes to serious craft cocktails, Dallas ain’t that kind of place anyway. Even The Cedars Social, which this year earned a prestigious James Beard nom for best bar program, has made a habit of stocking Lone Star and Pabst Blue Ribbon in a can for a crowd as likely to come in wearing T-shirts and jeans as much as stiletto heels and Saturday Night sport jackets.

Another draw of these casual bars, the story notes, is their bartenders’ ability to rapidly churn out quality craft drinks for dense crowds without the pomp and production that can often leave you wanting. In other words, what Uptown’s Standard Pour and Tate’s – neither of them exactly hidden away – do on a regular basis for the weekend throngs full of yuppies who thirst more for a quick buzz than for obscure cocktail knowledge. (For the record, I avoid these nights.)

Neither place is particularly stuffy, either, though it must be noted that in Standard Pour’s earlier days Tate’s own head barman J.W. Tate was turned away at the door because of the cap he wore backwards on his head.

As far as strict, quality-cocktail casual goes, these places already exist here: Charlie Papaceno at the divey Windmill Lounge on Maple has been crafting quality drinks since before it was a thing in Dallas. The Black Swan Saloon in Deep Ellum wears no fancypants, and the pubby Libertine on Lower Greenville has Mate Hartai, one of the better cocktailian minds around.

Granted, none of these spots went into business proclaiming themselves to be craft cocktail bars, so maybe the comparison is unfair. But pretension doesn’t go very far in Dallas’ cocktail culture, and so far, the jury is still out on whether people will stand, in line or in temperament, for even the tiniest bit of speakeasy pretension. (I’m looking at you, Bar Smyth.)  There’s something genuine about the scene here that evades the haughtiness that comes with being first. New York and the Bay Area no doubt paved the way for the country’s classic cocktail revival, but those cities are now also, according to the story, discovering the value in being a little less like themselves and a little more, well, like Dallas.

“I do think there are some bartenders out there that have a pretentiousness about them,” says Chris Dempsey of The People’s Last Stand. “But they’re quick to change once they see it affect their business. Most of the guys I know are humble and knowledgeable, which is a pretty good combo, if you ask me.”

What do you think? Do you find Dallas’ cocktail bars pretentious? What do you think about bars that take a “speakeasy’ approach?

Marc Ramirez, posted 4-11-13

Retro room: The Establishment is officially up and running

image

Before entire music libraries and players fit in your hip pocket, there was the age of console stereo systems. Back then, you’d veg out to the vinyl crackle of REM or Pink Floyd in the darkness, the light of the receiver glowing from behind the frequencies on the AM/FM radio display.

That’s the feel you get at The Establishment, the long-anticipated cocktail lounge from Mike Martensen and Brian Williams in Dallas’ Knox-Henderson neighborhood.

It’s no accident, because if The Cedars Social, the James-Beard-nominated bar Martensen and Williams co-own south of downtown, is decidedly 70s retro, The Establishment is even more so — dark, cozy and swank, with sleek wood paneling creeping from the walls onto the ceiling above the bar.

Plush, U-shaped booths wallow in the murk. A shag-carpeted back room features vinyl-ornamented shelves. The whole scene is soul-ified by a soundtrack courtesy of Al Green, Stevie Wonder and Earth, Wind and Fire and recalling a time of gold chains, leisure suits and bell bottoms.

“I feel like I could walk into that (back) room and hair would grow on my chest,” said Ian Reilly, who runs the bar at Dallas’ Bowl and Barrel.

The speakeasy atmosphere begins on Travis Street, where no obvious sign or entry marks The Establishment’s existence. An unlit hallway bends into the nightlight-dim lounge, where the bar glows in the darkness like the Yamaha tuner in your daddy’s man cave.

“I think this is what my dad thought his basement bar looked like,” said Charlie Papaceno, the stalwart behind Dallas’ Windmill Lounge, admiring The Establishment’s wood-paneled setup with a Manhattan in hand. “I’m sure when he looked at it, this is what he saw.”

In its purposefully quiet, early opening days, small numbers and familiar faces demonstrated the intimacy of the space, snug as a den. So far there are no stools at the bar and plenty of room to move around or melt into the shadows, as long as the numbers remain limited. And Martensen insists that’s the idea: A host will make sure attendance tops out at 48, which is why reservations may ultimately be recommended. “It’s never going to be crowded,” he says.

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Not everything about the room is perfect: A prominent staircase, set off by a pair of stanchions, leads temptingly to nowhere but offices. But that’s a small trifle, and of course it’s the drinks we’re here for. There’s no menu, just a list of spirits, your own desires and the whims of the dapper wizards behind the bar. Name a poison, vote spirit-forward or not, claim a preference for bitter or sweet — whatever you fancy. Mezcal is how I dive in: bartender Mike Steele churns out the Slow Trombone, an apricot-tinged concoction he’s still perfecting. Later, Omar Yeefoon, The Establishment’s bar program manager, works magic with Hum, one of my preferred liqueurs.

“That’s the great thing about working here,” says Steele, exhibiting a sheet of note paper with scribbled ingredients and proportions on both sides. “All these drinks, I came up with last night.”

If hit-or-miss experimentation isn’t your thing, go safe with a classic; in the hands of these bartenders, you won’t go wrong.

And when Marvin Gaye’s “Got to Give It Up” comes on, you’ll know you’ve officially crossed the Boogie Nights barrier.

— Marc Ramirez, 3/8/13

 

Establish’d

Word from the man himself, Mike Martensen, is that The Establishment — the long-awaited, long-delayed, reservations-driven cocktail lounge in Knox-Henderson — is finally up and running.

Located at 4513 Travis Street, the ambitious, three-pronged magnum tipplus from Martensen and Brian Williams — the brains behind The Cedars Social south of downtown — will eventually feature an oyster bar along with its vinyl music tracks in the space once occupied by Trece.

Get over there and let me know what you think!

— Marc Ramirez, posted 3/5/13

Imbibe drinks our milkshake: National magazine highlights Texas cocktails

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Don’t look now, but Texas is having a national cocktail moment: No less than Imbibe magazine, the nation’s premiere publication devoted to all things drinkable, highlights the Lone Star State in its latest issue.

“It’s kind of surprising,” says John Garrett, who represents the spirits division for Texas distributor Virtuoso Selections. “They could have done any state. They picked Texas. They know this is a burgeoning area.”

Dallas, Houston, Austin and San Antonio cocktails, beer and coffee are all featured. Getting deserving cocktail nods from Dallas are The Cedars Social, The Standard Pour, Private/Social, Tate’s and the Black Swan Saloon. More questionable recommendations are dining-centric Local, the fast fading Chesterfield and, most incredibly, the Establishment, described in great detail as an “experience for a Dallas night you won’t soon forget” even though the place has yet to actually open as of today. Way to go, Imbibe!

Nevertheless, the focus on Texas shows the state is finally emerging from behind the national curve when it comes to cocktails, and Lone Star luminaries such as Houston’s Alba Huerta and San Antonio’s Jeret Pena are prominently featured. There’s even a drink recipe from The Cedars Social’s Mike Martensen.

Things are only going to get better here.

— Marc Ramirez, 3/2/13

The Cedars Social earns a 2013 James Beard nod

Raise a toast for the hometown boys: Dallas’ The Cedars Social, which I recently highlighted in conjunction with the locally pioneering cocktail lounge’s second anniversary, is among the semi-finalists for best bar program in this year’s prestigious James Beard Foundation awards.

The 2013 semi-finalists, in 20 national and regional categories representing food, wine and drink, will be narrowed down to smaller lists of finalists by mid-March, with the winners announced at the foundation’s national awards event in May.

The Cedars Social, which Brian Williams and Mike Martensen opened in Dallas in February 2011, joins two dozen other bar-program nominees on the list, including Houston’s Anvil Bar & Refuge, New Orleans’ Cure, Portland’s Clyde Common, Seattle’s Canon and New York’s Pegu Club.

The raspberry-syrup-infused Quaker, one of The Cedars Social’s Prohibition-Era cocktails.

— Marc Ramirez, posted 2/19/13