This swig of rum, served with lime, salt and coffee, will be among the surprises unveiled at Wednesday’s dinner.
What most people know of South American drinking culture typically boils down to a handful of things – cachaca and the Caiparinha cocktail, pisco and the Pisco Sour.
Daniel Guillen, the former beverage director for La Duni restaurants and one of Dallas’ more innovative bar talents, is on a mission to change that. For several years, driven by a notion that has since become a passion, the Peruvian-born bar man has been researching South American cocktail tradition; with his departure from La Duni, he’s ready to spring his knowledge loose upon the world in a series of events that will roll out in the coming weeks.
Your first chance to experience the fruits of his obsession will be Wednesday, when Guillen pairs up with Twenty Seven chef David Anthony Temple for a six-course dinner titled “The South American Gentleman’s Companion,” named after Charles Baker’s legendary cocktail tome of 1951.
The event will be a tour de force for the 27-year-old Guillen, who puts as much thought into presenting his cocktails as he does into making them. We’re talking about drinks served in everything from tin cans to test tubes – but as always, there is method to his madness: In addition to showcasing the continent’s drinking traditions, he’s equally amped about reflecting South American street culture.
“It’s what you see when you go out of the house and grab your first bus to work,” said Guillen, who you’ll now find occasionally behind the bar at Proof + Pantry, in the Arts District. “Street cart vendors, little candy carts near the schools – you can apply those things and come up with something off the charts.”
Guillen, formerly of La Duni and now doing time at Proof + Pantry, has a wealth of South American knowledge to share.
Guillen’s libations will be paired with Chef DAT’s Latin-inspired fare, including BBQ’s gnocchi, roasted cabrito, coconut-encrusted cod and smoked duck breast tostadas.
The 7 pm reservations-only dinner is limited to 35 people and will take place at Twenty Seven, 2901 Elm Street in Deep Ellum. Price is $120 plus gratuity.
Doors open for dinner at 6 with an aperitif to start. Reservations can be made via credit card at rsvp@twentysevendallas.com.
Can’t make dinner? You can still sample a lineup of South American-inspired cocktails and other surprises at a public post-dinner reception at 10 pm, with special prices for dinner guests. Think Argentinian Boilermakers, a South American Old Fashioned and Guillen’s celebrated Rosemary’s Affair, which earned him regional honors from Bombay Sapphire gin and was among my favorite cocktails of 2013.
In Twenty Seven, I found Nirvana. And the Doors, Joplin and Hendrix, too. The recently debuted Deep Ellum restaurant from “underground dinner” purveyor David Anthony Temple has been open barely a month, but it’s not just the food that may take a little piece of your heart.
Twenty Seven’s compact bar, with barely a handful of stools, assumes the spotlight late Saturdays when the place burns the midnight lamp as XXVII Antique, with live lounge music from 11:30 pm to 2 am. But with a solid, just-launched cocktail menu from bar manager Moses Guidry, it shouldn’t be overlooked anytime.
“It’s a classic cocktail menu to go with the mystique of the place, the energy,” says Guidry, who works most nights at the Front Room Tavern at the Hotel Lumen near SMU. “(Twenty Seven) definitely has that classic, speakeasy vibe.”
The restaurant operates Thursday through Saturday, with four tasting menus and two seating times nightly. The space nicely reflects Temple’s animated, stylishly gonzo personality, from the dining room’s vintage touches to the barrage of art paraphernalia honoring rock icons Jimi Hendrix, Jim Morrison, Janis Joplin and Kurt Cobain – all lost to the world at age 27 – in the restrooms and adjacent corridor.
Twenty Seven recalls the iconic rockers of the so-called 27 Club.
Aside from a classic Old Fashioned and a slightly altered Aviation, Guidry’s drinks are off the beaten path, appealing to the earnest imbiber. Vodka is nowhere to be seen. Instead, there are variations on lesser known gems like the martini-esque Ford Cocktail and the A La Louisiane, a cousin of the Vieux Carre.
Guidry’s Smoke Ring, an agave-based spin on the Pisco Sour, is especially notable. Subbing mezcal and tequila for milder pisco, it enlivens the standard mix of simple syrup, lime, egg white and bitters with bracing cucumber. Cool and smooth with the faintest bit of smoky heat, it’s offered with a swirl of Peychaud’s bitters and a sea-salt-sprinkled jalapeno coin to entertain the eyes and nose. “It’s just a great way to introduce mezcal to people who haven’t had it or who think it’s too intense in other cocktails they’ve tried,” Guidry says.
The hardy A La Louisiana is another standout, pumping up the rye quotient and adding chocolate bitters to A La Louisiane’s classic formula of Benedictine, sweet vermouth and a bit of absinthe. The shade of summer tea, it breathes of orange peel and cocoa, with a warm rye finish tame enough to break on through to most palates. “I’m not a bourbon drinker, but I could drink that,” said the foxy lady sitting to my right.
A La Lousiana: For the La. Woman in you.
Less successful during one visit was the Night Rider, a bold after-dinner-style cocktail that marries the herbaceous French bitter liqueur Suze with an espresso-infused Cynar (an Italian artichoke-flavored bitter) and an attending party of vermouth, orange juice, egg white, vanilla extract and chocolate bitters. However, its potential was lost in a purple haze of aggressive coffee.
The list also features the Ford’s Cocktail, a blend of the longstanding Ford and Vancouver cocktails, but done with Ford’s gin; meanwhile, the Aviation sports the sweet Luxardo cherry liqueur and eschews the usual lavender Crème de Violette altogether. In all, there are 10 drinks on the menu, but that will grow by several in the coming weeks and rotate when called for.
“We’re going to keep it seasonal,” Guidry says. “David’s got the freshest ingredients in the kitchen, so clearly we’re going to use those at the bar as well.”
The drink list currently stands at nine but in time will likely hover around a dozen. Among the additions will be the Purple Reyes, which will light your whiskey fire with bourbon, ancho chile liqueur, Cynar, cherry liqueur and chocolate bitters.
Charlie Papaceno’s down-home Windmill Lounge: Still among Dallas’ standout craft-cocktail bars. (Marc Ramirez)
Oh, 2013. You hater. You tried so hard to suck. In the summer, just days after influential bar man Jason Kosmas announced he was taking his talents to Austin, you pulled the plug on my beloved Private/Social, where bar manager Rocco Milano had overseen one of the best cocktail programs in town. Then, last month, you shocked us with the sudden exit of Michael Martensen and his crew of highly talented bartenders from Bar Smyth and The Cedars Social, the two brightest stars in DFW’s craft-cocktail culture. With the unfolding of The Great Unpleasantness, a scene that had solidly come of age at last lost its innocence.
But hey, that’s part of growing up. And despite assertions to the contrary, craft cocktails as we head toward 2014 are alive and swell, showing no signs of peaking: Milano has resurfaced in a major way; Eddie “Lucky” Campbell is preparing to launch Parliament; Asian-Latin fusion restaurant Chino Chinatown has opened in Trinity Groves with Ian Reilly at the bar-program helm; Origin has restyled itself in Knox-Henderson with a promising drink lineup; and the Smyth/Cedars Social diaspora is sprinkling its goodies all over town.
Are you not entertained? To what do we owe this good fortune? It’s because we, my thirsty friends, have proven ourselves worthy. We’re a smarter bunch now when it comes to craft cocktails; our palates now welcome more flavor, complexity and originality. We like menus that mirror the season, varied but not overwhelming, with options both accessible and challenging. We want bartenders steeped in history and craft and eager to command the palettes of flavor at their disposal, ready to improvise when able. Is that asking too much?
No. And DFW has answered the call. Here are my top 10 spots as we head into 2014, in alphabetical order, BECAUSE.
ABACUS
Bartender Jordan Gantenbein, one of Abacus’ signature Men in Black, pours out a line of 75’s. (Marc Ramirez)
OK, I’ll admit: I hadn’t set foot into Abacus since I first moved to Dallas three years ago – at least not until chef Ken Rathbun lured Lucky Campbell away from The Standard Pour in Uptown. Campbell, whose bumpy road has taken him from The Mansion at Turtle Creek to renown at Bolsa to the short, chaotic life of The Chesterfield and then to TSP, set about infusing Abacus’ solid martini-and-bubbly-focused menu with the Pacific Rim sensibilities that inform the five-star restaurant’s kitchen. The result: a boost of energy and derring-do behind the bar that have given Abacus’ Men in Black new street cred.
BARTER
At the newly opened Barter, drink wizard Rocco Milano has a new workshop for his alchemy. (Marc Ramirez)
Where Rocco Milano goes, magic follows. The execution of Private/Social paved the way for a makeover of the Uptown space, and the results are terrific: The vibe is warm and woodsy, and the bar has been opened up to give Milano and his top-notch staff room to move more freely. The house cocktails are unsurprisingly great, but it’s the added features that really set Barter apart: Milano’s “book-of-the-month” set will feature selected drinks from different classic cocktail tomes every month; first up is David Embury’s 1948 classic, “The Fine Art Of Mixing Drinks.” Add to that a mix of high-end choose-your-poison flights and an innovative series of pours that illustrate liqueurs in various stages, and you’ll see why Milano is the cocktail geek’s cocktail geek.
BLACK SWAN SALOON
Clint Eastwood as The Man With No Name presides over the bar with no sign — the shadowy Black Swan. (Marc Ramirez)
Gabe Sanchez’ one-ring circus in Deep Ellum has a cult following, and with good reason: He’s been quietly cranking out some of Dallas’ more original concoctions at this dimly lighted, low-key speakeasy with the badass vibe you’d expect from a bar in the city’s tattoo epicenter. The Swan’s staff now walk the tightrope without the net of a cocktail menu, playing to tastes and whatever Sanchez has cooked up that day. Smoked fig jam with rye? You’ll find that here.
CENTRAL 214
At Central 214, cocktails are farm fresh, a reflection of Amber West’s enthusiasm for gardening. (Marc Ramirez)
Bar manager Amber West has been among the city’s under-sung cocktail heroes, avidly and expertly using seasonal ingredients in her creations. Example: The gin-based, garden-in-a-glass First Course, like so many of her cocktails, is as beautiful to behold as it is to imbibe, with flecks of Tom Spicer’s arugula dotting its translucent surface; her Honeysuckle Gimlet is another standout. Though she’s moving into more of a consulting role to focus on gardening, the cocktails at Central 214 — located inside Hotel Palomar off the Central Expressway — will continue to carry her imprint.
FIVE SIXTY
The buttoned-up precision of Five Sixty: It ain’t cheap, but the drinks are most excellent. (Marc Ramirez)
The spinning modern-Asian-themed Wolfgang Puck restaurant at the top of Reunion Tower has more to offer than a fantastic view. Yes, you’ll have to endure a 45-second elevator ride and the beastly $16 price tag per cocktail, but the drinks are a journey in themselves. They’re part of a rotating series of libations designed by the chain’s Lee Hefter — bold, original and artfully presented, mirroring the restaurant’s sophisticated vibe. Try the gorgeous Fog Rolling Over Mount Fuji or the Locked and Loaded, both among my top cocktails of 2012.
HIBISCUS
Bar manager Grant Parker has given Hibiscus one of the city’s better cocktail programs. (Sheila Abbott)
Seats at the bar are few at this Henderson Avenue mainstay, but they’re worth the wait to gain an audience with bar manager Grant Parker, whose behind-the-bar expertise continues to steadily lift Hibiscus to new mixology heights. Parker hopes to gradually expand the drink menu with more adventurous offerings, but for now try his play on the lesser-known classic Emerson (also among my top-rated drinks of 2012) or the luscious, rye-based Brown and Stirred.
LARK ON THE PARK
Damon Bird of Klyde Warren Park area’s Lark on the Park, a welcome newbie on the craft-cocktail scene. (Marc Ramirez)
This Klyde Warren Park newcomer is a solid playa in the craft-cocktail game, excelling at wintery drinks in particular, so now’s the time to go and warm up your belly. Bar manager Matt Orth and his crew respect seasonality and do nice spins on the classics, too; if you’re into Sazeracs or Negronis, ask for one of their variations and you won’t be disappointed.
THE STANDARD POUR
One of the signature chalk murals at The Standard Pour, a Dallas craft-cocktail mainstay. (Marc Ramirez)
Stacked at Ground Zero of the madhouse Uptown scene, barman Brian McCullough’s strong crew is primed to feed the weekend’s party-minded mainstream tastes, armed with what must be the largest arsenal of Moscow Mule mugs outside of wherever it is Moscow Mule mugs come from. But take a closer look at the bar’s wide-ranging, Prohibition-Era-themed menu and you’ll find lots more than vodka. It also doesn’t hurt that the dark, vintage-lounge-style space exudes fun, or that its chalk-mural-adorned bar is often a refuge for displaced craft bartenders (see Abacus, Bar Smyth, The Cedars Social above).
THE USUAL
A loose attitude and mad skillz mark this consistently good spot on Fort Worth’s Magnolia Avenue. (Marc Ramirez)
I love this place, from its wry, respectable menu on up to its sleek, chill vibe and a team of able bartenders who never seem to be in short supply. The modest house drink list is nice – try the gin and apricot liqueur-fueled Parlor – but it’s the off-road adventures that are really fun; a spin on the classic Hanky Panky, for instance, or something using the most recent bottle on the shelf.
WINDMILL LOUNGE
Windmill’s Charlie Papaceno introduced me to Ancho Reyes, a newly released ancho-chile-based liqueur. (Marc Ramirez)
The godfather of them all. Charlie Papaceno and Louise Owens have been crafting cocktails since 2008 in this dive-y spot off a remote stretch of Maple Avenue. Jason Kosmas – the co-owner of New York City’s Employees Only and spirit line The 86 Co. – did time here after moving to Texas, and early adopters Campbell and Martensen threw down in friendly competition back when as well. It’s still a bartender’s bar; you’ll find a number of mixers bellied up here, drawn by the Windmill’s unpretentious atmosphere and the staff’s easygoing approach. But there’s skill here, too, and innovation; it was Charlie who introduced me recently to Ancho Reyes, a recently released ancho-chile liqueur, and the bar was listed among Esquire Magazine’s top bars of America earlier this year.
Looking forward to what 2014 may bring!
Honorable mentions: Bolsa, Victor Tango’s, Boulevardier
Ones to watch: Chino, Parliament, The Cedars Social
He’s making a drink, he’s shaking it twice. Doing good for goodness’ sake, at Cocktails for a Cause 2013. (Marc Ramirez)
Whatever you were up to Sunday night, it was likely nowhere near as fun as the scene that blazed at The Standard Pour in Uptown, where Santa came early in the form of 50-plus bartenders who rained cocktails upon their imbibing elf minions. Beneath the rapids of glittering tinsel, a DJ dropped beats for the wall-to-wall crowd there to support Cocktails For A Cause, the second annual event benefiting Trigger’s Toys, a Dallas charity serving hospitalized children.
In the wake of The Great Unpleasantness that in recent weeks has thrown two of Dallas’ nationally recognized establishments into uncertainty, this was a much-needed breath of fresh air: The mood was frothier than a Ramos Gin Fizz, and aside from holiday cheer it came from, more than anything, the palpable sense of community that often goes unnoticed beyond the confines of DFW’s mixology circles. Bartenders who’d missed out on last year’s event had clamored to volunteer at this year’s, and the end result was a Holly-Jolly-palooza of craft-cocktail talent. These were the men and women who, as Abacus’ Eddie “Lucky” Campbell would later put it, have changed the way that DFW drinks – among them Campbell himself in his signature fedora; Windmill Lounge’s Charlie Papaceno in a gold smoking jacket; Jason Kosmas of The 86 Co.; and several Santa-fied shakers including Barter’s Rocco Milano and Michael Martensen, formerly of Smyth and The Cedars Social.
Bartenders Michael Martensen and Rocco Milano (foreground) and Christian Armando (background) were among the event’s top-notch talent. (Marc Ramirez)
Combined with what sponsoring spirit makers had contributed, a whopping $45,000 was raised for the cause. “It’s still overwhelming to me,” said Standard Pour’s Brian McCullough, who co-coordinated the event along with Whiskey Cake’s Sean Conner and Trigger’s Toys founder Bryan Townsend.
Actually, make that causes, plural: During the event, bartender Milano was informed that some of the proceeds would help defray expenses he and his girlfriend have accumulated in care of their months-old baby boy, who has been dealing with medical complications.
“Am I surprised? Yes,” Milano said. “Am I shocked? No. The greatest strength I always felt Dallas’ cocktail community has is a sense of family and unity.”
He was touched to receive such support, he said, despite his absence from the scene in recent months: Even as he made preparations to run the bar program at the just-opened Barter, he and his girlfriend were spending weeks upon weeks living in Ronald McDonald Houses in Fort Worth and Houston, where their son was receiving medical care.
“It’s a tremendous blessing, to be sure,” he said.
Hugs abounded, and then so did drinks and camaraderie; afterward, even as the post-club buzz fluffed up your senses and echoed in your ears, it was clear that something special had gone down.
“Last night might have been one of the best nights of my life,” wrote Townsend of Trigger’s Toys on his Facebook page. “… The overpowering support was just so profound I don’t know if it could ever be measured or explained unless you were there to see it for yourself…. We as a group and as a community did something bigger than ourselves, and it feels amazing.”
Even Austin’s Jason Kosmas, who helped put Dallas on the craft-cocktail map, came out to help with the cause. (Marc Ramirez)
Plays well with food: Last month’s whiskey-paired dinner at Plano’s Whiskey Cake.
More than three years later, the memories linger. Five courses at one of the city’s best restaurants, each paired with cocktails made by five of the city’s best bartenders, and all featuring Maker’s Mark whiskey.
The scene was Seattle’s Spur Gastropub, and the chefs were rocking it as usual. (Example: sous vide pork belly with sunchokes and Bing cherries – whut whut?) The all-star bartender lineup cranked out an assembly line of original cocktails like the Pine Box, with its grilled-pineapple garnish. There was even some Maker’s 46, which was about to hit the market in summer 2010. We were a happy bunch.
I moved to Dallas soon afterward, and since then I’ve been to barely a handful of spirit or cocktail-themed dinners, though not for lack of want. Last month some friends and I hit a Hudson Whiskey-themed dinner at Whiskey Cake in Plano. And as I do every time I go to one of these events, I wondered: Why doesn’t this happen more often?
Wine and beer dinners have long been a thing, but bartenders like J.W. Tate – formerly of Tate’s Dallas – at first faced resistance to the notion of making a one-stop night of cocktails and food. That’s starting to change as DFW’s cocktail culture comes of age – a welcome and logical step in the scene’s continuing evolution.
Tate’s offered two spirits-paired dinners before J.W. left Dallas earlier this year to head up a company venture in Winston-Salem, N.C., and places like Dallas’ Libertine Bar and La Duni have experimented with the idea too. “People are trying it,” says Libertine’s Mate Hartai. “It’s just going to take a while for the wheels to hit the ground.”
Among a cocktail dinner’s challenges: Quickly producing drinks en masse. At Seattle’s Spur, an assembly line of bartenders churn out pairings for a Maker’s Mark dinner.
One reason for the slow going is that these dinners — which generally run from $35 to $100 — aren’t easy to pull off. Cocktails are time-intensive and demand smaller groups; achieving drink consistency can be difficult when produced in a bunch. And the kind of patron who embraces the idea of a cocktail dinner isn’t going to tolerate pre-batched drinks.
On the other hand, the ever-broadening assortment of quality spirits, cordials and apertifs give bartenders a grand palette to work from.
“It’s rewarding when you do it right,” Hartai says. “But it’s much more difficult than people think.”
***
The glasses are set, pretty orbs in a row, when a legion of Sazeracs appear in our midst. The classic cocktail is the evening’s first volley at last month’s Hudson-themed dinner at Whiskey Cake. The Plano restaurant’s dinner showcased the Hudson line’s various incarnations, from its New York Corn Whiskey, well paired with chef Brent Hammer’s charred octopus; and Four Grain Bourbon, solidly supporting an extraordinary, In-N-Out-inspired dry-aged-sirloin burger; and more.
Whiskey Cake’s Hudson dinner kicked off with a classic Sazerac.
Sean Conner, Whiskey Cake’s beverage director, tackles pairings the way he does cocktails, dissecting courses’ flavor profiles to match. “Certain things go with blackberry or cinnamon or basil,” he says. “It takes six weeks to plan out four or five different cocktails and make them really special.”
Pairing cocktails with food offers some of the same challenges that went into creating, say, sweet-and-sour chicken, with its mix of sweet and savory. “You try to figure out how someone else solved that puzzle,” says Libertine’s Hartai. “To me, that’s really fun. It takes a lot of out-of-the-box thinking.”
Last year, when Tate’s offered a cocktail-paired dinner with chef DAT (David Anthony Temple), “DAT sent over a menu, and I riffed on that,” Tate says. “We talked a bit, and I threw out a cocktail menu, and we each made changes as it got closer…. It’s a lot like making music, with two people jamming – you throw something out there and the other person runs with it, and five weeks later you’ve got something.”
When Temple said he was doing garlic soup, Tate immediately thought of Campari and came up with a drink called the Italian Resistance. On its own, the drink’s various elements struggled to mingle, but fared much better as a pairing. Similarly, a chanterelle-and-pink-peppercorn-infused vodka drink went nicely with Temple’s speck and arugula salad but its savory character made it less pleasurable as a stand-alone cocktail.
The bar’s whiskey-themed dinner in April was a treat, pairing peppery Buffalo Trace Single Oak Barrel whiskey, for instance, with corn soup with fried pig ear, parsley crème fraiche and house-made hot sauce.
J.W. Tate, formerly of Tate’s Dallas, which was among spirit-paired dinners’ early adopters.
And last year, at Libertine’s whiskey-and-beer-paired dinner featuring three Scotches and two hefty beers, Hartai wanted to echo the flavors of Lagavulin. “I sat down with the chef and said, `I need smoke, earth and some kind of heat.’ He did a mushroom compote with this awesome smoked-pork thing and some vinegary thing for a kick. It took the whiskey apart into its larger flavor components.”
More recently he did what he called an Italian dinner, but by dinner’s end he had unveiled it more precisely as a vermouth-paired dinner. “The whole point was to change people’s minds about vermouth,” he says. “By the end, people were drinking straight glasses of vermouth and saying, `This is great!’ Well, yeah, it is.”
Hartai likes to save a palate-testing curve ball for the last course. “I want to jar people, give them a reason to talk,” he says. “If you realize you’re putting together an experience aimed at creating lasting memories and challenging palates, you can make an awesome dinner.”
At Tate’s whiskey dinner, Buffalo Trace Single Oak Barrel was paired with this delicious corn soup with fried pig ear.Whiskey Cake’s dinner featured this tasty treat alongside Hudson’s Four Grain Bourbon.
Looking for a cocktail or spirits-themed dinner? Contact these spots and see what’s on the schedule, or follow them on Facebook.
WHISKEY CAKE KITCHEN AND BAR, 3601 Dallas Parkway, Plano. 972-993-2253. Offers quarterly alcohol-paired dinners.
LIBERTINE BAR, 2101 Greenville Ave., Dallas. 214-824-7900. Does dinners monthly, generally beer.
LA DUNI LATIN KITCHEN, four locations in Dallas/Fairview. Offers cocktail-paired, three-course dinners. Join the restaurant’s “inner circle” at one of its locations or at www.laduni.com to advance notice of such events.
Abacus’ Blackberry Smash is among the acclaimed restaurant’s new bar offerings.
AND JUST LIKE THAT, sweet things are already happening behind the bar at Abacus, the five-star fancypants restaurant that has long wowed critics with its Pacific Rim cuisine. The recent addition of bartender-slash-apothecary Lucky Campbell to its staff of able libationists was a sign that the Knox-Henderson landmark was ready to boost its bar program too.
Hint one that change is afoot: The barrel flanking one end of the swanky bar’s bottle stash. Mid-afternoon last Friday, that barrel was filled with Old Fashioneds and presumably destined to age, but by 10 p.m. Campbell was already positing that the bar had sold more Old Fashioneds in one night than in the past two months. By weekend’s end, he said, the barrel was nearly empty.
This is Abacus, people. Wine, Martinis and Champagne cocktails are the rule, right?
But witness the new, Asian-flavored menu (priced from $12-$14), set to roll out today: A deliciously gorgeous Blackberry Smash made with Maker’s Mark bourbon. A Brandy Stinger featuring Tempus Fugit’s top-notch crème de menthe. And preparing to float lava-lamp-style in the extremely dry, Champagne-driven Femme Fatale: pearls of effing Violette.
That’s right: little spheres of lavender-y Creme de Violette, one of Campbell’s lab projects. A jasmine-tea cordial and five-spice tincture are already bubbling in a back room, and even the Martini menu has been primped, with one knockout version offering Islay-Scotch-and-cracked-pepper blue cheese olives, stuffed in-house.
Said bartender Jordan Gantenbein: “I’ve been waiting three years to do this.”
The sensibilities that guide Abacus’ renowned kitchen are seeping into the dimly lit bar. So it wasn’t surprising to find Chef de Cuisine Daniel Burr himself on a stool late one night, helping the black-clad bar samurai as they brainstormed an Asian-themed Margarita variation and suggesting matcha green tea powder as a component.
There are some real curiosities on the new menu, like the clever Banksy with “spray-paint spices,” a Yuzu Collins with Bing Cherry soda and the “Ninja Rita,” with its foam of Togarashi, a Japanese spice powder.
Abacus is having some fun now. This is a place worth keeping an eye on.
Abacus’ grapefruity Rio Star is one of the standouts on its redone cocktail menu.
Booze news and adventures in cocktailing, based In Dallas, Texas, USA. By Marc Ramirez, your humble scribe and boulevardier. All content and photos mine unless otherwise indicated. http://typewriterninja.com
