Tag Archives: mate hartai

At TOTC’s national bar battle, Dallas’ Bar Smyth showed it could pack a good punch (and a few good cocktails besides)

At Tales of the Cocktail 2013
The Bar Smyth crew — sharing space with Chicago’s Barrel House Flat — was one of eight bars facing off against a deluge of humanity.

You can’t say Dallas’ Bar Smyth didn’t try. Did any of the other half-dozen establishments facing off at Tales of the Cocktail’s Bare-Knuckle Bar Fight sport a derby-hatted fire eater?  Could any of them claim to wield as original a punch as mobile cocktail service poured out of a backpack keg?

That was Bar Smyth, going big and gloves-off in its debut at the nation’s largest cocktail conference in New Orleans. Friday night’s annual showdown-slash-party pitted bar crew against bar crew for yearlong bragging rights, measuring bars on the quality of their beverages, sense of atmosphere and ability to churn out cocktails for the great, buzzing tides of humanity thirsting for drink. It was a madhouse. It was supposed to be.

Tales of the Cocktail 2013
Smyth’s record-album covers evoked the Dallas speakeasy’s 70’s-esque decor, part of the judging criteria.

The chaotic hordes began forming outside the Jackson Brewery’s microscopic entryway well ahead of the event’s 10 p.m. start time and before long resembled a ravenous weasel trying to poke its nose into some tiny field mouse’s hiding hole. Once inside, the senses were dazzled by a raging tumult, tables piled with pasta trays, a spunky rockabilly band and monitors spilling footage of Muhammad Ali.

Tales of the Cocktail 2013
The event was sponsored by The 86 Co., a new spirit line that includes Tequila Cabeza.
Tales of the Cocktail 2013
The drink lineup from New York City’s The Daily included a chamomile Negroni and a watermelon-shiso Collins.

But people were here for the drinks, and of those there was plenty: Eight bars in all, plucked from around the country by The 86 Co., the just-launched spirit line that sponsored this year’s event. The company’s aim was to showcase notable up-and-coming bars rather than the established stalwarts of years past: There was Miami’s Broken Shaker, with its Santeria vibe and a killer banana-mint daiquiri; Queens’ Sweet Leaf with its Jose Camel, a tequila-mezcal pachanga laced with coffee liqueur and Punt e Mes; the two were my favorite sips of the night.

Tales of the Cocktail 2013
The atmosphere at Miami’s Broken Shaker recalled a botanica store.

Los Angeles’ Old Lightning threw down with a mezcal Negroni. New York City’s The Daily had a popcorn machine and an air of uniformed aplomb amid the fray. Chicago’s Barrel House Flat poured shots from a bottle labeled “Encyclopedia Brown” – a tantalizing formula of Rittenhouse Rye, Punt e Mes, Amaro Montenegro, Cynar, Angostura bitters and salt.

I failed to find San Diego’s Polite Provisions in the maelstrom, but Boston’s Citizen Public House and Oyster Bar was remarkably hospitable considering its three-deep crowd and the fact that it was bartender Sabrina Kershaw’s birthday; the bar’s red-velvety Negroni variation, called The New Black, was as delicious as it was alluring.

Tales of the Cocktail 2013
Sweet Leaf, of Queens, served up one of my favorite drinks of the night, with tequila, mezcal and coffee liqueur.

Dallas’ Bar Smyth made the most of its prime real estate on the brewery’s second floor. Smyth barmen Mike Martensen, Omar Yeefoon, Josh Hendrix, Julian Pagan and, inexplicably, Standard Pour’s Brian McCullough slung drinks as fast as they could muster. The crew donned Lone Star aprons, and bar host Ryan Sumner stirred up the crowd, occasionally from atop the bar counter – whooping and hollering, ringing a bell, kick-starting choruses of “Deep In The Heart of Texas.”

And despite a superior Cuba Libre anchoring its drink lineup, it was what Smyth had conjured beyond the bar that set it apart: Bar-back Charlie Ferrin blazed a trail through the darkness, wowing anyone within eyeshot with his fire-eating prowess. (“You only see the bartender side of me,” the longtime circus performer explained.) And bartender Mate Hartai waded through the crowd with a handmade backpack keg and a Texas-stamped helmet, pouring shots of Smyth’s Mexican Monk, a habanero-watermelon spin on a Tom Collins.

Tales of the Cocktail 2013
Smyth’s Mate Hartai poured drinks from his handmade backpack keg.
Tales of the Cocktail 2013
Hartai’s boozy contraption.

Texas represented well: There was Austin star barman Bill Norris; The 86 Co.’s Jason Kosmas, the bartender extraordinaire recently relocated to Austin from Dallas; Emily Perkins of Dallas’ Victor Tango; Bonnie Wilson of The Ranch at Las Colinas; Kevin Gray of CocktailEnthusiast.com and Hypeworthy’s Nico Martini.

When it was all over, Boston’s Public House had taken People’s Choice honors, no doubt aided by its giveaway signature cozies and fans (brilliant in light of the unspeakable humidity) and a machine dispensing frozen Julep Slushies. Then it was time for the judges’ decision: “We got to try drinks tonight from some of the best bars in the world,” one of them announced. “Those of you who tend bar know what it takes. Not just cocktail creativity, but teamwork, speed and execution. We know what it takes to make people happy not just this one night, but every night of the year.” And with that it was declared that The Daily of New York City had taken top prize.

Ah, Dallas. There’s always next year.

Tales of the Cocktail 2013
Lone Star pride: Smyth’s Ryan Sumner works up the crowd.
Tales of the Cocktail 2013
The fired-up champion bartenders of New York’s The Daily.

National cocktail conference gets a Lone Star welcome

Shiner Beer at Tales of the Cocktail
The fancydranks of Texas strutted their Lone Star stuff at Tuesday’s kickoff event

You could say that Texas did itself proud in New Orleans yesterday, but then again pride in Texas has never been in short supply. Anyone taking in Tuesday’s festivities in front of the venerable Hotel Monteleone would have seen a state standing as one, with two dozen bartenders and liquor promoters firing a collective bar gun of Lone Star hospitality.

The “Texas Tailgate” — among the kickoff events for the 11th annual Tales of the Cocktail conference — served up a double-digit selection of punch-cooler cocktails, plus a handful of Texas distillers and brewers offering samples of their work. Breaking a sweat in the NOLA humidity, they poured: Charlie Papaceno of Windmill Lounge, Creighten Brown of the late Private/Social, Sean Conner of Plano’s Whiskey Cake and a smattering of representatives from the Cedars Social and Bar Smyth.

Mate' Hartai -- of Dallas' Libertine Bar and Bar Smyth -- and Whiskey Cake's Sean Conner beat a punch-cooler drum roll
Mate’ Hartai — of Dallas’ Libertine Bar and Bar Smyth — and Whiskey Cake’s Sean Conner beat a punch-cooler drum roll
McCullough's tequila-fueled Garden District Punch was among the event's highlights
Brian McCullough’s tequila-fueled Garden District Punch was among the day’s highlights

There was the bourbon-fired Leather Face Mask, from Bonnie Wilson of The Ranch in Las Colinas; the tiki-ish Paradise Dream from Republic Distributing’s Chris Furtado, made with Mount Gay small-batch Black Barrel rum; and coolers of Shiner beer. Brisket was served. Austin’s Treaty Oak distillery handed out sips of two limited-release products – Red Handed Bourbon and Antique Reserve Gin – scheduled to be available by year’s end.

“Every good party needs a good kickoff before the festivities,” said Standard Pour’s Brian McCullough, president of the North Texas chapter of the U.S. Bartenders Guild. “We’re just celebrating what we do in Texas.”

And apparently, that’s good times and drinks: McCullough’s Garden District Punch was among the day’s best concoctions, a tart and refreshing burst of Dulce Vida tequila blanco, watermelon, raspberry, strawberry, lemongrass, jalapeno and red wine vinegar.

The 'Texas Tailgate' welcomed early conference-goers outside the Hotel Monteleone, TOTC headquarters
The ‘Texas Tailgate’ welcomed early conference-goers outside the Hotel Monteleone, TOTC headquarters

Suddenly, Papaceno’s voice boomed, as if over a megaphone: “WE HAVE EIGHT MINUTES UNTIL THESE COCKTAILS SHUT DOWN, SO PLEASE, DRINK HEARTILY WITHIN THOSE EIGHT MINUTES.”

The able and willing complied. After all, it was barely 4 p.m.

“Yeah!” someone shouted. “Texas!”

“Texas has four little gems,” said Juan Pablo DeLoera, the state’s rep for Milagro Tequila, referring to the cities of Dallas, Austin, Houston and San Antonio. “There’s a lot of talent and passion. It has the right to show what it’s made of.”

Brad Bowden of The People's Last Stand was one of a dozen-plus bartenders representing Dallas
Brad Bowden of The People’s Last Stand was one of a dozen-plus bartenders representing Dallas

Dallas’ Bar Smyth chosen to compete at national bar battle in New Orleans

Are these bartenders ready to represent or what? Some of the Bar Smyth staff headed to New Orleans.
Are these bartenders ready to represent or what? Some of the Bar Smyth staff headed to New Orleans.

Another big coup for Dallas on the national cocktail front: Bar Smyth has been chosen to compete in this year’s bar-versus-bar-versus bar cage match at next month’s annual Tales of the Cocktail conference in New Orleans.

Smyth’s selection to the so-called Bare Knuckle Bar Fight gives the months-old lounge another dose of national publicity in the short time since it opened earlier this year in the Knox-Henderson neighborhood. In March, Vogue magazine cited the new venture from Michael Martensen and Brian Williams – co-owners of The Cedars Social – as a factor in naming Dallas one of the four “buzziest cultural capitals” in the world alongside Lisbon, Toronto and Istanbul.

Smyth will go up against six other competitors: Polite Provisions (San Diego), Sweat Leaf (Queens, NY), Broken Shaker (Miami), The Daily (New York City), Barrel House Flat (Chicago) and Citizen Pub (Boston).

This year’s bar battle royale is unusual in the sense that the establishments chosen to compete are typically seasoned entities with some mileage under their tires. It’s part of a new focus on new and upcoming bars, a philosophy espoused by the event’s new host, The 86 Co., which launched a new line of spirits earlier this year.

Surely it helped that Dallas bartender extraordinaire Jason Kosmas is among The 86 Co.’s ringleaders, putting Smyth and its smooth 1970s vibe that much closer to the national radar. “It’s usually the biggest and best that get the acclaim,” Kosmas said. “But (this year’s contestants) will be the ones that get no acclaim.”

Dallas' Bar Smyth, about to prove itself on the national stage
Bar Smyth, about to prove itself on the national stage despite opening just three months ago.

But Smyth’s bartenders – including Omar Yeefoon, Josh Hendrix, Trina Nishimura and Mate Hartai – are among the best in Dallas’ come-of-age craft-cocktail culture. They’ll help Smyth represent at the annual event, which in essence is a massive wall-to-wall party of 1,000 people with competing bar staffs scattered throughout a gi-normous space, judged for character, quality, originality and speed in a frenzied atmosphere.

“They’re going up against some real talent,” Kosmas said. And this year’s focus will be riffs on the classics, daring each bar staff to not adhere too closely nor to venture too far from the original formula. “It was, like, these events have to outdo themselves every year,” he said. “We figured, let’s just go back to the basics.”

Bars are also expected to recreate in some small form the character of their actual establishment. Last year, for instance, Seattle’s Rob Roy brought along its signature deer-hoof lamp.

“We’re flattered,” said Smyth’s Martensen. “Our brains are already working. Do we show up with vinyl records?”

The team will no doubt have some tricks up its sleeve, and perhaps one surprising advantage: Bar Smyth is the only one of the seven competing bars that doesn’t have a Web site. Added Martensen: “Now that our wheels are spinning, now that we know who we’re competing against…. We can see what they do. ”

“We’re excited,” Yeefoon added. “Bring it.”

Tales of the Cocktail's annual competition: Not for the faint of bar
Tales of the Cocktail’s annual competition: Not for the faint of bar

Pours without pretense: Are Dallas’ cocktail bars keeping it real (casual)?

imageThe Windmill’s Charlie Papaceno: Unpretentious before it was cool.

Interesting story yesterday from The New York Times, which notes the number of craft cocktail joints popping up around the country that are striving for a more casual vibe. These places, the article says, are “part of what is shaping up as a fresh chapter for high-end mixology: a new breed of cocktail bar that seeks to retain the profession’s hard-won artistry while shedding the pretensions that often come with it.”

In other words, the complete opposite of cocktail culture’s stuffy stereotype – things like secret entrances, purposely subtle signage, bans on canned beer and rules against standing at the bar.

But for the most part, when it comes to serious craft cocktails, Dallas ain’t that kind of place anyway. Even The Cedars Social, which this year earned a prestigious James Beard nom for best bar program, has made a habit of stocking Lone Star and Pabst Blue Ribbon in a can for a crowd as likely to come in wearing T-shirts and jeans as much as stiletto heels and Saturday Night sport jackets.

Another draw of these casual bars, the story notes, is their bartenders’ ability to rapidly churn out quality craft drinks for dense crowds without the pomp and production that can often leave you wanting. In other words, what Uptown’s Standard Pour and Tate’s – neither of them exactly hidden away – do on a regular basis for the weekend throngs full of yuppies who thirst more for a quick buzz than for obscure cocktail knowledge. (For the record, I avoid these nights.)

Neither place is particularly stuffy, either, though it must be noted that in Standard Pour’s earlier days Tate’s own head barman J.W. Tate was turned away at the door because of the cap he wore backwards on his head.

As far as strict, quality-cocktail casual goes, these places already exist here: Charlie Papaceno at the divey Windmill Lounge on Maple has been crafting quality drinks since before it was a thing in Dallas. The Black Swan Saloon in Deep Ellum wears no fancypants, and the pubby Libertine on Lower Greenville has Mate Hartai, one of the better cocktailian minds around.

Granted, none of these spots went into business proclaiming themselves to be craft cocktail bars, so maybe the comparison is unfair. But pretension doesn’t go very far in Dallas’ cocktail culture, and so far, the jury is still out on whether people will stand, in line or in temperament, for even the tiniest bit of speakeasy pretension. (I’m looking at you, Bar Smyth.)  There’s something genuine about the scene here that evades the haughtiness that comes with being first. New York and the Bay Area no doubt paved the way for the country’s classic cocktail revival, but those cities are now also, according to the story, discovering the value in being a little less like themselves and a little more, well, like Dallas.

“I do think there are some bartenders out there that have a pretentiousness about them,” says Chris Dempsey of The People’s Last Stand. “But they’re quick to change once they see it affect their business. Most of the guys I know are humble and knowledgeable, which is a pretty good combo, if you ask me.”

What do you think? Do you find Dallas’ cocktail bars pretentious? What do you think about bars that take a “speakeasy’ approach?

Marc Ramirez, posted 4-11-13

Tippling at Windmill — for a good cause

It was way too much fun for a Tuesday night. Then again, with five of the city’s best barmen joining forces at Dallas’ Windmill Lounge to raise money for victims of Hurricane Sandy, the revelry was all for a good cause.

For four-plus hours, the star lineup churned out a New York-inspired menu of cocktails including Manhattans, Brooklynites and Green Hornets. “The Penicillin was the star of the show,” said Omar Yeefoon, who did bar duty along with Jason Kosmas, Mate’ Hartai, Julian Pagan and the Windmill’s own Charlie Papaceno.

It was the final stop on the group’s All 4 1 tour of four Texas cities, benefiting bar and restaurant owners in New York’s East Village who suffered superstorm damage. 

There were T-shirts. There were toasts. There was even a bullhorn: The group auctioned off some rare and not-so-rare bottles of booze. Tuesday’s event raised about $3,000, Yeefoon said, with about $8,000 raised in all.

“We’re pretty stoked, to be honest,” Yeefoon said. No doubt those business owners will be, too.

The Libertine’s Mate’ Hartai plays auctioneer as Kosmas, Pagan and Papaceno look on.

Omar Yeefoon, of Cedars Social, takes a breather.

Happy revelers Mikki Mallow (center) and Jodi Mallow Maas.

The commemorative T.

Mr. Charlie Papaceno.

— Marc Ramirez, posted 11-24-12

A double-whammy of feel-good

A great cocktail: Definitely a day-brightener. Giving to a good cause: Ditto. Doing both at the same time: Awesome.

Consider it charitable multi-tasking. From 6 to 10 p.m. Tuesday, you can enjoy New York-themed cocktails AND benefit victims of Hurricane Sandy as four of the city’s best barmen do duty at Dallas’ Windmill Lounge to raise funds for bar and restaurant owners in Manhattan’s East Village.

The effort, called All 4 1, is the handiwork of four accomplished bardudes — Omar Yeefoon and Julian Pagan of Cedars Social, Libertine Bar’s Mate Hartai and Marquee Grill & Bar’s Jason Kosmas — who last week stepped behind bars in Austin, Houston and San Antonio raising money for the cause. Originally the four had been looking for a way to do guest spots around Texas, but when the largest Atlantic storm on record pummeled the East Coast last month, they suddenly had a purpose.

Kosmas, a New York transplant who still co-owns Manhattan’s Employees Only, personally knew people in the East Village whose businesses had been devastated by the superstorm. A fun idea turned into a focused one.

“We’re just trying to make sure some of these places don’t shut down, or at least not for long if they do,” Yeefoon said.

Tuesday night, the four will be at the old-school Windmill Lounge making New York-themed cocktails for a minimum $5 donation apiece. T-shirts will be available too.

“Of course we have a good time while we’re doing it, but now we’re, like, really into the charity,” Yeefoon said.

Go. Be like Omar. Have a good time while you’re doing it, and be really into the charity. It’s a double-whammy of feel-good.

The event is one of two going on around town Tuesday as the ongoing Manhattan Project moves northward to Plano’s Whiskey Cake (not Hibiscus, as originally planned). From 7 to 9 p.m., the bar will be dishing up free Manhattans in a periodic series of events designed to promote whiskeys, and the classic cocktail, throughout the colder season.

Some of the whiskeys available for sampling at ongoing Manhattan Project events.

— Marc Ramirez, posted 11/18/12

This cocktail boost is in the bag

 Three o’clock was always tea hour for chef Lisa Garza. That’s how it was growing up in Memphis. “Teas are such a big part of the South,” she says.

These days, they’re a big part of the cocktails that Garza features at Sissy’s Southern Kitchen, her restaurant on Dallas’ Henderson Avenue

As liquor-store shelves run clear with the blood of sweet-tea-flavored vodkas, odds are you’ve noticed a tea-accented cocktail or two on the menu of your local craft bar. But I’m betting you haven’t seen anyone devoting eight feet of space to them, as Sissy’s has: Two sets of glass apothecary jars dominate shelves built to accommodate their hefty dimensions.

“We built that bar around featuring the teas,” Garza said. “We gave up a lot of space to do that.”

In each, Belvedere vodka is the featured spirit. The Tipsy Arnold Palmer, infused with Japanese green and Chinese black tea, is flavored with orange, pineapple and safflower; Japan green also powers the Sencha Goji, which includes pomegranate, blueberry, lemongrass, cornflower and Goji berry.

The custom-ordered tea blends are part of Sissy’s carefully thought-out Southern identity. Orange pekoe tea even sparks the restaurant’s Kentucky Punch along with Maker’s Mark bourbon and blood orange liqueur. “This is our brand DNA,” Garza says. “This is the culture we’ve created.”

Personally, tea isn’t something I crave in my cocktails, and I tend to skip right over them on drink lists. But there’s something about a hot summer day that lets a Tipsy Arnold Palmer pull just the right lever, or a cold winter one that makes a chamomile-spiced tipple sound like a reasonable choice.

Tea’s pairing with alcohol has made long strides since the British wielded it in party-worthy punches in the 17th century. With the rise of today’s craft cocktail movement, greens, whites, blacks and herbals have been reinstated in service of bolder spirits than vodka: Here in Dallas, Salum’s High Tea blends vodka, Pama liqueur and a bit of ginger beer with cinnamon/cardamon-spiced tea, and at Tate’s, in Uptown, head barman J.W. Tate united gin with Earl Grey to create a drink called the Remedy, mixed with egg white, lemon, honey syrup and grapefruit bitters. “It’s a nice cocktail for when you’re a little under the weather,” he said.

Everyone’s doing it, and so can you. But don’t think it’s as easy as setting a jar of gin out on the porch with a handful of tea bags on a hot afternoon.

“When it comes to infusions, it’s pretty much the Wild West right now,” says Mate Hartai, the wizard behind the counter at Lower Greenville’s Libertine Bar. “Everybody’s throwing everything into anything. But it’s one of those things – like chess, it’s easy to play, but impossible to master.”

That’s because alcohol is pretty much a liquid succubus. “It draws things out much more completely,” Hartai says. “That’s why infusions work.”

It happens fast, too. Tea is an eager and delicate flower, figuratively and sometimes literally. Lose focus, and you could end up with tannic sludge. Lipton bags conquer a bottle of vodka within minutes. Hartai once left a whole box of tea bags in a liter of gin for four days. “It was black by the end, horrible,” he says. “I had to throw it away.”

So, things to consider if you’re trying this at home – the balance of spirit and tea flavors, as well as the proof of the alcohol. An 80-percent-proof rum, for example, will infuse more quickly than a 60-percent vermouth.

The makeup of the tea matters, too. A packet of shredded tea ingredients could take just hours, while a homemade blend of mostly intact items and, say, dried fruit, could take a day or two. Sissy’s tea-infused spirits are more patient concoctions, infused overnight with smaller amounts of black, white or green whole-leaf teas and aromatics like ginger and orange. “Sometimes it just pops off,” Hartai says.

He recommends finding a tea you like and using a spirit that lacks that flavor. A ginger-tea-and-peach-infused Cocchi Americano he made succeeded because the Italian aperitif wine was so bitter to begin with. And bitter teas go best with spirits or liqueurs absent bitterness.

White vermouth is a worthy vehicle. “It’s light and sweet, and it won’t extract as much because it’s not as high-proof,” Hartai says. “It’ll be a lot more delicate and light. Just drop a couple of ice cubes into it and drink it by itself.”

On the other hand, he avoids vodkas. “At that point you’re just making a really low-proof tincture,” he says. “It’s such a neutral flavor. You’re literally just going to have to throw lots of sugar in there to make it palatable…. Besides, there’s plenty of iced-tea vodkas out there already; they’ve already done all the work.”

It’s a matter of focus, adjustment and trial-and-error, taking care not to over-steep. As I write, I have a small batch of Beefeater gin in the kitchen gettin’ friendly with green tea, a sort of earthy meets botanical experiment that I’m guessing will consummate within a few hours. Or maybe not. I’ll find out.

“YOU DID WHAT WITH THAT GIN?” My resident squirrel seems to say.

Tea, Hartai says, “is going to be completely different in a spirit, because you’re not brewing, you’re extracting. It’s definitely a beast, but you can add nice complexity to everything from an Old Fashioned to a Tom Collins.” 

And infusing a sweet spirit or liqueur with something bitter is way more complex than the other way around. “Adding bitterness to anything is very difficult, because you can’t take it out once it’s in,” he says.

In an article for Readymade magazine, New York bartender Alex Day noted that tea can enrich alcohol in several modes – either steeped in the liquor itself, used as a base for syrup or simply brewed and added as an ingredient.

The delicate and clean botanicals of gin, he said, marry well with green teas and oolongs, while whiskeys, aged brandies, amari and some fortified wines couple best with aggressive flavors like black tea or herbal infusions. Chai and sweet vermouth, he said, are an especially good pairing.

Whatever you use, here’s some tips to help you through.

* Use teas you like to flavor spirits or liqueurs that lack that flavor.

* Hit up local herb shop to craft blends. For an infused vermouth, Hartai custom-ordered a blend of dried lavender, cranberry, violet and black tea.

* Simplicity is better. “It becomes very difficult to throw a bunch of things into something and expect it to come out good,” Hartai says. “That’s the problem with three-, or four-, or five-ingredient infusions. Everything’s getting lost. It’s becoming alcoholic fruit punch.”

* Experiment in small batches. “Micros,” he says. “That’s how brewers and distillers work.”

* Use good quality tea. As Day wrote for Readymade: “A cocktail can only be as good as what’s put into it.”

POSTSCRIPT

I meant to check the green-tea-and-gin mixture before I headed out for a movie, but then forgot. When I returned — more than seven hours after I first threw the bag in — the mix was a soothing shade of grassy greenish brown. I removed the bag and poured a sip. The result was a cloying smack in the mouth, an initial spritzy-sweet burn that settled into warm fireplace comfort. Not perfect, but I’m looking forward to sipping more on a cool evening sometime in the near future.

 

— Marc Ramirez, posted 10-23-12

Craft Cocktail TX launches at the Stoneleigh

For reals: What wasn’t to like? The drinks were flowing, the vibe was humming, the rooftop view was phenomenal and before long hardly anyone cared that the ice hadn’t arrived for the first-floor patio cocktails or that for a while, the only real food available was a basket of buns on the 11th floor.

A smartly primped Hendrick’s Gin rep, who has been doing these kinds of events for some time, agreed that the inaugural Craft Cocktails TX Festival appeared to have gotten off to an impressive start with last night’s VIP Party, the four-day event’s official launch on three floors of the Stoneleigh Hotel and Spa. Of course, it’s hard to go wrong when you’ve got spirit makers handing out cocktails.

The drinks were built around Monkey Shoulder Whiskey, Solerno Blood Orange Liqueur, Lillet Rose and Sailor Jerry Rum. But my favorite drink of the night was a summery cooler called the Sanchito, the handiwork of Standard Pour’s Polo that involved classed up Stoli Raspberry vodka with cumin syrup, muddled raspberries and jalapeno and likely another ingredient that somehow didn’t make its way into my notes.

Other winners — Hendrick’s’ Windowsill Cooler and featuring rhubarb liqueur and vanilla cream soda, and the Margarita Popsicle crafted by Whiskey Cake’s Bonnie Wilson, the winner of Oak Cliff’s Margarita Meltdown earlier this year.

There were drinks dressed as snow cones, drinks with rose petals and Manhattan magic served up by Hudson Whiskey’s former chief distiller Gable Erenzo, who now handles the brand’s sales and marketing. By night’s end, many — including festival co-founder Brian McCullough of Standard Pour, Charlie Papaceno of Windmill Lounge and the Libertine’s Mate Hartai — had left their mark on a massive posterboard that captured the evening’s mood for posterity.

The real essence of the festival starts today with a full lineup of workshops led by some of DFW’s best bartenders and various liquor luminaries from around the country. I’ll be live-tweeting with the hashtag #CCTX, if you want to follow along.

— Marc Ramirez
Published 6-15-12