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Barmoire, Bartenders, Best-of lists, Cocktail craft, Cocktails, Dallas, Fancydranks, Follow the bouncing ball, Fort Worth

As we head into 2020, a look at DFW’s 20 best cocktails of the past decade

My favorites of 2019: At center, Homewood’s Golden Amaranth; clockwise from top left, the Inca Knife Fight at Henry’s Majestic; Ruins’ Sierra Outkast; Bourbon and Banter’s Ducktail; Five Sixty’s Paper Crane; Proper’s Pandan Swizzle; the Liberty Spikes at Bourbon and Banter; Midnight Rambler’s Seasick Crocodile; and the Spanish Gin & Tonic at Beverley’s.

DFW, you finally bested me. There was no way to keep up with the flurry of craft cocktails springing forth from the minds of the metropolis’ mix masters in 2019, with newcomers like Deep Ellum’s Ebb & Flow, Las Palmas in Uptown, downtown’s Te Deseo and The Charles in the Design District padding the bounty.

On Fitzhugh, La Viuda Negra executed a Thor-like landing with its urban-Mexico-inspired vibe and a lineup of smartly conceived drinks both agave-centric and photogenic, while Eddie Campbell’s Clover Club debuted with swanky swagger above Cedar Springs in Uptown.

There was seemingly little left under the sun to drive innovation, but surprises flourished nonetheless: At Bourbon and Banter, Hugo Osorio’s Ducktail softened Scotch with sweet citrus while his Liberty Spikes fluttered with coyly bittersweet flavor; both (see photo above) were among my favorite drinks of the year.

At Proper in Fort Worth, so was Lisa Adams’ Pandan Swizzle, which blended the nuttiness of amontillado sherry with the sweetness of its lovely signature herb. At Five Sixty, the always-crafty James Slater also employed pandan in his Paper Crane, a smooth twist on the classic Paper Plane, while Midnight Rambler’s Chad Solomon medicated his absinthe-laden Seasick Crocodile with poblano juice and Thai chile.

At Homewood on Oak Lawn, golden beet and orange leapt like dolphins across an sea of gin in Lauren Festa’s Golden Amaranth, while in Plano, there was definitely Something About Rosemary in Whiskey Cake’s nicely balanced drink of the same name. The Spanish Gin & Tonic at Beverley’s was nothing less than sublime, while in Knox-Henderson, Alex Fletcher’s Inca Knife Fight conquered my palate with coconut Pisco Sour flair.

Rounding out my year’s faves: At Ruins in Deep Ellum, Peter Novotny’s impressive Sierra Outkast — a nod to tiki’s Navy Grog — blended Oaxacan gin and rum with Swedish aquavit and garnished it with tri-color coconut candy. Meanwhile, La Viuda Negra made Mexican magic with the dazzling Purple Drink, featuring Michoacan rum and butterfly pea flower, and the terrific, raicilla-based El Papazote.

The decade saw craft cocktails grow from infancy to maturity in D-FW, led by The Usual in Fort Worth (which just marked its 10th anniversary) and then scattered, early Dallas pioneers like The Cedars Social, Victor Tangos, Bolsa, Private/Social, Windmill Lounge, Black Swan Saloon and The People’s Last Stand, along with Whiskey Cake in Plano. As our palates grew more discerning and adventurous, the quality and quantity of spirits, liqueurs and exotic ingredients grew to meet the demand. And as momentum slowed as talent scattered and pioneering bars fell by the wayside, top-notch newcomers rose up to create new energy, such as Las Almas Rotas in Fair Park; Jettison in West Dallas; Hide, Shoals Sound & Service and Ruins in Deep Ellum.

Bartenders crafted ingredients using chef-driven methods like sous vide and molecular gastronomy; others introduced us to Japanese shochu and sake, Spanish sherries and Mexico’s broad palette of agave-based spirits; we saw cocktails garnished with seaweed and tongue-numbing buzz button; we nibbled on roasted grasshoppers while sipping mezcal.

The community itself became a force, too: We saw the local bar and spirits industry come together to raise thousands of dollars for tornado and hurricane relief, for hospitalized kids and for the medical expenses of those in their own bar community family. In 2018, the scene collectively grieved the loss of three beloved barmen, Armoury’s Chad Yarbrough, Ian Brooks of Brick and Bones and Josh Meeks of Henry’s Majestic. And we saw the industry’s women in DFW become a force for change and advancement, with efforts such as The Shake Up, an all-female competition now in its second year raising money for women’s charities.

You’ve come a long way, DFW. Likewise, my tastes have changed, and over time I grew to appreciate drinks I hadn’t ranked so highly in the past or to reconsider others that I had. Looking back, about 40 of them stood out for their creativity, innovation, timeworn allure, and/or that one ingredient I couldn’t stop thinking about. In the spirit of the New Year, here, in alphabetical order, are my favorite 20 DFW cocktails of the last decade.

ALPINE BLUES – Scott Jenkins, Hide (2018)

Bolivian brandy, amaro, quinquina, walnut liqueur, clarified lemon

Jenkins’ Alpine Blues: A heady expression of forest growth in a glass.

Jenkins, resident mixmaster at Deep Ellum’s Hide, killed it in 2018 with his Oaxacan Shaman, a masterful mezcal-aguardiente mashup, and his lusciously butternutty Quest for the Sun, a sunflower-seed-infused vodka vehicle. But my favorite of all was his Alpine Blues: A whirlwind trip to the mountains had filled him with memories of brisk, chilly air and damp ground covered in foliage. Those longings inspired this reflection of nature’s growth: Nux walnut liqueur, he said, formed the base soil, deep and rich with decomposing nettles; blueberry-influenced Pasubio, an alpine bitter liqueur, was the surface – “earthy and fruity; there’s still some life in it;” Cap Corse, a quinine aperitif, and clarified lemon juice represented new growth, with the bitter citrus of biting into a young stem; Singani 63, a botanical Bolivian brandy, was the blossom. “There were specific slopes and colors in my mind,” he says. “It made me have the blues not to be there.”

AUTUMN IN BRAZIL – Jason Pollard, The Usual (2018)

Aged cachaca, sherry, sweet vermouth, demerara syrup, saffron bitters

I could have waxed all season about Pollard’s luscious Autumn in Brazil.

In 2016, Brazil’s national spirit enjoyed a brief moment in the D-FW sun, with drinks such as Spencer Shelton’s wonderful Rio Julep at Bolsa capitalizing on Amburana’s spiced banana bread notes. Two years later at The Usual, the Magnolia Avenue mainstay in Fort Worth, Pollard built on those caramel, vanilla flavors and added the rich nuttiness of sherry, then rounded it out with Cocchi di Torino sweet vermouth and caramel-esque demerara syrup. With hints of raisin, chocolate and cinnamon and the aroma of musky grapes, this was a sensational seasonal sipper.

BAD SEED – Omar YeeFoon, Bar Smyth (2013)

Aquavit, Italian bitter liqueur, egg white, lemon, root beer, toasted sesame seeds

Omar YeeFoon, Bar Smyth
For too short a time, we sipped many a care away with this caraway-flavored goodness.

By 2013, the scene had seen the rise of its first reservations-only cocktail den with Bar Smyth, which along withe People’s also featured one of the finest compilations of behind-the-bar talent ever seen in Dallas. There was no menu at this dimly lit, short-lived Knox-Henderson speakeasy, so maybe I actually waltzed in and asked YeeFoon, now co-owner of Shoals Sound & Service in Deep Ellum, to make something with aquavit, Scandinavia’s caraway-flavored liqueur. More likely it was something that YeeFoon just happened to be playing with that day. Whatever it was, this frothy number, employing Averna and an egg-white canvas, inspired lasting intrigue with its splash of sarsaparilla and a creative touch of soft sesame on the nose.

BLACK MONK – Creighten Brown, Barter (2014)

Aged Irish whiskey, Italian bitter liqueur, herbal honey liqueur, sarsaparilla bitters

The Black Monk’s aromas and flavors led me on multiple meditative journeys, yet I remained unknowing of all its seductive secrets.

Planted at the bar of this redo of Uptown’s pioneering Private/Social, I pretty much went bonkers trying to decipher the Black Monk’s enigmatic flavor. The smoky-flavored drink was tricky to pin down, greater than the sum of its parts: Brown blended Jameson Black Barrel Reserve Irish Whiskey, bittersweet Averna, the honey-ish Benedictine and a bit of rye-and-sarsaparilla-flavored basement bitters with a tincture made with tonka bean, vanilla bean and lemongrass. Every time I tried it, shoe leather images popped into my head, but in a most comforting way: The notes shuffing across my tongue included molasses, root beer, pecan pie, cooked honey, even smoky flan. The Black Monk was not for everyone – but for those who enjoy a good cigar, this one was a triumph.

BUZZ-CAT – staff at Boulevardier (2015)

Old Tom gin, Earl Grey tea-infused honey syrup, apple bitters, lemon, ginger, baked apple garnish

At Boulevardier, bar manager Eddie Eakin’s 2013 cocktail got a sweet-as-Vermont-honey makeover that was wicked good.

The craft-cocktail renaissance inspired a resurgence of classic spirits, among them Old Tom gin, the spirit’s 18th-century, slightly sweeter cousin. My favorite is the barrel-aged Tom Cat, made by Vermont’s Barr Hill, a former bee farm that infuses its spirits with a signature honey flavor. Tom Cat also happens to be sold in distinctive, small bottles that were just the size that bar manager Eddie Eakin of Bishop Arts’ Boulevardier wanted for his syrups and juices. He ordered a batch of Tom Cat for his bartenders, who began subbing it for standard gin in the Steep Buzz, a celebrated cocktail Eakin had devised in 2013.  With a baked apple slice garnish, the Buzz-Cat was a honey-perfect blend of autumny, apple-pie aroma, herbal Tom Cat spice and lingering lemon-ginger bite. “We were just trying to pour through it,” bartender Ashley Williams said. “And it just caught on.”

DAMNED AND DETERMINED – Brad Bowden, Parliament (2014)

Rum, Green Chartreuse, ancho chile liqueur, egg white, pineapple-vanilla syrup, Angostura bitters

Brad Bowden, Parliament
Sugar and spice and everything nice: Bowden’s divergent path showed quien es mas Ancho.

Bowden, who you’ll find these days at East Dallas’ Lounge Here, didn’t care much for Ancho Reyes, the ancho-chile-flavored liqueur that became my crush of 2014, following in the footsteps of botanical Hum and bitter Suze. But when the slightly spicy, vanilla-tinged blend started earning national recognition, Bowden — then at Uptown’s Parliament — said he felt “damned and determined” to do something with it. Ancho’s bite made it a natural fit for tequila or mezcal, “but that’s what everyone else was doing,” he says (accurately). Instead, he took rum, his preferred spirit, and devised what’s essentially a tiki drink, adding sweetly vegetal Green Chartreuse to Papa’s Pilar blonde – “Rum and Green Chartreuse go together like nobody’s business,” he says – along with egg white and a tropical pineapple-vanilla syrup. The egg white gives the ancho a soft bed to lie on; the syrup binds it all together. A last flourish of Angostura bitters atop makes it a magic carpet ride, frothy and floral with a sweet and spicy descent.

DOUBLE UNDER – Emily Arseneau, H&G Sply (2013)

Beet-infused tequila, triple sec, citrus, rosemary syrup, salt

Emily (Perkins) Arseneau, H&G Sply
Mad beetz: Arseneau’s refreshingly vegetal Double Under at H&G Sply.

Who doesn’t love beets? Okay, a lot of people doesn’t love beets. But properly speaking, for those of us who do, this radiant refresher ably answers the call – a simple mix of lively beet-infused tequila, lime and rosemary syrup. Arseneau – now with liquor giant Remy Cointreau – modified this creation by Portland’s Jacob Wallace for the drink list at Lower Greenville’s H&G Sply, toying with the proportions and adding Cointreau; “it’s supposed to be an earthier Margarita that never feels out of season,” she says. The taste is sour beet moxie and tangy lime, with a slight hint of herb. Unabashedly red with a flirty half-skirt of glittery salt, it was a stunner to look at, too.

EL PAPAZOTE – Saul Avila Hernandez, La Viuda Negra (2019)

Raicilla, lime, sherry, epazote syrup

The funky nature of raicilla, an agave-based spirit produced in Mexico’s Jalisco state, was given wings to fly in La Viuda Negra’s El Papazote. (Photo courtesy of Javier Villalva)

Brothers Javier and Luis Villalva’s La Viuda Negra (“The Black Widow”) on Fitzhugh was my favorite addition to the scene in 2019, with a modern rustic interior and delicious cocktails both inventive and sometimes whimsically presented. My favorite of the bunch was El Papazote, which achieved magnificence with its crafty use of funky raicilla, an agave-based spirit still uncommon beyond its native state of Jalisco. Avila gave La Venenosa’s Costa de Jalisco the sweet-and-sour treatment with lime, a dash of sherry and a syrup made with epazote, a leafy herb found in southern Mexico that accents the raicilla’s fruity-floral earthiness.

FLEUR DE FEU – Austin Millspaugh, The Standard Pour (2017)

Elderflower liqueur, green chile liqueur, Angostura bitters, cream

Austin Millspaugh, The Standard Pour
At Standard Pour, Millspaugh’s Fleur de Feu.

At Uptown’s Standard Pour, this creamy off-menu creation, with a name meaning “flower of fire,” was a low-proof treat, a deceptively sweet drink that actually leaned savory. Millspaugh, whose penchant for cocktail alchemy had previously produced a nifty Cognac spin on the classic gin Bijou, was once again inspired: He mixed St. Germain and Ancho Reyes liqueurs with Angostura bitters and poured them into a nifty Nick and Nora glass, then topped it all with a thin layer of cream that he torched it for a burnt marshmallow effect. The result unveiled a stunning contrast between the foamy top and wine-clear body below; the creamy fats lent texture and depth to a bouquet of floral and spicy flavors with smoky overtones. “You think it’s going to be sweet, but your notions are debunked the second you sip it,” he said.

MADAME HUMMINGBIRD – Lauren Festa, Flora Street Cafe (2016)

Vodka, botanical liqueur, honey-piquillo syrup

Flora Street Cafe
At Flora Street Cafe, Festa’s Madame Hummingbird made Hum liqueur great again.

Way back when Rocco Milano helmed the bar at Private/Social, may it rest in peace, he introduced me to Hum, a remarkably profuse hibiscus cordial offering notes of cardamom, clove, ginger and kaffir lime. A love affair was born; I couldn’t get enough of the stuff, and though the fling ran its course, it was always good to see an old flame. At Stephan Pyles’ then-newly opened (and now newly closed) downtown restaurant, that’s how Festa –now at Homewood — lured me in; her flower-garnished cocktail let sturdy Absolut Elyx act as handler, reining in Hum’s exuberance, but the real dash of brilliance was a chili syrup that added a tantalizing jolt of heat. “Hum and heat go well together,” she said. “It brings out the spices.”

MALTA – James Slater, Network Bar (2017)

Italian bitter liqueur, French bitter ginger liqueur, turbinado sugar syrup, blackberries

James Slater, Network Bar
At members-only Network Bar, James Slater’s Malta was berry, berry good.

Several years earlier, when Slater (now at Five Sixty) helmed the bar at now-defunct Spoon, he wowed with an off-the-cuff, darkly bittersweet Fernet-based creation he ultimately called Blue Moon, and he’s been riffing on it ever since. During a brief stint as bar director for the members-only club at Trinity Groves, his newest spin on the drink was a winner: Still mining the bitter mint depths of Fernet, it subbed blackberries for blue and ginger-forward Amer Gingembre for less aggressive Averna. The lush Gingembre tamed the harshness of its predecessor; think of the Malta as a boozy berry detox juice with a dollop of licorice-like sweetness.

MANGO LASSIE – Jesse Powell, Parliament (2018)

Guyanese aged rum, citrus, mango, yogurt, honey, tajin

Jesse Powell, Parliament
Jesse Powell’s boozy play on the classic Indian refresher was a work of mango-nificence.

During a trip to Chicago’s Pub Royale, an Anglo-Indian-style tavern, in early 2018, Powell  — now a local gin and tequila ambassador– discovered the joys of the mango lassi, India’s traditional mango milkshake. Naturally, as he savored its mix of yogurt, mango, milk and sugar, he wondered: How can I translate this into a cocktail? He came through like a champ, structuring the beverage’s viscous, sour-sweet depths atop a foundation of El Dorado 5-year, then garnishing the Creamsicle-orange drink with cool mint and a clever rim of Mexican tajin, the chili powder that often graces that country’s mango street snacks. Poured over crushed ice, it was a tasty summer refresher I still found myself craving in the cold of winter.

MEZCAL SAZERAC – Hugo Osorio, The Theodore (2017)

Mezcal, tawny port, Peychaud’s bitters, tiki bitters, absinthe

Hugo Osorio, The Theodore
New Orleans met Oaxaca in Osorio’s classic spin.

It was actually bartender Sam Gillespie, then of The Mitchell in downtown Dallas, who introduced me in late 2017 to the notion of a Sazerac built on smoky mezcal rather than the classic rye or cognac. His simple switch of spirit was solid and satisfying — but then, the very next day, I dropped by the Theodore, the former NorthPark Center lair where barman Hugo Osorio was unspooling impressive off-menu creations in his spare time. When I asked what he was working on, he replied: “How about a mezcal Sazerac?” Osorio made the drink his own by adding the wintry cinnamon spice of tiki bitters and replacing sugar with a bit of sweet tawny port, serving up a spectacular cold-weather sipper.

ONE MILLION IN UNMARKED BILLS — Pam Moncrief, The Usual (2014)

Old Tom gin, Hungarian bitter liqueur, dry vermouth, herbal honey liqueur, lemon oils

Pam Moncrief, The Usual
Moncrief’s use of Ransom Old Tom gin inspired the name for this fantastic floral foray.

In 2014, I was deep into herbal liqueur exploration, curious to see what bartenders were doing with amaro and other European-based bottlings. One evening at The Usual, Moncrief , who now runs a cocktail pop-up business in Fort Worth, had been experimenting with a blend of Ransom Old Tom gin, herbal Zwack liqueur, Dolin Blanc vermouth and Benedictine, creating a gentle, well-rounded drink with spicy depths. Floral and grape gave way to a honey-bitter finish with a tang that lingered like nightclub ear, with a dose of lemon oils atop adding a nice citrus nose. “I just really enjoy herbaceousness,” Moncrief said. “Zwack and all those amaros are so herbaceous, and I feel like they don’t show up in cocktails enough.” On that we could agree.

ROME IS BURNING – Robbie Call, Vicini (2016)

French orange bitter liqueur, mezcal, Italian bitter liqueur, anise liqueur

Vicini
Call’s response to bitter and smoky: The marvelous Rome Is Burning.

Vicini, we barely knew ye. The Frisco-based Italian restaurant’s all-too-brief run may have been a flash in the risotto pan, but it was long enough for Call to have some fun behind the stick. One slow Sunday, I put the lanky bar veteran, now assistant food and beverage manager at The Statler Hotel, on the spot by asking for something bitter and smoky. His off-the-cuff answer was genius, possibly my favorite on this entire list: A rush of French China-China and Italian Meletti anchored by mezcal and a rounding touch of Herbsaint – bitter orange and chocolate-caramel, grounded in depths of smoke and anise. Simply garnished with an orange peel, it was all I wanted in a glass, a mirepoix of worldly influences. “I’m a big fan of letting amaro drive the car and having the mezcal creep in,” Call said. So am I, Robbie. So am I.

SEPPUKU REALE – Andrew Stofko, Victor Tangos (2016)

Italian bitter liqueurs, furikake syrup, lemon, seaweed, furikake

Victor Tangos
Stofko’s Guinness-black Seppuku Reale artfully merged Italian and Japanese influences.

Amaro Montenegro is a jewel among Italian bitters; it leans toward sweet and herbal with its acridity evident only in tow. In 2016, Stofko, then at Knox-Henderson’s since-closed Victor Tangos, won a local contest with this unexpectedly intriguing taste detour: He reined in Montenegro’s sweetness with a syrup made from furikake (a Japanese spice mix of sesame seed, seaweed, sea salt and bonito flakes), upped the bitter component with Gran Classico liqueur, then added lemon to round it out.  The citrus, however, turned the drink unpleasantly dark, so Stofko went all-in and added a bit of squid ink to turn it Guinness-black. The garnish was his piece-de-resistance – a sprinkling of roasted sesame seeds on a skiff of seaweed floating atop the inky sea. Bring the drink to your nose and your palate was awakened with hints of savory Japanese; instead, you got something completely different – bewitchingly bittersweet taste tempered with piquant nuttiness. “That’s umami in a glass,” said Stofko, now bar manager at Te Deseo in downtown Dallas. “I’m just glad (Victor Tangos) let me put it on the menu.”

SLEEPY COYOTE – George Kaiho and Andrew Kelly, Jettison (2018)

Coffee-infused Oaxacan rum, cinnamon syrup, ancho chile liqueur, horchata

The Sleepy Coyote, a coffee-infused gem from Jettison’s Kaiho and Kelly, got me woke.

Kaiho and Kelly, the personable one-two punch behind the bar at Jettison, Houndstooth Coffee’s sister bar in West Dallas, wanted to create a cocktail using horchata, the Mexican cinnamon rice milk. Specifically, as a popular after-dinner destination, they wanted to craft a dessert drink, so as fans of The Big Lebowski they devised this buzzy riff on a White Russian, using a base of banana-funky Paranubes infused with coffee, cold-brew style. To that they added cinnamon syrup and a splash of spicy Ancho Reyes liqueur, then poured it over crushed ice to unleash rich, fruity cinnamon coffee with a kick.

SOUTHPAW STREETCAR – Alex Fletcher, Henry’s Majestic (2016)

Cognac, persimmon shrub, citrus, clove dust

Henry's Majestic
Fletcher’s Sidecar variation transported you to a winter wonderland.

With drinks such as his miso-inflected Art of War (2013) and a daiquiri featuring a German smoked beer (2014), Alex Fletcher – now beverage director for Dallas’ Hospitality Alliance and AT&T Discovery District – has proven to be among the cleverest of DFW bartenders. In 2016, he concocted this winter wonder at Knox-Henderson’s Henry’s Majestic, where he was GM. Using a batch of his chef’s foraged persimmons, he crafted a shrub – a fruity, concentrated syrup tanged up with vinegar – and consequently my favorite Sidecar variation ever.  A taste of the Southpaw Streetcar bounced along in tangy sweetness when suddenly, BAM! a burst of clove bathed you in winter-fire warmth. Sugar-plum visions danced in your head; in the distance, the jingling of sleigh bells and the sound of muffled hoofbeats in snow – and wait, was that Nana calling? Are the tamales steamed and ready? Oh wait – that was just Fletcher, asking if everything was OK and why your eyes had been closed for the last 10 minutes.

SPEAK OF THE DEVIL – Peter Novotny, Armoury (2015)

Pisco, plum liqueur, lemon, egg white, simple syrup, Port

Speak of the Devil cocktail
Novotny plum’d the depths of his Hungarian upbringing to create this snazzy riff on the classic Pisco Sour.

At Armoury in Deep Ellum, Novotny’s zippy take on the underappreciated Pisco Sour was inspired by his own Hungarian background. “I grew up on Hungarian liqueurs like Pecsetes,” he said, referring to a native apricot brandy. “It’s basically an eau de vie, like pisco. They’re like Hungarian moonshine.” As a fan of sours, he took the Pisco Sour recipe of un-aged brandy, citrus, simple syrup, egg white and Peruvian chuncho bitters and added Hungarian Slivovitz plum liqueur, with a boost of Pedro Ximenez Port for extra plum flavor. The result was a delightfully fruity-sweet homage to classic and cultural origins.

TIGER STYLE – Chad Solomon, Midnight Rambler (2016)

Batavia arrack, calamansi, palm sugar, pepper tincture, egg white, cassia aromatics

Chad Solomon, Midnight Rambler
Solomon’s Tiger Style was a passion fruit wildcat, my favorite among a stellar lineup of exotic cocktails he debuted in 2016, classified as “gritty tiki.”

Chad Solomon’s seasonal drink menus at this downtown Dallas gem are thoughtfully thematic and often exotic, and he was at the top of his game in 2016; his Coconut Cooler, a gin-and-sherry blend sweetened with Southeast Asian pandan, highlighted spring and offered a hint of what was to come – a powerhouse summer menu of “gritty tiki” drinks reflecting Asian, African and South American influences. The Filipino-Indonesian-accented Tiger Style was my fave, a seemingly light mix incorporating a rum-like Indonesian spirit, passion-fruit-esque calamansi, palm sugar and a tincture made from pippali (Indian long pepper) that nonetheless packed a punch. A spritz of earthy cassia aromatics atop a dehydrated lime made it a triumph of creamy orange spice dashed with a hint of Fireball cologne. “The more you drink it, the more your lips tingle,” Solomon said, quite accurately. “It takes you into the exotic, and intentionally so.”

THE NEXT 10:

  • Colada No. 2, Chad Yarbrough, Armoury D.E. (2017)
  • Delight, Scott Jenkins, Hide (2017)
  • Earth Wind and Fire, George Kaiho, Jettison (2018)
  • Grapes Three Ways, Annika Loureiro, The Cedars Social (2016)
  • Holy Smoke, Hector Zavala, Atwater Alley (2015)
  • I’ll Get To It, Josh Maceachern, The Cedars Social (2013)
  • Monkeying Around, Sam Gillespie, The Mitchell (2018)
  • Sesame Daiquiri, Jordan Gantenbein, Abacus (2015)
  • Stripper Sweat, Jackson Tran, Cosmo’s Bar & Lounge (2012)
  • Two Thirty, Mike Steele, The Cedars Social (2013)
Alchemy, Barmoire, Bars, Barware, Cocktail craft, Events, Exotic tales of adventure, Fancydranks, Fashion and style, Molecular gastronomy, Seasonal, The maturing scene, West Dallas

Jettison’s omakase cocktail event will put some Spring in your sip

Jettison’s George Kaito positions a spoonful of bitter liqueur “caviar” atop a cocktail at the bar’s spring omakase experience.

The bartender comes bearing flowers, a certain sign of spring – and depending on your choice of bloom, a harbinger of the drink you are about to receive. Presented in a tall glass with tiny spoonful of what looks like caviar resting atop an ice cube, the mix of mezcal, tequila and house-made grenadine is a feast for the senses – and a playfully constructed nod to the season.

It’s one of six cocktails that, along with a closing shot, form Jettison’s Spring Omakase Cocktail Experience, a multicourse cocktail event happening at the West Dallas bar on April 28. The drink above, called Pick Your Antidote, is a variation on the Tequila Sunrise – and with a sunrise a symbol of renewal, yet another nod to the springtime theme. The “caviar” atop the spoon is actually one of three bitter liqueurs chemically gelled into tiny spheres, to be consumed separately or dropped into the drink.

This Tequila Sunrise variation is among the cocktails featured at Jettison’s omakase event.

Behold, the cocktail renaissance is complete: Having pulled alongside wine as a featured complement to prix fixe dinners, drinks are now earning star billing, with bars like San Francisco’s Wilson & Wilson, The Aviary in New York and NOBU in Newport Beach offering experiences of three to five cocktails, and maybe some nibbles, for a set price.

Jettison’s omakase event creatively taps into that trend while embracing the bar’s Japanese influence and barman George Kaiho’s heritage. (Omakase translates to “I will leave it up to you,” most often applied to chef-driven sushi experiences.) It’s the third seasonal offering from Jettison, which adjoins coffee joint Houndstooth in the neighborhood’s Sylvan Thirty complex.

Influenced by the season itself and science-driven concepts like molecular gastronomy, the event features artistically conceived cocktails that would be impractical to put on the bar menu. “It’s stuff that at 10 p.m. on a Friday night we’re not going to have time to do,” bartender Andrew Kelly said at a recent media preview of the event. “There’s rapid infusions, dry ice, spherification. The degree of difficulty is a little more intense.”

Breaking the Ice, a cocktail encased inside an ice egg, is also on the slate.

For instance: The slate’s first cocktail, Breaking the Ice, is a tart and funky play on the classic Champs-Elysees. Featuring shochu, Japan’s national spirit, along with Green Chartreuse, lime, simple syrup and edible flowers, the name refers not just to the drink’s place in the order but also to spring’s emergence from winter – and the fact that the drink is presented in an egg of ice that, with the thwack of a mallet, hatches into the glass along with its botanical components.

“I love the way the ice ball traps the aromatics and then releases them once you break it,” says Jettison’s owner, Sean Henry. “It’s so fragrant.”

Spring also means that herbs and plants feature heavily into the experience. The rose-petal-enhanced Eternal and Fleeting gives the bar a chance to showcase its recently acquired magnetic stirring machine, a lab instrument that swirls liquids by way of a rapidly spinning metal pellet dropped into the vessel and powered by a rotating magnetic field in the platform underneath. (“It’s amazing what you can find on Amazon for 30 bucks,” Kelly says.)

Guests snack on popcorn and watch as red petals whirl like sprites in dry Manzanilla sherry, gradually infusing the fortified wine with their essence. “The agitation helps with the infusion,” Kaiho says. “Sherry is delicate and low-alcohol, so it more easily adopts the flavor.”

The strained sherry is then mixed with peach brandy, Benedictine and bitters flavored with black tea, yerba mate, hazelnut and vanilla, sweetness lifting the dryness. 

Kelly and Kaito team up for a riff on the classic Brown Derby cocktail. They hope to make these events a seasonal occurrence.

The event encompasses about two hours, and Kaiho and Kelly hope to offer a fresh omakase experience each season. Two seatings are available on the 28th, and in keeping with the bar’s intimate setting, Jettison will limit each to 10 participants apiece. Cost is $90 and reservations can be made here.

Spring represents the beginning of the cycle of life, Kaiho says, and with this experience, “it’s about taking the cycle of life into the cocktails.”

Jettison, 1878 Sylvan Ave., Dallas. 214-238-2643.

Barmoire, Best-of lists, Cocktails, Dallas, Fort Worth, Seasonal

Sugar and spice and everything nice: 2018’s best in DFW cocktails

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Some of the year’s best, clockwise from upper left: Cody Riggs’ Bitter Marriage at The Mitchell; Griffin Keys’ Let Me Clarify at Boulevardier; Matt Konrad’s Witch Hunter at Thompson’s Bookstore; and Ryan Payne’s Blu-Tang Clan at Tiny Victories.

Housing prices are falling, the stock market is flailing, but if there’s anything we can count on, it’s craft cocktails: From Dallas to Lewisville to Frisco, from Fort Worth to Trophy Club to McKinney, imbibers in 2018 had an ever-growing bounty of riches from which to choose.

The scene welcomed new destinations like Ruins, 4 Kahunas, 3Eleven and Tiny Victories into the fold, along with solid cocktail programs at new restaurants like Macellaio, Sachet and Bullion in Dallas, and Local Yocal in McKinney. While trying to keep up with it all is a Sisyphean effort, some trends did emerge from within the fray.

This was the year of designer dessert drinks and aguardientes, or sugarcane-based spirits: Rum, the most common, was more widely implemented, and not just at 4 Kahunas, Arlington’s legit new tiki outpost. With the thirst for new and unique liquors reaching ever farther into untapped regions, a pair of lesser-known aguardientes found footing in local cocktails – Oaxaca’s fabulous Paranubes and Michoacan-based charanda.

It wasn’t all sugarland, though: Singani 63, a gorgeous Bolivian brandy similar to pisco, and Italicus, the beautiful bergamot-flavored Italian aperitif, also made welcome inroads, while Spanish sherries flourished and Japanese shochu tiptoed on the fringes, most notably in George Kaiho’s ingenious Earth Wind and Fire at Jettison, which teamed it with mezcal and Green Chartreuse.

Visually, bartenders went the extra mile to create drinks as photogenic as they were tasty, such as Griffin Keys’ Let Me Clarify, a stunning Queen’s Swizzle variation at Bishop Arts’ Boulevardier; Matt Konrad’s fernet-topped Witch Hunter at Thompson’s Bookstore in Fort Worth; Ryan Payne’s captivating Blu-Tang Clan at Tiny Victories; and at the Mitchell, Cody Riggs’ tongue-in-cheek Bitter Marriage, garnished with a faux business card hawking the divorce firm of Ditcher, Quick and Hyde.

Cocktails were also a natural landing zone for turmeric, the “it” health ingredient of the year — for example, Wes Enid’s Turmeric Daiquiri at Atwater Alley in Knox-Henderson. Meanwhile, bartenders more boldly employed nuttiness as a flavor – as in Jones Long’s pecan-infused A Drink With No Name at Bolsa, or Kaiho’s sesame-paste-enhanced Concrete Jungle at Jettison – and increasingly looked to tropical fruits like banana, mango, passion fruit and guava.

As always, the cocktail cornucopia was hard to narrow down, but these were my 15 favorite drinks of 2018.

Guillen’s Gaucho Highball: Don’t cry for me, Argentina.

15. GAUCHO HIGHBALL (Daniel Guillen, La Duni, NorthPark Center)

Glenfiddich 12 Single Malt, Fernet, grapefruit soda

In the summer, the Speyside single malt Glenfiddich launched a campaign pushing its 12-year-old Scotch as the perfect vehicle for a whisky highball, a drink typically supplemented simply with club soda. But Guillen, beverage manager at La Duni, gave the drink Argentinian flair with a splash of Fernet – a darkly bitter Italian liqueur beloved in the South American nation – and a housemade grapefruit soda. “It’s so simple, and yet so good,” Guillen said. “You could drink a few of these, just like that.” With Glenfiddich’s rich pear-apple depths rolling over your palate, held in check by a pull of Fernet’s bitter reins, you might tend to agree – especially at the ridiculous happy hour price of just $6 a pop.

If a light touch you seek, this Brick and Bones invention will ride to your rescue.

14. DUDLEY DO-RIGHT (Bar team, Brick and Bones, Deep Ellum)

Tomato-infused vodka, basil syrup, lemongrass water

It may be the hardest sell on the menu, but Dudley Do-Right is the low-key star of the Brick and Bones show, where every drink is named for a cartoon character. A delicately flavored triumvirate of tomato-infused vodka, basil syrup and lemongrass water, “it’s like a Caprese salad” in liquid form, said bar co-owner Cliff Edgar. Simple, bright and refreshing, so nuanced is its touch that the vodka, typically content to be the vehicle for other flavors, actually shines in this one – completing a righteous drink worthy of its name.

Tiki met salted caramel in this one-night-only gem from Uptown’s Parliament at a pop-up event in Oklahoma City.

13. TAI OF SUM YUNG GAI (Eddie Campbell, Parliament, Uptown)

Pyrat XO Rum, lime, pineapple, ginger orgeat, soy sauce reduction

This one’s a bit of a cheat as it was rolled out at Parliament’s one-night pop-up fundraiser at Oklahoma City’s Jones Assembly in July. The event was pure Parliament, with a half-dozen bartenders making the trip along with a dazzling 21-drink menu. (Pop-ups typically sport no more than half a dozen.) “We wanted to keep it low-maintenance,” quipped bar owner Eddie Campbell. The lineup included this deliciously innovative tiki blend of rum and citrus tanged up with a ginger orgeat, then rimmed with a soy sauce reduction. Think sweet tropical meets salted caramel and you get the idea.

The Queen is Dead was among several Industry Alley cocktails bartender Tommy Fogle named after songs by The Smiths.

12. THE QUEEN IS DEAD (Tommy Fogle, Industry Alley, The Cedars)

Sherry, orange curacao, Licor 43, lemon

At Industry Alley, the low-key cocktail haven in Dallas’ Cedars neighborhood, bartender Tommy Fogle found his groove with liquorous treats like the Golden Mylk Fizz, a creamy riot of honey, coconut and turmeric, and the Boys Don’t Cry, a bitter spin on a cocktail from New Orleans’ Cure (hence the name). But my favorite of all was The Queen is Dead, a sherry-forward jewel that adorned the fortified wine with a wreath of lemon, orange curacao and Spanish vanilla liqueur, unleashing a citrus-grape tang that zipped across your palate like Zeke Elliott headed for the goal line.

When it came to Pisco Sour variations, I found myself constantly seeking Greener Pastures.

11. GREENER PASTURES (Cody Barboza, Armoury D.E., Deep Ellum)

Pisco Porton, Green Chartreuse, Luxardo maraschino, rosemary, lime, egg white

Armoury’s got a thing for Pisco Sour variations, which is fine with me, because so do I. Having already produced the Hungarian-influenced Speak of the Devil, which showed up on this list two years ago, the Deep Ellum bar this year introduced Barboza’s Greener Pastures, more fragrant and floral with a sprig of smoked rosemary. The herb’s aromas were just muscular enough to cap the cocktail’s botanical brawn.

The Old Spiced: Here to fulfill your dark chocolate cravings.

10. OLD SPICED (Jones Long, Lounge Here, East Dallas)

Coffee-infused bourbon, crème de cacao, Fernet Branca, mole bitters

Jones Long, formerly of Oak Cliff’s Bolsa and Ruins in Deep Ellum, took over the bar program at East Dallas’ Lounge Here earlier this year. She took to her new role with aplomb and creativity, even fashioning faux olives from pickled grapes in her Don Vito, a riff on the classic Godfather. But my favorite was the Old Spiced, a hearty handshake of a drink that was not unlike biting into a bar of spicy dark chocolate, only more refreshing. It’s so satisfying that I can’t even be annoyed that every time I order it, I’m reminded of the Old Spice commercial jingle.

Libertine, you nut, you. Lower Greenville’s longtime cocktail landmark still got it goin’ on.

9. FIDELIO (Daniel Zoch, Libertine Bar, Lower Greenville)

El Dorado 12 Rum, Amaro Montenegro, pistachio paste, orange juice, egg white, salt, pistachio dust

The Libertine, on Lower Greenville, was one of Dallas’ early craft mainstays thanks to former bar manager Mate Hartai (now with spirits producer The 86 Co.), and while its cocktail program might not get much attention anymore, it’s still going strong with seasonal drinks like Daniel Zoch’s Fidelio. A dessert-like dance of sweet rum, delicately bittersweet Amaro Montenegro and pistachio, rimmed with ground pistachio dust, the Fidelio is creamy, nutty and lush, with just enough bitter to give it a lovely, nuanced finish.

Bowen House brought the heat with the peppery Puesto Del Sol.

8. PUESTO DEL SOL (Kayla McDowell/Greg Huston, Bowen House, Uptown)

Espolon blanco, muddled roasted red pepper, rosemary syrup, lemon, black pepper

It’s a joy to listen to McDowell and Huston brainstorm behind the bar, and this savory concoction was one of their many menu collaborations, pairing slightly fruity tequila with roasted pepper for a gently spicy sipper of a cocktail. Peppery citrus on the nose paved the way for a rosemary-forward body and a finish that complemented the drink’s aromas. Looking forward to seeing what this team comes up with in 2019.

A tribute to Pixar’s Coco, Mendoza’s Grito had me salivating for a sequel.

7. GRITO! (Henry Mendoza, The People’s Last Stand, Mockingbird Station)

Mezcal, lime, pink/black peppercorn syrup, agave, sage, Boston Bittahs

Mendoza’s Grito had me aay-yai-yai-ing like a joyful mariachi – the sound of which the drink’s name recalls. The first of several libations Mendoza devised in tribute to Pixar’s Day-of-the-Dead-themed Coco, its cool but fiery mix of smoky mezcal and sage, peppercorn syrup, agave and bitters was an otherworldly journey through smoke and citrus spice. Topped with a sprinkling of red peppercorn and cigarillos of dried sage, its pachanga-in-your-mouth mix of pepper and chamomile/citrus bitters was what made this spicy number shine.

The Nut House: Banana-nut bread in a glass.

6. NUT HOUSE (Josh Brawner, LARK on the Park, Downtown Dallas)

Flor de Cana 7-year rum, Don Ciccio & Figli nocino, Tempus Fugit Crème de Banane, walnut bitters, nutmeg

Hey LARK, it was real: Shannon Wynne’s airy, chalk-art-bathed restaurant shuttered before year’s end, but not before its bar program had returned to the glory of its opening days. Bar manager Josh Brawner’s Nut House was a standout, inspired by his love of banana nut bread. “I’m a foodie, so I always try to replicate things in my drinks,” says Brawner, now at Wynne’s Meddlesome Moth. Built on aged rum, the Nut House was a liquid treat, festive and nutty, awash in walnut and banana liqueurs with a dash of walnut bitters to boot; a shaving of nutmeg added flattering aromatics.

I could wax Brazilian all day about Pollard’s luscious Autumn in Brazil.

5. AUTUMN IN BRAZIL (Jason Pollard, The Usual, Fort Worth)

Avua Amburana, sherry, Cocchi di Torino, demerara syrup, saffron bitters

A couple of years have passed since cachaca, Brazil’s national spirit, enjoyed a brief moment in the DFW sun, but thankfully The Usual’s Jason Pollard hasn’t let the spirit’s grassy, banana-fruit magic slip into obscurity. His Autumn in Brazil takes Avua’s aged Amburana cachaca and balances its notes of caramel, vanilla and spiced bread with the rich nuttiness of sherry, rounding it out with sweet vermouth and caramel-esque demerara syrup. With hints of raisin, chocolate and cinnamon and the aroma of musky grapes, it’s a sensational seasonal sipper.

Powell’s Mango Lassie, a fabulous reinterpretation of India’s summer refresher.

4. MANGO LASSIE (Jesse Powell, Parliament, Uptown)

El Dorado 5, citrus, mango, yogurt, honey, tajin

On a trip to Chicago’s Pub Royale – an Anglo-Indian-style tavern – earlier this year, Powell discovered the wonder of the mango lassi, India’s traditional mango milkshake. Naturally, as he savored its mix of yogurt, mango, milk and sugar, he thought to himself: How can I make this into a cocktail? Luckily for Dallas, he came through like a champ, structuring its viscous, sour-sweet depths atop a foundation of rum and garnishing the Creamsicle-orange drink with cool mint and a clever rim of Mexican tajin, the chili powder often gracing that country’s mango street snacks. Poured over crushed ice, it was a tasty summer refresher that I still craved in the cold of winter.

The Mitchell’s Gillespie wasn’t monkeying around when he came up with this cocktail.

3. MONKEYING AROUND (Sam Gillespie, The Mitchell, Downtown Dallas)

Gin, Chareau, Genepy des Alpes, Dolin Blanc

Gillespie originally crafted this exquisite spring cocktail for a special event at the bar featuring Monkey 47, a berry-influenced gin made in Germany’s Black Forest. He accentuated its flavors and feel with rich aloe liqueur, herbal alpine liqueur and dry vermouth, but the gin’s high price-point made it impractical to put on The Mitchell’s standard menu. Instead, he substituted standout Botanist gin, serving the drink in a clear patterned glass that highlighted its see-through appearance. With herbs and white grape on the nose, it’s a gorgeously botanical Martini – all cucumber, spearmint and sweet spice and an herbal sweet-sour finish.

This gem from Kaiho and Kelly got me woke.

2. SLEEPY COYOTE (George Kaiho/Andrew Kelly, Jettison, West Dallas)

Coffee-infused Paranubes, cinnamon syrup, Ancho Reyes, horchata

Kaiho and Kelly, the personable one-two punch behind the bar at Jettison, wanted to create a cocktail using horchata, the Mexican cinnamon rice milk. Specifically, as a popular after-dinner destination, they wanted to craft a dessert drink, so as fans of The Big Lebowski they devised this buzzy riff on a White Russian, using a base of banana-funky Paranubes – a Oaxacan aguardiente – infused with coffee, cold-brew style. To that they added cinnamon syrup and a splash of spicy Ancho Reyes liqueur, then poured it over crushed ice for a rich cinnamon coffee with a kick.

Jenkins’ Alpine Blues: A heady expression of forest growth in a glass.
  1. ALPINE BLUES (Scott Jenkins, Hide, Deep Ellum)

Singani 63, Pasubio amaro, Cap Corse quinquina, Nux walnut liqueur, clarified lemon

Scott Jenkins, Hide’s resident mixmaster, killed it again this year: The Oaxacan Shaman, his mezcal-aguardiente mashup, was masterful, and Quest for the Sun, a sunflower-seed-infused vodka vehicle, was lusciously butternutty. But my favorite of all was his Alpine Blues: He missed the mountains, see; a whirlwind trip had filled him with memories of brisk, chilly air and damp ground covered in foliage. He let his longings inspire this wonderfully balanced reflection of nature’s growth. In his mind, walnut liqueur formed the base soil, deep and rich with decomposing nettles; blueberry-influenced alpine bitter liqueur was the surface – “earthy and fruity; there’s still some life in it;” a quinine aperitif and clarified lemon juice were the new growth, with the bitter citrus of biting into a young stem; Singani 63, a botanical Bolivian brandy, was the blossom. “There were specific slopes and colors in my mind,” he says. “It made me have the blues not to be there.”