Five years ago, Yangdup Lama and his business partner launched Sidecar in New Delhi; last year, the two-story neighborhood bar and speakeasy was named India’s best bar and came in at No. 67 in an annual ranking of the world’s best cocktail bars (and No. 18 in Asia) – the only establishment in India to make the global list . Meanwhile, Lama was named Travel + Leisure Asia’s 2022 Mixologist of the Year.
Not bad for an accidental bartender, as Lama likes to describe himself. Last week, the energetically elfin, 27-year industry vet purposely found himself in North Texas, where he’d been drafted to design the cocktail program at Sanjh, the posh, highly anticipated Indian restaurant recently opened in Irving.
At a pop-up event at Sanjh in Irving, Yangdup Lama of New Delhi’s Sidecar stirs up his namesake Old Fashioned.
For a long time, he says, bartenders in India looked to the West for inspiration as they crafted basic martinis and Manhattans in New Delhi’s fledgling cocktail scene. But with people around the globe increasingly warming to Indian flavors, Lama and others have proudly embraced the chance to showcase the country’s richness of flavors and culture in their own land and beyond.
In North Texas, such flavors have gone woefully underutilized in cocktails, which is why what Lama aims to do at Sanjh is so exciting.
From ‘accidental bartender’ to national industry icon
Lama, from the hill district of Darjeeling, joined Delhi’s Hyatt Regency in the 1990s with others who’d worked banquets and restaurants; having joined later than most of his colleagues, he said, he was assigned to the Hyatt’s chic Polo Lounge, where he had zero experience.
“I had no clue what I was doing,” he said. “But I started to enjoy the space. I realized you could be casual and build relationships with guests.”
He embraced the challenge. In short time, Lama was named India’s bartender of the year. Since then he’s won bartending competitions, worked as a brand ambassador, authored a cocktail book, started a bartending school and trained bartenders throughout India and beyond.
Lama’s Tea Tonic, built around a Darjeeling-tea-infused sweet vermouth, reflects his enthusiasm for featuring the flavors of his native India.
Pop-up showcases creations for Irving restaurant
Last week, Lama hosted a pop-up event in Sanjh’s second-floor lounge to showcase some of his creations for the restaurant, including a gimlet tinged with a Himalayan cherry tincture brought from India and a tea tonic boldly anchored by a Darjeeling-tea-infused sweet vermouth.
“Whenever I make a menu, there’s always one tea element,” he said.
His Jaam E Aam, featuring roasted cumin liqueur blended with gin, mango puree and chili tincture, is refreshingly lush while leaning on a rarely mined taste profile.
Then there’s the Chaat, named for the Indian street food typically laced with flavors spanning the spectrum of sweet, spicy, savory and salty with a bit of crunch. “It’s Hindi for ‘to lick,’” Lama said. “There’s something for everyone in a chaat.”
Yangdup Lama pours a pair of Jaam E Aams, featuring a roasted cumin liqueur with gin, mango puree and a chili tincture.
Lama built his eponymous cocktail on a base of tequila, lime and a syrup made from chaat masala, a spice mix whose range of variable ingredients can include amchoor, coriander, cumin, asefetida, ginger and chili powder. The silky, boldly flavorful drink was topped with a pepper-cilantro foam.
Lama said he hoped to not only tap the range of Indian food and culture but to inspire nostalgia as well, and he may have nailed it mostly with his Yang’s Old Fashioned. He mixed Buffalo Trace bourbon and Angostura bitters with a syrup made from betel nut.
“Every Indian at some point will have an experience with this,” he said, proffering a betel leaf, typically rolled with ground areca nut and slaked lime and chewed as a mouth freshener or snack. “For a lot of people it’s a habit. You can bite on it any time of day.”
Vijay Patel, at rear, a retired businessman attending the pop-up from Austin, waxed nostalgic over the betel nut flavor in Lama’s Yang’s Old Fashioned. “Dude,” he said. “That’s paan.”
Vijay Patel, a retired businessman visiting from Austin, was captivated from the first sip.
“Dude. This is paan,” Patel said, citing the name given the mixture throughout South Asia. “People snack on it in the afternoon. It’s like putting on a shirt, dude. It’s no big deal.”
Patel’s reaction infused the visiting bartender with no small amount of joy.
“The idea is to translate some of it, what people have done at home,” Lama smiled.
One of Lama’s spur-of-the-moment creations.
Sanjh, 5250 N. O’Connor Blvd., Ste. 146, Irving. Cocktails are priced at $16.
Four years ago, the guys behind a pioneering pair of Dallas cocktail bars were a year into their follow-up venture producing a line of bottled cocktails they hoped could quench consumers’ appetite for drinks without sacrificing quality – and that might eventually prove profitable.
“It’s just crack and pour,” Rocco Milano said then. “That’s the beauty of OTR, brother.”
OTR stands for On The Rocks, and the operation is anything but after being acquired this week by Beam Suntory Inc., the Chicago-based, global liquor giant that wields Jim Beam, Maker’s Mark, Knob Creek, Laphroaig, Yamazaki and Hibiki among its portfolio – and those are just the whisk(e)ys. Terms of the deal were not disclosed.
“It has been a hell of a ride and I am so excited for all that the future holds!” Milano wrote in a Facebook post announcing the news. “So happy to be part of the BSI family!”
Among OTR’s collection in its early pre-partnership days: The Aviation, Cosmopolitan and Mango Daiquiri
The jovial one-time theology major from Santa Cruz, Calif., was among the Dallas craft-cocktail scene’s early luminaries as it blossomed in the early 2010s, emerging from The Mansion at Turtle Creek to preside over the two well-regarded Uptown restaurant bar programs.
After both sites ran their course, Milano joined Barter owner Patrick Halbert and Andrew Gill, Halbert’s cousin, in an effort to design a line of ready-to-drink cocktails. Pre-mixed drinks were a fast-growing playing field at the time, and On The Rocks would soar, winning acclaim in the process.
Their venture wasn’t by design. The three initially planned to open a distillery as Barter plowed through its final days, but when some Virgin Airlines bigwigs came by the place to celebrate the airline’s Love Field debut in late 2014, an offhand remark by one of them – something to the effect of, “These drinks are so good, I wish we could have them on planes” – set their wheels spinning.
That led to more serious talks, then intros to other airlines, a crash course in bottled-cocktail science and plenty of their own capital. They started out in a bare-bones warehouse near Love Field that resembled like a chemistry grad students’ enclave, with bottles, beakers, cylinders and pipettes.
As the group gained notice and eventually a minority interest from Beam Suntory, their bottled cocktails – some of them classics, others Milano’s own creations – began to bear familiar Beam Suntory names, like a Mai Tai featuring Cruzan rum, a Hornitos tequila Margarita or a Knob Creek whiskey Old Fashioned.
The OTR team: Milano, Halbert and Gill in a photo taken in 2016. (photo courtesy of On The Rocks)
“On the Rocks is the pioneer in the premium pre-mixed cocktails category, and joining forces couldn’t come at a better time,” Albert Baladi, president & CEO of Beam Suntory, said in a press release announcing the acquisition. “On The Rocks is perfectly positioned to address evolving consumer preferences, including convenience, quality, the emerging home-premise, and cocktails-to-go.”
According to the release, Halbert and Milano will continue to play roles with the brand.
“On The Rocks is extremely proud of what we’ve accomplished and the leadership position we’ve built in this rapidly growing sector over the last five years,” Halbert said. “We are thrilled to join the Beam Suntory family…. We’re confident that this is just the beginning.”
J.P. Hunter and Chris Powell, two of the four kahunas, confer at the bar with bar manager Brad Bowden at newly opened 4 Kahunas, a tiki bar in Arlington.
Step past the industrial park-like façade of 4 Kahunas in Arlington and you’ll find yourself in the likes of something the Dallas-Fort Worth area hasn’t had in some time: A real live tiki joint, one that even the most ardent tikiphile can enjoy.
“I never thought I’d work in a place where patrons were battling with little pirate ships and shark mouths,” said bar manager Brad Bowden of one evening’s crowd. “They were like little kids.“
With a four-page tiki drink menu backed by a thatched-roof bar, island-inspired wall art and a soundtrack infused with surf and exotica, 4 Kahunas embraces the tiki aesthetic with a fervor not seen in DFW since the days of Trader Vic’s.
Tiki-philes know that its culture extends far beyond cocktails, but ever since Vic’s sailed off into the horizon, those who’ve carry a torch for tiki have only marginally seen their daiquiri dreams fulfilled, from Proper’s ongoing three-month “tiki pop-up” in Fort Worth to, in Dallas, a short-lived tiki reboot of Sunset Lounge in 2013 and the confused clubbiness of Pilikia.
Otherwise, tiki has been relegated to a random once-a-week or off-menu exercise, with its fruity coconut libations periodically surfacing at places like Lower Greenville’s Rapscallion, East Dallas’ Lounge Here and The People’s Last Stand in Mockingbird Station.
Bowden is a long-time practitioner of the tiki craft, including drinks like Don the Beachcomber’s classic 1930s cocktail, the Missionary’s Downfall.
Now, in a budding commercial complex behind a stretch of Division Street car dealerships in Arlington, 4 Kahunas – which marked its grand opening on Sunday – has planted its tiki flag, with a modest but lovingly appointed space with a half-dozen or so stools at the bar, a couple of high-tops and several large booths.
“I’ve had more people ask for Singapore Slings here in Arlington than I ever did in Dallas,” Bowden says – and the tiki classic isn’t even on the menu. “I had no idea there was so much interest in the Mid Cities.”
Among the drink’s fans is Marc Davis, a Hawaiian-born Filipino/Pacific-Islander who runs a local food truck called Smoke and Pickle. Having stumbled onto 4 Kahunas while seeking a parking spot at Arlington’s 4thof July celebration, he was suddenly gripped by memories of his island upbringing and his dad’s love for Singapore Slings and Marlboros. “I like the low-key vibe,” he says.
Tiki’s laid-back Polynesian flavor flourished in the 1930s and 1940s, with Trader Vic’s and its Zombies and Mai Tais leading the way. Though the trend would fizzle within a few decades, the ongoing re-emergence of craft cocktails revived interest in its tropical tipples, with places like Smuggler’s Cove in San Francisco and PKNY in New York among the first to resuscitate its rummy riches.
Several years ago, on a visit to Vegas,4 Kahunas co-owners J.P. Hunter and Chris Powell visited the venerable Frankie’s Tiki Room, and it was enough to revive Hunter’s California childhood memories – the L.A. beaches, the plastic monkey cocktail garnishes his mom would give him off her drinks.
Hunter, a University of Texas-Arlington grad nearing retirement in the construction business in Houston, was already eyeing a third act. Why not do something he really enjoyed? He and Powell recruited two other college friends as investors, their four caricatured faces now represented by large carved wooden tiki heads behind the bar.
“Our only missing link was a bar manager,” Hunter says. “And lo and behold, there’s Brad.”
The bar teems with tiki touches like island art pieces and mermaid bag hooks, fully embracing the culture’s Polynesian vibe.
Bowden, already spinning tiki classics and variations at Lounge Here in East Dallas, was more than ready to crank out Painkillers and Headhunters (as well as my personal tiki favorite, the flaming-lime-boat-topped Jet Pilot). With Bowden on board, 4 Kahunas quietly opened on June 9, but it wasn’t long before word spread among fanatical tikiphiles, never mind the out-of-the-way location.
“We’ve already had people coming in from Chicago, Atlanta, Florida,” Hunter says.
It’s a decidedly unchain-y place in a bar-and-grill-leaning city that Hunter says finally has greater ambitions – and affordable Arlington represented a chance to be part of a scene that’s just starting to grow. Says Hunter: “The train is just leaving the station.”
Japan’s sake-influenced Sakura Martini is among the dozens of global cocktails that will roll out over the next few months at Trick Pony. (Photo by Austin Marc Graf)
If there’s one thing that unites the majority of the globe, it’s the sweet relief and refreshment that many of us find at day’s end in a cocktail glass. Now, all-world barman Alex Fletcher is summoning the spirits of the earth to Deep Ellum’s Trick Pony, where starting Tuesday (today) and for the next few months, you can sample international sips one drink at a time.
The drinks of “Around the World in 80 Cocktails” — a nod to the Jules Verne novel, made into its best-known movie version in 1956 — will be rolled out weekly in groups of six. One of them will get a social-media push daily, but all six will be available during the week. “It’s a trip all over the world,” says Fletcher, who handles operations for the group that owns Harlowe MXM, Breadwinners and Henry’s Majestic.
Some familiar names dot the overall list, standards like Peru’s Pisco Sour, France’s French 75, Tahiti’s Mai Tai and Brazil’s Caipirinha. But there’s also a sake martini from Japan, a rum-based drink called a “Hot Dog” from Martinique and the Suffering Bastard, a gin-and-brandy concoction from Egypt.
The lineup represents nations from Iceland and Indonesia to Uruguay and the Netherlands. The Kenya-based Dawa is a Caipirinha-like cocktail that involves muddling lemons with cream honey. Vietnam’s Fishy Surprise supplements whiskey and Drambuie with a bit of fish sauce.
The Rhubarb Fizz, by way of Australia. (Photo by Austin Marc Graf)
“There’s some cool stuff from Thailand that I found,” Fletcher says, such as the Siam Sunrays, which flavors up vodka with ginger, lemongrass and Thai chili. “I tried to find places where people didn’t know cocktails existed.”
In addition to the sake martini and Caipirinha, this week will kick off with Spain’s cava-infused Agua de Valencia, Hollywood’s bourbon-based Brown Derby, a rhubarb fizz from Australia and the Jamaican Planter’s Punch.
Coming off Trick Pony’s last special program – a lineup of cheesy 1980s drinks – Fletcher’s bar team was jazzed but wanted something more challenging. The fact that Fletcher threw 80 cocktails at them may have made them think twice.
He says he first got the idea while perusing the web site of Hendricks Gin, a brand given to fanciful, old-timey imagery. The hot-air balloons reminded him of the 1956 movie and then, a book called “Around the World in 80 Cocktails” was published last fall.
Bourbon, grapefruit and honey syrup make Week 1’s Brown Derby, created in Hollywood, California. (Photo by Austin Marc Graf)
He’s even had a 5-foot-by-10-foot world map produced for the occasion, which ultimately will be smattered with travelogue-style Polaroids of each drink.
All are established cocktails. “Why reinvent the wheel?” he says. “Why not showcase what’s going on around the world?”
He did have to ignore some of his discoveries because the ingredients weren’t available locally, while other specifics, like measurements, were inexact or described in old terms such as “a hogshead of lime juice.”
“I thought, ‘How am I going to make this into something my bartenders will understand?’” he says. “What does that mean in ounces?”
In a few months, this map will be covered with Polaroids of cocktails from around the world. Think globally, drink locally,
The drinks aren’t necessarily arranged by region; Fletcher says he tried not to bunch similar flavor profiles together to avoid “a palate blowout.”
One drink he found from Hong Kong is traditionally served punch-style in, literally, half a globe – which makes sense because it involves a dozen ingredients.
“I saw that, and I’m, like, ‘I’m in,’” Fletcher says. And he may or may not have ordered some globes for the event, which means you might not only be able to drink in the world, but drink from the world too.
Some of the year’s best, clockwise from upper left: Kyle Hilla’s Undercut; Chad Solomon’s Screwpine Fix; Hugo Osorio’s Big Stick Mojito; Brittany Day’s Prolific Poet; Austin Gurley’s Smokey Bandit; Gabe Sanchez’s Calvados Sidecar.
As 2017 got underway, it wasn’t insane to wonder if the local craft-cocktail scene had lost its mojo despite its expanding influence around the region. Sure, Hide had just opened in Deep Ellum, with its fancypants behind-the-scenes gadgetry elevating its ambitious alchemy, and well-etched torchbearers like The Standard Pour, Atwater Alley, Bolsa, Jettison, Black Swan, Bowen House, Thompson’s Bookstore and Industry Alley (to name a few) powered on, doing what they do.
But even as cocktail lists sprouted like bluebonnets throughout North Texas – in Frisco, in Lewisville, in Trophy Club, for god’s sakes – too many of the area’s proliferating iterations emerged uninspired or even unhinged, seemingly designed more to ride the trend than to propel it forward. Overall, creativity seemed stifled by malaise. Had things finally peaked?
Then July brought Shoals, the soulful, back-to-basics cocktail lounge in Deep Ellum, and Fair Park’s Las Almas Rotas, whose heartfelt ambience admirably sated Dallas’ growing thirst for mezcal. And as the year pulled to a close, Bourbon & Banter appeared down the rabbit hole of downtown Dallas’ Statler Hotel, sprinkling its craft savvy with photogenic dashes of Wonderland whimsy.
Hide, Deep Ellum’s science-y cocktail lab, gave life to some of 2017’s best cocktails.
DFW did get its groove back, and then decided to make a night of it. In 2017, a wave of low-proof cocktails met the need for an evening’s worth of social nectars without the boozy kick that might send one home early. Low-alcohol cocktails dotted menus at Hide, Uptown’s Standard Pour and sherry-focused Jettison in Oak Cliff; Yayoi, in Plano, made its Wasabi Bloody Mary with Japanese shochu, while Bourbon & Banter’s excellent Undercut put Cynar, an Italian bitter liqueur, in the spotlight.
Hide also blazed tasty trails with savory cocktails, employing mushrooms in its magnificent Champion, bananas in its Tally Man and chicken stock in – well, more on that later. At Bourbon & Banter, Kyle Hilla topped two of his stellar cocktails with small spoonfuls of savory goodness. Meanwhile, green chilies surfaced as a popular flavor as bartenders toyed with a pair of newly arrived ingredients, poblano-driven Ancho Reyes Verde and St. George’s multi-peppered green chile vodka; elsewhere, Hatch green chile syrup ignited Skyler Chastain’s Santa Fe Smash at The People’s Last Stand at Mockingbird Station.
Sprezza’s Julieta. Get to it, Romeo.
Ever-flourishing agave-based spirits drove some of the year’s best drinks. Smoky mezcal danced with Ancho Reyes Verde and lemon liqueur in Brittany Day’s Prolific Poet at Thompson’s Bookstore in Fort Worth; at High and Tight in Deep Ellum, it partnered with cinnamon-infused whiskey to amp up the smoke in Austin Gurley’s solid Smokey Bandit. And at East Dallas’ Lounge Here, Brad Bowden flexed aged tequila’s guns in Dirty D’s Thang, his tribute to an aging dive-bar ladies man in long-ago New Orleans.
Gin sparkled in Sprezza’s Julieta in Oak Lawn, in George Kaiho’s Sylvan at Oak Cliff’s Jettison and in Chad Solomon’s remarkable Screwpine Fix at downtown’s Midnight Rambler, where it was infused with lemongrass and paired with Bolivian pisco. And Robbie Call used Gracias A Dios’ agave-based gin and his own vanilla-spiced tonic for a smoky Spanish Gin Tonic, a short-lived gem at since-shuttered Filament in Deep Ellum.
Finally, the force was strong in 2017’s classic covers, with solid spins on drinks like the Old Fashioned, Sazerac, Bijou, Last Word and Pina Colada. At Black Swan, Gabe Sanchez’s Calvados-anchored Sidecar was a thing of beauty; Scandinavian aquavit fancied up The Keeper’s gimlet in Plano; and at the Theodore in NorthPark Center, Hugo Osorio’s falernum-spiked Bee’s Knees and Big Stick Mojito, juiced up with raspberry coulis, were as pretty as they were delicious.
My tastes are my own, of course. I love the botanicals of gin and the smoke of mezcal, the warm comfort of whiskey and the bittersweet beauty of European amari; I’m drawn to flavor combinations that lure me to unfamiliar territory and drinks that go down like great train rides, where every ingredient is visible along the way.
Here were my 15 favorite cocktails of 2017.
Long’s lush La Joya showed you can still count on Abacus.
LA JOYA (Jason Long, Abacus)
Tequila reposado, Green Chartreuse, sweet vermouth, Port, orange bitters
At this cozy upscale lounge welcoming patrons of the celebrated Knox-Henderson restaurant, Long’s agave-driven play on a classic Bijou (French for “jewel”) was a bouquet of caramel, grape-y sweetness. Eager to make a drink honoring a tequila-loving colleague, Long tinkered with the floral Bijou, subbing smooth, aged tequila for gin plus a touch of Port. The name is the classic’s Spanish translation and an equally perfect gift for somebody special.
When you needed to cool off in Uptown, it was time to go Due South. (Photo by SungJoon Bruce Koo)
DUE SOUTH (Jeremy Koeninger, Parliament)
Rum, coconut, pineapple, orange, jalapeno, nutmeg
At Parliament, Koeninger put a Texas spin on the tropical Painkiller, itself a spin on the Pina Colada. “I wanted something a little less tiki,” he says. “And being from Texas, I like the combination of spicy and sweet.” So he added jalapeno and called it the Due South for the happy coincidence that any south-of-the-border spirit works as well as rum – except for, apparently, cachaca. (What up, Brazil?) Pisco in particular is fantastic. As you might expect, it’s a great warm-weather refresher, with its creamy pineapple, cool citrus and nutty spice, with some lingering heat on the tongue to boot.
MAMBO MORADO (Jonathan Garcia, Jose)
Blueberry/lavender-infused sotol, sunflower seed orgeat, lime, Campari, Crème de Violette
The drinks at this Highland Park gem naturally lean agave, and Garcia drew upon a pisco-based concoction he’d made for a local competition and funked it up by subbing little-known sotol, distilled in Chihuahua from desert Spoon, an agave cousin. Hacienda de Chihuahua’s delicately smoky sotol gets the tiki snow cone treatment here, draped it in floral, fruity and slightly nutty tones with a splash of bitter Campari to rein in the sweetness.
At members-only Network Bar, James Slater’s Malta was berry berry good.
A few years ago when Slater was helming the bar at Spoon (now closed), he wowed with an off-the-cuff, darkly bittersweet creation he ultimately named Blue Moon, and he’s been riffing on it ever since. Though he’s since left his brief post as bar director for the members-only club at Trinity Groves, his latest spin on the drink was a winner: Still mining the bitter mint depths of Fernet, it subbed blackberries for blue and a ginger-forward bitter liqueur for less aggressive Averna, taming Fernet’s harshness while retaining its flavor; gorgeous Amer Gingembre does the same with ginger. Think of the Malta as a boozy berry detox juice with a dollop of licorice-like sweetness.
New Orleans meets Oaxaca in Osorio’s classic spin, and now I can’t wait to have a chicken mole po’boy.
It was actually Sam Gillespie of The Mitchell, in downtown Dallas, who recently introduced me to the notion of a Sazerac built on smoky mezcal rather than the classic rye or cognac. His simple switch of spirit was solid and satisfying – but then, the very next day, I happened to drop by the Theodore, the NorthPark Center lair where barman Hugo Osorio has been unspooling impressive off-menu creations in his spare time. When I asked for something new, he said: “How about a mezcal Sazerac?” Osorio made the drink his own by adding the wintry cinnamon spice of tiki bitters and replacing sugar with a bit of sweet tawny port, serving up a spectacular sipper for the season.
At Parliament, Jesse Powell’s Osage County is built on childhood memories.
God bless Jesse Powell’s grandparents in small-town Osage County, Oklahoma, for supplying him with all the sarsaparilla sweets a little boy could eat, because otherwise we might never have had this bodacious burst of root beer candy in a glass. When Powell visited them again not so long ago, “they had the same exact candy, and I was like, I want to come back and make a cocktail like that.” The infused rum pairs with earthy fernet and cola to echo herbal vanilla root beer with a hint of licorice and a drink that makes you feel like a kid in a candy store.
At Hide, Jenkins’ Winner Winner was chicken soup for the cocktail soul.
WINNER WINNER (Scott Jenkins, Hide)
Ford’s gin, chicken broth, clarified lemon, thyme
Why did the imbiber cross the road? To get to this drink at Hide. Though the bar’s beverage director, Scott Jenkins, is a fan of savory cocktails, he knows consumers don’t always warm to the idea. But once the menu’s magnificent mushroom-driven Champion earned a following, he knew he had license to do more. One day, as he was looking for something to complement gin and thyme, a thought occurred: What about chicken stock? “I gave it a try,” he said, “and I was, like, yeah. It’s got that saltiness.” Before you pooh-pooh the idea, know that Brits drink something called a Bullshot, a Bloody Mary alter-ego mix of vodka and beef consommé. (Midnight Rambler’s Pho King Champ shot is not far off, either, with a little oloroso sherry thrown in.) In Jenkins’ yummy Winner Winner, the broth grows more robust as you drink – offering a much-needed remedy for flu season.
Its namesake might not have the fastest run in the west, but Brick and Bones’ Slowpoke Rodriguez is a rush of sweet and heat.
All the drinks at Brick and Bones are named for occasionally obscure cartoon characters, and this one pays homage to Speedy Gonzales’ acceleration-challenged cousin. While its namesake might be slow, this drink is a carefree rush of floral sweet with a dash of heat, with exuberant hibiscus the life of the party. With citrus-y blood orange liqueur and sweet amaretto, “it’s like a Margarita without the acid,” Cantu says.
Sturdivant draws on Angus Winchester’s No. 4 and takes it up a notch.
At The Cedars Social, the pioneering craft-cocktail joint just south of downtown, bar manager Sturdivant is always up for a challenge. For a good while, the bar menu featured a terrific drink called the No. 4, a creation of former Tanqueray Gin rep Angus Winchester. “People would order it all the time,” Sturdivant says. Then, this year, “I was trying to impress a girl at the bar who ordered one, and I told her I could do one better.” His botanical re-do, poured over flamed floral Chartreuse, is somewhere between the original and the classic Bee’s Knees (gin, lemon and honey): On the palate, it’s candied lemon tailgated by a mambo of lush botanicals, aromatic sweet celery and a pleasant, lingering burn.
At Standard Pour, Millspaugh’s Fleur de Feu is like an after-dinner treat around the campfire.
FLEUR DE FEU (Austin Millspaugh, The Standard Pour)
St. Germain elderflower liqueur, Ancho Reyes Verde, Angostura bitters, cream
Austin Millspaugh, you so cray. This creamy off-menu knockout at Uptown’s Standard Pour, with a name that means “flower of fire,” is a low-proof treat, a deceptively sweet drink that actually turns out to be more savory. After the first three ingredients are mixed and poured into a nifty Nick and Nora glass, Millspaugh tops it all with a thin layer of cream, then torches it for a burnt marshmallow effect and a stunning contrast between the foamy top and wine-clear body below. “You think it’s going to be sweet,” he says. “But your notions are debunked the second you sip it.” The creamy fats add texture and depth to a beautiful mix of floral and spicy flavors with smoky overtones.
Hilla merged two of his favorite ingredients — Suze and turmeric — in Bourbon & Banter’s savory Rat Tail.
A fan of the bitter spice turmeric, Hilla wanted to feature it in a cocktail at the speakeasy-style bar where each of his house cocktails features a little razzle-dazzle. He muddled actual turmeric root rather than using the familiar powder, but its tannic earthiness was too overwhelming for tequila, and smoky mezcal was too strong, so he went half and half and added bitter Suze for some botanicals. As with all the bar’s hairstyle-themed drinks, Hilla put some thought into the Rat Tail’s picture-perfect presentation, serving it in a capita and capping it with a spoonful of avocado, cilantro and Basque Espelette pepper, whose mix of flavors both complement and counter. Marked by turmeric’s orange-yellow hue, it drinks like an earthy, slightly bitter Margarita.
It’s high time we had more low-proof cocktails like Hide’s No Scurvy Here.
Texas this year saw the coming of Italicus, a lovely bergamot-forward liqueur from Italy, and in this low-proof libation it pairs with Suze, an equally lovely French gentian liqueur. Ruiz initially set out to produce a Suze “sour” – a category of cocktail built on spirit, citrus and sweetener –and when bar manager Scott Jenkins brought Italicus to the shelf, Ruiz had his tools in place. With a few tweaks brainstormed with his colleagues, Ruiz’s result is soft bitter orange: Bittersweet bergamot and sweet maple balance Suze’s earthy bitterness with the abundant citrus – hence the name – playing off the drink’s orange notes.
If your mouth likes pina coladas and getting caught in a rain of fizzy tang, Yarbrough’s Colada No. 2 is your escape.
COLADA NO. 2 (Chad Yarbrough, Armoury)
Cachaca, lime, orgeat, soda, coconut balsamic
This tangy tiki tipple, an obvious nod to its classic predecessor, was conceived as Yarbrough was browsing 1890 Marketplace, the most excellent olive oil and vinegar shop that at the time had just opened a few blocks away on Main in Deep Ellum. Having discovered the shop’s coconut balsamic vinegar, “I tried it and I was, like, we have to do something with this,” he said. Thus was born the Colada No. 2, a sweet and nutty mouthparty tempered by a tantalizing tang. Tangs a lot, Mr. Yarbrough. Tangs a lot.
This ain’t rocket science: Hide’s Delight is perfect for your afternoon.
Nothing at Hide is simple. They just make it look that way. Mostly when you’re not looking, spirits are “milk washed” and relieved of their harshness, citrus juices are clarified for a pure veneer and soda and tonic water are eschewed in favor of a lighter-handed carbonating device. The radiant Delight – Jenkins’ low-proof, bittersweet ballet of Italian aperitifs tamed with soft grapefruit and elderflower – is perfectly crisp and flavorful, whirled in a Perlini device for a delicate fizz that curls up on the roof of your mouth like a cat settling onto a sunny windowsill.
For a time, LARK drifted into a bit of a tailspin, but with Trevino at the helm, the drinks, at least, have regained their footing. This was the finest of his new additions to the menu, a play on the Last Word – a classic which, full disclosure, I adore – that drinks like candied apricot in a glass. Trevino says when he first tasted the fruity, spicy notes in this American-oak-aged whiskey, part of Johnnie Walker’s Blenders’ Batch series, “I immediately thought of apricot,” he said. “We didn’t have anything on the menu that was like a Last Word, so I built it that way.” With whiskey standing in for gin, lemon for lime, Yellow Chartreuse for Green and apricot liqueur for maraschino, it’s a handsome, honey-gold humdinger with bold autumn flair.
The coming week is a celebration of Fort Worth’s booming craft-cocktail scene — and an homage to the kinship between craft bartenders and chefs.
Thompson’s Bookstore. Proper. The Usual. Basement Lounge.
You may have noticed that Fort Worth has a cocktail scene. And while it’s not nearly on the scale of Dallas’ ever-expanding arena, DFW’s western half does have one thing the Big D does not: A cocktail week.
The second annual Fort Worth Cocktail Week kicks off Saturday, even bigger and tastier than its predecessor. Each of six nights’ worth of events will be complemented by chef-designed dishes, with a portion of each night’s proceeds going to charity.
Second time around: This time featuring six signature events, plus chef-driven food.
While billed as “a celebration of our city’s booming craft-cocktail scene,” the week – which runs through next Friday, Oct. 20 – is also a tribute to the kinship between chefs and craft bartenders, both of whom prize fresh and local ingredients and attention to detail and history.
The week will feature a repeat of last year’s five signature ticketed events in addition to one newcomer: Saturday’s “Sips” event, which will highlight before- and after-dinner drinks and cocktails. That event will join a lineup that already spotlights tiki drinks, bourbon, gin, vodka, agave spirits and Texas-based spirits.
Organizers are partnering with local arts and nonprofit organizations like Fort Worth Opera, The Cliburn and Amphibian Stage Productions, each of which will receive part of the ticket proceeds from one of the week’s events. Tickets are available here.
Here’s a list of the week’s events:
Saturday, Oct. 14: “Sips,” 5-8 p.m. at Proper, 409 W. Magnolia. Tickets: $20
The evening will highlight aperitifs and digestifs, from cognacs to Italian bitter liqueurs, “in an indulgent celebration of exquisite before- and after-dinner libations.” Drinks will be complemented by dishes from Fixture owner and chef Ben Merritt, two-time winner of Fort Worth magazine’s Top Chef competition.
Monday, Oct. 16: Texas Spirits Tasting Party, 6-9 p.m. at Mopac Event Center, 1615 Rogers Road. Tickets: $15-20
This showcase of Lone Star State spirits will feature bites from chef Nico Sanchez (Meso Maya, Taqueria La Ventana), whose latest concept, TorTaco, recently opened in Fort Worth.
Tuesday, Oct. 17: Bourbon Bash, 6-9 p.m. at Thompson’s Bookstore, 900 Houston St. Tickets: $15-20
Bourbons will be the star of this Old World-themed evening at Thompson’s downtown, whether alone or in cocktails. Samples of harder-to-find whiskeys will also be available for an extra charge. The evening’s food will come from chef David Hollister (Yucatan Taco Stand, Gas Monkey Bar and Grill).
Wednesday, Oct. 18: Tiki Drink Rum Party, 6-9 p.m. at The Usual, 1408 W. Magnolia. Tickets: $15-20
A night focusing on the resurgent tropical cocktail trend will be paired with dishes from chef Juan Rodriguez of Magdalena’s Supper Club.
Thursday, Oct. 19: Bartenders Without Borders, 6-9 p.m. at Salsa Limon Distrito, 5012 White Settlement Road. Tickets: $15-20
Agave-based spirits like mezcal and tequila will anchor the evening, including small-batch selections. Chef Keith Grober, former head chef at Rodeo Goat, will provide Mexican street-style food.
Friday, Oct. 20: Gin vs. Vodka Party, 6-9 p.m. at The Foundry District, 2624 Weisenberger St. Tickets: $15-20
Advertised as “a bare-knuckle brawl for the soul of the martini,” this evening will showcase the history, flavors and versatility of the classic clear spirits. Chef Stefan Rishel, head chef at Texas Bleu in Keller, will provide the munchies.
Among those representing Dallas at Tales were Justin Kallhoff of DEC on Dragon; Eddie Eakin and Matt Orth of wine and spirits distributor Southern Glazer’s; and barman Mate Hartai of Black Swan Saloon.
Could Dale DeGroff have imagined that, some 25 years after he began squeezing fresh citrus and making simple syrups in the service of better cocktails, he’d be among the elder statesmen of a 20,000-strong spirits festival? Yet there he was – King Cocktail! – with his signature wry smile, at New Orleans’ Hotel Monteleone, flaming orange peels and cranking out drinks like a champ at Tales of the Cocktail, the spirits festival that last weekend concluded its 15th run.
The annual cocktail festival, based in the French Quarter, draws about 20,000 people.
A bartenders’ walking tour: That’s how all this started. Back then a lot of people still thought of bartending as a temporary gig you did on the way to something else – but the spirits industry is now a $25 billion-dollar beast, and Tales is likewise a juggernaut, with people traveling to New Orleans from 40 countries for five days of booze-related workshops, career advice, happy hours, tastings, competitions, parties, bonding and networking. What was once a manageable, almost intimate gathering of industry professionals riding a wave of love for the craft and quality ingredients has, in some eyes, become too big for its own good, an overcrowded, over-the-top party of sold-out seminars, ever-accumulating wristbands and fewer one-on-one opportunities.
At the festival’s pisco tasting room, cocktail luminaries Tony Abou-Ganim and Dale DeGroff hammed it up for the camera.
“Tales has become, to me, more about learning one-on-on through networking than in seminars,” said Brittany Koole, a bar manager and consultant in Houston.
It didn’t help that the stretch of Bourbon Street normally frequented by Tales-goers was a war zone of giant potholes, wire fencing and bulldozers. “I didn’t feel the same connection with the area,” said Justin Kallhoff of Dallas event space DEC on Dragon, who spent more time off the strip and less time dealing with the big parties.
Just the same, Tales carried on, the thus-far clear leader in the spirit-festival world. As usual, attendees this year included a good number of Texans – bartenders, bartenders-turned-spirits-reps, bar owners, bar suppliers, bar goers and those who chronicle it all.
At SoBou, Laura Bellucci’s dessert-like House of the Rind – featuring honeysuckle vodka, lemon curd and chamomile-citrus bitters — was among the festival’s cocktail highlights.
So there were Brian McCullough and Mandy Meggs of The Standard Pour in Uptown, who staffed a table at Saturday’s mezcal tasting room at the Monteleone. And Campari America rep Chase Streitz and Megan McClinton of Thompson’s, in Fort Worth, were among those who joined Jimmy Russell, the legendary master distiller for Wild Turkey, for dinner and whiskey at Cochon. “I was lucky enough to get to pour Jimmy a glass, and it was a once-in-a-lifetime experience,” said Streitz, formerly of Bulldog Gin, The Standard Pour and Sissy’s Southern Kitchen.
Cazadores Tequila partnered with the Bartender Boxing Organization to sponsor a battle between Houston and Los Angeles bartenders that culminated at Tales. And in a bowling event pitting bartenders from 14 cities against each other in the lanes, Team Texas took second only to Miami.
Brian McCullough and Mandy Meggs of The Standard Pour in Dallas poured drinks at Tales’ mezcal tasting room.
Major spirits companies, small-batch distillers and beverage-related producers also come to Tales to build or bolster brand recognition. But possibly the fastest growing group of attendees might be people who just like consuming and learning about spirits and the various things made with them – people like Jean Verhaar of Houston. “We are what you call cocktail enthusiasts,” she said, at the festival with pal Pam Stevens of New Orleans.
The festival draws more “cocktail enthusiasts” every year. At top, pals Verhaar and Stevens; below, the Davises and Lawyers of Mobile.
On Thursday, Steve and Beverly Davis of Mobile, Alabama, roamed a tasting room dedicated to pisco, the clear brandy native to Peru and Chile. “A little waitress at Galatoire’s told us about (Tales) some years ago,” Beverly said. The two have been coming ever since with friends John and Sue Lawyer.
“It’s just fun,” Sue Lawyer said. “There’s no purpose to it but to learn and have a good time.” She ducked over to one drink station where DeGroff, now widely considered the godfather of the modern cocktail renaissance, was busy making Algeria cocktails for the masses.
At Tales, numerous tasting rooms offered attendees the chance to sample spirits or liqueurs — straight, or in cocktails — like this set-up from Sonoma, Calif.-based Uncle Val’s Gin.
It was at New York’s Rainbow Room that DeGroff built a following by reviving classic, pre-Prohibition cocktails in the 1980s, a gig he landed a few years after being hired by restaurateur Joe Baum, the man behind the Four Seasons and other fine dining establishments; the Alegria – pisco, Cointreau and apricot brandy – was among the cocktails featured at Baum’s La Fonda del Sol in the 1960s, at a time when anything not a Manhattan or Martini was rare. Now DeGroff had revived it as the Algeria, with his own twist, for the pisco event. “Because (Baum) was my mentor,” he said.
Snoop Dogg at Friday’s Dogg House Party, sponsored by liquor giant Diageo, New Orleans’ Contemporary Arts Center.
Brands found clever ways to promote themselves, crafting whimsical and interactive tasting rooms, throwing happy hours, offering special product unveilings or cocktail-paired dinners – or, in the case of Amaro Montenegro, the excellent Italian bitter liqueur, having its master botanist demonstrate its 132-year-old production process using herbs and spices, an alembic, a boiler and a macerating device.
Jagermeister, the ubiquitous digestif now angling for a piece of the craft-cocktail craze, recruited Gaz Regan, author of The Joy of Mixology, for a happy hour at Fritzel’s, the Bourbon Street jazz pub where LSU students made Jager popular in the late 1980s. And then threw a huge party afterward. And there was Diageo, the giant spirits company behind brands like Tanqueray and Don Julio, scoring Snoop Dogg for its own beats-heavy Friday night bash.
Master botanist Matteo Bonoli prepares to illustrate Amaro Montenegro’s production process using an alembic, boiler and macerating device.
Workshops this year included explorations of ingredients like grains and bitter gentian in spirits and liqueurs; the use of technology such as centrifuges behind the bar; and the rising popularity of umami flavor and low-proof drinks.
Cocktails were plentiful, served mostly in small plastic Tales cups, and it was wise to heed the oft-quoted Tales adage “you don’t have to finish that” while collecting grab-and-go bottled water along the way. That said, I did find the bottom of a few superior creations –my favorites being Laura Bellucci’s House of the Rind, a dessert-like mix of Earl-Grey-infused honeysuckle vodka, lemon curd and citrus-chamomile bitters served at Sunday’s “Legs and Eggs” burlesque brunch at SoBou; and from Aaron Polsky of Los Angeles’ Harvard and Stone, the Precious Punch served at Thursday’s pisco tasting room, featuring pisco acholado, apricot liqueur and amaro.
Drawn by rumors of its Valium-like effects, LSU students in the late 80s came to Fritzel’s to drink Jaegermeister, making this Bourbon Street jazz joint the launchpad for its eventual widespread popularity.
Camaraderie is what keeps people coming back to Tales, and festival vets saw old friends while newbies made new ones. Second-timer Ashley Williams, a Bols Genever ambassador who tends bar at Filament in Dallas, was looking forward to being in New Orleans and meeting fellow ambassadors. What had she learned from her first go-round?
“Pace yourself,” she said. “You don’t have to do everything. There’s so much going on. Take some time to just go sit in a park.”
Black Swan’s Hartai brandishes the Texas flag at the U.S. Bartenders’ Guild’s annual midnight toast.
Being in the French Quarter, amid the stilt-walkers and human statues and little kids drumming on plastic buckets, it was also worth revisiting gems like the rotating Carousel Bar, grabbing a frozen Irish Coffee at classic haunt Erin Rose or nestling in at the French 75 Bar at historic restaurant Arnaud’s, which recently won the James Beard award for bar program of the year.
Around the festival’s midway point came the U.S. Bartenders’ Guild’s beloved annual Thursday midnight toast, on which Texas naturally has put its stamp over the years with waving Lone Star flags and choruses of “Deep in the Heart of Texas.” This year’s spectacle was a bit more subdued, given that the whole shebang had to be relocated from construction-torn Bourbon Street to the second-floor confines of Bourbon Cowboy Too. Nevertheless, Texas endured – and somehow so did Tales, which will power on to see another year.
When the party’s over: The aftermath of Villa Campari’s Aperol Spritz rooftop happy hour.
Don’t Tell’s Green Eggs and Ham. I would drink it on a boat.
I’ve just sipped from a glass brimming with vodka, fruit puree, lemon and champagne on crushed ice, and the crackle of Pop Rocks is still rocketing around my tongue.
“This is going to be a full sensory experience,” James Hamous says, casting a nod at the room as he takes it all in. “Not the humdrum of your typical restaurant.”
It may look plain on the outside, but inside it’s a sensory wonderland.
Do tell, sir!
Actually it’s the Don’t Tell Supper Club we’re in, but it’s clear from our grand surroundings that the folks behind the curtain want the place to be anything but a secret. The décor is whimsical bordering on outlandish, with designer mirrors, slanted shelves, an array of sexy crossed legs along a wall and a stack of books behind the bar that transform into a flock of flying seagulls.
At Don’t Tell, already in soft opening but which officially launches its dinner menu July 27, it’s going to be all about the show, stage and all. The place transforms from dinner club to nightclub at 11 p.m. and will be open three nights a week, Thursday through Saturday, with former Top Chef contestant Tre Wilcox the architect du cuisine.
Houghton’s vodka and fruit puree-powered Contortionist is sprinkled with Pop Rocks.
“It’s going to be socially interactive,” says general manager Hamous, also co-owner of The Standard Pour in Uptown, who prefers to describes his role at Don’t Tell as “facilitator of entertainment” and then, on second thought, as “director of crazy.” He’s thinking maybe geishas in the future, or mermaids in a ginormous water tank.
Yup. It’s going to be that kind of place – a cabaret of contortionists, aerialists and dance revues wriggling and prancing as you devour another forkful of lamb, the sort of spectacle you might find in such clubs in Amsterdam, Miami or New York City.
Likewise, the showy ‘tude infuses the drink menu from bar manager Sam Houghton, formerly of Dragonfly at Hotel Zaza and The Standard Pour. Think dry ice, smoke and fanciful touches like those Pop Rocks in the so-called Contortionist, added, as the drink list says, “to bring the party to your mouth!” (Exclamation point not mine.)
The tiki-esque Trainspotting includes four syringes of rum piercing its icy depths, to be injected upon serving into the highball of orange, lime, pineapple and coconut.
The Most Unusual Tea, a name playing off the brand phrase for Hendricks Gin, is poured from a beaker into a tea cup that bubbles smoke rings like a magic potion of gin, lime, basil and citrus-chamomile bitters.
Houghton’s Bumbledypeg, a twist on the classic Bee’s Knees designed for a friend who’s allergic to honey.
One standout is the Green Eggs and Ham (pictured above), a cool mix of tequila, egg white, jalapeno/cucumber puree, St. Germain and spicy Firewater tincture. With a slice of candied bacon crawling from the lime-green surf over the rim of the coupe, I would drink it on a boat, or with a goat. The name even references “Sam I am” Houghton herself.
My favorite may be the Bumbledypeg, whose name recalls mumbledypeg, the old-timey childhood game played with a pocketknife; Houghton says she wanted to make a Bee’s Knees (gin, lemon and honey syrup) for a friend who’s allergic to honey. Her version nicely substitutes almond-y orgeat for honey, but the coup de grace that graces the coupe (boom!) is a Bit-O-Honey speared with a tiny plastic sword.
Drink prices are expected to hover around $12, with many echoing the venue’s theatrical theme: “They’re things that alter and play with your senses,” Hamous says.
At Sissy’s Southern Kitchen, former bar manager Michael Reith rotated his barrel for a week with sweet sherry before setting his Negroni variation to age.
Negroni Week is underway, and as summer creeps ever closer it’s time to make this legendary ruby-red cocktail your wingman for the next few months. Bittersweet and refreshing, it’s one of my personal favorites, and while any decent bar with a bottle of Campari can generally cobble one together, this week is extra special: It’s all for a good cause.
As drinks go, this is Kirk, Spock and McCoy (or hey, if you like, Harry, Ron and Hermione). The complementary trio of equal parts gin, sweet vermouth and lush, bitter Campari dates back to early 20th-century Italy and has inspired a host of variations; you can enjoy the original and its spawn through Sunday at bars across Dallas-Fort Worth and feel extra good about the fact that your hard-earned dollars are going to charity.
At High and Tight, Austin Gurley’s Negroni variation: Bols genever, Cocchi di Torino, Campari, orange, lime, vanilla.
Now in its fifth year, Negroni Week, presented by Imbibe magazine and Campari, has a hashtag and a flashy web site with a super-cool feature: You can specify your global location, set your acceptable travel range (yes! Drive 150 miles for a Negroni if you wish!) and be given a list of participating bars. There are 95 such venues within a 15-mile radius of Dallas, for instance, so there’s really no excuse not to drink and donate.
Between 2013 and 2016, the effort has grown from 100 participating venues to about 6,000 worldwide, raising nearly $900,000 in the process for charities such as Mercy Corps, Water for People, United Cerebral Palsy and the New Orleans Musicians’ Clinic. In Texas, the recipient is Trigger’s Toys, which serves long-term hospitalized kids and their families.
Among the participating venues – you can find a full list here – in Dallas are the Time Out Tavern, Americano, Lounge Here, The Mirador, Sprezza, Oddfellows and The Cedars Social. In Fort Worth, you’ve got Rodeo Goat, Proper and Cork and Pig Tavern. Among others. Even Ruth’s Chris Steak House is getting into the action.
The Standard Pour bar crew, doing its thing at San Francisco’s PCH — for charity.
For any serious Dallas cocktail fan, the crew behind the bar Sunday would have looked familiar – Austin Millspaugh, Jorge Herrera and Christian Rodriguez, the popular Thursday night crew from The Standard Pour in Uptown – jostling shakers, swirling liquids, torching lemon peels and working the room in their dapper TSP uniforms. It was a practiced environment for the TSP crew, but a typical Uptown crowd this was not. A glimpse outside made it clear: They weren’t in Dallas anymore.
Chinatown was a half-mile away; the Transamerica Pyramid a few blocks beyond that. Five miles to the west, the Golden Gate Bridge. On Sunday, the Standard Pour team – which in recent months has made a habit of doing guest pop-ups at other bars – took things to a whole new level, bringing their traveling “TSP Takeover” to Pacific Cocktail Haven, or PCH, one of San Francisco’s newer cocktail joints.
TSP’s Herrera talks cocktails with a thirsty patron who teaches at Stanford University.
“We’re going into a West Coast stronghold,” Millspaugh had said before the trip, aware that the city, along with New York, had forged the beginnings of today’s craft-cocktail revival. “We have to bring our A-game.”
And that they did, with a six-drink lineup sponsored by Pernod Ricard USA. As with their previous pop-ups at Dallas’ Industry Alley and High & Tight, it was all for charity – with Planned Parenthood the recipient of this night’s proceeds.
Though PCH has hosted guest bartenders before, “we’ve never had a team take over the bar,” said Kevin Diedrich, PCH’s operating partner. The bar, typically closed on Sundays, had opened for this special event. “It’s a cool way to share what we do, but also for them to share with they do. We went through the drink list this afternoon. There’s some cool flavors. They’re pushing the boundaries.”
Millspaugh, garnishing his quirky Light Camera Action — reminiscent of caramel-truffle popcorn.
There was Rodriguez’ tropical Bad and Boujee, a mix of tequila, horchata, lime, cinnamon-vanilla syrup, Topo Chico and tiki bitters.
Herrera’s Tourist Trap was a crowd favorite featuring Irish whiskey, Yellow Chartreuse, bittersweet liqueur, sweet vermouth and a tobacco tincture.
Millspaugh, meanwhile, in typical Millspaughian fashion, had concocted the cocktail equivalent of caramel-truffle popcorn with his disorientingly delicious Light, Camera, Action – an ensemble of Irish whiskey, nutty Oloroso sherry, popcorn liquid, dehyrdrated foie gras and black truffle salt.
“It’s weird,” said one woman, a Stanford University instructor. “I feel like I’m drinking a movie.”
Rodriguez’ tiki-style Bad to Boujee.
The TSP team showcased Texas hospitality and flair, with Millspaugh at one point grating dehydrated foie gras directly into a woman’s mouth. He, Herrera and Rodriguez have drawn a loyal following on Thursdays at The Standard Pour, which has made a habit of trying not to be a standard bar.
Last year, the McKinney Avenue venue featured a weekly series of guest crews from other Dallas bars; a weekly event felt like too much, so as 2017 rolled around they brainstormed. What if the TSP team spent one night a month working at other bars, they thought? “We’re just trying to get our names out there,” Rodriguez says.
Pacific Cocktail Haven is one of the San Francisco’s newer and most well-regarded cocktail spots.
Their first “takeover” took place at Knox-Henderson’s Atwater Alley, after which Herrera proposed the idea of doing it all for a good cause. April’s event at Industry Alley, sponsored by Remy Cointreau, benefited Texas Scottish Rite Hospital for Children, while proceeds from their March pop-up at Deep Ellum’s High & Tight, sponsored by Avion tequila and St. Germain, went to the Dallas office of the National Multiple Sclerosis Society. Each event raised $1,300 or more for charity.
They recently met Jessamine McClellan, the San Francisco-based national brand ambassador for Redbreast Irish whiskey, and told her about the project, pitching the idea of taking their show on the road. She suggested the idea to Diedrich, who agreed to host the TSP crew. The Standard Pour offered to partially subsidize their trip, and the deal was done.
“The idea is, one, to showcase the place we work at, and two, to give back,” Millspaugh said. “It’s, like, paying it forward.”
The Standard Pour crew: Rodriguez, Herrera and Millspaugh.
Booze news and adventures in cocktailing, based In Dallas, Texas, USA. By Marc Ramirez, your humble scribe and boulevardier. All content and photos mine unless otherwise indicated. http://typewriterninja.com
