Jettison’s George Kaito positions a spoonful of bitter liqueur “caviar” atop a cocktail at the bar’s spring omakase experience.
The bartender comes bearing flowers, a certain sign of spring – and depending on your choice of bloom, a harbinger of the drink you are about to receive. Presented in a tall glass with tiny spoonful of what looks like caviar resting atop an ice cube, the mix of mezcal, tequila and house-made grenadine is a feast for the senses – and a playfully constructed nod to the season.
It’s one of six cocktails that, along with a closing shot, form Jettison’s Spring Omakase Cocktail Experience, a multicourse cocktail event happening at the West Dallas bar on April 28. The drink above, called Pick Your Antidote, is a variation on the Tequila Sunrise – and with a sunrise a symbol of renewal, yet another nod to the springtime theme. The “caviar” atop the spoon is actually one of three bitter liqueurs chemically gelled into tiny spheres, to be consumed separately or dropped into the drink.
This Tequila Sunrise variation is among the cocktails featured at Jettison’s omakase event.
Behold, the cocktail renaissance is complete: Having pulled alongside wine as a featured complement to prix fixe dinners, drinks are now earning star billing, with bars like San Francisco’s Wilson & Wilson, The Aviary in New York and NOBU in Newport Beach offering experiences of three to five cocktails, and maybe some nibbles, for a set price.
Jettison’s omakase event creatively taps into that trend while embracing the bar’s Japanese influence and barman George Kaiho’s heritage. (Omakase translates to “I will leave it up to you,” most often applied to chef-driven sushi experiences.) It’s the third seasonal offering from Jettison, which adjoins coffee joint Houndstooth in the neighborhood’s Sylvan Thirty complex.
Influenced by the season itself and science-driven concepts like molecular gastronomy, the event features artistically conceived cocktails that would be impractical to put on the bar menu. “It’s stuff that at 10 p.m. on a Friday night we’re not going to have time to do,” bartender Andrew Kelly said at a recent media preview of the event. “There’s rapid infusions, dry ice, spherification. The degree of difficulty is a little more intense.”
Breaking the Ice, a cocktail encased inside an ice egg, is also on the slate.
For instance: The slate’s first cocktail, Breaking the Ice, is a tart and funky play on the classic Champs-Elysees. Featuring shochu, Japan’s national spirit, along with Green Chartreuse, lime, simple syrup and edible flowers, the name refers not just to the drink’s place in the order but also to spring’s emergence from winter – and the fact that the drink is presented in an egg of ice that, with the thwack of a mallet, hatches into the glass along with its botanical components.
“I love the way the ice ball traps the aromatics and then releases them once you break it,” says Jettison’s owner, Sean Henry. “It’s so fragrant.”
Spring also means that herbs and plants feature heavily into the experience. The rose-petal-enhanced Eternal and Fleeting gives the bar a chance to showcase its recently acquired magnetic stirring machine, a lab instrument that swirls liquids by way of a rapidly spinning metal pellet dropped into the vessel and powered by a rotating magnetic field in the platform underneath. (“It’s amazing what you can find on Amazon for 30 bucks,” Kelly says.)
Guests snack on popcorn and watch as red petals whirl like sprites in dry Manzanilla sherry, gradually infusing the fortified wine with their essence. “The agitation helps with the infusion,” Kaiho says. “Sherry is delicate and low-alcohol, so it more easily adopts the flavor.”
The strained sherry is then mixed with peach brandy, Benedictine and bitters flavored with black tea, yerba mate, hazelnut and vanilla, sweetness lifting the dryness.
Kelly and Kaito team up for a riff on the classic Brown Derby cocktail. They hope to make these events a seasonal occurrence.
The event encompasses about two hours, and Kaiho and Kelly hope to offer a fresh omakase experience each season. Two seatings are available on the 28th, and in keeping with the bar’s intimate setting, Jettison will limit each to 10 participants apiece. Cost is $90 and reservations can be made here.
Spring represents the beginning of the cycle of life, Kaiho says, and with this experience, “it’s about taking the cycle of life into the cocktails.”
Some of the year’s best, clockwise from upper left: Cody Riggs’ Bitter Marriage at The Mitchell; Griffin Keys’ Let Me Clarify at Boulevardier; Matt Konrad’s Witch Hunter at Thompson’s Bookstore; and Ryan Payne’s Blu-Tang Clan at Tiny Victories.
Housing prices are falling, the stock market is flailing, but if there’s anything we can count on, it’s craft cocktails: From Dallas to Lewisville to Frisco, from Fort Worth to Trophy Club to McKinney, imbibers in 2018 had an ever-growing bounty of riches from which to choose.
The scene welcomed new destinations like Ruins, 4 Kahunas, 3Eleven and Tiny Victories into the fold, along with solid cocktail programs at new restaurants like Macellaio, Sachet and Bullion in Dallas, and Local Yocal in McKinney. While trying to keep up with it all is a Sisyphean effort, some trends did emerge from within the fray.
This was the year of designer dessert drinks and aguardientes, or sugarcane-based spirits: Rum, the most common, was more widely implemented, and not just at 4 Kahunas, Arlington’s legit new tiki outpost. With the thirst for new and unique liquors reaching ever farther into untapped regions, a pair of lesser-known aguardientes found footing in local cocktails – Oaxaca’s fabulous Paranubes and Michoacan-based charanda.
It wasn’t all sugarland, though: Singani 63, a gorgeous Bolivian brandy similar to pisco, and Italicus, the beautiful bergamot-flavored Italian aperitif, also made welcome inroads, while Spanish sherries flourished and Japanese shochu tiptoed on the fringes, most notably in George Kaiho’s ingenious Earth Wind and Fire at Jettison, which teamed it with mezcal and Green Chartreuse.
Visually, bartenders went the extra mile to create drinks as photogenic as they were tasty, such as Griffin Keys’ Let Me Clarify, a stunning Queen’s Swizzle variation at Bishop Arts’ Boulevardier; Matt Konrad’s fernet-topped Witch Hunter at Thompson’s Bookstore in Fort Worth; Ryan Payne’s captivating Blu-Tang Clan at Tiny Victories; and at the Mitchell, Cody Riggs’ tongue-in-cheek Bitter Marriage, garnished with a faux business card hawking the divorce firm of Ditcher, Quick and Hyde.
Cocktails were also a natural landing zone for turmeric, the “it” health ingredient of the year — for example, Wes Enid’s Turmeric Daiquiri at Atwater Alley in Knox-Henderson. Meanwhile, bartenders more boldly employed nuttiness as a flavor – as in Jones Long’s pecan-infused A Drink With No Name at Bolsa, or Kaiho’s sesame-paste-enhanced Concrete Jungle at Jettison – and increasingly looked to tropical fruits like banana, mango, passion fruit and guava.
As always, the cocktail cornucopia was hard to narrow down, but these were my 15 favorite drinks of 2018.
Guillen’s Gaucho Highball: Don’t cry for me, Argentina.
15. GAUCHO HIGHBALL (Daniel Guillen, La Duni, NorthPark Center)
Glenfiddich 12 Single Malt, Fernet, grapefruit soda
In the summer, the Speyside single malt Glenfiddich launched a campaign pushing its 12-year-old Scotch as the perfect vehicle for a whisky highball, a drink typically supplemented simply with club soda. But Guillen, beverage manager at La Duni, gave the drink Argentinian flair with a splash of Fernet – a darkly bitter Italian liqueur beloved in the South American nation – and a housemade grapefruit soda. “It’s so simple, and yet so good,” Guillen said. “You could drink a few of these, just like that.” With Glenfiddich’s rich pear-apple depths rolling over your palate, held in check by a pull of Fernet’s bitter reins, you might tend to agree – especially at the ridiculous happy hour price of just $6 a pop.
If a light touch you seek, this Brick and Bones invention will ride to your rescue.
14. DUDLEY DO-RIGHT (Bar team, Brick and Bones, Deep Ellum)
Tomato-infused vodka, basil syrup, lemongrass water
It may be the hardest sell on the menu, but Dudley Do-Right is the low-key star of the Brick and Bones show, where every drink is named for a cartoon character. A delicately flavored triumvirate of tomato-infused vodka, basil syrup and lemongrass water, “it’s like a Caprese salad” in liquid form, said bar co-owner Cliff Edgar. Simple, bright and refreshing, so nuanced is its touch that the vodka, typically content to be the vehicle for other flavors, actually shines in this one – completing a righteous drink worthy of its name.
Tiki met salted caramel in this one-night-only gem from Uptown’s Parliament at a pop-up event in Oklahoma City.
13. TAI OF SUM YUNG GAI (Eddie Campbell, Parliament, Uptown)
Pyrat XO Rum, lime, pineapple, ginger orgeat, soy sauce reduction
This one’s a bit of a cheat as it was rolled out at Parliament’s one-night pop-up fundraiser at Oklahoma City’s Jones Assembly in July. The event was pure Parliament, with a half-dozen bartenders making the trip along with a dazzling 21-drink menu. (Pop-ups typically sport no more than half a dozen.) “We wanted to keep it low-maintenance,” quipped bar owner Eddie Campbell. The lineup included this deliciously innovative tiki blend of rum and citrus tanged up with a ginger orgeat, then rimmed with a soy sauce reduction. Think sweet tropical meets salted caramel and you get the idea.
The Queen is Dead was among several Industry Alley cocktails bartender Tommy Fogle named after songs by The Smiths.
12. THE QUEEN IS DEAD (Tommy Fogle, Industry Alley, The Cedars)
Sherry, orange curacao, Licor 43, lemon
At Industry Alley, the low-key cocktail haven in Dallas’ Cedars neighborhood, bartender Tommy Fogle found his groove with liquorous treats like the Golden Mylk Fizz, a creamy riot of honey, coconut and turmeric, and the Boys Don’t Cry, a bitter spin on a cocktail from New Orleans’ Cure (hence the name). But my favorite of all was The Queen is Dead, a sherry-forward jewel that adorned the fortified wine with a wreath of lemon, orange curacao and Spanish vanilla liqueur, unleashing a citrus-grape tang that zipped across your palate like Zeke Elliott headed for the goal line.
When it came to Pisco Sour variations, I found myself constantly seeking Greener Pastures.
11. GREENER PASTURES (Cody Barboza, Armoury D.E., Deep Ellum)
Pisco Porton, Green Chartreuse, Luxardo maraschino, rosemary, lime, egg white
Armoury’s got a thing for Pisco Sour variations, which is fine with me, because so do I. Having already produced the Hungarian-influenced Speak of the Devil, which showed up on this list two years ago, the Deep Ellum bar this year introduced Barboza’s Greener Pastures, more fragrant and floral with a sprig of smoked rosemary. The herb’s aromas were just muscular enough to cap the cocktail’s botanical brawn.
The Old Spiced: Here to fulfill your dark chocolate cravings.
10. OLD SPICED (Jones Long, Lounge Here, East Dallas)
Coffee-infused bourbon, crème de cacao, Fernet Branca, mole bitters
Jones Long, formerly of Oak Cliff’s Bolsa and Ruins in Deep Ellum, took over the bar program at East Dallas’ Lounge Here earlier this year. She took to her new role with aplomb and creativity, even fashioning faux olives from pickled grapes in her Don Vito, a riff on the classic Godfather. But my favorite was the Old Spiced, a hearty handshake of a drink that was not unlike biting into a bar of spicy dark chocolate, only more refreshing. It’s so satisfying that I can’t even be annoyed that every time I order it, I’m reminded of the Old Spice commercial jingle.
Libertine, you nut, you. Lower Greenville’s longtime cocktail landmark still got it goin’ on.
9. FIDELIO (Daniel Zoch, Libertine Bar, Lower Greenville)
The Libertine, on Lower Greenville, was one of Dallas’ early craft mainstays thanks to former bar manager Mate Hartai (now with spirits producer The 86 Co.), and while its cocktail program might not get much attention anymore, it’s still going strong with seasonal drinks like Daniel Zoch’s Fidelio. A dessert-like dance of sweet rum, delicately bittersweet Amaro Montenegro and pistachio, rimmed with ground pistachio dust, the Fidelio is creamy, nutty and lush, with just enough bitter to give it a lovely, nuanced finish.
Bowen House brought the heat with the peppery Puesto Del Sol.
8. PUESTO DEL SOL (Kayla McDowell/Greg Huston, Bowen House, Uptown)
Espolon blanco, muddled roasted red pepper, rosemary syrup, lemon, black pepper
It’s a joy to listen to McDowell and Huston brainstorm behind the bar, and this savory concoction was one of their many menu collaborations, pairing slightly fruity tequila with roasted pepper for a gently spicy sipper of a cocktail. Peppery citrus on the nose paved the way for a rosemary-forward body and a finish that complemented the drink’s aromas. Looking forward to seeing what this team comes up with in 2019.
A tribute to Pixar’s Coco, Mendoza’s Grito had me salivating for a sequel.
7. GRITO! (Henry Mendoza, The People’s Last Stand, Mockingbird Station)
Mezcal, lime, pink/black peppercorn syrup, agave, sage, Boston Bittahs
Mendoza’s Grito had me aay-yai-yai-ing like a joyful mariachi – the sound of which the drink’s name recalls. The first of several libations Mendoza devised in tribute to Pixar’s Day-of-the-Dead-themed Coco, its cool but fiery mix of smoky mezcal and sage, peppercorn syrup, agave and bitters was an otherworldly journey through smoke and citrus spice. Topped with a sprinkling of red peppercorn and cigarillos of dried sage, its pachanga-in-your-mouth mix of pepper and chamomile/citrus bitters was what made this spicy number shine.
The Nut House: Banana-nut bread in a glass.
6. NUT HOUSE (Josh Brawner, LARK on the Park, Downtown Dallas)
Flor de Cana 7-year rum, Don Ciccio & Figli nocino, Tempus Fugit Crème de Banane, walnut bitters, nutmeg
Hey LARK, it was real: Shannon Wynne’s airy, chalk-art-bathed restaurant shuttered before year’s end, but not before its bar program had returned to the glory of its opening days. Bar manager Josh Brawner’s Nut House was a standout, inspired by his love of banana nut bread. “I’m a foodie, so I always try to replicate things in my drinks,” says Brawner, now at Wynne’s Meddlesome Moth. Built on aged rum, the Nut House was a liquid treat, festive and nutty, awash in walnut and banana liqueurs with a dash of walnut bitters to boot; a shaving of nutmeg added flattering aromatics.
I could wax Brazilian all day about Pollard’s luscious Autumn in Brazil.
5. AUTUMN IN BRAZIL (Jason Pollard, The Usual, Fort Worth)
Avua Amburana, sherry, Cocchi di Torino, demerara syrup, saffron bitters
A couple of years have passed since cachaca, Brazil’s national spirit, enjoyed a brief moment in the DFW sun, but thankfully The Usual’s Jason Pollard hasn’t let the spirit’s grassy, banana-fruit magic slip into obscurity. His Autumn in Brazil takes Avua’s aged Amburana cachaca and balances its notes of caramel, vanilla and spiced bread with the rich nuttiness of sherry, rounding it out with sweet vermouth and caramel-esque demerara syrup. With hints of raisin, chocolate and cinnamon and the aroma of musky grapes, it’s a sensational seasonal sipper.
Powell’s Mango Lassie, a fabulous reinterpretation of India’s summer refresher.
On a trip to Chicago’s Pub Royale – an Anglo-Indian-style tavern – earlier this year, Powell discovered the wonder of the mango lassi, India’s traditional mango milkshake. Naturally, as he savored its mix of yogurt, mango, milk and sugar, he thought to himself: How can I make this into a cocktail? Luckily for Dallas, he came through like a champ, structuring its viscous, sour-sweet depths atop a foundation of rum and garnishing the Creamsicle-orange drink with cool mint and a clever rim of Mexican tajin, the chili powder often gracing that country’s mango street snacks. Poured over crushed ice, it was a tasty summer refresher that I still craved in the cold of winter.
The Mitchell’s Gillespie wasn’t monkeying around when he came up with this cocktail.
3. MONKEYING AROUND (Sam Gillespie, The Mitchell, Downtown Dallas)
Gin, Chareau, Genepy des Alpes, Dolin Blanc
Gillespie originally crafted this exquisite spring cocktail for a special event at the bar featuring Monkey 47, a berry-influenced gin made in Germany’s Black Forest. He accentuated its flavors and feel with rich aloe liqueur, herbal alpine liqueur and dry vermouth, but the gin’s high price-point made it impractical to put on The Mitchell’s standard menu. Instead, he substituted standout Botanist gin, serving the drink in a clear patterned glass that highlighted its see-through appearance. With herbs and white grape on the nose, it’s a gorgeously botanical Martini – all cucumber, spearmint and sweet spice and an herbal sweet-sour finish.
This gem from Kaiho and Kelly got me woke.
2. SLEEPY COYOTE (George Kaiho/Andrew Kelly, Jettison, West Dallas)
Kaiho and Kelly, the personable one-two punch behind the bar at Jettison, wanted to create a cocktail using horchata, the Mexican cinnamon rice milk. Specifically, as a popular after-dinner destination, they wanted to craft a dessert drink, so as fans of The Big Lebowski they devised this buzzy riff on a White Russian, using a base of banana-funky Paranubes – a Oaxacan aguardiente – infused with coffee, cold-brew style. To that they added cinnamon syrup and a splash of spicy Ancho Reyes liqueur, then poured it over crushed ice for a rich cinnamon coffee with a kick.
Jenkins’ Alpine Blues: A heady expression of forest growth in a glass.
Scott Jenkins, Hide’s resident mixmaster, killed it again this year: The Oaxacan Shaman, his mezcal-aguardiente mashup, was masterful, and Quest for the Sun, a sunflower-seed-infused vodka vehicle, was lusciously butternutty. But my favorite of all was his Alpine Blues: He missed the mountains, see; a whirlwind trip had filled him with memories of brisk, chilly air and damp ground covered in foliage. He let his longings inspire this wonderfully balanced reflection of nature’s growth. In his mind, walnut liqueur formed the base soil, deep and rich with decomposing nettles; blueberry-influenced alpine bitter liqueur was the surface – “earthy and fruity; there’s still some life in it;” a quinine aperitif and clarified lemon juice were the new growth, with the bitter citrus of biting into a young stem; Singani 63, a botanical Bolivian brandy, was the blossom. “There were specific slopes and colors in my mind,” he says. “It made me have the blues not to be there.”
Dante Loquercio displays the whiskey he’s just unwrapped to other attendees at Saturday’s 8th annual Whiskey Exchange. The private event raised $12,000 for charity.
The way Nico Martini remembers it, one day his wife told him she and the girls were going to hold a White Elephant exchange, and he said, “OK, what do I need to bring?” And she said, “No, no, no – this is just for the girls.”
“So I said, `Oh, OK. Well, me and the guys are gonna do a whiskey exchange, and I don’t even know what that means, but I’m gonna do it,” says Martini, co-founder of Dallas-based Bar Draught, a mobile cocktail business.
Eight years later, Martini’s annual Whiskey Exchange has grown so much that at Saturday’s now-annual event, held at Bar Draught’s Design District offices, he split the gathering into two groups to facilitate the actual exchange, with dozens of attendees picking in pre-ordained random order from a table topped with discreetly wrapped bottles.
Like any good White Elephant party, there was plenty of pilfering and plundering and a handful of premium prizes to be had, and everybody went home with a quality bottle of whiskey. And because the event is now done with charity in mind, the rules were simple: Participants – who each paid $20 admission – had to bring a whiskey worth at least $50 and were urged to bid for a host of donated spirits, concert tickets and tasting and travel opportunities via a raffle, silent auction and live auction.
Bags of whiskeys, just waiting to be unwrapped.
But before all that happened, guests heard from Tonya Stafford, director of It’s Going To Be Okay, the anti-human-trafficking organization that would benefit from this year’s festivities. A former victim of trafficking herself, Stafford shared her emotional story with the group.
“Hearing that was harrowing,” one attendee said afterward. “I immediately went and bought a bunch more raffle tickets.”
What began as what Martini described as “basically just this little dudes’ Christmas party” is now a serious source of holiday giving – a commitment that began in 2013 after Martini had dinner at the house of a friend with roots in the Philippines. That dinner took place not long after Super Typhoon Yolanda had ravaged the archipelagic nation, and the man’s village had been badly hit. In particular, the roof of a local elementary school had been torn away, so he asked those gathered around the table for any donations that could help, since his brother still lived in the area.
Martini thought: Hmmm. The whiskey exchange was coming up. Maybe there was a way to help. “I said I’d see what I could do,” he says.
He asked his buddies if they’d mind chipping in $20 apiece to take part, to benefit the cause. Everyone was eager to help. Martini also got a few donated items to raffle off, and the event would ultimately raise $800 toward the school’s reconstruction.
Event organizer Nico Martini reminds the crowd what the night’s event is really all about.
Since then, the event has benefited organizations such as The Birthday Party Project and Hurricane Harvey relief efforts. Saturday’s 8thannual whiskey exchange raised $12,000 for It’s Going To Be OK. And this year, for the first time, the gathering shed its males-only origins – because, as Martini put it, while he might have felt he had reason at first, that reason no longer made sense. “I’m so glad I saw so many whiskey loving ladies enojying this event,” Martini would say later. “It made the whole thing feel a little more … I don’t know… real? I guess? Regardless, it’s great to no longer be exclusionary in any way.”
As the night wore on and a DJ laid down tracks, participants shared whiskey stories and knowledge while sipping from a collection of donated bottles – including Whistle Pig, High West, Glenlivet and Jameson and locally made standouts like Balcones and Ironroot. The giving of spirits had bred a spirit of giving, which, in addition to a bottle of whiskey, was maybe the best thing anyone could take home.
“I’m glad we raised so much for charity,” Martini would say in a Facebook post, “but I know that the biggest recipent is me. This gives me hope. This event, this group of people, these causes we support. There are so many things in this world we can’t control… but once we come together and set our minds to it, we can change our world. One good cause at a time.”
Partida’s Sofia Partida enjoying a flight of the eponymous brand’s various expressions at Ruins, in Dallas’ Deep Ellum neighborhood.
On Friday, not long after she returns home to Northern California, Sofia Partida will make one last run to the store to pick up some roses and Mexican sweet bread.
Those were among the items cherished by her late mother and father, who were among the farming families who settled the agricultural region around Yuba City, Calif. The items will be placed alongside candles, photos and other items in honor of them and other passed-on loved ones for Dia De Los Muertos, the Mexican holiday celebrating the dead, which Partida has celebrated as long as she can remember.
“All the things they loved go on the altar,” says Partida, national brand ambassador for Partida Tequila, who visited the Dallas area this week. The items are meant to both guide and welcome their spirits back to the land of the living, a tradition that dates back to Aztec times. Naturally, a bottle of tequila adorns Partida’s altar, too, in honor of both her father, who loved the spirit, and her uncle Enrique, whose time-honored agave production gave rise to what would become one of the category’s most beloved brands.
Growing up, Partida recalled her uncle traveling up from his home in Amatitan, Jalisco, to help during her family farm’s busy season. As an adult, after her father had passed away, she wanted to get to know Enrique better, so she traveled to Amatitan, where he introduced her to the rich culture of the Tequila Valley.
“It’s a living, breathing tequila lifestyle,” Partida says. “Like a step back in time. The whole region is based on that.”
Amatitan is just down the road from the town of Tequila, from which the agave-based spirit gets its name. The entire valley thrives with tequila distilleries and fields of blue agave, the variety from which all tequila is derived. Partida was entranced. Together with a marketing guru who wanted to get into the spirits business, she co-founded the Partida Tequila brand, which launched in 2005-06 and whose blanco, reposado and anejo expressions have gone on to earn numerous awards.
The brand is rooted in the agave growing methods practiced by Partida’s uncle, among the loved ones she honors on Dia de los Muertos. Here she holds the brand’s premium expression, Elegante.
She knows she wouldn’t be here without Enrique, which is why she still honors him every year on the Mexican holiday. It heartens her to see that the joyful celebration has entered the American mainstream, overcoming its morbid associations with the help of major cultural landmarks like Disney-Pixar’s Coco.
The yearly celebration, which adopted elements of Catholicism with the Spanish conquest of Mexico, starts Oct. 31 and continues through Nov. 2. Along with her parents, Partida’s home altar also commemorates a niece who died of cancer, “and my husband’s mom, even though she was Mormon. I hope she doesn’t get mad at me.”
Like her mother did years before, she’ll share her memories of those who have passed on. And then probably sip some tequila.
“Death is not sterile in Mexico,” Partida says. “People in Amatitan really do mourn and wear black for 30 days. And then” – she gestures, as if quickly dusting off her hands – “it’s done. They grieve – and then they honor the person’s life.”
Can’t get enough of those State Fair treats? Industry Alley’s got you covered in liquid form. Above, the El Churro cocktail. (Photo by Tommy Fogle)
Before I tell you about the Fried Elvis cocktail, you have to know that for Marty Reyes and his wife Jen, the State Fair of Texas is an annual rite of passage. Or maybebite of passage is the way to put it, since the two regularly take in the event’s over-the-top creamy and battered delights.
“I love me some Fried Elvis,” admits Reyes, managing partner of Dallas’ Industry Alley, whose in-laws regularly come from San Francisco to enjoy the yearly Big Tex bonanza at Fair Park.
Try Industry Alley’s Fried Elvis cocktail and you may have found a new place to dwell.
But at the same time, the Fair’s three-week run also takes a regular chomp out of bar revenues – an effect Reyes and his crew say stretches as far as the Cedars, where their low-key cocktail hang is located.
“We thought, ‘How can we combat this?’” says Industry Alley bartender Tommy Fogle. “And it was, like, ‘Well – why don’t we embrace it?’”
Get ready, then, for Industry Alley’s lineup of State Fair of Texas cocktails, with everything from the Candied Apple and Lemon Chiller to the Fried Elvis and a Cotton Candy Old Fashioned. There’ll even be a Corn Dog cocktail for the courageous, and the special menu will run the length of the fair, which starts Friday through October 22.
“I mean, who doesn’t love the State Fair?” says Jen, who goes by the moniker Jen Ann Tonic. “Why not drink the experience?”
Reyes and his crew had a head start on their State Fair cocktail lineup with Fogle’s Elote en Vaso cocktail. (Photo by Tommy Fogle)
The group got to work designing cocktails that would echo some of the event’s iconic treats, and they realized already had a head start: Fogle’s Elote En Vaso (Elote in a Glass), an elotes-inspired drink he’d created for a recent whiskey competition.
Others followed, like the Candied Apple cocktail – a mix of apple-infused port, apple brandy and cinnamon syrup, with a trio of apple slices to sop up the rock-candy syrup around the glass – and the El Churro cocktail, which enriches pisco with butter, pecan, cinnamon and cream, with a churro garnish to boot.
The Fried Elvis cocktail fancies up Jack Daniel’s Tennessee whiskey with banana liqueur, peanut butter powder, cream and egg white, with a strafing of currant liqueur filling in the jelly part of the equation.
The Candied Apple cocktail includes a trio of apple slices to sop up the caramel syrup. (Photo by Tommy Fogle)
“People like that one,” Fogle says, who’s been testing out the drinks on some of his customers. “I think it really works.”
The list will also feature a smattering of saltwater taffy shots, and Fogle’s corn-whiskey-based Elote en Vaso is buttery and salty, with a dash of sour cream and Mexican cotija cheese to complete the effect.
Devising drinks that would evoke the State Fair-style delicacies in liquid form wasn’t exactly a walk down the midway.
“The corn dog one was the most challenging,” Reyes says. “I was almost ready to knock it off the list. Then along comes my mad scientist, Johnny.”
You must be this tall to ride: The Corn Dog cocktail proved the most challenging drink of all. (Photo by Tommy Fogle)
That would be bartender Johnny Maslyk, who Reyes says was able to replicate the taste of corn dog batter without over-thickening the texture of the drink.
The finished product incorporates pork-infused Scotch, corn meal and honey.
“It’s just a matter of whether anyone’s brave enough to order it,” Fogle says.
For all of this, Jen Ann Tonic has designed a menu she describes as “Texas Fair cute,” and in a way, Industry Alley is the perfect canvas for such an experiment, with a laid-back, dive-bar atmosphere untethered to any particular audience.
“I’ve always liked the approachability of this place,” Fogle says. “And I think that gives us the leeway to do something like this.”
For the most part, the bar’s State Fair cocktails are over-the-top and rich – but then again, so are the treats they mimic.
“These are novelties,” Fogle says. “But it’s nice to have the freedom to be weird.”
Industry Alley, 1711 S. Lamar St., Dallas. 214-238-3111
Hey, guys! It’s more than a hundred degrees outside. And with triple-digit temps looming the rest of the week, we’re officially in the thick of the summer, the part where even the diehards who insist they love North Texas summers crave cold showers, whip out their heat shields and seek shelter from that infernal orb in the sky.
Chances are they, like the rest of us, yearn for brisk and brawny adult beverages, and lucky for everyone involved, the bartenders of Dallas-Fort Worth have got this need covered. From cool afternoon refreshers to evening energizers, here are six DFW cocktails to get you through the rest of the sweltering season.
Zatar’s Cardamom Limeade: Like Sonic happy hour for grown-ups.
CARDAMOM LIMEADE, Zatar, Deep Ellum
Zatar’s Cardamom Limeade is a simple and perfect antidote to a stiflingly hot afternoon, and if it were any more friendly you might get suspicious.
A blend of gin, lime, soda and cardamom bitters, it’s a no-fuss cooler with exotic flavor and I would gladly drink these well into a summer night were it not for the fact that there’s so many other great drinks out there.
Billy Can Can’s Card Shark gives the Queen’s Park Swizzle the glass-booted deep freeze.
CARD SHARK, Billy Can Can, Victory Park
When it’s this hot, one word comes to mind: Slushie. My friends, Billy Can Can will hook you up. The mythical journey of this mysterious man of the West is chronicled in the cocktail lineup at this newly opened establishment in Victory Park, and the Card Shark sits near the end of that trail. A frozen variation of the classic Queen’s Park Swizzle — a Trinidadian mix of rum, lime, sugar, mint and bitters — it’s served up in a glass boot, so despite the drink’s name, the only thing you’ll need to worry about with this Card Shark is tipping it over.
Jesse Powell’s boozy play on the classic Indian refresher will have you screaming, “Lassie, come home!”
MANGO LASSIE, Parliament, Uptown
Parliament’s Jesse Powell was introduced to the traditional Indian mango milkshake during a recent visit to Pub Royale, an Anglo-Indian style tavern in Chicago.
Savoring its mix of yogurt, mango, milk and sugar, he naturally wondered — as he often does, when it comes to these things — how he could translate its pleasures into a cocktail. He structured its viscous, sour-sweet depths on a dark rum foundation, garnishing the Creamsicle-orange drink with cool mint and a clever dash of Mexican tajin, the chili powder that often graces that country’s mango street snacks. Complete with crushed ice, it’s one of the tastiest summer cocktails you’ll ever have.
Her Name is Hazel, but you can call her summer relief.
HER NAME IS HAZEL, ABV Lounge, Lower Greenville
The Pimm’s Cup is the seasonal warm-weather classic, and ABV Lounge’s Christian Rodriguez has added ginger and spice and everything nice, by which I mean gin.
For the summer, Pimm’s No. 1 liqueur, cucumber and lemon have welcomed saucy Allspice Dram, the bite of ginger syrup and Aviation gin over to their house and hey, it’s everybody into the pool.
Henry Mendoza’s peppery nod to “Coco” gives summer flavors a smoky boost.
GRITO!, The People’s Last Stand, Mockingbird Station
Finish your night with this spicy number, one that might have you aay-yai-yai-ing like a joyful mariachi — the sound of which the drink’s name recalls.
The first of several concoctions Henry Mendoza of The People’s Last Stand has devised in tribute to Pixar’s Coco, it’s a cool but fiery mix of smoky mezcal, peppercorn syrup, agave, sage and summery bitters. The pachanga-in-your-mouth mix of pepper and citrus/chamomile-heavy “Boston Bittahs” is what makes this one shine. Bring on the sequel!
Viva the West End: YO Steakhouse’s Tex Mex is a fiesta in a glass.
If you’re looking for somewhere to mark Cinco de Mayo, you could do worse than Dallas’ West End, where the day happens to coincide with Dallas Fest, the neighborhood’s annual showcase of artists, musicians, brew masters and chefs.
You’ll find plenty to drink at the outdoor extravaganza, but you aren’t likely to guzzle anything more guapo than the Tex Mex at Y.O. Ranch Steakhouse, a nod to a holiday that isn’t authentically feted much anywhere in Mexico except in Puebla, the site of the battle it commemorates.
Here in the U.S., though, Cinco de Mayo has become a convenient excuse to swill, even if nobody knows why – and to market drinks to said imbibers, which explains how, when Y.O.’s s front-of-the-house manager Nicole Hester realized the double dose of action going on in the area, suddenly had the idea for a drink with a red, white and green ice cube.
Hester’s inspiration came from a Pride Day cocktail she’d seen at a bar in New York City, where she worked before returning to Dallas. That drink, she explained to her fellow Y.O. managers, featured an ice cube layered in the colors of the LGBT movement’s rainbow flag. “I said, this should be easier because it’s only three colors instead of seven,” Hester explained.
Given the owner’s go-ahead, Hester set to work developing the tri-color Cinco de Mayo cube as well as a Margarita-like drink to put it in. Her first version, using pureed jalapeno and water for the green and Godiva white chocolate liqueur for the white, was too spicy – and as the cube melted, white flakes developed in the drink. Not a good look. “I had to start all over,” she said.
She tried a new version, again freezing the bottom layer before adding the middle one, and again before adding the top. This time, she infused the tequila with jalapeno for heat, crafting the cube with strata of pureed mint, coconut milk and a strawberry/prickly pear mixer boosted with pomegranate.
The finishing touch to the drink – a mix of house tequila, Cointreau, lemon, agave and soda – is a Mexican flag and a rim of red, white and green colored sugars. Its orange-y charm is drinkable enough, and it’s best swigged through the straw; consider the rim purely decorative, since the drink is already sweet.
It’s a fiesta in a glass – and while the $10 drink will be served only on the patio during Saturday’s Dallas Fest, it’s also Y.O. Ranch Steakhouse’s cocktail of the month, meaning you can throw this Tex-Mex party in your mouth all May long.
Y.O. Ranch Steakhouse, 702 Ross Ave., Dallas. 214-744-3287.
Bartenders Jesse Powell and Jermey Elliott weren’t so much in the weeds as they were the trees at Parliament’s Arbor Day Eve party Thursday night.
It’s probably fair to say that no other craft-cocktail bar in America has marked Arbor Day in the way that Parliament did last night in Dallas.
That’s because the Uptown bar’s celebration started on Arbor Day Eve, which you might not know was a thing, because it really wasn’t until Parliament somehow made it one. With Eddie “Lucky” Campbell’s able cocktail crew managing a typical cacophony of drink orders, you could barely see the chorus for the trees towering over the bartenders like a rowdy Rainforest Café.
You could be forgiven for thinking you’d walked into a cocktail-infused Rainforest Cafe.
Leaf it — ahem — to Campbell, whose flair for showmanship has made him one of the most familiar bartenders in the city. The vest and fedora might be gone, but as he showed Thursday night, he’s still willing to clamber atop the bar top to lead a New-Year’s-Eve-like countdown through the branches as the seconds ticked toward midnight.
“Happy Arbor Day!” everyone shouted in unison, a little unsure whether to take it all seriously or not. (A few found it hard to believe the trees were even real.) And admittedly, Arbor Day, a day on which Americans are encouraged to plant trees, might be the nation’s most unsung holiday.
Bartender SungJoon Bruce Koo delivers a drink from beneath the canopy at Parliament’s Arbor Day Eve party.
Bartender Jesse Powell had been a little uncertain himself a couple of days earlier when Campbell informed him that he had bought a pair of 13-foot-tall red oaks to mark the day. “It’s such an underappreciated holiday,” Campbell observed.
“Then Lucky was, like, ‘Can you go buy 200 coconuts?’ ” Powell said, and the next thing he knew he was marching out of H Mart with two shopping carts full of them.
A lineup of tree-themed drink specials featuring the aptly chosen Greenhouse Gin was designed for the occasion, including the Cocos Nucifara, a mix of gin, fruit and coconut water served in a coconut. That joined a pair of other delicious cocktails including the lychee-pearl-topped Weeping Willow and There’s A Tree In Your Bar?, enhanced with turmeric.
You could say that Parliament’s Arbor Day Eve celebration was off the hook.
And on the fly, Powell even renamed the bar’s popular smoke-infused Old Fashioned variation the “Forest Fire” for the night.
The trees, adorned with glowing green rings, were positioned behind the bar so that the crew could maneuver beneath the canopy, though Powell finally tired of bumping his fedora and ultimately hung it on a branch.
When the night was over, there naturally remained one challenge: What to do with the trees.
With that, Campbell and Powell got to the roots of the holiday: On Friday, they procured a trailer and one of the trees was taken to and planted in a location undisclosed “for his safety and well-being,” Powell said. “We look forward to taking care of him and watching him grow…. We really hope he gets along with the other trees.”
On Friday, Arbor Day, the largest tree was taken away and planted, to live on to see many more Arbor Days — which is what the holiday is all about. (Photos by Jesse Powell)
Some of the year’s best, clockwise from upper left: Kyle Hilla’s Undercut; Chad Solomon’s Screwpine Fix; Hugo Osorio’s Big Stick Mojito; Brittany Day’s Prolific Poet; Austin Gurley’s Smokey Bandit; Gabe Sanchez’s Calvados Sidecar.
As 2017 got underway, it wasn’t insane to wonder if the local craft-cocktail scene had lost its mojo despite its expanding influence around the region. Sure, Hide had just opened in Deep Ellum, with its fancypants behind-the-scenes gadgetry elevating its ambitious alchemy, and well-etched torchbearers like The Standard Pour, Atwater Alley, Bolsa, Jettison, Black Swan, Bowen House, Thompson’s Bookstore and Industry Alley (to name a few) powered on, doing what they do.
But even as cocktail lists sprouted like bluebonnets throughout North Texas – in Frisco, in Lewisville, in Trophy Club, for god’s sakes – too many of the area’s proliferating iterations emerged uninspired or even unhinged, seemingly designed more to ride the trend than to propel it forward. Overall, creativity seemed stifled by malaise. Had things finally peaked?
Then July brought Shoals, the soulful, back-to-basics cocktail lounge in Deep Ellum, and Fair Park’s Las Almas Rotas, whose heartfelt ambience admirably sated Dallas’ growing thirst for mezcal. And as the year pulled to a close, Bourbon & Banter appeared down the rabbit hole of downtown Dallas’ Statler Hotel, sprinkling its craft savvy with photogenic dashes of Wonderland whimsy.
Hide, Deep Ellum’s science-y cocktail lab, gave life to some of 2017’s best cocktails.
DFW did get its groove back, and then decided to make a night of it. In 2017, a wave of low-proof cocktails met the need for an evening’s worth of social nectars without the boozy kick that might send one home early. Low-alcohol cocktails dotted menus at Hide, Uptown’s Standard Pour and sherry-focused Jettison in Oak Cliff; Yayoi, in Plano, made its Wasabi Bloody Mary with Japanese shochu, while Bourbon & Banter’s excellent Undercut put Cynar, an Italian bitter liqueur, in the spotlight.
Hide also blazed tasty trails with savory cocktails, employing mushrooms in its magnificent Champion, bananas in its Tally Man and chicken stock in – well, more on that later. At Bourbon & Banter, Kyle Hilla topped two of his stellar cocktails with small spoonfuls of savory goodness. Meanwhile, green chilies surfaced as a popular flavor as bartenders toyed with a pair of newly arrived ingredients, poblano-driven Ancho Reyes Verde and St. George’s multi-peppered green chile vodka; elsewhere, Hatch green chile syrup ignited Skyler Chastain’s Santa Fe Smash at The People’s Last Stand at Mockingbird Station.
Sprezza’s Julieta. Get to it, Romeo.
Ever-flourishing agave-based spirits drove some of the year’s best drinks. Smoky mezcal danced with Ancho Reyes Verde and lemon liqueur in Brittany Day’s Prolific Poet at Thompson’s Bookstore in Fort Worth; at High and Tight in Deep Ellum, it partnered with cinnamon-infused whiskey to amp up the smoke in Austin Gurley’s solid Smokey Bandit. And at East Dallas’ Lounge Here, Brad Bowden flexed aged tequila’s guns in Dirty D’s Thang, his tribute to an aging dive-bar ladies man in long-ago New Orleans.
Gin sparkled in Sprezza’s Julieta in Oak Lawn, in George Kaiho’s Sylvan at Oak Cliff’s Jettison and in Chad Solomon’s remarkable Screwpine Fix at downtown’s Midnight Rambler, where it was infused with lemongrass and paired with Bolivian pisco. And Robbie Call used Gracias A Dios’ agave-based gin and his own vanilla-spiced tonic for a smoky Spanish Gin Tonic, a short-lived gem at since-shuttered Filament in Deep Ellum.
Finally, the force was strong in 2017’s classic covers, with solid spins on drinks like the Old Fashioned, Sazerac, Bijou, Last Word and Pina Colada. At Black Swan, Gabe Sanchez’s Calvados-anchored Sidecar was a thing of beauty; Scandinavian aquavit fancied up The Keeper’s gimlet in Plano; and at the Theodore in NorthPark Center, Hugo Osorio’s falernum-spiked Bee’s Knees and Big Stick Mojito, juiced up with raspberry coulis, were as pretty as they were delicious.
My tastes are my own, of course. I love the botanicals of gin and the smoke of mezcal, the warm comfort of whiskey and the bittersweet beauty of European amari; I’m drawn to flavor combinations that lure me to unfamiliar territory and drinks that go down like great train rides, where every ingredient is visible along the way.
Here were my 15 favorite cocktails of 2017.
Long’s lush La Joya showed you can still count on Abacus.
LA JOYA (Jason Long, Abacus)
Tequila reposado, Green Chartreuse, sweet vermouth, Port, orange bitters
At this cozy upscale lounge welcoming patrons of the celebrated Knox-Henderson restaurant, Long’s agave-driven play on a classic Bijou (French for “jewel”) was a bouquet of caramel, grape-y sweetness. Eager to make a drink honoring a tequila-loving colleague, Long tinkered with the floral Bijou, subbing smooth, aged tequila for gin plus a touch of Port. The name is the classic’s Spanish translation and an equally perfect gift for somebody special.
When you needed to cool off in Uptown, it was time to go Due South. (Photo by SungJoon Bruce Koo)
DUE SOUTH (Jeremy Koeninger, Parliament)
Rum, coconut, pineapple, orange, jalapeno, nutmeg
At Parliament, Koeninger put a Texas spin on the tropical Painkiller, itself a spin on the Pina Colada. “I wanted something a little less tiki,” he says. “And being from Texas, I like the combination of spicy and sweet.” So he added jalapeno and called it the Due South for the happy coincidence that any south-of-the-border spirit works as well as rum – except for, apparently, cachaca. (What up, Brazil?) Pisco in particular is fantastic. As you might expect, it’s a great warm-weather refresher, with its creamy pineapple, cool citrus and nutty spice, with some lingering heat on the tongue to boot.
MAMBO MORADO (Jonathan Garcia, Jose)
Blueberry/lavender-infused sotol, sunflower seed orgeat, lime, Campari, Crème de Violette
The drinks at this Highland Park gem naturally lean agave, and Garcia drew upon a pisco-based concoction he’d made for a local competition and funked it up by subbing little-known sotol, distilled in Chihuahua from desert Spoon, an agave cousin. Hacienda de Chihuahua’s delicately smoky sotol gets the tiki snow cone treatment here, draped it in floral, fruity and slightly nutty tones with a splash of bitter Campari to rein in the sweetness.
At members-only Network Bar, James Slater’s Malta was berry berry good.
A few years ago when Slater was helming the bar at Spoon (now closed), he wowed with an off-the-cuff, darkly bittersweet creation he ultimately named Blue Moon, and he’s been riffing on it ever since. Though he’s since left his brief post as bar director for the members-only club at Trinity Groves, his latest spin on the drink was a winner: Still mining the bitter mint depths of Fernet, it subbed blackberries for blue and a ginger-forward bitter liqueur for less aggressive Averna, taming Fernet’s harshness while retaining its flavor; gorgeous Amer Gingembre does the same with ginger. Think of the Malta as a boozy berry detox juice with a dollop of licorice-like sweetness.
New Orleans meets Oaxaca in Osorio’s classic spin, and now I can’t wait to have a chicken mole po’boy.
It was actually Sam Gillespie of The Mitchell, in downtown Dallas, who recently introduced me to the notion of a Sazerac built on smoky mezcal rather than the classic rye or cognac. His simple switch of spirit was solid and satisfying – but then, the very next day, I happened to drop by the Theodore, the NorthPark Center lair where barman Hugo Osorio has been unspooling impressive off-menu creations in his spare time. When I asked for something new, he said: “How about a mezcal Sazerac?” Osorio made the drink his own by adding the wintry cinnamon spice of tiki bitters and replacing sugar with a bit of sweet tawny port, serving up a spectacular sipper for the season.
At Parliament, Jesse Powell’s Osage County is built on childhood memories.
God bless Jesse Powell’s grandparents in small-town Osage County, Oklahoma, for supplying him with all the sarsaparilla sweets a little boy could eat, because otherwise we might never have had this bodacious burst of root beer candy in a glass. When Powell visited them again not so long ago, “they had the same exact candy, and I was like, I want to come back and make a cocktail like that.” The infused rum pairs with earthy fernet and cola to echo herbal vanilla root beer with a hint of licorice and a drink that makes you feel like a kid in a candy store.
At Hide, Jenkins’ Winner Winner was chicken soup for the cocktail soul.
WINNER WINNER (Scott Jenkins, Hide)
Ford’s gin, chicken broth, clarified lemon, thyme
Why did the imbiber cross the road? To get to this drink at Hide. Though the bar’s beverage director, Scott Jenkins, is a fan of savory cocktails, he knows consumers don’t always warm to the idea. But once the menu’s magnificent mushroom-driven Champion earned a following, he knew he had license to do more. One day, as he was looking for something to complement gin and thyme, a thought occurred: What about chicken stock? “I gave it a try,” he said, “and I was, like, yeah. It’s got that saltiness.” Before you pooh-pooh the idea, know that Brits drink something called a Bullshot, a Bloody Mary alter-ego mix of vodka and beef consommé. (Midnight Rambler’s Pho King Champ shot is not far off, either, with a little oloroso sherry thrown in.) In Jenkins’ yummy Winner Winner, the broth grows more robust as you drink – offering a much-needed remedy for flu season.
Its namesake might not have the fastest run in the west, but Brick and Bones’ Slowpoke Rodriguez is a rush of sweet and heat.
All the drinks at Brick and Bones are named for occasionally obscure cartoon characters, and this one pays homage to Speedy Gonzales’ acceleration-challenged cousin. While its namesake might be slow, this drink is a carefree rush of floral sweet with a dash of heat, with exuberant hibiscus the life of the party. With citrus-y blood orange liqueur and sweet amaretto, “it’s like a Margarita without the acid,” Cantu says.
Sturdivant draws on Angus Winchester’s No. 4 and takes it up a notch.
At The Cedars Social, the pioneering craft-cocktail joint just south of downtown, bar manager Sturdivant is always up for a challenge. For a good while, the bar menu featured a terrific drink called the No. 4, a creation of former Tanqueray Gin rep Angus Winchester. “People would order it all the time,” Sturdivant says. Then, this year, “I was trying to impress a girl at the bar who ordered one, and I told her I could do one better.” His botanical re-do, poured over flamed floral Chartreuse, is somewhere between the original and the classic Bee’s Knees (gin, lemon and honey): On the palate, it’s candied lemon tailgated by a mambo of lush botanicals, aromatic sweet celery and a pleasant, lingering burn.
At Standard Pour, Millspaugh’s Fleur de Feu is like an after-dinner treat around the campfire.
FLEUR DE FEU (Austin Millspaugh, The Standard Pour)
St. Germain elderflower liqueur, Ancho Reyes Verde, Angostura bitters, cream
Austin Millspaugh, you so cray. This creamy off-menu knockout at Uptown’s Standard Pour, with a name that means “flower of fire,” is a low-proof treat, a deceptively sweet drink that actually turns out to be more savory. After the first three ingredients are mixed and poured into a nifty Nick and Nora glass, Millspaugh tops it all with a thin layer of cream, then torches it for a burnt marshmallow effect and a stunning contrast between the foamy top and wine-clear body below. “You think it’s going to be sweet,” he says. “But your notions are debunked the second you sip it.” The creamy fats add texture and depth to a beautiful mix of floral and spicy flavors with smoky overtones.
Hilla merged two of his favorite ingredients — Suze and turmeric — in Bourbon & Banter’s savory Rat Tail.
A fan of the bitter spice turmeric, Hilla wanted to feature it in a cocktail at the speakeasy-style bar where each of his house cocktails features a little razzle-dazzle. He muddled actual turmeric root rather than using the familiar powder, but its tannic earthiness was too overwhelming for tequila, and smoky mezcal was too strong, so he went half and half and added bitter Suze for some botanicals. As with all the bar’s hairstyle-themed drinks, Hilla put some thought into the Rat Tail’s picture-perfect presentation, serving it in a capita and capping it with a spoonful of avocado, cilantro and Basque Espelette pepper, whose mix of flavors both complement and counter. Marked by turmeric’s orange-yellow hue, it drinks like an earthy, slightly bitter Margarita.
It’s high time we had more low-proof cocktails like Hide’s No Scurvy Here.
Texas this year saw the coming of Italicus, a lovely bergamot-forward liqueur from Italy, and in this low-proof libation it pairs with Suze, an equally lovely French gentian liqueur. Ruiz initially set out to produce a Suze “sour” – a category of cocktail built on spirit, citrus and sweetener –and when bar manager Scott Jenkins brought Italicus to the shelf, Ruiz had his tools in place. With a few tweaks brainstormed with his colleagues, Ruiz’s result is soft bitter orange: Bittersweet bergamot and sweet maple balance Suze’s earthy bitterness with the abundant citrus – hence the name – playing off the drink’s orange notes.
If your mouth likes pina coladas and getting caught in a rain of fizzy tang, Yarbrough’s Colada No. 2 is your escape.
COLADA NO. 2 (Chad Yarbrough, Armoury)
Cachaca, lime, orgeat, soda, coconut balsamic
This tangy tiki tipple, an obvious nod to its classic predecessor, was conceived as Yarbrough was browsing 1890 Marketplace, the most excellent olive oil and vinegar shop that at the time had just opened a few blocks away on Main in Deep Ellum. Having discovered the shop’s coconut balsamic vinegar, “I tried it and I was, like, we have to do something with this,” he said. Thus was born the Colada No. 2, a sweet and nutty mouthparty tempered by a tantalizing tang. Tangs a lot, Mr. Yarbrough. Tangs a lot.
This ain’t rocket science: Hide’s Delight is perfect for your afternoon.
Nothing at Hide is simple. They just make it look that way. Mostly when you’re not looking, spirits are “milk washed” and relieved of their harshness, citrus juices are clarified for a pure veneer and soda and tonic water are eschewed in favor of a lighter-handed carbonating device. The radiant Delight – Jenkins’ low-proof, bittersweet ballet of Italian aperitifs tamed with soft grapefruit and elderflower – is perfectly crisp and flavorful, whirled in a Perlini device for a delicate fizz that curls up on the roof of your mouth like a cat settling onto a sunny windowsill.
For a time, LARK drifted into a bit of a tailspin, but with Trevino at the helm, the drinks, at least, have regained their footing. This was the finest of his new additions to the menu, a play on the Last Word – a classic which, full disclosure, I adore – that drinks like candied apricot in a glass. Trevino says when he first tasted the fruity, spicy notes in this American-oak-aged whiskey, part of Johnnie Walker’s Blenders’ Batch series, “I immediately thought of apricot,” he said. “We didn’t have anything on the menu that was like a Last Word, so I built it that way.” With whiskey standing in for gin, lemon for lime, Yellow Chartreuse for Green and apricot liqueur for maraschino, it’s a handsome, honey-gold humdinger with bold autumn flair.
When the genie in the bottle hasn’t been loosed for a quarter-century, everybody wants a piece. The pouring of a 25-year-old bottle of Mandarin Napoleon, at Tales of the Cocktail 2017.
NEW ORLEANS – The oversized bottle of Mandarine Napoleon, perched atop a pedestal, had gone unopened for 25 years when it arrived at New Orleans’ Napoleon House in July. Here, ambassadors of Belgium-based Mandarine Napoleon had chosen Tales of the Cocktail, the spirits industry’s largest annual gathering, to unveil a taste a quarter-century in the making. Because some things, you know, are worth waiting for.
The unveiling took place on the second floor at New Orleans’ Napoleon House.
Nearly 200 years ago, New Orleans’ mayor had offered this French Quarter residence as a refuge to exile-threatened General Napoleon; hence the name of the classic bar downstairs. Now, a small crowd swirled and sipped cocktails in anticipation of this unique aged offering of Napoleon’s treasured blend of cognac and mandarin orange liqueur.
At last, the cork was loosed and glasses were filled, in carefully measured amounts. The notes of sweet orange were exquisite – and the coterie cooed in excitement, aware that the experience was both rare and unrepeatable.
**
Priced at $30,000, only 74 bottles of Bowmore’s limited-edition bottling exist — and they come in a really cool box.
With Christmas just around the corner, makers of rare and vintage spirits are pimping their wares with the subtlety of Paul Revere on his midnight ride. But while few have the bling to splurge on these liquid unicorns– say, one of just 74 bottles of Bowmore 1966 Scotch (priced at $30,000) or even a more fathomable $400 bottle of Johnnie Walker Blue Label “Ghost and Rare” – last summer’s Tales festival offered the chance to try a few gems that would be soon available to the general public.
Along with the 25-year-old Mandarin Napoleon, there were vintage releases from London-based Last Drop Distillers – which, despite the name, is not actually a distillery. “We describe ourselves as the antique dealers of the spirits world,” said joint managing director Beanie Espey.
Last Drop’s Beanie Espey displays a mini bottle of the precious liquid at Galatoire’s.
The intimate lunch tasting unfurled on the lively second floor of iconic French Quarter restaurant Galatoire’s, where Espey had brought along Last Drop’s two most recent releases, keeping them carefully at hand like a femme from a Bond film ferrying a briefcase full of jewels.
A decade ago, Espey’s father James and his business partner Tom Jago – creators of Bailey’s Irish Cream and Malibu Rum – realized there were prize liquids out there going unenjoyed, the forgotten or neglected creations of quality distilleries willing to pass them on to others for proper care. The two formed Last Drop Distillers to gather what rare rosebuds they could. “These whiskeys really shouldn’t exist,” Espey said. “They’re all happy accidents.”
A pour of Last Drop’s 1971 Blended Scotch. The company describes itself as the antique dealer of the spirits world.
In nine years, the company has launched six products, producing an exclusive 5,000 bottles presented in leather cases complete with a Last-Drop-monogrammed cork stopper. “We want to curate and collect the world’s finest spirits,” Espey said – and not just Scotch, either; cognac, rum and fortified wine are all in the works or under consideration.
As a dapper old gent marked his birthday a few tables away flanked by cackling ladies in fine hats, Espey poured a sample of Last Drop’s 50-year-old “double-matured” Scotch whisky, released in 2015. A blend of more than 50 malt and grain whiskies, the batch had been first aged in bourbon casks, intended to be marketed in Asia as a 30-year-old whisky. A portion, however, lived on to be transferred to oloroso sherry casks for two decades, forgotten in the Scottish lowlands – and then rediscovered, Last Drop says, at just the right moment for bottling.
Last Drop’s 1971 Blended Scotch Whisky was named Scotch Whisky Blend of the Year in Jim Murray’s 2017 Whisky Bible.
Only 898 bottles had been produced, and few remain available; before us sat bottle No. 193. The 50-year-old whisky still packed a firm handshake, with notes of autumn fruit and spice.
Espey then gingerly poured a dollop of last year’s highly acclaimed release, Last Drop’s triple-distilled, 45-year-old 1971 Blended Scotch Whisky ($3,999), named Scotch Whisky Blend of the Year by Jim Murray in his 2017 Whisky Bible and still available at select retailers. The allotments were generous considering the bottles’ price tags, making them worthwhile gift splurges for big spenders. “That’s a hundred dollars in that glass,” Espey said.
Having first been aged in bourbon casks for 12 years, the blend had been moved to sherry casks for nine years before being returned to bourbon casks for 24 more restful years. Slightly nutty and fruity on the nose, its taste was smoky and subtle, with notes of dried apricot. “It’s a very classic 1970s blend,” Espey said. “It’s quieter, but it wins you over. It’s quite charming.”
Next up for Last Drop? A nearly 150-year-old Tawny Port.
Hennessy’s master of distillation, Olivier Paultes, describes the single-batch project to attendees at Tales of the Cocktail 2017.
A day earlier, a few dozen attendees had gathered in the naturally lit back room of Bevolo Gas & Electric Lights, a 72-year-old French Quarter fixture, for a preview of Hennessy’s Master Blend No. 2, a limited U.S.-only offering ($75 at Total Wine; also available at other retailers) that finally hit shelves in late October.
Renowned cognac authority Olivier Paultes, the brand’s 53-year-old director of distillation, explained how more than a decade ago, Hennessey launched the single-batch project in which eaux de vies, or unaged grape distillates, are aged 18 months in young French oak barrels before being moved to older ones — for a total aging of at least 10 years.
Hennessy’s Master’s Blend No. 2 is the second in a single-batch series initiated by the brand’s former master blender, Yann Fillioux.
Along the way, the barrels are moved to damp or dry cellars, depending on the desired effect; each blend is bottled only when and if Hennessy feels it has something interesting to say, introduced to the world when deemed worthy. The wonderfully spicy Master’s Blend No. 1, released in 2016, was a blend of between 80 and 100 eaux de vies between 5 and 15 years old.
“Maybe (a particular blend) doesn’t have the profile of (traditional) Hennessy, but it has its own worthwhile notes,” said Jordan Bushell , the brand’s national ambassador. “Maybe we don’t do it one year. It’s all based on the grapes and how they speak to us. If they don’t tell an interesting story, there’s no point making a blend.”
Luckily for those gathered at Bevolo, Hennessy had indeed chosen to issue the series’ second release. Barely a handful of humans had sampled the Master’s Blend No. 2 before our group, only one of them unconnected to Hennessy. The 86-proof blend veered rye-like, spicy and bold and velvety, with notes of pepper, clove, nutmeg and licorice combining for an extended finish. An elixir made for sipping neat or on the rocks, the cognac is sold in a gorgeous, artist-designed bottle.
Dallas’ Josh Hendrix describes the Master’s Blend No. 2 as “history in a bottle.”
And once they’re gone, they’re gone. “You will never taste it again,” said Paultes, who became the youngest master blender in France when he was just 25. Or as Josh Hendrix, a Dallas-based Hennessy rep, puts it: “This is history in a bottle.”
Bushell, the brand’s national ambassador, said the single-batch project offers “freedom, in a way, to create something that’s just… a taste of the moment. And to not have to recreate it again. There’s that freedom of expression to show off cognac in a different way. It’s all about the celebration of the moment.”
At a time offering plenty of celebratory moments, it might be worth adding one of these sippers to your own collection – or wrapping one up to pass along the love.
Correction: An earlier version of this story misidentified Last Drop Distillery’s co-founder, James Espey, as David Espey.
Booze news and adventures in cocktailing, based In Dallas, Texas, USA. By Marc Ramirez, your humble scribe and boulevardier. All content and photos mine unless otherwise indicated. http://typewriterninja.com
