Category Archives: Austin

Dallas bartenders help create a buzz at spirits industry’s annual festival in New Orleans

Tales of the Cocktail 2014
The Standard Pour’s Brian McCullough, all smiles amid the storm that was Texas Tiki Throwdown.

NEW ORLEANS — They came, they saw, they cocktailed. Never mind that it was 10:30 in the morning: That’s how Tales of the Cocktail rolls.

Naturally, no state was better qualified to kick things off than Texas, which launched the annual spirits industry’s opening salvo for the third straight year. The Texas Tiki Throwdown and its lively contingent of bar peeps representing Dallas, Houston, Austin and San Antonio had transformed the chandeliered conference room of New Orleans’ stately Hotel Monteleone into a little tiki paradise, with thatched-roof huts, Hawaiian shirts and a makeshift parrot perched on the shoulder of Dallas ice master Mate Hartai.

It was the kind of atmosphere in which a woman with blue-green hair could tell you her name was Christa Monster and get away with it. The bartender from Houston’s Bar Boheme had won a Bacardi-sponsored competition to earn the trip to Tales, and her clever, crowd-pleasing Lady of Lake Laguna did not disappoint – a frozen blend of aged rum, coconut, orange soda, blue curacao and a spiced-peach-and-Sriracha puree that alternately offered ice and heat. “It’s like, not taking tiki too seriously,” she said.

Tales of the Cocktail 2014
From upper left: The Texas crew; the TOTC logo in host Hotel Monteleone; Christa Monster’s Lady of Lake Laguna cocktails; Houston’s Ricardo Guzman; your guess is as good as mine.

Dallas was well represented, with seven bartenders stationed behind three tables knocking out drinks in all manner of tropical style. Along with Hartai, there was Brian McCullough of The Standard Pour, Bonnie Wilson of Fork It Over restaurants, Knife’s Charlie Moore and the soon-to-be crew of Michael Martensen’s Proof + Pantry: Julian Pagan, Trina Nishimura and the two Joshes, Hendrix and MacEachern.

“There’s too much to try this early in the morning,” said conference attendee Teddy Bucher, though that didn’t dissuade the Houston engineer, friends Laura Villafranca and Michelle Mata and the dozens of others mobbing the room from making a valiant effort.

Over in the Austin corner, David Alan, aka the Tipsy Texan, mined his own cocktail book for the Flor De Pina, a tequila concoction pairing tequila with St. Germain, while Houston’s Ricardo Guzman of the bar Trinity planted “KISS” cocktails on anyone lucky enough to try the mix of Veev, cinnamon syrup, lemon and pineapple.

Tales of the Cocktail 2014
They’re from St. Louis.

Houston Eaves of the always reliable Esquire Tavern was among those representing San Antonio, churning out an intriguing Tiki Tejano with tequila, carrot juice and crème de cacao, plus the pleasantly sweet Coyote’s Den, made with aquavit, acai-based Veev, orgeat, grapefruit, lemon, simple and Peychaud’s bitters.

Tales of the Cocktail 2014
The Western, Brian McCullough’s contribution to the event.

McCullough’s standout cocktail, which he called simply The Western, gave Treaty Oak rum a little giddy-up with orgeat, yuzu juice, mint and Angostura bitters. One attendee, having made the rounds, walked up and proclaimed McCullough’s drink the best. That prompted some friendly joshing of the Joshes, Hendrix and Maceachern, who were serving up their drinks from a punchbowl at the next table.

“You’re gonna trust that palate?” countered Hendrix, whose Flashy Slang – a cherry-infused blend of Sailor Jerry spiced rum and citrus, would get support from another attendee, Dallas underground-dinner chef David Anthony Temple.

But it was all in fun anyway, a means to kick off the first of the festival’s five days of workshops, tasting rooms, trainings, dinners, parties and general mayhem.

Tales of the Cocktail 2014
The Dallas crew, clockwise from upper right: Mate Hartai, Brian McCullough and Charlie Moore; Bonnie Wilson, Trina Nishimura and Julian Pagan; Josh MacEachern and Josh Hendrix.

“I’ve been coming to this (festival) for years,” said Houston’s Villafranca, a high school counselor who got into craft cocktails when the pioneering bar Anvil opened near her home. “I went in there, and it was like – oh my god. I trust them completely.”

Between the three friends, they’d been able to sample most of the four Texas cities’ creations.

“Houston was great,” Mata said. Then she whispered: “But I’m leaning toward Dallas.”

 

Jason Kosmas is taking his talents to Austin

At Libertine Bar
Austin-bound badass Jason Kosmas, who leaves an indelible mark on Dallas’ cocktail culture. Monday, at Libertine Bar on Lower Greenville.

Bolsa, in Oak Cliff, was among the pioneers of Dallas’ early cocktail scene, and Standard Pour’s Eddie Campbell, who headed Bolsa’s bar program at the time, remembers the first Friday he ever worked there with a new guy from New York named Jason Kosmas.

It was 2011. Fridays were ridiculously busy, and that night was no different: people were shouting orders from three or four deep, and Campbell and his regular sidekick Johnny were getting killed. “Hey, should we check on the new guy?” Johnny asked.

Campbell had forgotten all about Kosmas amid the flurry, so the question threw him into a mild panic. He ran over to the other end of the bar and asked what he could do. Without an ounce of stress, Kosmas turned and said, “I think I’m okay.”

“And he was,” Campbell recalls. “Everybody on his side of the bar was happy, with a full drink — beautiful colors and garnishes…. every drink looked like a masterpiece. That’s when I realized: Jason Kosmas is a total badass.”

Kosmas is a total badass, but you would never know it from his demeanor. Co-founder and co-owner of New York City’s renowned Employees Only and one of the bartending luminaries behind new spirits line The 86 Co., Kosmas is one of the most humble, upbeat and likeable guys around. But if cocktail culture in Dallas has gone from practically zero to 60 in the last two years (and it has), it’s fair to say that Kosmas has been among those at the wheel.

Now Kosmas is taking his talents to Austin, which will no doubt benefit immensely from his arrival.

It’s difficult to fully capture the impact that Kosmas has had on Dallas since arriving here with his unflappable, affable scruffiness. You can talk about the places he worked at and helped put on the map early on (Bolsa, Windmill, Neighborhood Services Tavern) and the places he opened (Marquee) and the very many places he’s left his mark on (Malai Kitchen, The Greek, etc.), but for many in the scene, it’s his ready assistance and mentorship behind the scenes that resonate most powerfully.

“Gonna miss you J,” wrote The People’s Last Stand’s Brad Bowden on Facebook. “Thanks for all the advice and words of wisdom you have given me… meant a lot to me.”

Kosmas came to the Dallas area for both family reasons and business opportunities, and that’s what’s taking him deeper into the heart of Texas: The capital city is more centrally located, putting him in better touch with amped-up drinking cultures in Houston and San Antonio as well. Besides, he’s done what he can in Dallas, which has now eclipsed adolescence, a vibrant cocktail city ready to move forward on its own.

“What I can contribute is over,” he says. “There’s not a lot of challenges left for me here.”

Other people have helped make that happen too, and the city’s collaborative atmosphere has propelled it forward. Kosmas was instrumental in instilling that sense of teamwork.  “As time went on,” says Standard Pour’s Campbell, “we all got to know him better and realized what an incredibly nice guy he is, and watched as he offered help to anyone who wanted it. I’ve constantly been amazed at how easy he makes everything look.”

Kosmas, who has already been moving back and forth between the two cities, doesn’t plan to be a stranger here once he leaves for good, by week’s end.

In his own modest way, he wrote about his departure:  “I have been embraced and am grateful to have been a part of a rapidly growing restaurant community….  It is bittersweet. I feel so fortunate to have been able to watch the city change and play some small role in it.”