Category Archives: Knox-Henderson

Cocktails are everywhere, Fancydranks, Knox-Henderson, People

Even the five-stars get Lucky sometimes: Bartender Campbell now at Abacus

Lucky Campbell: Now making your drank amid some swank (Photo by Sheila Abbott)
Lucky Campbell: Now making your drank amid some swank. (Sheila Abbott)

Don’t look now, but The Man in the Fedora is on the move again. And apparently, so is his fedora. After five months at Uptown’s Standard Pour, Lucky Campbell has taken his crafty talents to The Bar at Abacus, the five-star Kent Rathbun restaurant in Knox-Henderson.

It’s a significant move for the elegant, Pacific-Rim-themed restaurant, which is looking to ramp up its bar program as Dallas cocktail culture continues its rapid maturation beyond hipster bar territory. “We’ve always had a great wine program, but we wanted to give a little more attention to our mixology and cocktails,” says Abacus manager Robert Hall.

It’s also a big step for the gifted, gravelly-voiced Campbell, who’s swapped his trademark fedora for the clean-cut, all-black duds of the Abacus bar corps. Though that might sound a bit like Superman doffing his cape, Campbell was giddy in his third day on the job, riotous hair tamed back into a ponytail as he roamed his posh, dimly lit new surroundings Saturday night like a youthful Steven Seagal.

“I’ve never worked with a kitchen of this caliber,” he says. “It’s good to be around people who understand what you want to do.”

Campbell's latest creative venue is a whole new environment. (Marc Ramirez)
Campbell’s latest creative venue is a whole new environment for the freewheeling bartender. (Marc Ramirez)

Campbell, whose resume includes the Mansion at Turtle Creek, Bolsa and the ill-fated Chesterfield, is now flexing his frenetic, creative energies alongside barmen Jason Long and Jordan Gantenbein, and he hopes to eventually have some influence on Abacus’ evolving drink menu and bottle selection, which typically trends toward martini spins and classic variations.

The kitchen, he says, has a Zen feel to it, a sort of flowing, if regimented, rhythm that the bar staff hope to instill as well. That means more efficient use of space and time. It could also mean barrel-aged cocktails. “Nobody here is waiting for a drink,” Campbell says.

“I miss my boys (at Standard Pour),” he says. “But I am loving the new gig.”

In a place where creativity is nourished, where the pastry chef and other staff are responsible for the gorgeous artwork gracing the walls, you get the sense that Lucky is feeling very lucky indeed.

Bars, Knox-Henderson

Retro room: The Establishment is officially up and running

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Before entire music libraries and players fit in your hip pocket, there was the age of console stereo systems. Back then, you’d veg out to the vinyl crackle of REM or Pink Floyd in the darkness, the light of the receiver glowing from behind the frequencies on the AM/FM radio display.

That’s the feel you get at The Establishment, the long-anticipated cocktail lounge from Mike Martensen and Brian Williams in Dallas’ Knox-Henderson neighborhood.

It’s no accident, because if The Cedars Social, the James-Beard-nominated bar Martensen and Williams co-own south of downtown, is decidedly 70s retro, The Establishment is even more so — dark, cozy and swank, with sleek wood paneling creeping from the walls onto the ceiling above the bar.

Plush, U-shaped booths wallow in the murk. A shag-carpeted back room features vinyl-ornamented shelves. The whole scene is soul-ified by a soundtrack courtesy of Al Green, Stevie Wonder and Earth, Wind and Fire and recalling a time of gold chains, leisure suits and bell bottoms.

“I feel like I could walk into that (back) room and hair would grow on my chest,” said Ian Reilly, who runs the bar at Dallas’ Bowl and Barrel.

The speakeasy atmosphere begins on Travis Street, where no obvious sign or entry marks The Establishment’s existence. An unlit hallway bends into the nightlight-dim lounge, where the bar glows in the darkness like the Yamaha tuner in your daddy’s man cave.

“I think this is what my dad thought his basement bar looked like,” said Charlie Papaceno, the stalwart behind Dallas’ Windmill Lounge, admiring The Establishment’s wood-paneled setup with a Manhattan in hand. “I’m sure when he looked at it, this is what he saw.”

In its purposefully quiet, early opening days, small numbers and familiar faces demonstrated the intimacy of the space, snug as a den. So far there are no stools at the bar and plenty of room to move around or melt into the shadows, as long as the numbers remain limited. And Martensen insists that’s the idea: A host will make sure attendance tops out at 48, which is why reservations may ultimately be recommended. “It’s never going to be crowded,” he says.

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Not everything about the room is perfect: A prominent staircase, set off by a pair of stanchions, leads temptingly to nowhere but offices. But that’s a small trifle, and of course it’s the drinks we’re here for. There’s no menu, just a list of spirits, your own desires and the whims of the dapper wizards behind the bar. Name a poison, vote spirit-forward or not, claim a preference for bitter or sweet — whatever you fancy. Mezcal is how I dive in: bartender Mike Steele churns out the Slow Trombone, an apricot-tinged concoction he’s still perfecting. Later, Omar Yeefoon, The Establishment’s bar program manager, works magic with Hum, one of my preferred liqueurs.

“That’s the great thing about working here,” says Steele, exhibiting a sheet of note paper with scribbled ingredients and proportions on both sides. “All these drinks, I came up with last night.”

If hit-or-miss experimentation isn’t your thing, go safe with a classic; in the hands of these bartenders, you won’t go wrong.

And when Marvin Gaye’s “Got to Give It Up” comes on, you’ll know you’ve officially crossed the Boogie Nights barrier.

— Marc Ramirez, 3/8/13