Adventures in cocktailing, based in Dallas USA -- drinking globally, acting locally. Barmoire is Marc Ramirez -- journalist, boulevardier, lover of food and drink and winner of exactly one cocktail contest.
An unforgettable cocktail launched an unforgettable year: Martensen’s Apple Boilermaker.
It was the best of times, it was the thirst of times, and 2014’s constantly unfolding craft-cocktail kaleidoscope unfurled a spirited array of events for DFW’s imbiberati. Here’s a look back at the year’s top stories:
Campbell and Martensen: Spittin’ spirited rhymes at Abacus for all too brief a time.
JANUARY: Eddie “Lucky” Campbell and Michael Martensen together behind the bar at Abacus
From darkness, light: For a brief but glorious time, the chaos set in motion by Eddie “Lucky” Campbell’s displacement from the late Chesterfield and Michael Martensen’s abrupt exit, along with his bar team, from Bar Smyth and The Cedars Social actually set the stage for two of the city’s most talented and influential bar men to pair up behind the bar at Abacus. The two have a longstanding rivalry – “I’m Seabiscuit and he’s War Admiral,” Campbell once told me. “I’m hard working, and he’s a fucking genetic miracle” – that continued to unfold at Abacus to customers’ benefit, especially late, once the kitchen had closed. One evening we rolled in and the two went back and forth like b-boys, throwing down cocktail creations to put each other’s to shame until Martensen slipped off to a corner to focus on a bit of handiwork. “What’s he doing over there?” Campbell wondered with his sly smile. Martensen emerged with what you see at top: A frothy apple boilermaker made with Deep Ellum Blonde, Cointreau, apple brandy, whole egg and a hollowed-out half-eggshell cupping a whiskey shot. Boss.
Libertine’s influential former head barman doing his thing.
MAY: Mate Hartai says goodbye to The Libertine Bar
For years, Hartai — chief barman at Remedy, opening tonight –was synonymous with the Libertine, which he helped transform from solid neighborhood bar to a den of craft-cocktail prowess and innovation. But after five years at the Libertine, Hartai decided it was finally time to move on to other things – namely The Cold Standard, the craft ice business he’s been shaping for some time – and most recently, Remedy, the new Lower Greenville project from HG Sply owner Elias Pope.
The Dallas crew, clockwise from upper right: Hartai, Brian McCullough and Charlie Moore; Bonnie Wilson, Trina Nishimura and Julian Pagan; Josh MacEachern and Josh Hendrix.
JULY: Texas Tiki Throwdown at Tales of the Cocktail, New Orleans
The DFW presence at the spirit industry’s biggest annual gathering has gotten larger and larger, with dozens of bartenders and spirit reps on hand for 2014’s event. Among the festival’s kickoff happenings was the Texas Tiki Throwdown, where DFW drink-slingers went mano-a-mano with others from Houston, Austin and San Antonio. It’s fair to say everyone left the conference room with Lone Stars in their eyes.
Um, this.
JULY: Driftwood introduces an oyster shooter flight
They say the world is your oyster, but sometimes oysters are your world: This little bit of brilliance from Oak Cliff’s disappointingly defunct seafood establishment briefly brightened up my existence. Four oysters on the half-shell, each shell filled upon consumption with one of four spirits or liqueurs: Manzanilla sherry, mezcal, single malt whiskey and Pernod. Let bivalves be bivalves!
Out of the wilderness, a mysterious elixir.
AUGUST: Hendricks Gin’s Kanaracuni unveiling
Dallas was one of a handful of cities this summer in which Hendricks Gin chosed to unveil its rare Kanaracuni gin, a single-batch production made from a plant culled from the Venezuelan rainforest. Hendricks knows how to put on an event, and the fancifully exotic tasting, conducted at the Dallas Zoo, did not disappoint: Bordering on elaborate fantasy, it featured tales of adventure and large insects and finally samples of the amazing kumquat-flavored gin, which in intentionally ephemeral fashion shall never be seen again.
Josh Maceachern, among Michael Martensen’s reunited bartending crew at Proof + Pantry.
AUGUST: Parliament and Proof + Pantry open
As noted above, Lucky Campbell and Michael Martensen’s longstanding rivalry can occasionally reach ridiculous proportions, so it was only logical that their two long-awaited projects would open on the same night — Parliament in Uptown, and Proof + Pantry in the Arts District. (“How ridiculous is that?” Campbell told me a couple of nights before the big event.) Both have met expectations, garnering local and national acclaim.
Everything is illuminated: The new gem in Dallas’ cocktail scene.
OCTOBER: Midnight Rambler opens
Behind their Cuffs and Buttons consulting enterprise, cocktail masters Chad Solomon and Christy Pope have long been influences in DFW’s drinking scene, but it wasn’t until this fall that Midnight Rambler, the bar the two have long dreamed of opening, launched at the Joule Hotel. The swanky subterranean palace and its lineup of well-conceived libations take the city to another level, marking another step in its craft-cocktail evolution.
Venerable barman Charlie Papaceno: No longer tilting at the Windmill.
NOVEMBER: Charlie Papaceno leaves the Windmill Lounge
After nine years at the landmark lounge he co-founded with Louise Owens, Papaceno left the venerable dive spot to pursue plans to open a new bar in Dallas’ Cedars neighborhood. One of the scene’s elder statesmen, Papaceno’s bespectacled mug was a steady presence behind the bar at Windmill, which became an early haven for Dallas’ budding craft-bartender scene and went on to garner national attention – including a nod as one of Esquire’s best American bars.
Slinging tiki drinks at one of five pop-up bars at Henry’s epic Trigger’s Toys benefit. (Mary Christine Szefzyk)
DECEMBER: Trigger’s Toys annual benefit event featuring five pop-up bars
I was crushed to miss this epic event, which made use of the long-unused warren of space at recently opened Henry’s Majestic in the Knox-Henderson area. Five pop-up bars featuring teams of bartenders from DFW and beyond went all out to raise money for a Dallas charity serving hospitalized kids. From sports bar and tiki bar to country saloon and nightclub, it was a raucous party that garnered $100,000 for the cause.
ONGOING: Collectif 1806’s bartender book club events
The bartender education and support arm of Remy Cointreau USA, helmed locally by Emily Perkins, has helped remind that the whole craft-cocktail thing is less revolution than revival. At its periodic exclusive book club gatherings, bartenders page through some of Cointreau’s extensive collection of vintage cocktail tomes, perusing recipes and gleaning old knowledge and then passing the reaped benefits along to consumers. Everybody wins.
Clockwise, from upper left: Polo’s Scallywag, Papaceno’s Kentucky Eye Opener, Brown’s Peach Pisco Sour and Long’s Summer in Manhattan.
I see you, 2014. You didn’t have it easy. Not only did you have much to live up to after a year that saw DFW’s craft-cocktail scene garner national attention, but you had to do so on the heels of events that threatened to knock the wheels off the whole thing.
A year later, DFW’s mojo is back. Because beyond all the drama, a critical mass of cocktail ninjas just kept doing their thing, widespread seeds of creativity that found new places to grow and blossom, while others were enriched by the newfound talent beside them.
It was a banner year for veggies: At Victor Tango’s, former bar chief Alex Fletcher used pea-infused Old Tom gin prepared sous-vide-style for his refreshing Swee’Pea, while over at The Ranch at Las Colinas, Robin Milton’s Maverick combined roasted corn with tequila and spicy Ancho Reyes liqueur for a nice salsa-in-a-glass effect. At LARK on the Park, Matt Orth’s Hanging in the Garden served up a nom-nom liquid salad of mint, basil and cherry tomato, while Anthony Polo’s Scallywag was a scallion-laced standout at The People’s Last Stand.
Other highlights included Jason Long’s apricot-tamed Summer in Manhattan at Abacus, which appealed to both genders by giving the classic cocktail a luscious fruity smoothness. At Meddlesome Moth, bar manager Lauren Loiselle kicked another classic up a notch with her barrel-aged Negroni. And Charlie Papaceno, formerly of the Windmill Lounge, juiced up bourbon with coffee to make his energizing Kentucky Eye Opener.
I could go on. A few of these drinks are still available; some, being seasonal or dependent on a limited supply of house-made ingredients, are not; some were bartender’s creations built totally off-menu. And at least one place, regrettably, has closed (at least temporarily). But that’s the nature of the biz: Sands shift, talent moves on. As always, it’s the people who make the scene: Follow them and you won’t go wrong.
With that, here are my favorite 15 cocktails of 2014.
Alternately named Autumn at Lake Winnepesaukee, Reith’s seasonal treat is way more fun to drink than to say.
15. WHAT ABOUT BOB?, Michael Reith (Windmill Lounge, Oak Lawn)
Here’s a drink that’s easy to fall for, playing as it does on seasonal flavors. To be more exact, Reith’s radiant refresher at Oak Lawn’s Windmill Lounge pairs bourbon with the holiday’s New England influences: “I get a lot of people who come in here from Boston, or New Hampshire,” he says, “so I was thinking, what could I make them?” Maple and cranberry came to mind – “I was trying to evoke cranberry sauce, but in a good way,” he says – as did the spices of mulled cider. The result, named for the Bill Murray/Richard Dreyfuss comedy set in New Hampshire, supplements Angel’s Envy bourbon with lemon, cranberry juice and maple syrup, plus nutmeg, clove and cinnamon, topped with a fragrant sprig of rosemary.
From its initial rosemary rush to its herbaceous conclusion, Orth’s spicy libation was one you’d want tiptoeing through your two lips.
14. SMOKING GARDEN, Matt Orth (LARK on the Park, downtown)
Matt Orth likes his herbs. This beauty appeared way back in January, when Orth had some house-made Thai-chili-infused St. Germain (an elderflower liqueur) on his hands. He shook that with basil, lime, slightly aged tequila, ginger liqueur and herbaceous Green Chartreuse, capping it with a smoked sprig of rosemary to wow the nose. The spicy bouquet offered pleasant heat and a sweet, sweeping floral finish, a garden-fresh treat for the senses.
Festa’s Common Elder: A vodka concoction of surprising depth that made you respect your elder.
13. COMMON ELDER, Lauren Festa (FT33, Design District)
Yes, I typically avoid vodka, but such is the legerdemain of Lauren Festa, who before she moved on to helm the bar program at The Mansion at Turtle Creek was making magic at FT33 in the Design District. Festa grew up watching the Food Network instead of cartoons, so maybe that explains this deceptively tame mix of Hophead vodka, elderflower syrup, ginger liqueur, ginger and lemon – a drink that started out delicately tart and sweet and then, just as it seemed about to fade, unveiled a hoppy ending all dolled up in elderflower. And with a gorgeous elderflower garnish, it was a treat to look at, too.
Getting the Last Word: Guillen’s play on one of my favorite classics made an memorable statement.
12. SEVENTH SAMURAI, Armando Guillen (The Standard Pour, Uptown)
Last summer, Bombay Sapphire hosted a DFW regional competition at Uptown’s Nickel & Rye, part of its annual nationwide hunt for “GQ’s Most Imaginative Bartender.” After the contest, won by FrontBurner’s Bonnie Wilson, the festivities moved on to The Standard Pour down the street, where Guillen whipped up this little number that could have easily held its own at the event. Featuring his house-made hibiscus-lemongrass cordial – which he’s just replenished, so you can still enjoy this one – it’s a play on the classic Last Word’s mix of gin, sweet, citrus and Chartreuse. Its floral and citrus medley of Bombay Sapphire, Yellow Chartreuse and Asian yuzu juice, along with the cranberry-sauce-scented cordial and a shake of lavender bitters made a tantalizing statement that gave Guillen the last word after all.
Why Slater’s Blue Moon hit my eye like a big pizza pie: Its amari.
11. BLUE MOON, James Slater (Spoon Bar & Kitchen, North Dallas)
The bar at Spoon – which closed this week, at least temporarily – was not as well stocked as its other craft-cocktail siblings, but luckily James Slater, who took over the program around mid-year, had license to play. One day, exploring a Korean grocery store, he found a jar of pulpy blueberry preserves. “You could see the blueberry skins inside,” he says. He bought a jar and experimented; lighter spirits failed aesthetically, creating a dirty water effect. This is where it gets Reese’s-Peanut-Butter-Cup-good: Right around the time that Slater was noodling something dark to cloak the pulp, I walked into Spoon seeking something dark and bitter. Slater mixed the blueberries with lemon and the only two bitter amari he had on hand, Averna and Fernet, to amazing effect; the end result, garnished with aromatic mint, tamed Fernet’s aggressive bitterness with velvety sweetness and just the right hint of tart.
Orth’s green bartender thumb delivered again on this concoction that deserves to be served at farmer’s markets everywhere.
10. HOUSE OF FRIENDS, Matt Orth (LARK on the Park, downtown)
You get the sense that if Matt Orth weren’t busy making your bar experience all better at LARK that he’d be perfectly at home on the farm, tending to his herbs and vegetables and berries, pruning and snipping and tilling and picking and all that. From his Hanging In The Garden (noted above) to the blackberry-infused whiskey masterpiece he conceived for a Jameson competition a few months ago, he’s handy with the fruits of the earth. No wonder, then, that this delicately complex mix of tequila blanco, cilantro-infused dry vermouth, pear liqueur and sweetly herbaceous Yellow Chartreuse unfolds across the palate like a breeze on Sunnybrook Farm. Garnished with a bit of grapefruit zest, its initial agave flavor melds into cilantro, then embraces the sweet pear before waltzing away into the flowers.
Using her noggin: Naida’s creation offered the eggnog experience in a manner even a vegan could love.
9. NOGAHOLIC, Juli Naida (Barter, Uptown)
With barman extraordinaire Rocco Milano as her sensei, Juli Naida – on her way to join Mate Hartai at Remedy, officially opening today on Lower Greenville – has come a long way since her drink-slinging days at the Mason Bar. Responsible for a good portion of Barter’s current cocktail menu, she embraced Milano’s offhand suggestion of a seasonal eggnog-themed “flight” and created a series of killer cocktails to roll out in mini form. Her Nogaholic was the least dessert-y of the bunch, and to me the most delicious, evoking the flavors of eggnog sans dairy, eggs or cream: Naida dialed down Cruzan’s potent Black Strap rum with simple syrup and a tincture made with vanilla, cinnamon, clove and nutmeg. The result is wintry and belly-warming, nog without the density — or the animal products. As my friend Rachel described it: “It’s a vegan’s Christmas wish come true.”
The Smoky Daiquiri seriously made me want to see what Fletcher, now at Henry’s Majestic, could do with a sow’s ear.
8. SMOKY DAIQUIRI, Alex Fletcher (Victor Tango’s, Knox-Henderson)
Smoked beer. It’s a thing. A pretty funky thing, if you ask me, at least judging by the whiff I got of the German-made Aecht Schlenkerla Rauchbier, a neutral grain spirit that wormed its way into the primo lineup of beers that Victor Tango’s piled up in 2014. On its own, the malty rauchbier was earthy and harsh, almost nasty like a bad vegetable; the smell called to mind a college laundry room. So of course cocktail master Alex Fletcher – who has since taken over the bar at Henry’s Majestic – had to make a cocktail with it. “That’s what you’d want in that, though,” he said of his clever Smoky Daiquiri, which incorporated the beer into a simply presented daiquiri mix of Blackwell rum, sugar, lime and a pinch of salt. “That salty, spicy funk.” In the drink, the beer’s more off-putting traits vanished; what hit the palate instead was full-bodied lime and tamarind with a sweet tang that got even better as it warmed.
Currying my favor with its skillful use of Indian influences: Trevino’s Bengal Lily.
7. BENGAL LILY, Kevin Trevino (Spoon Bar & Kitchen, North Dallas)
It was the marvelous Madras curry syrup that really shone in this Indian-influenced creation from Kevin Trevino, Spoon’s former bar manager. One day Trevino – now a wine sales rep – saw the curry powder on Spoon’s kitchen shelf and decided to see what he could pull off. He combined his curry syrup with Tru Organic gin, some Fruitlab ginger liqueur and lemon; the gorgeously blonde cocktail welcomed with a zesty garam masala aroma, then smooth, lemony flavor with hints of ginger and an upper-lip-tingling curry heat. The Bengal refers to its Indian notes; Lily refers to a friend. “It’s got that beautiful Indian curry smell and a little bit of spiciness that burns on the back,” Trevino says. “Especially that ginger.” Tru dat.
Fittingly, the top’s always down on a Sidecar, Gantenbein’s inspiration for this deliciously summery cocktail.
6. TOP DOWN, Jordan Gantenbein (Abacus, Knox-Henderson)
Driving around with the top down – that’s what I thought summer was all about until I discovered Gantenbein’s wonderful play on the classic Sidecar. He tricked out cherry-wood-infused Cognac with seasonal Meyer lemon syrup, plus a bit of candied Meyer lemon and a Luxardo cherry garnish in a sugarcoated glass. The drink’s luscious lemon/cherry mouthfeel batted the two flavors around the tongue like a game of air hockey, with cherry emerging victorious. The result was a libation that singlehandedly redefined summer.
Moncrief’s use of Ransom Old Tom gin inspired my name for this fantastic floral foray.
5. ONE MILLION IN UNMARKED BILLS, Pam Moncrief (The Usual, Fort Worth)
One evening at The Usual, I asked for my usual. Which was basically anything using a bitter liqueur. Moncrief – now at Fort Worth’s American F&B, had been working on a little something of her own off-menu, something motivated by a desire to appeal to cocktail newbies and broaden their tastes. But her blend of Ransom Old Tom gin, bitter-smooth Hungarian Zwack liqueur, Dolin Blanc vermouth and Benedictine honey liqueur can please even the heartiest cocktail fan with its well-rounded spicy depths – floral and grape giving way to a honey-bitter finish and a tang that lingers like nightclub ear. A dose of lemon oils atop gives it a nice citrus nose. “I just really enjoy herbaceousness,” Moncrief says. “Zwack and all those amaros are so herbaceous, and I feel like they don’t show up in cocktails enough.” And on that we would agree.
Bird’s barrel-aged bit of brilliance takes the edge off mezcal to smoky, bittersweet effect.
4. CAMARA LENTE, Damon Bird (LARK on the Park, downtown)
Take a sip of bartender Damon Bird’s barrel-aged concoction and you may find that your world has slowed to a Matrix-like sensory crawl. Maybe that’s because camara lente is sometimes interpreted as “slow motion,” or maybe it’s because this beautiful blend of mezcal, orange-y curacao, orange bitters and the bitter liqueurs Aperol and Fernet is just that good. Its mix of mellowed smoke and floral hints finish usher in a second wave of smoke and bittersweet, doused in a tobacco-leaf farewell. Bird first made it one night when he was slammed and somebody asked for “something with mezcal.” “The original version included simple syrup,” he says,” but with the barrel-aging, you don’t need it. It’s one of my few babies.”
The only mystery here is whether we’ll ever get to enjoy this marvelous cocktail again.
3. ENIGMA, James Slater (Spoon Bar & Kitchen, North Dallas)
Oh Spoon, we hardly knew ye. While chef John Tesar hopes to reopen the recently shuttered place in another location soon, Dallas’ fickle relationship with seafood casts more doubts than fishing lines. Its demise would be a shame, because under the guidance of Slater and former bar manager Trevino (see Nos. 7 and 11 above), the restaurant’s bar program quietly cranked out some of the area’s more creative and well-balanced drinks in 2014. Slater’s Enigma emerged as my favorite. Noticing that a pair of Angel’s Envy bourbons were finished in port barrels, Slater was intrigued by the combo: He mixed Rittenhouse rye and port with bittersweet Aperol; the result charts a path between two classics, the Manhattan and the Boulevardier, with hints of raisin and honey. A float of orange blossom adds both a perfume-y aroma and a softly sweet, linen finish. There’s no riddle or mystery here: It’s simply delicious.
The Black Monk’s aromas and flavors led me away on multiple meditative journeys, and still I remain unknowing of all its seductive secrets.
2. BLACK MONK, Creighten Brown (Barter, Uptown)
Speaking of mysteries, I pretty much went bonkers trying to figure out the enigmatic flavor in this fine cocktail. Many a sip later, I still don’t know the answer: It’s a smoky-flavored drink that’s tricky to pin down, greater than the sum of its parts: Brown took a tincture that bar manager Rocco Milano made with tonka bean, vanilla bean and lemongrass and added it to Jameson Black Barrel Reserve Irish Whiskey, bittersweet Averna, the honey-ish Benedictine and a bit of rye-and-sarsaparilla-flavored basement bitters. Every time I tried it, the image of shoe leather popped into my head, but in a most comforting way: The flavors dancing across my tongue included molasses, root beer, pecan pie, cooked honey, even smoky flan. It’s not for everyone – one taster described it as Chloraseptic – but if you enjoy a good cigar, this one is a winner.
Sugar and spice and everything nice: Bowden’s divergent path showed once and for all quien es mas Ancho.
1. DAMNED AND DETERMINED, Brad Bowden (Parliament, Uptown)
Bowden, formerly of Barter and The People’s Last Stand, was never much for Ancho Reyes, the ancho-chile-flavored liqueur that became my crush of 2014, following in the footsteps of botanical Hum and bitter Suze. But when the slightly spicy, vanilla-tinged blend became a Best New Product finalist at last summer’s Tales of the Cocktail festival in New Orleans, Bowden knew he had to do something. Damned and determined was he: Ancho’s bite made it a natural fit for tequila or mezcal, “but that’s what everyone else was doing,” he says (accurately). Instead, Bowden looked to his preferred spirit, rum, and what he devised is essentially a tiki drink, adding sweetly vegetal Green Chartreuse to Papa’s Pilar blonde – “Rum and Green Chartreuse go together like nobody’s business,” he says – along with egg white and a tropical pineapple-vanilla syrup. The egg white gives the ancho a soft bed to lie on; the syrup binds it all together. A last flourish of Angostura bitters atop and you’ve got yourself a magic carpet ride, frothy and floral with a sweet and spicy descent. While he also does a mezcal variation that he calls Aztec Brutality, the original rum version, held aloft on Pilar blonde’s creamy-smooth texture, is a year-topping keeper.
***
HONORABLE MENTIONS NOT NOTED ABOVE: 1874 (Erikah Lushaj, Bowen House); 1919 (Josh Uecker, Blind Butcher); Apples and Oranges (Eddie Eakin, Boulevardier); Ascension Hook (Matt Orth, LARK); El Guapo (Brian Williams, The Establishment); High Ryse (John Campbell, Abacus); Imenta (Marcos Hernandez, Bolsa); Nicaraguan Breakfast (Carlo Duncan, Parliament); Peach Pisco Sour (Creighten Brown, Barter); Soul Clap (Chad Solomon and Christy Pope, Midnight Rambler); Velvet Smoke (Juli Naida, Barter); .
And of course, a hearty thank you to those who accompanied me on my outings, without whom I could never have sampled this many cocktails.
Henry’s Majestic, transformed: There’s more than meets the eye.
Oh, Alex Fletcher. You sneaky little dude.
There are so many reasons why you should drag yourself to tonight’s benefit bash for Trigger’s Toys at Henry’s Majestic in Knox-Henderson – the five pop-up bars, for instance, and the fact that the whole thing benefits hospitalized kids. But here’s one more: Mr. Fletcher is about to play the little ace that he’s been holding up his sleeve.
Some were surprised when the craft-cocktail wunderkind announced he was leaving venerable Victor Tango’s, and the bar program he’d helped lift to new heights, for Henry’s, the latest venture in the curiously unfertile space at McKinney and Monticello.
True, he’d known owners Jim and Cindy Hughes of Bread Winners Cafe since his days at the cafe’s adjoining Quarter Bar in Uptown. But still… “It’s more of a leap forward for me,” he told me just after the announcement. “It’s going to open some doors.”
Apparently those doors were more than figurative, because now it all makes sense: At Henry’s, just like a Transformer, there’s more than meets the eye. Turns out there’s an unused nook or cranny or two that have been ripe for the renovating, and the space once home to Cretia’s and Acme F&B has been – surprise! – a rabbit warren of bar potential.
Do not play poker with this man: Head barman Alex Fletcher expressing himself at Henry’s Majestic.
Welcome to Atwater Alley, a long narrow corridor behind Henry’s kitchen – accessible on the Monticello Avenue side – that leads to a cozy, two-story den falling somewhere between modern Victorian and Old West saloon. Though larger, the dimly lit upstairs area is especially submarine-snug. And both stately back bars are a throwback; Fletcher thinks the upper one was actually shipped in from The Old Absinthe House in New Orleans. But incredibly, the space has sat here apparently unused for a decade — if it was ever used at all.
“This is kind of why I joined this whole team,” the typically understated Fletcher says. “I knew there was something really cool back here. I was like, `Oh, okay.’ It’s like a playground.”
It took a little work to revive, but the area is now ready to house two of tonight’s benefit pop-ups – the & and & cocktail lounge and the Booty Bar and Half-Mast Tiki Lounge. (The other three will be in Henry’s main bar area.)
For those unfortunate enough to miss tonight’s event, Fletcher plans to keep Atwater Alley going from here on out every Thursday, Friday and Saturday. “It’s a great little space,” he says.
Bolsa’s Kyle Hilla, left, is all smiles as the pop-up bar “draft” gets underway in preparation for Sunday’s annual fundraiser.
As Ryan Fussell of Fort Worth’s Bird Café put it, it was a veritable who’s-who of craft bartenders, dozens of them assembled on a weekday afternoon for the first of several steps toward a purpose greater than themselves. The site was Uptown’s Standard Pour, where five boards had been posted above the bar, each topped with the name of a trusty tipple maker.
Yes, there’s a story there, but here’s what you really need to know: That on Sunday, Dec. 14, five teams of drink-slingers will face off at Henry’s Majestic as part of the Trigger’s Toys Fantasy Draft Main Event – not only for your imbibing pleasure but for the benefit of Trigger’s Toys, a Dallas charity serving hospitalized kids and their families.
As if that’s not enough reason to get yourself over there, consider this: The agency’s third annual fundraiser will feature five pop-up bars of varying tongue-in-cheek themes, and if you’re wondering how Henry’s – the recently opened Knox-Henderson gastropub in the space once occupied by Acme F&B – is going to pull that off, you’re going to have come see for yourself the little ace that bar manager Alex Fletcher has been hiding up his sleeve.
Your five pop-up bar captains: Campbell, Sanders, Orth, Moore, Hilla. Yup, it’s going to be a party.
So on this afternoon, the gathered bartenders were at The Standard Pour for the “fantasy draft” that would produce the five teams of 13, along with bar concepts and sponsored spirit lineups. Organizer David Alan, the Austin-based Tipsy Texan himself, was here with his team, the lot of them dressed like referees. Actually, it wasn’t so much a draft as a draw, with each captain – Parliament’s Lucky Campbell, Bolsa’s Kyle Hilla, Knife’s Charlie Moore, LARK at the Park’s Matt Orth and, from Austin, Drink.Well’s Jessica Sanders – picking names out of a bowl to compile their teams. While most of the crews represent the Dallas-Fort Worth area, a number are coming in from elsewhere to aid the cause from places like Austin, San Antonio, San Diego and Los Angeles.
Knife’s Moore, left, meets outside The Standard Pour with members of his team, including Windmill Lounge’s Reith, Windmill co-founder Charlie Papaceno and Proof + Pantry’s Hendrix.
“Dang, my team looks good,” Moore crowed after drawing Fletcher’s name from the batch, adding to a lineup that already included Bolsa’s Spencer Shelton, Proof + Pantry’s Josh Hendrix and Michael Reith of the Windmill Lounge. “That’s it! It’s over. Everybody go home.”“Stacks on stacks,” Hendrix added.Your pop-up bar lineup will include a sports bar, honky-tonk saloon, nightclub, tiki bar and, of course, bespoke cocktail lounge. Each ephemeral entity is already being promoted on Facebook and other social media, and you’ll find them here:
The event runs from 8 pm to midnight at Henry’s Majestic, 4900 McKinney in Dallas. Pre-purchased tickets on Eventbrite (available here) are $20, which includes two drinks. You can also buy tickets at the door for $10, then spring for your drinks inside.
LARK’s Matt Orth, center, meets with his “drafted” team at The Standard Pour. The nightclub-themed pop-up will be called Klub Dreemz.
Along with donations from sponsoring spirit producers, last year’s bash at The Standard Pour pulled in a whopping $45,000 for Trigger’s Toys, which in addition to financial aid provides kids with toys and therapy aids. With the help of the bartenders giving their time on Sunday, founder Bryan Townsend – who named the agency for his dog after seeing the animal’s positive effect on a child in need of therapy – hopes to take that to new levels.
“Not only are you changing this industry,” an emotional Townsend told the group. “What we’re doing today will change lives.”
Esteemed barman Charlie Papaceno: No longer tilting at the Windmill.
Charlie Papaceno has officially left the venerable Windmill Lounge to launch a new project, marking an end to one of the craft-cocktail scene’s longest-running tenures.
The bespectacled barman will be missed, having been a droll and steady presence at the landmark lounge he co-founded nine years ago with then-wife Louise Owens. Though the two eventually divorced, they continued to operate the bar as business partners, a relationship they managed to negotiate for some time.
Papaceno, who has a new bar in the works in Dallas’ Cedars neighborhood, had effectively paved the way for his departure with the hiring earlier this year of Nora’s Michael Reith at the Windmill. But his exit earlier this week came to pass without fanfare or farewell.
That’s fine with the under-the-radar Papaceno, who has fond memories of the dive-y Dallas institution named among Esquire magazine’s best bars in 2013. “The Windmill’s great,” he says. “Look what it’s become. I feel like we cut a new path in this town that wasn’t there before.”
And they did: Papaceno and Owens opened the Windmill in 2005 on a dingy stretch of Maple Avenue after Papaceno was laid off from a corporate gig, freeing him up to pursue a longtime dream. His classic-drink know-how would help make the unassuming lounge essentially Dallas’ first craft-cocktail establishment, even though it never promoted itself as much more than your basic watering hole. It became a mainstay and occasional playground for those scattered upstarts who would eventually lead the city out of its craft-cocktail wasteland toward the vibrant scene it has now become – people like Parliament’s Eddie “Lucky” Campbell; Proof + Pantry’s Michael Martensen; and The 86 Co.’s Jason Kosmas, co-founder of Manhattan’s famous Employees Only, freshly arrived from New York.
The no-frills bar, with its angry jukebox and come-as-you-are regulars, has remained a favored hangout for local craft bartenders, but whether that status continues in Papaceno’s absence remains to be seen.
Papaceno says his new place, whose name has yet to be finalized, will hopefully open by year’s end. “It’ll be funky and homey,” he says. In other words, just like the Windmill. “Hopefully people will feel comfortable there.”
Barter’s Juli Naida applying the torch to one of her nog-out drinks.
If you’re like me, the sight of retailers setting out their Christmas merchandise two weeks before Thanksgiving makes you want to gouge out your eyes. But go figure: The folks at Barter in Uptown have figured out a way to break through my grumpy bah-humbuggery, and they’ve done it by highlighting the best thing about holiday season: The eggnog.
A few weeks ago, Barter bar manager Rocco Milano approached bartender Juli Naida with a peculiar notion. The results are even more than he’d hoped for. “This is all her,” he says.
And what is this? An eggnog flight, my friends. A set of mini-drinks evoking the festive holiday beverage. It’s a pre-Christmas miracle!
Best of all, they’re delicious, from the awesomely named Sweet Chai of Mine – which blends tequila, chai tea, honey and agave – to the creamy-rich If Elvis Nogged, an explosion of Irish whiskey, peanut butter, banana liqueur and vanilla pudding mix. Another is fashioned after lemon meringue pie, with a limoncello whipped-cream topping that Naida flames like a brulee. All either taste like eggnog or incorporate egg whites for a frothy eggnog texture.
The Nogaholic: Eggnog impersonator.
My favorite of the bunch is the Nogaholic, a dark martini-style drink that mirrors eggnog’s flavor with no egg or cream whatsoever. Instead there’s Cruzan Black Strap rum, simple syrup and a house-made tincture of vanilla, cinnamon, clove and nutmeg. “I wanted something sweet,” Naida says. “You can hit the eggnog notes without using any egg.”
Under Milano’s tutelage, Naida has quickly and quietly grown into a real talent behind the bar, and while he provided her with background on some of the spirits she was considering – for instance, the Black Strap rum in the Nogalicious – the recipes are straight from her own noggin. “She has the vision to do stuff like that,” Milano says.
For inspiration, Naida looked around her – to fellow bartender Creighten Brown, for instance, whose favorite smoothie involves peanut butter and banana; and to a non-drinking friend who turned her on to chai. The lemon-meringue one came to her, um, in a dream. “That’s where I completely nerded out,” she says. “It’s embarrassing.”
The $15 flight is arranged from lighter to bolder flavors. The drinks are so rich that you might want to consider sharing them with a date. One may even be inspired, after sampling the flight, to order one as a full $12 cocktail. I’m just saying.
Everything is illuminated: The new gem in Dallas’ cocktail scene.
With a month gone by since the jewel that is Midnight Rambler beamed into downtown, it’s hard to believe it was barely a year ago that the Dallas cocktail scene seemed lost in free-fall… To recap: Everything was going just fine – better than fine, actually, with two notable spots, Bar Smyth and The Cedars Social, getting national acclaim, and then – Bam! Both places were suddenly gut-punched with the overnight departure of Michael Martensen and his top-notch bartending posse. Meanwhile, Eddie “Lucky” Campbell, an equally well-known luminary behind the stick, was still bouncing around after leaving the failed Chesterfield downtown. Sure, both said they had projects in the works, but DELAYS. The imbiberati were verklempt.
More of these? Okay then.
Then, on one night in August, everything was illuminated: Parliament, Campbell’s carefully polished Uptown gem, and Proof + Pantry, Martensen’s much anticipated Arts District venture, opened on the same night with his crafty little bartenders all in a row. This fall, The Bourbon Review named The Standard Pour among its top 60 bourbon bars in America.
Dallas’ cocktail mojo is flowing again, and Midnight Rambler immediately joins the dean’s list – a gorgeous space in the Joule Hotel that reveals itself in holy-moly fashion the moment you plunge into its subterranean home. From the pincushion lighting to the art-deco styling to the arcing, inverted hull of a ceiling with its sleek wooden beams, it’s if you’ve walked into…. New York. Which is no surprise, given the Big Apple origins of owners Chad Solomon and Christy Pope, whose New York-based beverage consulting firm, Cuffs & Buttons, has put its stamp on bars and hotels around the world.
Midnight Rambler has an art deco, midcentury-modern aesthetic that Solomon ascribes to David Lynch’s Silencio space in Paris and the hotel bar in Stanley Kubrick’s The Shining, minus Lloyd the bartender. Strategically placed curtains hide or reveal adjoining space based on volume, intending a sense of intimacy no matter what the crowd. The punch bowl display is a bling-y touch.
Part of Midnight Rambler’s solid cocktail lineup.
This is what he and Pope have had in mind since – well, since those dark days of last autumn, but as already noted, these things take time. The wait has been worth it. “It’s pretty much exactly how we envisioned it,” Solomon said a few days before a glorious preopening-night party whose guest list included Manhattan mixology legends Audrey Saunders of Pegu Club and Cuffs & Buttons partner Sasha Petraske of Milk & Honey (where Pope and Solomon once tended bar).
The lineup of thoughtfully conceived libations is ladled out by a relatively fresh crew of bartenders whom Solomon and Pope have molded to their well-honed specifications. Labeled vials of premixed cocktail portions sit on the backbar, awaiting call to duty: It’s all about efficiency and consistency, and save for the ample canon of classics with which humankind is blessed, few variations occur off-menu, which is okay-fine because it’s muy excelente. (Being at the Joule, it’s also pricy, with drinks ranging from $12-$15.) Creative, daring and amply sized, it features the orange-y, bourbon-based Soul Clap, the tart, poblano-kissed Wang Dang Dula and the clever Savory Hunter, whose lemongrass- and kaffir-lime infused gin, mixed with coconut and lime evoke the flavors of a delicious Thai tom kha gai soup. There’s a selection of group-friendly punches and a playful trio of shots, including a pho-themed one that incorporates beef stock.
The bar’s midcentury modern aesthetic is “pretty much exactly how we envisioned it,” co-owner Chad Solomon says.
Midnight Rambler is also notable for what you don’t see: A backroom “lab” with nifty toys like refractometers, an evaporative still and a centrifuge, all employed in the making of cocktail ingredients. “We call it a lab, but we’re not back there experimenting all the time,” Solomon says. “It’s more like a flavor house. It’s our own dedicated flavor house.” Many drinks also include a touch of mineral saline – a bit of salt that as in food enhances and brings out other flavors; two drops is all it takes.
Nibbles come from CBD Provisions, up on the main level of The Joule – including charcuterie, a tilefish dip (the fish is smoked on the hotel rooftop), black-eyed pea hummus and a knockout burger. Fries are served in a Moscow Mule mug.
Despite the intense structure and pre-planning, the occasional drink can falter: The Sound System, for instance, which I initially loved for its bold and effective use of super-funky Hamilton pot-still rum, turns out to be fickle; inadequately stirred on a later visit, it was too heavy on the rum’s overripe banana flavor. The pre-prepared vials behind the bar can also visually take some of the appeal out of having your drink prepared to order; they’re more appreciated on a busy weekend night. About the only real minus for Midnight Rambler might be its location in the Joule, whose owner, Tim Headington, has enraged preservation architects with a record of destroying historic buildings, including the recent razing of two century-old structures across the street from the hotel, as noted in a scathing column by Dallas Morning News architecture critic Mark Lamster in September. Likewise, those who support historic preservation efforts may want to consider whether they want to patronize the businesses within.
The Savory Hunter: Refreshingly recalling your favorite Thai restaurant.
Otherwise, Midnight Rambler is a welcome and needed addition to the DFW cocktail scene. Solomon and Pope had initially considered Austin until the Joule opportunity fell into their laps; they’re now settled in Bishop Arts and have hatched something ambitious, adventurous and more glamorous than any serious cocktail bar Dallas has seen.
“It’s just another layer on top of what’s already here,” Solomon says. “This is next level. We are standing shoulder to shoulder with the best in Chicago and New York. But we’re here.”
Vintage cocktail books — and drinks — from the legendary Trader Vic, at a Cointreau event earlier this year at Sissy’s Southern Kitchen.
DALLAS – Early last summer, in the private parlor at Sissy’s Southern Kitchen, five weathered books spread out on a vintage trunk – among them Trader Vic’s Book of Food and Drink (1946), Robert H. Loeb Jr.’s Nip Ahoy! (1954) and Obispo y Monserrate’s Bar La Florida Cocktails (1937). “Please be careful,” said Emily Perkins, regional rep for Collectif 1806, a project of Remy Cointreau USA. “They’re very old.”
The Thistle, from the 1924 book “Carlo’s Cocktails,” at Dallas’ Meddlesome Moth.
With the seeming ubiquity of craft cocktails these days, it’s worth remembering that the scene is less revolution than revival: The practice dates back more than a century, and while there’s plenty to appreciate about craft cocktails – the culinary parallels, a culture of hospitality, their ability to take the edge off a day – one of the things I personally love about them is the history that serves as their base. When you make a proper Old Fashioned or Aviation, in other words, you’re building something that someone made pretty much exactly the same way a hundred years or more before. While the tools, technology and the range and quality of ingredients have all since improved, the drinks that have come and gone have left an enduring canon of classics, and the craft at heart is the very one conducted for decades upon decades.
That’s a notion thoughtful bartenders appreciate, and it’s something that Remy Cointreau, the U.S. branch of the French distiller known for its eponymous orange liqueur, has seized upon in a welcome and opportune way. The company has gradually compiled an archive of 250 vintage cocktail volumes, and for the past year, Dallas has been lucky to be among a small circuit of cities in which books are periodically presented for perusal through Cointreau’s bartender education and support arm, Collectif 1806. (Other cities include Miami, San Francisco, Chicago and New York.)
Perkins checks out one of the classic tomes with barman Matt Orth of LARK at the Park at Meddlesome Moth’s book club event.
In addition to Sissy’s, Dallas “book club” events have been held at Barter in Uptown, Meddlesome Moth in the Design District and most recently, Abacus in Knox-Henderson.
The evening hours passed at Sissy’s Southern Kitchen as the select group took turns poring through the quaint and dated pages. Smartphones snapped photos of recipes, illustrations or inspiring prose. “I’m such a sucker for vintage illustrations,” Perkins said. “I love the books with the crazy drawings and the old ads.”
Meanwhile, five rounds of cocktails appeared, one from each book – including the sweet, mild Honeysuckle, from Angostura-Wuppermann’s Professional Mixing Guide (1941); the luscious Ian’s Fizz, from Trader Vic’s Bartender’s Guide (1947); from Bar La Florida Cocktails, the lesser-known classic Brandy Daisy.
“I love old books,” said Julie Brown, who tends bar at nearby Hibiscus. “Trader Vic’s is, like, every bartender’s first book.”
At Barter, the Orange Bloom, from the second printing of the United Kingdom Bartender’s Guide (1955). Only 5,000 copies were printed.
Cocktails at these events naturally showcase the Cointreau line of products, which includes The Botanist gin, Bruichladdich Scotch whisky and Mount Gay rum. In general, original recipes are adhered to as faithfully as possible, though they aren’t necessarily what Perkins would serve to modern palates. “You’d have to tinker,” she said. “Most (of the old drinks) are really tart; they’re not using a lot of sugar. Before the 1940s it was rare and expensive. People didn’t have access to a lot of sugar and ice. They were stronger, boozier drinks.”
Despite the light atmosphere, the books are handled with a level of care that sometimes surprises Perkins, who’d initially been reticent to release the rare volumes, some frail and plastic-sleeved, from her protective embrace. “It was hard to let go of that,” she said. But “when it comes to handling the books, there’s a lot of respect and decorum.”
At Barter’s event, Harry Johnson’s classic New and Improved Bartender’s Manual (1900), Lucius Beebe’s Stork Club Bar Book (1946) and Ted Shane’s Authentic and Hilarious Bar Guide (1953).
That’s one reason attendance is limited, to weed out looky-loos in favor of more serious practitioners. You wouldn’t want just anyone getting their paws on Harry Johnson’s classic The New and Improved Bartender’s Manual (1900), for example, or V. B. Lewis’ The Complete Buffet Guide (1903). Some of the lucky few even receive access to Cointreau’s online archives. “A lot of these are what people call proprietary secrets,” Perkins says. “It’s supposed to be a tool for bartenders who really care. It’s Holy-Grail-type stuff.”
Those at Sissy’s included Matt Orth of LARK at the Park, Parliament’s Stephen Halpin, Lauren Festa of The Rosewood Mansion at Turtle Creek and High West brand ambassador Chris Furtado. There was also Parliament’s Daniel Charlie Ferrin, who was proud to already be in possession of Trader Vic’s Bartender’s Guide. “I bought it for $12 on Amazon,” he said. “Except the dust jacket is in pristine condition. It’s literally sitting in my car right now.”
A sample illustration from Ted Shane’s cheeky 1953 volume.
In addition to the recipes, “I love the cartoons,” Ferrin said. He picked up the book and flipped open the cover to show an illustration of a bartender pouring liquid from one mixing glass into another. “In fact,” he said, “my next tattoo is going to be based on this one – except it’ll be a monkey, with a fez and a unicycle.”
The recipes are often preceded by wry insights or anecdotes. Introducing the rum-based Pikaki, the renowned Trader Vic wrote in his Book of Food and Drink (1946): “I’d save this one for my visiting great-aunt who, when approached as to her idea of a little before-dinner stimulant, shakes her finger at you reprovingly, ‘Well, just one.’ She’ll probably weaken and have two and go into dinner with her transformation askew.”
The books also recall a time of unabashedly flowery prose and titles – for instance, Charles H. Baker Jr.’s The Gentleman’s Companion, Vol. 1 (Being An Exotic Cookery Book, or Around the World with Knife, Fork and Spoon).
The Gin Fix cocktail, from The Complete Buffet Guide, (1903), at Meddlesome Moth.
So taken was I with the simple but noble sentiments of the finely distilled introduction to the Book of Food and Drink – which in 1946, was priced at $3.95 – that I tracked down my own copy of the book for my home stash. It reads: “Dedicated to those merry souls who make eating and drinking a pleasure; who achieve contentedness long before capacity; and who, whenever they drink, prove able to carry it, enjoy it, and remain gentlemen.”
“It’s dedicated to us,” Perkins said. “People who love to indulge in finer things – but it says never go overboard, treat people with respect. It’s idealistic and sweet.”
For this group, the books are more than novelty: They’re passed-down knowledge and perspective and a reminder that those who practice the craft today are part of something much bigger than themselves.
La Duni’s Daniel Guillen was classically philosophical about the event: “You cannot live if you do not eat,” he said. “And you cannot live if you do not have knowledge.”
When it comes to cocktails, I am all about life imitating art. And vice versa. (Image courtesy of artist Matt Talbert)
Do you fancy yourself a Cointreau Renoir? A Picasso of Prosecco? Or do Salvador’s surrealist images simply drive you to drink?
Then you’re in luck: Tonight, the Dallas Museum of Art is kicking off its first-ever Creative Cocktail Contest.
At stake is a DMA partnership – and the chance to be featured at the museum’s Late Night event in January. The museum’s Late Night series takes place on the third Friday of each month.
Here’s how the contest works: Go check out the museum. Choose a work of art from the collection that, um, touches you. Maybe it’s the drawings of Robert Rauschenberg, or the Big Apple photography of Berenice Abbott, or as is currently on exhibit, the modernist jewelry of Art Smith. (By the way, am I the only one who finds it confusing when guys named Art actually do art?) Whatever.
Then, once you’ve pinpointed your mixology muse, come up with an original cocktail recipe inspired by this artistic work. Create a name for your drink – maybe Nighthawk, or Rumbrandt, or Bourbon Landscape. Use your imagination.
Finally, submit your cocktail recipe, and the name of the artwork that inspired you, to publicprograms@DMA.org by 5 pm Monday, Dec. 1.
Then, wait a month as DMA staff – those lucky art types! – and the museum’s executive chef – ahem – test the recipes. Because that’s what good art museum staffers do. A winner and four finalists will be named on Jan. 5.
The contest is a precursor to the next installment of the museum’s Fresh Ink series, which features authors and their newly published books. Tim Federle, author of the book Tequila Mockingbird, will be at January’s Late Night event to promote his new book, Hickory Daiquiri Dock: Cocktails With A Nursery Rhyme Twist.
“We wanted our visitors to get involved in this fun way,” said Stacey Lizotte, the DMA’s head of adult programming and multimedia services. “January is also our birthday month and we treat it as a birthday celebration. Why not toast the museum with some fun cocktails?”
In addition to receiving a DMA partnership, the contest winner will have his or her drink featured as the main drink on the Atrium’s special menu at DMA’s January Late Night event. Each finalist will also get a special menu nod and a signed copy of Tequila Mockingbird.
“We’re excited to see our visitors’ creativity,” Lizotte said. “The entire collection is open to them. Whatever work of art will inspire a great cocktail.”
What are you waiting for? You have nothing Toulouse-Lautrec.
Contestants must be at least 21 years old. Full contest details are available here.
And if your creative muse just isn’t speaking to you and you just want to see some cocktail-related art, you can always check out California artist Matt Talbert’s cool assortment of cocktail-related art, where I found the image above.
Sweet on you: Caledonia incorporates raw honey into its distillation process.
It’s pumpkin-carving season and as long as you’re going to handle a big knife, you may as well do it with cocktails – and for a good cause, besides.
Fort Worth’s Pacific Table is teaming up with Caledonia Spirits to host a Halloween-themed happy hour and pumpkin-carving contest to benefit veteran-based farming programs, including Dallas’ Eat The Yard, a veteran-owned urban farm that I profiled in The Dallas Morning News last year.
The Oct. 30 event runs from 5:30 to 7:30, with $6 Halloween-y libations from bartender Maria Ortiz showcasing Caledonia’s Barr Hill vodka, gin and barrel-aged gin – for instance, the Pumpkin On A Hill, with vodka and house-made pumpkin-spice syrup. Vermont-based Caledonia, which made its Texas debut six months ago, incorporates raw honey in its distillation process.
For $12, you’ll get a pumpkin and carving tools — with a cocktail included. Or bring your own pumpkin and pay just $6 to enter the contest. (Prizes include dinner for two at the Pacific Northwest-themed restaurant.) Not into carving? Just come and enjoy the spectacle along with $6 cocktails — and maybe drop a little donation in the “Cash-O-Lantern.” So many options: The world is your pumpkin.
Reservations and Halloween costumes are encouraged but not required.
Oak Cliff-based Eat the Yard is a veteran-run urban farm that uses commercial properties, residential properties, community gardens and the occasional rooftop to sustainably grow organic produce.
PACIFIC TABLE, 1600 S. University #601, Fort Worth. 817-887-9995.
Booze news and adventures in cocktailing, based In Dallas, Texas, USA. By Marc Ramirez, your humble scribe and boulevardier. All content and photos mine unless otherwise indicated. http://typewriterninja.com
