Tag Archives: Megan McClinton

The Usual, North Texas’ pioneering craft cocktail bar, marks 15 years of serving up ‘all manner of slightly esoteric libation’

It’s almost hard to believe there was a time when you couldn’t find a decent Manhattan in Fort Worth, but when I moved to Dallas in 2010, North Texas was still largely a craft cocktail wasteland. Sure, Knox-Henderson restaurant Victor Tangos had gone all-in on what was already a national craft renaissance, and a handful of bartenders hip to the revival were doing crafty things behind the bar at places like Windmill Lounge near Uptown, Bolsa in Bishop Arts and The Mansion at Turtle Creek, but no drink establishments that I could find had yet put craft cocktails front and center.

Eventually, I made my way over to Fort Worth, where I found a bar called The Usual, an unassuming beacon of craft know-how on Magnolia Avenue that on Wednesday will mark its 15th anniversary, making it – by just six months – the second oldest craft-cocktail bar in Texas, a remarkable milestone for a notoriously unforgiving industry in a place that doesn’t always get its due.

The Usual was the genie in the bottle for all the cocktail wishes I’d brought with me from Seattle, where the ongoing renaissance was already in full force. Its office-park exterior belied the sleek and sexy space inside and a level of creativity behind the bar that Fort Worth didn’t yet know it wanted. At the same time, it was welcoming and unpretentious, the vision of Brad Hensarling, who’d been with the nearby Chat Room Pub before making what was then a radical choice – to open a bar focused on craft cocktails – or, as its menu states, “all manner of slightly esoteric libation” – with then-co-owners Jon Carney and Juan Solis.

In Texas, The Usual’s opening was preceded only by Houston’s Anvil, which opened in early 2009.

The mirror adjoining the bar at The Usual offers a glimpse of the cozy environs within. Texas’ second-oldest craft cocktail bar marks its 15th anniversary this week.

“The original architecture, with mirrors on the ceilings of the booths, all the elements of intention of that space are still intact,” says Pam Moncrief, who was among The Usual’s early crew of bartenders and worked there on and off over an eight-year span. “All that wood in there – white American oak, intentionally chosen, because that’s what whiskey barrels are made of. It still breathes that same purpose in being there.”

Among the bar’s early clientele was Jason Pollard, who in 2009 had visited New Orleans, sipped his first Sazerac and was bitten by the craft cocktail bug. The Usual was like a library of libations in which he could research his new fascination. “I started hanging out at the Usual, and finally they were like, ‘Do you want to work here?’” he remembers. “I started in 2011.”

By that time, Dallas’ Cedars Social and Denton’s Paschall Bar were on board the craft cocktail train.

“We were very aware of the fact this was something Fort Worth hadn’t seen before,” recalls Pollard, who would eventually become lead bartender and is now a co-owner. “There was a lot of explaining ourselves in the early days, that we didn’t carry big domestic beers or have 17 flavored vodkas; that we were doing something different.”

While slower weekdays were shared with patrons interested in learning more from bartenders eager to share the history of and riffs on classics like the Aviation, the Negroni, the Last Word or the New York Sour, high-energy weekends were approached with patience for people’s frustrations.

“We were coming in against a city that had a firm drinking culture already, and here we are saying we’re using all fresh ingredients or that we don’t carry Malibu,” Moncrief says. “But it was really cool when you could say to people who wanted Fireball, ‘Well, we don’t have Fireball but I can make you something like that or better.’ It blew their minds to see us use all natural ingredients and create something dazzling. And eventually a lot of people caught on.”

Bars of the Year 2013
The Usual’s wry, loose attitude has been a trademark of this consistently good spot on Fort Worth’s Magnolia Avenue, which marks its 15th anniversary on Nov. 20, 2024.

Moncrief had started at The Usual as a server and after a year was told by co-owner Solis that if she was going to keep working there, she would have to do time behind the bar as well.

“I was really intimidated,” she says. “I didn’t think I had what it took.” But her experience there, she says, would lay the foundation of her current livelihood as catering operations manager for GUSTOS Burger Bar and owner of a pop-up bar business for special events.

“It really taught me so much,” Moncrief says. “The crew was a fantastic group of people and we all strived to be the best we could be. We pushed each other and called each other out on things. It made you believe in the magic of a bar, and of hospitality and the service industry. So many of us now reference those times as an example of what a bar can be.”

Megan McClinton, previously with Thompson’s Bookstore in downtown Fort Worth, remembers frequenting The Usual before joining the crew for several years in 2017.

“We went there to taste classic cocktails done the right way,” says McClinton, who eventually left for a general manager role at Blackland Distillery and now owns Tricks of the Trade, a boutique bottle shop on South Main. “We knew that’s who was doing it and doing it right. We were all trying to figure out what this craft thing was and that was the place to go in Fort Worth to discover that.”

Despite its limited space behind the bar, The Usual has always wielded an arsenal of adventurous spirits and liqueurs often at the forefront of DFW’s craft-cocktail curve. I made the rounds often in those early days but could always count on glimpsing a bottle at The Usual that I’d never seen before, then asking someone to make something with it.

“It just goes back to us being cocktail nerds and genuinely geeking out about it ourselves,” Pollard said. “When we find something new and interesting, we want to share it with people.”

And unlike some craft bars where you had to time your request or visit with the presence of a specific bartender to have magic happen, The Usual crew to a person was always up to the task. In other words, creativity and experimentation seemed to be part of the bar’s staff expectations. (So, too, apparently, was adequate staffing – I have never been there and found available service lacking.)

Side note: The Usual was responsible for two top-ten finishes in my annual ranking of my favorite cocktails of the year, listings I composed from 2011 to 2020 when the scene was more manageable in size and I had way more freedom to imbibe. In 2014, I gave a nod to Moncrief’s One Million in Unmarked Bills, an herbaceous blend of Ransom Old Tom gin, herbal Zwack liqueur, Dolin Blanc vermouth and Benedictine; in 2018 it was Pollard’s Autumn in Brazil, a luscious mix of sherry and sweet vermouth built atop aged cachaca.

Jason Pollard’s Autumn in Brazil featured Brazilian Avua Amburana cachaca.

The Usual’s upscale date-spot atmosphere has always featured an undercurrent of ease. Those who’ve worked there preach of its family-like and family-oriented camaraderie, one sensitive to work-life balance.

“They were very concerned about your family life and looked at everyone as a whole person,” McClinton says.

The bar has set consistently high standards, with a modest, amusingly composed, brochure-like house menu featuring variations on familiar libations with a wild card or two thrown in.

“You have to balance between what people are going to instantly know they want and things that are going to push people into flavors they haven’t necessarily experienced before,” Pollard says.  

Adds McClinton: “It was about not just making an espresso martini because it’s popular but making something adjacent and outside the box. Not just following the trends, but being inspired by them or even setting them.”

The Usual has seen its share of marriage proposals and once even hosted a wedding, a true community institution that adhered to its craft philosophy even through the strain of the pandemic. Wednesday’s celebration, which kicks off at 5 p.m., will feature a throwback menu and, what’s even more fun – throwback bartenders.

“We have always believed that Fort Worth deserves and needs a space like The Usual,” Pollard says. “Even in the leanest times, we just refused to give up.”

THE USUAL, 1408 West Magnolia, Fort Worth.

Mustache seesaws and vodka ice cream: Bar squads vie for Ultimate Cocktail crown at 8th annual benefit event

Mustache seesaws. Vodka ice cream. A magical wall through which seemingly disembodied hands offer cocktails for the taking. It might sound like something out of an Alice in Wonderland fantasyland, but that’s what you’ll find on the evening of Sunday, Oct. 13, at Deep Ellum’s Harlowe MXM and its adjoining sister bar, Trick Pony.

The event is the 8thannual Ultimate Cocktail Experience, which in its previous seven years has raised nearly $1 million total for Dallas-based Trigger’s Toys, a non-profit organization aiding hospitalized kids and their families.

Ultimate Cocktail Experience 2018
2018’s Ultimate Cocktail Experience took place at The Bomb Factory. Image from video footage produced for the event.

“It’s one of those days when everybody comes together,” said Naomi Ayala, president of the U.S Bartenders Guild’s Dallas chapter, at a recent group workshop. “It’s for the kids.”

Originally known as the Fantasy Bar Draft and then Cocktails for a Cause, the Ultimate Cocktail Event has snowballed since its initial runs at The Standard Pour in Uptown and Henry’s Majestic in Knox-Henderson, held more recently at massive venues like the Bomb Factory and Klyde Warren Park. This year’s move to Harlowe/Trick Pony takes the party back to its roots while maintaining its spirit and spectacle.

“We’re toning it back down,” says Brian McCullough, among the event’s original organizers. “Everyone will feel the whole thing a little more.”

Ultimate Cocktail Experience
The Ultimate Cocktail Experience, now in its 8th year, has raised nearly $1 million for Trigger’s Toys.

The Ultimate Cocktail Event runs from 6 to 11 p.m. and capitalizes on the Harlowe/Trick Pony complex’s two-story design – a perfect setting for the gala’s traditional five-way battle of pop-up bars staffed by more than a hundred bar industry pros from DFW and beyond.

Every year, five teams of bartenders conceive an imaginary bar and spend time developing the drinks, concept and clever marketing campaigns in pursuit of the coveted people’s choice prize. This year’s event is an all-star reunion, bringing together each of the last five year’s winners for a bid at the ultimate crown.

“We’re even bringing back Ampersand and Ampersand,” says Stephen Halpin, Dallas-based manager of trade education for Patron Tequila, referring to the cheeky name of 2014’s champ.

But as Ayala said, it’s all about the kids. It was Bryan Townsend, vice president of global sales for spirits producer The 86 Co., who launched Trigger’s Toys 11 years ago after witnessing the positive effect that his dog, Trigger, had on an antisocial child at a local care facility.

This year’s move to Harlowe MXM/Trick Pony takes the annual benefit back to its bar roots. Image from video footage produced for the event.

Now, in addition to providing financial support for kids and their families facing long-term hospital care, Trigger’s Toys every year buys holiday-season gifts for them and their families and funds therapeutic care for kids with autism, cerebral palsy and other conditions through an organization called Bryan’s House.

“It has just evolved and evolved,” Townsend says.

Joining “& and &,” helmed by the Statler Hotel’s Kyle Hilla, will be 2018 champ Elevate, captained by Megan McClinton and Jason Pollard of The Usual in Fort Worth; 2017 champ Cuba, led by Nicholas Grammer of The Mitchell; 2016 winner American Carnival, headed by Andrew Stofko of Te Deseo; and 2015 champ Zoom Zoom, led by Zach Smigiel of Billy Can Can.

Tickets are $65 and are available here.

Harlowe MXM, 2823 Main Street, Dallas

NOTE: A previous version of this post stated that Ravinder Singh of Sloane’s Corner would be leading team Cuba; Nicholas Grammer has since stepped in to take his place.

Saturday’s Ultimate Cocktail Experience will turn Deep Ellum space into a city under a roof

The Ultimate Cocktail Experience, coming Saturday to the Bomb Factory in Deep Ellum. (Photo by Don Mamone)

On Saturday, the Bomb Factory in Deep Ellum will transform into a virtual city under a roof. Think bodegas, food trucks, a 13-piece band, a shoeshine stand.

In that sense, the always zany Ultimate Cocktail Experience will be no different – and yet very different in its quest to raise money to benefit for needy kids and their families. Each year, dozens of bartenders from Texas and beyond form teams and try to out-do each other as one-night-only pop-ups, churning out cocktails for charity while creating an identity fitting the theme.

“We really create an experience,” says event founder Bryan Townsend, who first created the event to benefit Trigger’s Toys, the charity he started 10 years ago. “I want it to be the kind of thing where people look at their friends and say, ‘What the hell is going on?’”

What began as a modest holiday-season party at an Uptown bar has eclipsed $200,000 in proceeds each of the last two years. Now in its 10thyear, the event has raised $1.2 million in all, moving from the grassy expanse of Klyde Warren Park into the massive Deep Ellum venue.

“It’s turned into this thing,” Townsend says. “I’ve been really proud of what we’ve been able to accomplish.”

A scene from 2016’s Ultimate Cocktail Experience at Klyde Warren Park. (Photo by Don Mamone)

Ten years ago, Townsend was feeling trapped in the corporate job he had then and began to focus on other things – like his dog, Trigger. He and Trigger were at a Grapevine hospital one day when a nurse told him about a little girl in therapy who’d been unable to socialize with others.

Townsend said: Maybe she’d like to give Trigger a treat?

The girl did, and then Townsend wondered if she might want to follow Trigger through one of the play tunnels in the children’s ward. When that happened, the nurse went and got the girl’s mom, because it was so unlike the girl to be so social.

Inspired by the experience, Townsend created Trigger’s Toys, a nonprofit providing toys, therapy aids and financial assistance to hospitalized kids and their families. As the proceeds grew, Townsend spread the benefits around, with funds now also providing therapy services at Bryan’s House, a Dallas agency serving kids with cerebral palsy, autism, Down syndrome and more.

That’s the mission at the heart of Saturday’s revelry, which runs from 7-11 p.m. at the Bomb Factory, or starting at 6 p.m. for VIP ticket holders. Attendees might encounter breakdancers, drum lines, fortune tellers, even a dog park.

“We want to it be like you’re walking through a city,” says Townsend, vice president and sales director for spirits producer The 86 Co. “What would you see?

Four different pop-ups will vie for top honors:

Elevate, a glam hotel-style bar headed by Megan McClinton and Jason Pollard (The Usual, Fort Worth);

The Lab, a molecular mixology bar led by Fernanda Rossano (High & Tight, Deep Ellum) and Austin Millspaugh (Standard Pour, Uptown);

Corner Bar, a neighborhood-bar concept led by Ravinder Singh (Macellaio, Bishop Arts) and Jones Long (Knife, Mockingbird Station); and

Neon, headed by Zach Potts (Gung Ho, Lower Greenville) and Kelsey Ramage (Trash Collective, Toronto).

Tickets run from $68 to $128 and are available here.

Massive charity pop-up back for sixth time to help hospitalized kids

The Ultimate Cocktail Experience, coming soon to a Klyde Warren Park near you. (Photo by Don Mamone)

Oh, Cocktails for a Cause. My, how you’ve grown.

Four years ago, the annual, bar-industry-driven fundraiser for Triggers’s Toys was a modest Christmas-season party at The Standard Pour, with 50 bartenders in Santa hats raining cocktails upon their mirthful elf minions. These days… well, look at it: Repositioned in the expansive savanna of Klyde Warren Park, this benefit behemoth, now dubbed the Ultimate Cocktail Experience, last year raised more than $200,000 and aims to exceed that this time around. Naturally.

The 2017 version of the Ultimate Cocktail Experience is set to go down on Saturday, Sept. 30, from 6:30 to 10 p.m.  There will be food trucks and a charity casino area. Tickets, which range from $65 to $125 for VIP status, are available here. Or you can get your tickets for $80 at the door.

This big boy pop-up is the brainchild of Bryan Townsend, vice president and sales director for spirits producer The 86 Co., who a decade ago was a corporate wonk who didn’t like his job very much. In 2008, he left his job and began to focus on other things – including his dog, Trigger.

One day he was a Grapevine hospital with his newly trained dog when he met a nurse distressed about a young girl who’d been in therapy for a year, unable to socialize with others. Townsend suggested that maybe the girl would like to give Trigger a treat.

The girl did, and Townsend wondered if she might follow the dog through one of the hospital’s children’s ward play tunnels. Then that happened too. The nurse retrieved the girl’s mother. “It was the first time she’d ever crawled,” Townsend remembered.

Inspired by the experience, Townsend launched Trigger’s Toys, a nonprofit that provides toys, therapy aids and financial assistance to hospitalized kids and their families. That’s the organization at the heart of the revelry that now includes bartenders, brand reps and spirits distributors from Texas and beyond who come to lend their shaking, stirring hands.

A scene from 2016’s Ultimate Cocktail Experience at Klyde Warren Park. (Photo by Don Mamone)

Recast as a global throwdown, the Ultimate Cocktail Experience puts forward six unique bar “concepts,” each representing a different part of the world with drinks to match. This year’s showcased locales are Mexico City, London, New Orleans, Hong Kong, Havana and Casablanca, and each station’s drink lineup will include a classic drink and a non-alcoholic selection.

In the mix this year are bartenders Ash Hauserman of New York’s Havana-themed Blacktail, named Best New American Bar at this summer’s Tales of the Cocktail festival, and Iain Griffiths of London’s Dandelyan, which won the honor of the world’s best cocktail bar.

This year’s teams, classic drinks and team captains are as follows:

  • Casablanca (Mule): captain Andrew Stofko (Hot Joy, Uptown)
  • Havana (Daiquiri): captain Ravinder Singh (Rapscallion, Lower Greenville)
  • Hong Kong (Rob Roy): captain Robbie Call (most recently of Filament, Deep Ellum)
  • London (Gin & Tonic): captain Omar Yeefon (Shoals Sound & Service, Deep Ellum)
  • Mexico City (Margarita): captains Brad Hensarling (The Usual, Fort Worth) and Megan McClinton (Thompson’s, Fort Worth)
  • New Orleans (Sazerac): captain Keisha Cooper (Shoals Sound & Service, Deep Ellum)

For more information about Trigger’s Toys or to donate, visit www.triggerstoys.org.

Snoop Dogg, Texas bar industry help nation’s largest spirits festival mark 15th year

Kallhoff, Eakin, Orth, Hartai
Among those representing Dallas at Tales were Justin Kallhoff of DEC on Dragon; Eddie Eakin and Matt Orth of wine and spirits distributor Southern Glazer’s; and barman Mate Hartai of Black Swan Saloon.

Could Dale DeGroff have imagined that, some 25 years after he began squeezing fresh citrus and making simple syrups in the service of better cocktails, he’d be among the elder statesmen of a 20,000-strong spirits festival? Yet there he was – King Cocktail! – with his signature wry smile, at New Orleans’ Hotel Monteleone, flaming orange peels and cranking out drinks like a champ at Tales of the Cocktail, the spirits festival that last weekend concluded its 15th run.

Tales of the Cocktail
The annual cocktail festival, based in the French Quarter, draws about 20,000 people.

A bartenders’ walking tour: That’s how all this started. Back then a lot of people still thought of bartending as a temporary gig you did on the way to something else – but the spirits industry is now a $25 billion-dollar beast, and Tales is likewise a juggernaut, with people traveling to New Orleans from 40 countries for five days of booze-related workshops, career advice, happy hours, tastings, competitions, parties, bonding and networking. What was once a manageable, almost intimate gathering of industry professionals riding a wave of love for the craft and quality ingredients has, in some eyes, become too big for its own good, an overcrowded, over-the-top party of sold-out seminars, ever-accumulating wristbands and fewer one-on-one opportunities.

Tales of the Cocktail
At the festival’s pisco tasting room, cocktail luminaries Tony Abou-Ganim and Dale DeGroff hammed it up for the camera.

“Tales has become, to me, more about learning one-on-on through networking than in seminars,” said Brittany Koole, a bar manager and consultant in Houston.

It didn’t help that the stretch of Bourbon Street normally frequented by Tales-goers was a war zone of giant potholes, wire fencing and bulldozers. “I didn’t feel the same connection with the area,” said Justin Kallhoff of Dallas event space DEC on Dragon, who spent more time off the strip and less time dealing with the big parties.

Just the same, Tales carried on, the thus-far clear leader in the spirit-festival world.  As usual, attendees this year included a good number of Texans – bartenders, bartenders-turned-spirits-reps, bar owners, bar suppliers, bar goers and those who chronicle it all.

Laura Bellucci, SoBou
At SoBou, Laura Bellucci’s dessert-like House of the Rind – featuring honeysuckle vodka, lemon curd and chamomile-citrus bitters — was among the festival’s cocktail highlights.

So there were Brian McCullough and Mandy Meggs of The Standard Pour in Uptown, who staffed a table at Saturday’s mezcal tasting room at the Monteleone. And Campari America rep Chase Streitz and Megan McClinton of Thompson’s, in Fort Worth, were among those who joined Jimmy Russell, the legendary master distiller for Wild Turkey, for dinner and whiskey at Cochon. “I was lucky enough to get to pour Jimmy a glass, and it was a once-in-a-lifetime experience,” said Streitz, formerly of Bulldog Gin, The Standard Pour and Sissy’s Southern Kitchen.

Cazadores Tequila partnered with the Bartender Boxing Organization to sponsor a battle between Houston and Los Angeles bartenders that culminated at Tales. And in a bowling event pitting bartenders from 14 cities against each other in the lanes, Team Texas took second only to Miami.

The Standard Pour
Brian McCullough and Mandy Meggs of The Standard Pour in Dallas poured drinks at Tales’ mezcal tasting room.

Major spirits companies, small-batch distillers and beverage-related producers also come to Tales to build or bolster brand recognition. But possibly the fastest growing group of attendees might be people who just like consuming and learning about spirits and the various things made with them – people like Jean Verhaar of Houston. “We are what you call cocktail enthusiasts,” she said, at the festival with pal Pam Stevens of New Orleans.

The festival draws more “cocktail enthusiasts” every year. At top, pals Verhaar and Stevens; below, the Davises and Lawyers of Mobile.

On Thursday, Steve and Beverly Davis of Mobile, Alabama, roamed a tasting room dedicated to pisco, the clear brandy native to Peru and Chile. “A little waitress at Galatoire’s told us about (Tales) some years ago,” Beverly said. The two have been coming ever since with friends John and Sue Lawyer.

“It’s just fun,” Sue Lawyer said. “There’s no purpose to it but to learn and have a good time.” She ducked over to one drink station where DeGroff, now widely considered the godfather of the modern cocktail renaissance, was busy making Algeria cocktails for the masses.

Tales of the Cocktail
At Tales, numerous tasting rooms offered attendees the chance to sample spirits or liqueurs — straight, or in cocktails — like this set-up from Sonoma, Calif.-based Uncle Val’s Gin.

It was at New York’s Rainbow Room that DeGroff built a following by reviving classic, pre-Prohibition cocktails in the 1980s, a gig he landed a few years after being hired by restaurateur Joe Baum, the man behind the Four Seasons and other fine dining establishments; the Alegria – pisco, Cointreau and apricot brandy – was among the cocktails featured at Baum’s La Fonda del Sol in the 1960s, at a time when anything not a Manhattan or Martini was rare. Now DeGroff had revived it as the Algeria, with his own twist, for the pisco event. “Because (Baum) was my mentor,” he said.

Tales of the Cocktail
Snoop Dogg at Friday’s Dogg House Party, sponsored by liquor giant Diageo, New Orleans’ Contemporary Arts Center.

Brands found clever ways to promote themselves, crafting whimsical and interactive tasting rooms, throwing happy hours, offering special product unveilings or cocktail-paired dinners – or, in the case of Amaro Montenegro, the excellent Italian bitter liqueur, having its master botanist demonstrate its 132-year-old production process using herbs and spices, an alembic, a boiler and a macerating device.

Jagermeister, the ubiquitous digestif now angling for a piece of the craft-cocktail craze, recruited Gaz Regan, author of The Joy of Mixology, for a happy hour at Fritzel’s, the Bourbon Street jazz pub where LSU students made Jager popular in the late 1980s. And then threw a huge party afterward.  And there was Diageo, the giant spirits company behind brands like Tanqueray and Don Julio, scoring Snoop Dogg for its own beats-heavy Friday night bash.

Amaro Montenegro
Master botanist Matteo Bonoli prepares to illustrate Amaro Montenegro’s production process using an alembic, boiler and macerating device.

Workshops this year included explorations of ingredients like grains and bitter gentian in spirits and liqueurs; the use of technology such as centrifuges behind the bar; and the rising popularity of umami flavor and low-proof drinks.

Cocktails were plentiful, served mostly in small plastic Tales cups, and it was wise to heed the oft-quoted Tales adage “you don’t have to finish that” while collecting grab-and-go bottled water along the way. That said, I did find the bottom of a few superior creations –my favorites being Laura Bellucci’s House of the Rind, a dessert-like mix of Earl-Grey-infused honeysuckle vodka, lemon curd and citrus-chamomile bitters served at Sunday’s “Legs and Eggs” burlesque brunch at SoBou; and from Aaron Polsky of Los Angeles’ Harvard and Stone, the Precious Punch served at Thursday’s pisco tasting room, featuring pisco acholado, apricot liqueur and amaro.

Fritzel's, New Orleans
Drawn by rumors of its Valium-like effects, LSU students in the late 80s came to Fritzel’s to drink Jaegermeister, making this Bourbon Street jazz joint the launchpad for its eventual widespread popularity.

Camaraderie is what keeps people coming back to Tales, and festival vets saw old friends while newbies made new ones. Second-timer Ashley Williams, a Bols Genever ambassador who tends bar at Filament in Dallas, was looking forward to being in New Orleans and meeting fellow ambassadors. What had she learned from her first go-round?

“Pace yourself,” she said. “You don’t have to do everything. There’s so much going on. Take some time to just go sit in a park.”

Tales of the Cocktail
Black Swan’s Hartai brandishes the Texas flag at the U.S. Bartenders’ Guild’s annual midnight toast.

Being in the French Quarter, amid the stilt-walkers and human statues and little kids drumming on plastic buckets, it was also worth revisiting gems like the rotating Carousel Bar, grabbing a frozen Irish Coffee at classic haunt Erin Rose or nestling in at the French 75 Bar at historic restaurant Arnaud’s, which recently won the James Beard award for bar program of the year.

Around the festival’s midway point came the U.S. Bartenders’ Guild’s beloved annual Thursday midnight toast, on which Texas naturally has put its stamp over the years with waving Lone Star flags and choruses of “Deep in the Heart of Texas.” This year’s spectacle was a bit more subdued, given that the whole shebang had to be relocated from construction-torn Bourbon Street to the second-floor confines of Bourbon Cowboy Too. Nevertheless, Texas endured – and somehow so did Tales, which will power on to see another year.

Tales of the Cocktail
When the party’s over: The aftermath of Villa Campari’s Aperol Spritz rooftop happy hour.

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