Tag Archives: cedars social

As DFW’s craft-cocktail universe continued to expand in 2016, these stars shone brightest

Bartender Jordan Gantenbein's delicious and gorgeously seasonal Rosemary Wreath -- aged tequila, apple cider, lemon, apricot liqueur and fino sherry -- was one reason Abacus was among my favorite craft-cocktail bars in 2016.
Bartender Jordan Gantenbein’s delicious and gorgeously seasonal Rosemary Wreath — featuring aged tequila, apple cider, lemon, apricot liqueur and fino sherry — was one reason Abacus was among my favorite craft-cocktail bars in 2016.

One evening last month, having somehow wandered far beyond my urban comfort zone, I stopped in for a drink at Rye, a bustling bistro just off the square in McKinney. No, not McKinney Avenue, the trendy SMU hang in Uptown where, not surprisingly, some of DFW’s best cocktail joints have clustered in the last five years – but McKinney, the fast-growing former farm center 45 minutes north of Dallas.

Surely, I thought, even at this suburban outpost, I could score a decent gin and tonic. Maybe even an Old Fashioned. But as I scanned bar manager Manny Casas’ drink list, I found myself eyeballing anything-but-rural components: Mole bitters; gomme syrup; aloe liqueur; Fernet Francisco; honey-blessed Barr Hill gin. And then I noticed the small barrel to my left, which – as I would soon discover – harbored a terrific barrel-aged variation on the classic Negroni. My cocktail destinations had grown by one.

It’s more challenging than ever to keep up with the constantly expanding universe of cocktails in Dallas-Fort Worth. In the area’s farthest reaches, and in places that five years ago would have been content to serve simple mixed drinks, you can now order a Sazerac, or a Last Word, and avoid the indignity of blank stares or massive shade.

Quantity doesn’t necessarily equal quality, of course, and pretty surroundings alone do not a great cocktail bar make. DFW’s craft cocktail landscape in 2016 wasn’t without its casualties – notably Knox-Henderson’s Hibiscus, whose small but well-informed bar program enjoyed a loyal following, and noble but aborted ventures like Frisco’s Vicini and, in Lower Greenville, Knuckle Sandwich and Remedy, destined to close by year’s end.

But from straight-up cocktail joints like Oak Cliff’s Jettison and clubby enclaves like Quill in the Design District to cocktail-minded restaurants like East Dallas’ Lounge Here, Uptown’s Next Door and Quarter Bar in (gulp) Trophy Club, the boozy buffet available to cocktail drinkers showed few signs of abating. (And Hide in Deep Ellum and Frisco’s Bottled in Bond are still to come.)

At their very best, these spots echo – and often are part of – fine restaurants, serving up not just great drinks but a successful mix of efficient, attentive and consistent service; fresh ingredients attuned to the passing seasons; an energizing and welcoming vibe; the ability to cater to tastes simple and complex; and a savvy and innovative staff behind the bar.

Here, in alphabetical order, were my favorite 15 craft-cocktail spots in 2016.

Abacus
Bartender Jason Long shaking things up at Abacus.

ABACUS

Most come to the highly regarded Knox-Henderson restaurant for its fine dining – but personally, I never make it past the classy, comfortable bar and its black-clad crew of Jordan Gantenbein, Jason Long and John Campbell. Abacus’ thoughtful and playful drink list is a standout from season to season – Gantenbein’s Rosemary Wreath (pictured at top) was a wintry thing of beauty – but the off-road adventures are equally delicious and fun, as in Long’s recent mix of mezcal, cinnamon syrup and amaro.

Atwater Alley
A dark, intimate atmosphere accents Atwater’s speakeasy character.

ATWATER ALLEY

A couple of years have passed since Henry’s Majestic, at this once-cursed location on McKinney in Knox-Henderson, unveiled the speakeasy pearl buried within its oyster depths. Named for the nondescript thoroughfare from which it’s accessed, Atwater is a two-story, dimly lit sanctuary swathed in senatorial wood, where bartenders like Ricky Cleva (and the occasional guest bartender) let their talents run wild like wildebeests in the nighttime streets. Jumanji!

Everything you need to know about Black Swan is embodied in the Clint Eastwood image above the bar.
Everything you need to know about Black Swan is embodied in the Clint Eastwood image above the bar.

BLACK SWAN SALOON

Black Swan is a craft-cocktail lover’s dive bar, where barman Gabe Sanchez makes it look easy, firing volleys of classic and original drinks at the eager Deep Ellum hordes while somehow creating a backyard post-BBQ atmosphere. Among DFW’s early craft-cocktail spots, the Swan’s speakeasy vibe (there’s no signage outside) is captured in the image of Clint Eastwood above the back bar: anonymous and enigmatic, rough around the edges, coolly efficient. No drink list here; just tell Sanchez what you’re in the mood for or point at one of his latest jarred infusions, and let your Drink With No Name come riding into town.

Still creating after all these years: Bolsa's bar was among DFW's early craft cocktail practitioners.
Still creating after all these years: Bolsa’s bar was among DFW’s early craft cocktail practitioners. (Photo courtesy of Bolsa Restaurant)

BOLSA

Among DFW’s earliest craft-cocktail purveyors, the modestly sized bar-in-the-round at this Bishop Arts mainstay is going strong under lead barman Spencer Shelton, whose wonky spirits wisdom continues to fuel Bolsa’s culture of experimentation. The well-honed southside outpost, with a bold seasonal drink menu – take Shelton’s smoky bitter Mi Alma Rota, featuring mezcal and Fernet – is a last-stop refuge for neighborhood regulars and others looking for uncommon spirits and across-the-board creativity.

The clothing is gone but the vintage remains at Uptown's Bowen House.
The clothing is gone but the vintage remains at Uptown’s Bowen House.

BOWEN HOUSE

The place is gorgeous, dah-ling. But owner Pasha Heidari’s homey hideaway a stone’s throw from the madness of Uptown’s McKinney Avenue has finally settled into a groove nice enough to match its elegant Prohibition-Era character, what with its turn-of-the-century library and great-granddad’s framed pictures on the wall. A viable drink list now complements the able bar squad’s ability to craft something to your own tastes, and a sickle-shaped bar counter promotes interaction.

Go ahead and call it a comeback: The Cedars Social's latest resurrection is divine.
Go ahead and call it a comeback: The Cedars Social’s latest resurrection is divine.

THE CEDARS SOCIAL

Look who’s back. Once the shining light in Dallas’ budding craft drink scene, The Cedars Social’s nationally acclaimed promise imploded in what I simply refer to as The Great Unpleasantness, thereafter plummeting off the craft-cocktail radar. Several iterations later, barman Mike Sturdivant is at the helm, and things are looking bright again: Along with Dallas pastry chef Annika Loureiro, he’s crafted a refreshingly original drink menu – including the Soju Spice, which makes excellent use of the Korean rice-based spirit – while staying true to pre- and Prohibition-era classics.

Forget the fancy stuff: Industry Alley does craft cocktails the old-school way.
Forget the fancy stuff: Industry Alley does craft cocktails the old-school way. (Photo courtesy of Industry Alley Bar)

INDUSTRY ALLEY BAR

When Charlie Papaceno left the Windmill Lounge in late 2014, among his goals in opening Industry Alley was to recreate the lounge’s come-as-you-are vibe. In that he has succeeded, creating a down-home atmosphere that’s a favorite for Cedars-area locals and industry regulars alike. You won’t find fireworks, fancy syrups, infusions or house-made bitters here – just the makings of a good time and classic cocktails like the legendary Singapore Sling.

Oak Cliff, Sylvan Thirty
Jettison’s cozy space in Oak Cliff adjoins the most recent of Houndstooth Coffee’s four locations.

JETTISON

The latest addition to Oak Cliff is a welcome one, especially for imbibers of sherry, the Spanish fortified wine, and mezcal, the smoky agave spirit mostly from Oaxaca. Discreetly nestled within the Sylvan Thirty complex next to Houndstooth Coffee, whose owner, Sean Henry, launched Jettison as his initial cocktail venture, it’s a sleek and shadowy hidey-hole where barman George Kaiho crafts excellent classic twists like the Red Headed Oaxacan, a play on the Penicillin fielding both tequila and mezcal along with honeyed ginger syrup, lemon and a float of Scotch.

Dallas cocktails
Midnight Rambler: Setting the pace in Dallas-Fort Worth’s craft-cocktail scene.

MIDNIGHT RAMBLER

This rock-and-roll hideaway in the underbelly of downtown Dallas’ Joule Hotel is truly a gem — and it keeps getting better, with its lush and well-structured space equipped to manage the peaks and valleys of hotel and weekend crowds. The long-awaited project from Chad Solomon and Christy Pope, which opened just over two years ago, is purposely efficient, lavishly designed and wholly adventurous, driven by Solomon’s bordering-on-geeky cocktail-science know-how: Witness the Pinetop Perker, which graced the spring menu, a woodsy wallop of genever, aquavit, pine, lemon, egg white, apple schnapps and a perfume-like “alpine woodland essence” spritzed onto a dehydrated lemon wheel.

If it's gin and whiskey beauty you seek, venture to The Mitchell.
If the beauty of whiskey and gin you seek, venture to The Mitchell.

THE MITCHELL

What if there were a place where you could pluck away the plumage of more involved libations and jump directly into the embrace of your whiskey or gin without feeling like a vegan at a Vegas buffet? Well, my friends, The Mitchell is your place: The stately space in the former home of Eddie “Lucky” Campbell’s Chesterfield in downtown Dallas boasts 50 kinds of gin and a hundred different whiskeys, the better to meet your martini, Old Fashioned or straight-up sipping requirements. And the glassware is beautiful too.

Bartender Jesse Powell dropping a Ramos Gin Fizz at Parliament.
Bartender Jesse Powell, dropping a Ramos Gin Fizz at Parliament.

PARLIAMENT

Comfortably nestled within the labyrinth of Uptown apartments off raucous McKinney Avenue, Lucky Campbell’s gem of a bar can often be as busy as its 100-plus drink list. Just the same, the well-trained crew, featuring the occasional visiting star bartender, keeps the crowds soused and entertained from behind the horseshoe-shaped bar, whether the vibe is loud or laid-back. With concoctions like Jesse Powell’s unnamed mix of aged tequila, sweet potato truffle syrup, sherry, apple and cinnamon, Parliament is a first-rate cocktail den with Cheers-style ease, a special combination indeed.

Rock steady: The People's Last Stand.
Rock steady: The People’s Last Stand, at Mockingbird Station.

THE PEOPLE’S LAST STAND

The Mockingbird Station stalwart is still going strong in its second-level space, churning out an ever-changing list of libations behind a veteran bar team led by general manager Devin McCullough. The drinks are original and varied – and occasionally playful, as in the wintry Petra at Night, a hot rum cider mix served with apple slices and mini wafers, and Mr. Joe Black, an equally snack-y blend of rye and cold-brew coffee featuring blackberries, brown sugar and cayenne-sugared pecans. “Everybody’s got their little side munch going on,” McCullough said.

Brian McCullough's battle-ready bar on McKinney, still firing on all cylinders.
Brian McCullough’s battle-ready bar on McKinney, still firing on all cylinders.

THE STANDARD POUR

Just up the street from Parliament, the McKinney Avenue landmark remains, as I described it last year, a craft-cocktail battleship – built to weather weekend barrages of bar hoppers but equally effective quietly docked on a Tuesday eve. A crew staffed by talents like Austin Millspaugh and Jorge Herrera helps take the sting out of former lead barman Christian Armando’s departure, pumping out a stream of solid originals as well as the ubiquitous Moscow Mules. Like Parliament and Industry Alley, Brian McCullough’s stalwart staple maintains a homey vibe whether rafting calm stream or raging river.

Bars of the Year 2013
A wry, loose attitude and remarkable consistency define this craft-cocktail institution on Fort Worth’s Magnolia Avenue.

THE USUAL

While the cheeky drink menu has barely changed, the bartenders at this seemingly never-understaffed Magnolia Avenue haven in Fort Worth are more than handy with the palette of potions behind the bar. I said this last year, and it holds true today: More than anything, what impresses about The Usual – among DFW’s pioneering craft-cocktail joints – is that I have yet to have a drink there that didn’t qualify as a success, which is something I can’t say about that many places.

Victor Tangos restaurant in Dallas. (Photo by Mei-Chun Jau)
Lively and inventive, Victor Tangos still makes craft-cocktailers’ hearts skip a beat. (Photo by Mei-Chun Jau)

VICTOR TANGOS

Another of DFW’s initial craft-cocktail practitioners, this Henderson Avenue landmark found its footing again under beloved general manager Matt Ragan. Though Ragan recently departed, the cocktail program remains in the able hands of bar manager Andrew Stofko, one of the city’s most exciting young talents; among Stofko’s 2016 creations was The Dread Pirate Roberts, whose intricate mix of Brazilian cachaca, grapefruit liqueur, bitter Suze, lemon, cinnamon syrup, Angostura and hopped grapefruit bitters was wonderfully reminiscent of tart apple pie.

Runners-up: Armoury DE, Flora Street Café, Lounge Here, Small Brewpub, Thompson’s Bookstore.

Down and Dirty on the Boulevard: Gettin’ our picnic on at Chefs for Farmers 2013

Chefs for Farmers 2013
Boulevardier’s Eddie Eakin knocking out Maker’s 46 cocktails at Chefs for Farmers 2013.

Hey, Chefs For Farmers: You can tell everybody this is your song, because last weekend I was reminded like a big slap in the face how wonderful life is when you’re in the world. Or in Dallas, anyway.

Yep: Four days later, I’m still recovering from the Elton-John-esque epicness that was Chefs For Farmers 2013, which brought more than a thousand of my fellow food and drink aficionados to Dallas’ Robert E. Lee Park to basically form obstacles between my appetite and all the tasty consumables that were there to be had.

Chefs for Farmers 2013
Cafe Momentum’s smoked bison tamale with fig mole, among Sunday’s culinary bounty.

 

 

 

 

 

Not that it mattered. I realized that by the end of the all-afternoon event that I had partaken of cow, pig, bison, duck, rabbit and boar, not to mention a bit of chicken liver spread. (Thanks to a late dinner at Nora, I managed to add lamb to the day’s lineup, too.) As CraveDFW’s Steven Doyle put it, there were a lot of critters in my belly.

Little of the fare could be called average. Far more of it ranged from very good to outstanding, from Parigi’s wild boar Bolognese (my personal fave) to the short-rib soup from The Mansion At Turtle Creek (fab) to the euphoria-inducing maple-pecan-bacon ice cream (!!!) from Jack Perkins of Maple and Motor and Slow Bone BBQ. Dude, Sweet Chocolate’s drinking chocolate with carrot-lemon foam was a standout, too.

But there were drinks, too, which is what had initially drawn your intrepid cocktails scribe to the picnic-blanket-and-revelry-covered scene. Boulevardier’s Eddie Eakin, High West Distillery’s Chris Furtado and Ten Bells Tavern’s Greg Matthews cranked out Maker’s 46 magic – including Eakin’s Steep Buzz, which married the Kentucky bourbon with  Earl Grey honey syrup, ginger liqueur, lemon and apple bitters. “I’ve never made a thousand cocktails at once before,” Eakin said, managing not to seem overwhelmed.

Chefs for Farmers 2013
Ryan Sumner and Julian Pagan of Cedars Social, craftily engineering a good time for all.

The drinks poured forth from nearby fellow libationists, including Cedars Social’s Julian Pagan and Ryan Sumner, Central 214’s Amber West, Abacus’ Lucky Campbell and The People’s Last Stand’s Brad Bowden. I had to give my nod to the Autumn’s Apple cocktail from The Standard Pour’s Christian Armando and Brian McCullough, a spicy medley of Patron Reposado, cinnamon syrup, lemon, apple cider and Angostura bitters.

Until next year, Chefs For Farmers, when I’m counting on one of those excellent chefs to bring some goat to the party. Don’t go breakin’ my heart.

Chefs For Farmers 2013
Chef David Anthony Temple got into the fun with attendee Sheila Abbott.

 

Chefs for Farmers 2013
Christian Armando of Standard Pour doing double-duty.
Event program
Chefs For Farmers 2013
CraveDFW’s Steven Doyle awards me my Maker’s Mark pin.

Put me in coach: The report from Dallas’ inaugural cocktail bus tour

Central 214
Central 214’s red-sorrel-accented Last Monkey Standing, one of last week’s cocktail bus tour highlights. (Marc Ramirez)

“There are going to be times when we can’t wait for somebody…. You’re either on the bus or off the bus. If you’re on the bus, and you get left behind, then you’ll find it again. If you’re off the bus in the first place — then it won’t make a damn.”

Ken Kesey, as quoted by Tom Wolfe in The Electric Kool-Aid Acid Test (1968)

***

So, here’s how things went on Dallas’ first-ever cocktail bus tour: Festively. By 7:05, two dozen imbibers were on the bus, a dazzling white coach and our carriage for the evening. Already, at The People’s Last Stand at Mockingbird Station, the evening’s initial libation had been sampled, some flouncy red thing with gin and Campari and watermelon and rhubarb liqueur.

For $60 apiece, the inaugural “chartered bus tour of some serious libations” would ferry us to six craft-cocktail bars from Uptown to Cedars to Deep Ellum. As you might expect, the evening’s mood was progressively buoyant; few cared that the excursion was less an actual “tour” than a series of stops via luxury taxi.

For one glorious moment, Tate's Dallas' Robbie Call was on the bus -- and then he was not
For one glorious moment, Tate’s Dallas’ Robbie Christian was on the bus — and then he was not. (Marc Ramirez)

It was a group primed for fun, but not one of people looking to fog up their night in clouds of vodka and Red Bull. Those on board were willing to be led down new paths — believers in, or at least curious about, the concept of craft cocktails with their artisan ingredients, fresh-squeezed juices and creative depths. As former Private/Social barman Rocco Milano once described an evening of imbibement to local cocktail enthusiast Manny Mendoza, who’s working on a documentary about the Dallas cocktail scene: “You’re going to be inebriated at the end of the night. The difference is in how you get there.”

Wise words indeed. But to get there you had to be on the bus, and so we were. The idea was to showcase Dallas’ craft-cocktail diversity; not everyone had been to all six spots and certainly not all in one night. First came the Palomar Hotel’s Central 214, where we enjoyed bartender Amber West’s Last Monkey Standing – a bouquet of Monkey Shoulder blended scotch, Lillet Rose, chamomile, lemongrass syrup, lemon and a touch of red sorrel from Tom Spicer’s gardens.

Cocktail fan Manny Mendoza enjoys the Last Monkey Standing at tour stop No. 2, Central 214
Cocktail fan Manny Mendoza enjoys the Last Monkey Standing at tour stop No. 2, Central 214 (Marc Ramirez)

Then, back on the bus. “Everybody here?” asked tour host and mastermind Alex Fletcher, general manager at The People’s Last Stand. Hmmm. He paused. “OK,” he said, “if you’re not here, raise your hands!”

Havoc.

At Uptown’s The Standard Pour we encountered the Mexican Standoff – a tequila-and-mezcal concoction from Pozo, TSP’s sister-establishment next door and one of my favorite tastes of the night – before hoofing it down the street to Tate’s, tour stop No. 4.

Standard Pour's Brian McCullough, cranking out Mexican Standoffs.
Standard Pour’s Brian McCullough, cranking out Mexican Standoffs. (Marc Ramirez)

Levity ruled the occasion, thankfully never descending into sloppiness. “I’m surprised at how calm everybody is,” said tour co-host Brad Bowden, also of The People’s Last Stand. “I thought there’d be a lot of drunk people walking around.”

The bars themselves, too, performed admirably, firing up twenty-something drinks in quick fashion and keeping us on schedule, and somehow the bus we managed to collect a bartender or two, as well as CraveDFW’s Steven Doyle, along the way.

At Stop No. 4, tour-goers had a choice -- a basil gimlet or this bit of Scotch beauty
At Stop No. 4, tour-goers had a choice — a basil gimlet or this bit of Scotch beauty. (Marc Ramirez)

After Deep Ellum’s divey Black Swan came the pioneering Cedars Social south of downtown, where bartender Julian Pagan wowed with his tiki-esque Yacht Rock: “It’s Sailor Jerry rum, Velvet Falernum, cinnamon syrup, lime, and… yeah.” Yeah!

The Cedars Social's Yacht Rock cocktail. (Marc Ramirez)
The Cedars Social’s Yacht Rock cocktail. (Marc Ramirez)

By the time the call came to head back to The People’s Last Stand for a nightcap and munchies, we were having trouble corralling even our hosts. Personally, I’d love to see more tour-like features in something like this – more info about the bars we visited, for instance, or the Dallas scene itself, but all in all, it had been a good night. Fletcher figured he’d be lucky to break even with the trial-run event; it was more about getting people out of their cocktail comfort zones.

And that was just fine with Calissa Gentry, a Cedars Social regular who’d taken the tour with friends Elaine Lagow and Genevieve Neyens. “We usually like vodka on the rocks,” she said. “But because we go to Cedars, we try new things.”

Trying new things was the reason Lagow was on the tour, too. “I’d do it again in a minute,” she said.

"By the way, guys, great idea," said bartender Danno O'Keefe. "I hate you, because I didn't think of it first." (Marc Ramirez)
“By the way, guys, great idea,” said bartender Danno O’Keefe. “I hate you, because I didn’t think of it first.” (Marc Ramirez)
Night-night: Genevieve Neyens smooches pal Elaine at tour's end. (Marc Ramirez)
At night’s end, smooches: Genevieve Neyens bids pal Elaine Lagow farewell. (Marc Ramirez)
Central 214's bartender extraordinaire Amber West hopped aboard the tour at Stop No. 2 (Manny Mendoza)
Central 214’s bartender extraordinaire Amber West hopped aboard the tour at Stop No. 2. (Manny Mendoza)

Dallas, your cocktail coach has arrived: A tour of city craft outposts

Dallas cocktail tour
This ain’t the 3:10 to Yuma.

These cocktail bars. They’re all over Dallas. But odds are you’ve never hit six of them in one night.  What if there was… a cocktail tour bus? Why doesn’t somebody make one of those?

Well, now someone has. The enrichment gets rolling at 6:30 p.m. on Thursday, Aug. 22, and for that you can thank general manager Alex Fletcher of The People’s Last Stand. “Cocktail culture has grown here at such a rapid pace,” he says. “We’ve all solidified our businesses, we have extremely high-end ingredients…. It’s time to show that off a little bit.”

In addition to the Mockingbird Station second-floor lounge, the estimated six-hour, “chartered bus tour of some serious libations” will make stops at nearby Central 214, Uptown’s Standard Pour and Tate’s, and further south, The Cedars Social and Black Swan Saloon.

Price is $60 and includes a cocktail at each stop, which despite the lack of cookies is a deal not even DART can beat. It’s also a chance to get people out of their cocktail comfort zones, both culinarily and geographically speaking. “A lot of people who come (to People’s Last Stand) never go to Black Swan, and vice versa,” Fletcher says. “And a lot of people probably haven’t been to all six of them, so why not get a handful and take everybody out for a night?”

Capacity will be limited to 40, because who wants to be the bus that shows up to a bar on Thursday night with 100 people all wanting drinks at the same time? No, you don’t want to be that bus. “We’re trying not to throw anybody in the weeds,” Fletcher says.

Good call.

To reserve your seat or for more information, call 263-5380 or email plsdallas@gmail.com.

National cocktail conference gets a Lone Star welcome

Shiner Beer at Tales of the Cocktail
The fancydranks of Texas strutted their Lone Star stuff at Tuesday’s kickoff event

You could say that Texas did itself proud in New Orleans yesterday, but then again pride in Texas has never been in short supply. Anyone taking in Tuesday’s festivities in front of the venerable Hotel Monteleone would have seen a state standing as one, with two dozen bartenders and liquor promoters firing a collective bar gun of Lone Star hospitality.

The “Texas Tailgate” — among the kickoff events for the 11th annual Tales of the Cocktail conference — served up a double-digit selection of punch-cooler cocktails, plus a handful of Texas distillers and brewers offering samples of their work. Breaking a sweat in the NOLA humidity, they poured: Charlie Papaceno of Windmill Lounge, Creighten Brown of the late Private/Social, Sean Conner of Plano’s Whiskey Cake and a smattering of representatives from the Cedars Social and Bar Smyth.

Mate' Hartai -- of Dallas' Libertine Bar and Bar Smyth -- and Whiskey Cake's Sean Conner beat a punch-cooler drum roll
Mate’ Hartai — of Dallas’ Libertine Bar and Bar Smyth — and Whiskey Cake’s Sean Conner beat a punch-cooler drum roll
McCullough's tequila-fueled Garden District Punch was among the event's highlights
Brian McCullough’s tequila-fueled Garden District Punch was among the day’s highlights

There was the bourbon-fired Leather Face Mask, from Bonnie Wilson of The Ranch in Las Colinas; the tiki-ish Paradise Dream from Republic Distributing’s Chris Furtado, made with Mount Gay small-batch Black Barrel rum; and coolers of Shiner beer. Brisket was served. Austin’s Treaty Oak distillery handed out sips of two limited-release products – Red Handed Bourbon and Antique Reserve Gin – scheduled to be available by year’s end.

“Every good party needs a good kickoff before the festivities,” said Standard Pour’s Brian McCullough, president of the North Texas chapter of the U.S. Bartenders Guild. “We’re just celebrating what we do in Texas.”

And apparently, that’s good times and drinks: McCullough’s Garden District Punch was among the day’s best concoctions, a tart and refreshing burst of Dulce Vida tequila blanco, watermelon, raspberry, strawberry, lemongrass, jalapeno and red wine vinegar.

The 'Texas Tailgate' welcomed early conference-goers outside the Hotel Monteleone, TOTC headquarters
The ‘Texas Tailgate’ welcomed early conference-goers outside the Hotel Monteleone, TOTC headquarters

Suddenly, Papaceno’s voice boomed, as if over a megaphone: “WE HAVE EIGHT MINUTES UNTIL THESE COCKTAILS SHUT DOWN, SO PLEASE, DRINK HEARTILY WITHIN THOSE EIGHT MINUTES.”

The able and willing complied. After all, it was barely 4 p.m.

“Yeah!” someone shouted. “Texas!”

“Texas has four little gems,” said Juan Pablo DeLoera, the state’s rep for Milagro Tequila, referring to the cities of Dallas, Austin, Houston and San Antonio. “There’s a lot of talent and passion. It has the right to show what it’s made of.”

Brad Bowden of The People's Last Stand was one of a dozen-plus bartenders representing Dallas
Brad Bowden of The People’s Last Stand was one of a dozen-plus bartenders representing Dallas

Social imagineering

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The renaissance was going to reach Dallas eventually: The craft-cocktail tsunami washing inland from the coasts was too powerful for a city this big to ignore.

Dallas can be maddeningly set in its ways, but sooner or later someone was going to blaze the trail, and two years later, Mike Martensen and Brian Williams are still standing. And not just standing, but aiming to take the city’s rapidly maturing cocktail culture to a new level.

This month, The Cedars Social – their first joint project – quietly marked its two-year anniversary. If you’re looking for the place that truly stirred Dallas from its Crown Royal doldrums, this would be it.

This isn’t to ignore the bartenders who’d already been making a humble practice of honoring classic drinks and squeezing fresh juices, or the handful of restaurants and high-end hotels that had started toying with craft cocktails to mark the growing trend. But The Cedars Social was the first to say: This is what we do. This is who we are.

Someday — and hopefully someday soon — Martensen and Williams will open phase one of The Establishment, their ambitious trident of a cocktail-centered operation in Knox-Henderson. For some, the pair’s painstaking, indefinite efforts to ready the place for presentation resemble not so much a bar opening as the how-much-longer-are-you-going-to-be-in-the-bathroom machinations of a teen princess primping for the prom.

It’s hard, though, to fault their perfectionism. February 2011 was not so long ago, and yet, back then, The Cedars Social’s opening was a splash of watercolor on gray canvas. Despite a succession of quality chefs in the kitchen, it’s still as it ever was: A breath of fresh air not just for a less-traveled neighborhood seeking life but for a city poised to move to a new level. With its classy wood-and-brick library feel, simple stylishness and a savvy locale drawing a refreshingly diverse regular clientele, The Cedars Social wasn’t just another bar: It’s in every sense a cocktail lounge – smart and innovatively drink-centered, committed to fresh ingredients, focused on casual community and the cocktail as experience.

‘There’s something about the way they’ve set it up – from the cocktails to the food to the music they play – that totally disarms people and makes them feel like they belong there,” says Dallas Morning News reporter Gromer Jeffers, a Cedars Social regular.

Meanwhile, look what we’ve gotten since: In Uptown, Private/Social, Tate’s and Standard Pour; in Plano, Whiskey Cake; The People’s Last Stand at Mockingbird Station; The Usual in Fort Worth; Bowl and Barrel near Northpark; Sunset Lounge downtown. Meanwhile, longtime craft masters like Charlie Papaceno of Windmill Lounge, Libertine’s Mate Hartai, Black Swan’s Gabe Sanchez, Bolsa’s Kyle Hilla, Oak’s Abe Bedell and Grant Parker at Hibiscus continue to work cocktail magic in less obvious settings.

“As soon as they opened, that blew it open for everyone,” says bartender Chris Dempsey of The People’s Last Stand.  “People really look to them in homage.”

Here’s what I want when I walk into a cocktail joint. I want a seat at the bar. I want to know my bartender. I want a quality cocktail with ingredients as fresh as possible. I want a constantly refilled glass of water. I want decent food. I want a bartender adept with the gab, well versed in the classics and able to riff. I want someone willing to make what I want but equally skillful at getting me to try something new. I want a drink menu of variety and daring, low on gimmickry, easy to read. I want a crowd there to socialize, not to party. I want a place where I’m just as comfortable meeting friends or making new ones as I am doing a crossword. And I want the bartender to remember me the next time I walk in.

The Cedars Social has been doing this for me from Day One. Granted, being just south of downtown it’s close to my usual place of business, but I consider that cool karma for a boy who had to be dragged kicking and screaming from cocktail-culture-rich Seattle.

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Williams, a former Green Bay Packer, had been looking to open his own bar for a while. Places like Death & Co. in New York City, the Violet Room in Chicago and Bryant’s Cocktail Lounge in Milwaukee helped shape his vision.

Then he met Martensen, a palate-blessed upstart from Casper, Wyo., who’d been a spirits ambassador for Diageo and barman at The Mansion at Turtle Creek. Both shared a similar passion for the craft and the idea of a place that would be a quality cocktail bar first with great food rather than an upscale restaurant with great drinks.

“It’s definitely a cocktail place first,” Williams says, taking a minute to ask a new bartender to double-strain an herb-heavy drink before presenting it to a patron. “For me it was always about quality, the art of the craft.”

Take away the food, and you’ve still got The Cedars Social. But take away the craft cocktails, and The Cedars Social is gone. Social is the key word. I can’t tell you how many ongoing acquaintances and friendships have been sparked at the bar.

One mark of its greatness is that it doesn’t matter who’s wielding the shaker: You’re going to get a great drink from someone who respects balance, flavor, history and service, who can just as soon whip up something original as throw down any of a long list of classic cocktails in the bar menu along with a seasonal array of originals, a smattering of Prohibition-Era gems and a handful of “tributes” – notable cocktails from other bartenders around the country whose inclusion here reflects the bar’s anti-cookie-cutter ethos of artistry and originality. (My favorite of these has been the Number Four, a mix of gin, honey syrup, cardamom and cracked pepper designed by Tanqueray global rep Angus Winchester.)

The bottles huddled behind the bar are wide-ranging and forward-thinking. Whiskey in particular is well represented. You can still order a vodka and soda. But why would you?

“We may be running on the beach right now, but we’re still moving forward,” Martensen told me during The Cedars Social’s first year of operation. “Every day I get somebody who doesn’t drink gin to drink gin.”

The prevalence of craft cocktails around town shows how adventurous the city’s palates have become in the meantime. The Cedars Social’s latest menu re-do features a pair of drinks built around vermouth, another sign of the bar’s vanguard thinking. Not in the mood? Order one of the city’s best Sazeracs instead. And while you’re at it, congratulate The Cedars Social on two years of cocktail pioneering. Dallas is much the better for it.

— Marc Ramirez, 2/14/13

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Winner-winner chicken dinner

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Want to make your Sunday dinner count for something? Consider stopping by Shake for Second Base, a special event benefiting breast-cancer research from 6 to 10 p.m. Jan. 13 at Sissy’s Southern Kitchen, 2929 N. Henderson in Dallas.

An all-female bartender lineup will be shaking things up. For just $10 you get some of Sissy’s formidable fried chicken, plus a cocktail, with subsequent drinks priced at $7. All proceeds will go to a breast-cancer research fund, say organizers Bonnie Wilson (of Whiskey Cake) and Trina Nishimura (of Cedars Social and soon-to-open The Establishment).

The event will also feature a live auction where you can snag an hour-long cocktail date with your favorite bartender, with guys and gals up for the bidding. Even female suppliers are getting into the act, with spirits provided by brands such as Ketel One, Cointreau, Deep Ellum Brewing and Bombay Sapphire.

According to the American Cancer Society, one in eight women will deal with invasive breast cancer during their lifetimes.

Cocktails of the Year 2012

The DFW cocktail scene has come a long way in the last two years, and as many a bartender knows, I’ve been no stranger to it. Restaurants now launch with bar programs no longer a second thought, the qualities of ice and citrus oils are strongly considered, and drinkers once keen on vodka-and-Red-Bull are growing more adventurous palates.

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Some of the local drinks unveiled in 2012, these ones at Dallas’ Five Sixty. At middle left, Rolling Fog Over Mount Fuji; at middle right, Locked and Loaded.

Our craft cocktail architects have, in the last year, designed menus built on the shoulders of the past – reintroducing old classics, embellishing and remodeling, thinking up creations of their own.  Luckily, I have taken it upon myself to sample many of these libations on behalf of the greater good. I have, as they say, taken one for the team.

I can’t claim to have sampled every drink out there. I’m just one man, for god’s sakes. (Thanks to all who sacrificed themselves to join me for the effort.) And I have my own tastes and habitats: In general, my spirits of choice are gin, whiskey, tequila, rum, gasoline and vodka, in that order. Ha ha, vodka – I kid you, I kid you.

But as we say Peace Out to 2012, I leave you with my top 10 favorite local discoveries of the past year. Ah, what the heck: In the spirit of the annum, let’s just make it 12.

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12. MEXICALI BLUES, Tate’s, Dallas (J.W. Tate)

Blending the glamour of aged tequila and house-made grenadine with the smokiness of mezcal, this is Salma Hayek in a coupe, bold and feminine. The borderland babe, named for a Grateful Dead song, is garnished with a palm-tree V of thyme planted in a floating lime-slice island, with a muddle of pepper upping the Baja heat.

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11. STRIPPER SWEAT – Cosmo’s Bar & Lounge, Dallas (Jackson Tran)

“Somebody asked me to make them a drink called Stripper Sweat. I think they had just come from a strip club,” says Tran, adept with flavor even as he churns out the shots and mixed drinks usually favored by the crowd at this Lakewood dive-bar gem. Partial to pairing vodka with the elderflower sweet of St. Germain, he gave complexity to this summery play on vodka-cranberry by mixing vanilla vodka with cranberry, St. Germain and the earthy licorice punch of Fernet. Shaken with an orange wedge, the pulpy, apricot-like mixture is poured over ice, frothy as a raspberry fizz.

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10. COLONEL SANDERS – Sissy’s Southern Kitchen, Dallas (Chase Streitz)

When Streitz, the beverage director at Sissy’s, was asked to design happy-hour drinks around the Henderson Avenue restaurant’s most popular spirits, he spun simple gold from Makers 46, honeying it up with Benedictine and splash of orange bitters over crushed ice.  The drink’s initially aggression softens as the ice melts and muddles the accompanying orange slice, a pleasant pre- or post-dinner relaxer.

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9. THE PEOPLE’S OLD FASHIONED – The People’s Last Stand, Dallas (Omar Yeefoon)

Though Yeefoon no longer pours at this Mockingbird Station bar, he left his mark on the place with this luscious take on the classic whiskey cocktail that couples maple syrup with Rittenhouse rye along with a touch of Angostura bitters and flame-drawn orange oils.  The result: A strong whiskey handshake with a rush of almost tamarind-y sweetness.

8. ROLLING FOG OVER MOUNT FUJI, Five Sixty, Dallas (Lee Hefter)

This gorgeous and aptly named drink at Wolfgang Puck’s Asian-themed restaurant atop Reunion Tower also has depth – and properly made, the illusion of height. Japanese Hibiki 12 whiskey is shaken with Aperol, lemon, simple syrup and egg white, then poured into a small fishbowl of a glass. A mountainous ice slab juts out from the foamy egg-white surface, towering over the pink-hued landscape beneath and evoking the drink’s name. It has the taste and feel of sherbet, with an herbal Aperol finish.

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7. FIG MANHATTAN, Tate’s, Dallas (J.W. Tate)

This classic re-do land-rushes the prairie of your tongue with a bracing yet savory sweetness, the house-made fig syrup ably enhancing the Uptown bar’s orangey dark brown blend of Rittenhouse 100 rye, Cocchi D’Torino vermouth and Angostura bitters. It’s rich, not cloying, with a fig essence that elevates rather than just flavors this classic.

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6. TINY’S FAREWELL, The Cedars Social, Dallas (Mike Steele)

Basically, Steele wanted to make a stirred tiki drink, one without the citrus juice that calls for shaking or the mounds of crushed ice that typically characterize these Caribbean-styled cocktails. He produced this blend of Cana Brava rum, Dolin dry vermouth, Domaine de Canton ginger liqueur, Kronan Swedish punsch, pineapple syrup and tiki bitters. A diaphanous lemony yellow, it’s honey-sweet with a fruity frontal assault and minty finish underscored by the warm essence of rum. The coup de grace is a swath of grapefruit ignited to draw out the oils and citrusy aroma. The story behind the name? “I always wanted to have a tiki bar,” Steele says. “I figured I’d have this really huge guy behind the bar named Tiny with really big arms, crushing ice. But when I made this drink, it was like, `Tiny, we don’t need you anymore.’ “

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5. EMERSON, Hibiscus, Dallas (Grant Parker)

OK, nothing fancy here – just Parker’s take on a little-known classic that deserves wider recognition. The traditional Emerson is gin, sweet vermouth, maraschino liqueur and lime. Parker, the low-key force behind this Henderson Avenue restaurant’s bar, subs the sweeter and less botanical Old Tom gin and uses the spicy, herbaceous Carpano Antica as his vermouth. The result is a drink that starts fruity (especially cherry), but then U-turns with a dazzling chocolate-and-spice finish. “During the cold season, the Antica gives it a nice cinnamon flavor,” Parker says. “And when the weather turns hot, it’s a nice aperitif.”

4. LOCKED AND LOADED, Five Sixty, Dallas (Lee Hefter)

“That reminds me of breakfast, man,” says Five Sixty bartender Casey Griggs of Locked And Loaded. “That reminds me of some pancakes.” This drink created by Los Angeles-based Lee Hefter, Wolfgang Puck’s right-hand chef, is a buffet of bourbon, maple syrup, Carpano Antica sweet vermouth, lemon juice, egg white, rhubarb bitters and a sly rinse of Laphroig. Its hue is somewhere between butterscotch and Chimay Triple, and the bourbon is purposely understated, with a creamy finish marked by rhubarb candy sweetness.

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3. LINNEO’S REMEDY (Ian Reilly)

One evening when Reilly was still working at The People’s Last Stand, I asked him to concoct a drink to feed my growing fascination with mezcal. At the time, he, too, was toying with mezcal and employing his philosophy of temperance – that is, avoiding the urge to compound the agave-based spirit’s smoky Latin flavor with heat and rather using it as a player in an equal, four-part structure a la the classic Last Word. This is what he came up with: a balance of mezcal, Aperol, ginger liqueur and lime.  The result is a delicious sweet-and-sour mix caught up in an undercurrent of peaty mezcal. Reilly – since relocated to just-opened Bowl and Barrel – now opts for saffron-spiced Strega over orangey Aperol, and the name he chose recalls Spain’s medicinal use of bitters as well as Swedish naturalist (and agave’s identifier) Carl Linnaeus – or Carlos Linneo, as he would have been known in Spanish. “I guess all of those, the idea of soothing and balance, combined into Linneo’s Remedy,” Reilly says.

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2. SECRETS AND LIES, The Cedars Social, Dallas (Mike Steele)

This off-the-menu treasure, inspired by a drink Steele once served in Denver, takes premium whiskey, enhances it with port and Strega and adds strong hints of Carpano Antica, vanilla syrup and a cardamom tincture. “I think cardamom and vanilla go really well together, and it’s a good, rich flavor for the fall,” he says. “Plus it goes really well with whiskey.” Every ingredient comes through, a beautiful balance of bite, herbs and holiday warmth. “One time, somebody asked me what was in it,” says the affable Steele from behind the bar of this pioneering spot south of downtown. “I said, `Secrets and lies, man, secrets and lies. And it just went from there.”

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1. FALL INTO A GLASS, Private/Social, Dallas (Rocco Milano)

It’s really not fair when Hum is in the game, because anyone who knows me knows that I adore this liqueur dominated by flavors of ginger, cardamom and clove. It’s a feisty pit bull of an ingredient, but Milano – who introduced me to Hum about a year ago – has a knack for grabbing the leash and making it shine. The gin-hefeweizen-lemon Shandy that he’d added to the summer menu at Uptown’s Private/Social, a twist on the classic French 75, was so popular that he didn’t want to part ways with it in the fall; Hum seemed a natural autumn boost for this cleverly named drink. What you get is a mix of citrus and spritz with a frothy sheen of beer, the finish a wave of autumnal Hum. “It’s amazing how different .75 oz of Hum can make a cocktail taste,” he says. “When I presented the drink to the staff during training, everyone said the exact same thing: You nailed the flavors of fall.”

Want to make it yourself? Here’s the recipe.

FALL INTO A GLASS

2 oz light-bodied gin (such as Citadelle)

1 oz lemon juice

1½ oz simple syrup

¾ oz Hum liqueur

Combine all ingredients, shake and strain into a snifter. Top with 2-3 oz wheat beer (such as McKinney-based Franconia).

— Marc Ramirez 1/9/13 

 

The Mixologists Take Manhattan

The Manhattan: It’s the drink mixologist Gary Regan says “changed the face of cocktails.”

Featuring rye whiskey with a bit of vermouth with a sprinkle or three of bitters, it was arguably the first drink to draft vermouth as a sidekick. That was, as they say, a damn game-changer. The Martinez followed, then the Martini, and eventually all manner of cocktail goodness gracing humanity today.

In case you hadn’t noticed, brown spirits are everywhere, which not only means that fall is officially here but also that if you haven’t turned back your clocks by now, you’re way behind the curve. That would make you highly unworthy to participate in the aptly named Manhattan Project, an ongoing push to promote the drink that runs through early next year.

Two or three times a month, one of six participating Dallas venues will host the free event, whipping up the voluptuous namesake cocktail using whiskeys represented by project sponsor Republic National Distribution Company, such as Buffalo Trace and W.L. Weller.

“The Manhattan is the classic bourbon cocktail,” says Chris Furtado, Republic’s craft specialist. “We really want to emphasize the drink itself, and everybody’s interpretation of it.”

With the mass market kinder to vodka and gin, Furtado says, bourbon cocktails can be overlooked. “But for us classic cocktail lovers,” he says, “it’s a great drink.”

So far, the Manhattan has been celebrated at Cedars Social, People’s Last Stand and the Black Swan Saloon. This week, the tour hit Uptown’s Private/Social. Still to come are Hibiscus and Whiskey Cake before the tour circles around and each gets another shot at the deal.

“We’re showcasing bourbon and places that do it well,” Furtado says, nursing a Manhattan at Cedars Social. “I want people who come here to go to People’s Last Stand. I want people to think of Black Swan as a cocktail destination; they’re doing great stuff.”

The classic Manhattan recipe calls for a 2:1 rye whiskey-to-vermouth ratio. I typically make mine with a 3:1 ratio using Bulleit Rye and a few dashes of Bittercube’s Cherry Bark Vanilla bitters.

Japanese cocktail legend Kazuo Uyeda makes his Manhattans 4:1 and  suggests the ratio can go up to 5:1 before the whiskey’s “brooding, complex character” body-slams everything else in the glass.

Experiment with it yourself and figure out what you like. “Quite simply,” mixologist Regan writes in his classic The Joy of Mixology, “when properly constructed, it is the finest cocktail on the face of the earth.”

The next Manhattan Project event will be Tuesday, Nov. 20, from 7 to 9 p.m. at Hibiscus, 2927 N. Henderson in Dallas.

— Marc Ramirez, Nov. 5, 2012

D and Easy: Tales of the Cocktail opens with Dallas on menu

Lucky Campbell of The Chesterfield says hello to New Orleans.

Tales of the Cocktail, the premier party event for the nation’s bartenders, cocktail chroniclers and spirit and liqueur reps, is officially underway in the Big Easy, with one big D of difference:

For the first time, Dallas bartenders have a special seat at the table, with a tasting event called “Come and Get It! Cocktails Texas Style!”

I’m not sure what the purpose of that second exclamation point is, but suffice it to say that the sampling of local luminaries – including Jason Kosmas of Marquee Grill & Bar, Rocco Milano of Private/Social and Michael Martensen of Cedars Social – on hand to show what makes the Lone Star State so dadgum special are awfully excited.

Bartending tool seller Cocktail Kingdom represents with shakers, jiggers and coupes.

I’ll be posting dispatches from that event and some of the 10th annual festival’s other cocktail workshops, tastings, contests, industry showdogging and requisite revelry along the way.  Most of the action will be going down at the veritable Hotel Monteleone on Royal Street, home to the revolving Carousel Bar and birthplace of the Vieux Carre cocktail.

The Vieux Carre is one of several classic cocktails with roots in New Orleans, which makes this festive city an appropriate home for the yearly event founded by Ann Tuennerman and just one more reason to shower it with love.

Tales of the Cocktail has taken over New Orleans’ Hotel Monteleone. In the background, event founder and executive director Ann Tuennerman talks with a conference attendee.

This is my first year at the festival, and I’m already wowed by the offerings: tributes to rum, apertifs and cucaçao; workshops on Russian drinking culture, foraged ingredients, bartending ecology and even the health benefits of alcohol spiked with beneficial herbs. Some of us will see how bartenders have been portrayed in popular culture, make our own vermouths and bitters or experience the whisky bars of Japan.

These are marathon days, launching with Bloody Marys and oysters on the half-shell when most other people are barely pawing at bagels and drearily sipping morning coffee. Making it through the race requires a shrewd sense of pacing, indomitable endurance and a mighty constitution.

Let’s do this.

Absolut Breakfast.

– Marc Ramirez

Published 7-25-12