Category Archives: Competitions and Honors

The Usual, North Texas’ pioneering craft cocktail bar, marks 15 years of serving up ‘all manner of slightly esoteric libation’

It’s almost hard to believe there was a time when you couldn’t find a decent Manhattan in Fort Worth, but when I moved to Dallas in 2010, North Texas was still largely a craft cocktail wasteland. Sure, Knox-Henderson restaurant Victor Tangos had gone all-in on what was already a national craft renaissance, and a handful of bartenders hip to the revival were doing crafty things behind the bar at places like Windmill Lounge near Uptown, Bolsa in Bishop Arts and The Mansion at Turtle Creek, but no drink establishments that I could find had yet put craft cocktails front and center.

Eventually, I made my way over to Fort Worth, where I found a bar called The Usual, an unassuming beacon of craft know-how on Magnolia Avenue that on Wednesday will mark its 15th anniversary, making it – by just six months – the second oldest craft-cocktail bar in Texas, a remarkable milestone for a notoriously unforgiving industry in a place that doesn’t always get its due.

The Usual was the genie in the bottle for all the cocktail wishes I’d brought with me from Seattle, where the ongoing renaissance was already in full force. Its office-park exterior belied the sleek and sexy space inside and a level of creativity behind the bar that Fort Worth didn’t yet know it wanted. At the same time, it was welcoming and unpretentious, the vision of Brad Hensarling, who’d been with the nearby Chat Room Pub before making what was then a radical choice – to open a bar focused on craft cocktails – or, as its menu states, “all manner of slightly esoteric libation” – with then-co-owners Jon Carney and Juan Solis.

In Texas, The Usual’s opening was preceded only by Houston’s Anvil, which opened in early 2009.

The mirror adjoining the bar at The Usual offers a glimpse of the cozy environs within. Texas’ second-oldest craft cocktail bar marks its 15th anniversary this week.

“The original architecture, with mirrors on the ceilings of the booths, all the elements of intention of that space are still intact,” says Pam Moncrief, who was among The Usual’s early crew of bartenders and worked there on and off over an eight-year span. “All that wood in there – white American oak, intentionally chosen, because that’s what whiskey barrels are made of. It still breathes that same purpose in being there.”

Among the bar’s early clientele was Jason Pollard, who in 2009 had visited New Orleans, sipped his first Sazerac and was bitten by the craft cocktail bug. The Usual was like a library of libations in which he could research his new fascination. “I started hanging out at the Usual, and finally they were like, ‘Do you want to work here?’” he remembers. “I started in 2011.”

By that time, Dallas’ Cedars Social and Denton’s Paschall Bar were on board the craft cocktail train.

“We were very aware of the fact this was something Fort Worth hadn’t seen before,” recalls Pollard, who would eventually become lead bartender and is now a co-owner. “There was a lot of explaining ourselves in the early days, that we didn’t carry big domestic beers or have 17 flavored vodkas; that we were doing something different.”

While slower weekdays were shared with patrons interested in learning more from bartenders eager to share the history of and riffs on classics like the Aviation, the Negroni, the Last Word or the New York Sour, high-energy weekends were approached with patience for people’s frustrations.

“We were coming in against a city that had a firm drinking culture already, and here we are saying we’re using all fresh ingredients or that we don’t carry Malibu,” Moncrief says. “But it was really cool when you could say to people who wanted Fireball, ‘Well, we don’t have Fireball but I can make you something like that or better.’ It blew their minds to see us use all natural ingredients and create something dazzling. And eventually a lot of people caught on.”

Bars of the Year 2013
The Usual’s wry, loose attitude has been a trademark of this consistently good spot on Fort Worth’s Magnolia Avenue, which marks its 15th anniversary on Nov. 20, 2024.

Moncrief had started at The Usual as a server and after a year was told by co-owner Solis that if she was going to keep working there, she would have to do time behind the bar as well.

“I was really intimidated,” she says. “I didn’t think I had what it took.” But her experience there, she says, would lay the foundation of her current livelihood as catering operations manager for GUSTOS Burger Bar and owner of a pop-up bar business for special events.

“It really taught me so much,” Moncrief says. “The crew was a fantastic group of people and we all strived to be the best we could be. We pushed each other and called each other out on things. It made you believe in the magic of a bar, and of hospitality and the service industry. So many of us now reference those times as an example of what a bar can be.”

Megan McClinton, previously with Thompson’s Bookstore in downtown Fort Worth, remembers frequenting The Usual before joining the crew for several years in 2017.

“We went there to taste classic cocktails done the right way,” says McClinton, who eventually left for a general manager role at Blackland Distillery and now owns Tricks of the Trade, a boutique bottle shop on South Main. “We knew that’s who was doing it and doing it right. We were all trying to figure out what this craft thing was and that was the place to go in Fort Worth to discover that.”

Despite its limited space behind the bar, The Usual has always wielded an arsenal of adventurous spirits and liqueurs often at the forefront of DFW’s craft-cocktail curve. I made the rounds often in those early days but could always count on glimpsing a bottle at The Usual that I’d never seen before, then asking someone to make something with it.

“It just goes back to us being cocktail nerds and genuinely geeking out about it ourselves,” Pollard said. “When we find something new and interesting, we want to share it with people.”

And unlike some craft bars where you had to time your request or visit with the presence of a specific bartender to have magic happen, The Usual crew to a person was always up to the task. In other words, creativity and experimentation seemed to be part of the bar’s staff expectations. (So, too, apparently, was adequate staffing – I have never been there and found available service lacking.)

Side note: The Usual was responsible for two top-ten finishes in my annual ranking of my favorite cocktails of the year, listings I composed from 2011 to 2020 when the scene was more manageable in size and I had way more freedom to imbibe. In 2014, I gave a nod to Moncrief’s One Million in Unmarked Bills, an herbaceous blend of Ransom Old Tom gin, herbal Zwack liqueur, Dolin Blanc vermouth and Benedictine; in 2018 it was Pollard’s Autumn in Brazil, a luscious mix of sherry and sweet vermouth built atop aged cachaca.

Jason Pollard’s Autumn in Brazil featured Brazilian Avua Amburana cachaca.

The Usual’s upscale date-spot atmosphere has always featured an undercurrent of ease. Those who’ve worked there preach of its family-like and family-oriented camaraderie, one sensitive to work-life balance.

“They were very concerned about your family life and looked at everyone as a whole person,” McClinton says.

The bar has set consistently high standards, with a modest, amusingly composed, brochure-like house menu featuring variations on familiar libations with a wild card or two thrown in.

“You have to balance between what people are going to instantly know they want and things that are going to push people into flavors they haven’t necessarily experienced before,” Pollard says.  

Adds McClinton: “It was about not just making an espresso martini because it’s popular but making something adjacent and outside the box. Not just following the trends, but being inspired by them or even setting them.”

The Usual has seen its share of marriage proposals and once even hosted a wedding, a true community institution that adhered to its craft philosophy even through the strain of the pandemic. Wednesday’s celebration, which kicks off at 5 p.m., will feature a throwback menu and, what’s even more fun – throwback bartenders.

“We have always believed that Fort Worth deserves and needs a space like The Usual,” Pollard says. “Even in the leanest times, we just refused to give up.”

THE USUAL, 1408 West Magnolia, Fort Worth.

Mustache seesaws and vodka ice cream: Bar squads vie for Ultimate Cocktail crown at 8th annual benefit event

Mustache seesaws. Vodka ice cream. A magical wall through which seemingly disembodied hands offer cocktails for the taking. It might sound like something out of an Alice in Wonderland fantasyland, but that’s what you’ll find on the evening of Sunday, Oct. 13, at Deep Ellum’s Harlowe MXM and its adjoining sister bar, Trick Pony.

The event is the 8thannual Ultimate Cocktail Experience, which in its previous seven years has raised nearly $1 million total for Dallas-based Trigger’s Toys, a non-profit organization aiding hospitalized kids and their families.

Ultimate Cocktail Experience 2018
2018’s Ultimate Cocktail Experience took place at The Bomb Factory. Image from video footage produced for the event.

“It’s one of those days when everybody comes together,” said Naomi Ayala, president of the U.S Bartenders Guild’s Dallas chapter, at a recent group workshop. “It’s for the kids.”

Originally known as the Fantasy Bar Draft and then Cocktails for a Cause, the Ultimate Cocktail Event has snowballed since its initial runs at The Standard Pour in Uptown and Henry’s Majestic in Knox-Henderson, held more recently at massive venues like the Bomb Factory and Klyde Warren Park. This year’s move to Harlowe/Trick Pony takes the party back to its roots while maintaining its spirit and spectacle.

“We’re toning it back down,” says Brian McCullough, among the event’s original organizers. “Everyone will feel the whole thing a little more.”

Ultimate Cocktail Experience
The Ultimate Cocktail Experience, now in its 8th year, has raised nearly $1 million for Trigger’s Toys.

The Ultimate Cocktail Event runs from 6 to 11 p.m. and capitalizes on the Harlowe/Trick Pony complex’s two-story design – a perfect setting for the gala’s traditional five-way battle of pop-up bars staffed by more than a hundred bar industry pros from DFW and beyond.

Every year, five teams of bartenders conceive an imaginary bar and spend time developing the drinks, concept and clever marketing campaigns in pursuit of the coveted people’s choice prize. This year’s event is an all-star reunion, bringing together each of the last five year’s winners for a bid at the ultimate crown.

“We’re even bringing back Ampersand and Ampersand,” says Stephen Halpin, Dallas-based manager of trade education for Patron Tequila, referring to the cheeky name of 2014’s champ.

But as Ayala said, it’s all about the kids. It was Bryan Townsend, vice president of global sales for spirits producer The 86 Co., who launched Trigger’s Toys 11 years ago after witnessing the positive effect that his dog, Trigger, had on an antisocial child at a local care facility.

This year’s move to Harlowe MXM/Trick Pony takes the annual benefit back to its bar roots. Image from video footage produced for the event.

Now, in addition to providing financial support for kids and their families facing long-term hospital care, Trigger’s Toys every year buys holiday-season gifts for them and their families and funds therapeutic care for kids with autism, cerebral palsy and other conditions through an organization called Bryan’s House.

“It has just evolved and evolved,” Townsend says.

Joining “& and &,” helmed by the Statler Hotel’s Kyle Hilla, will be 2018 champ Elevate, captained by Megan McClinton and Jason Pollard of The Usual in Fort Worth; 2017 champ Cuba, led by Nicholas Grammer of The Mitchell; 2016 winner American Carnival, headed by Andrew Stofko of Te Deseo; and 2015 champ Zoom Zoom, led by Zach Smigiel of Billy Can Can.

Tickets are $65 and are available here.

Harlowe MXM, 2823 Main Street, Dallas

NOTE: A previous version of this post stated that Ravinder Singh of Sloane’s Corner would be leading team Cuba; Nicholas Grammer has since stepped in to take his place.

The Shake Up: Bartending contest aims to show off DFW’s female talent

Bartender competitions are in full swing these days, with The Standard Pour’s epic Bar Brawl having wrapped up a few weeks ago after a two-month-plus run and another tournament set to launch next week at The Lodge. But “The Shake Up,” which kicks off tonight, stands out for one reason: It’s strictly for the ladies.

Armoury DE general manager Rosey Sullivan, who organized the competition, wanted to show that there is plenty of female bartending talent to go around. It didn’t sit right with her that of Bar Brawl’s 14 contestants, only two were female – and pitted against each other in the first round. The situation didn’t so much anger her as open her eyes to an inherent bias she says pervades the profession.

“I thought, the best way to show that ‘male’ and ‘craft bartender’ aren’t synonymous is to showcase all the female talent that exists,” Sullivan said. “What better way than to host another competition?”

Shake Up’s 16 contestants will be matched against each other in teams of two for a weekly $200 prize. There’ll be a speed round, while another will involve a Daiquiri variation. The competition will feature all-female judging panels, too, including local industry veterans like Remy Cointreau rep Amy Florez and bartenders Jones Long and Mandy Meggs. Meanwhile, Armoury’s all-female front-house management team – including Sullivan, Megan Christiansen and Kelsey Hanshew – made the bar a perfect place to host the Monday-night competition, Sullivan said.

Tonight’s match will pit Madison Carney of Ruins (Deep Ellum) and Katie Morgan of The Charles (Design District) against Candy Gaines of High & Tight (Deep Ellum) and Taylor Weidman of 2 Charlies Bar & Grill (Denton).

Part of each week’s proceeds will benefit a women-focused charity such as Altrusa, Genesis House, Dress for Success and the Dallas Women’s Foundation.

What does Sullivan hope to accomplish beyond female visibility? Making the local female bartender’s network stronger, for one. The title round will be held in early February with a $3,000 reward at stake – though not a one of those who Sullivan asked to participate ever even asked about that detail – which may just go to show just how strong that network already is.

7th Annual margarita fest offered a sweet answer to sour weather

Mellow Mushroom
Pouring Mellow Mushroom’s honey-ginger habanero margarita at Margarita Meltdown 2017.

It’s been just over a week since the 7th annual Margarita Meltdown, a sold-out, five-hour party featuring more than two dozen Margarita variations from all around the Dallas-Fort Worth area – which could be why I’m barely getting around to recapping the whole thing.

A sample scorecard: Each sample-size margarita meant crossing another box off the chart.

Armed with score sheets like big coffee-club cards, we and our fellow festival goers sloshed through the West End grounds on the drizzly last Sunday of May and lined up for sample-size margaritas from places like The Theodore, Mellow Mushroom, Renfield’s Corner and Y.O. Steakhouse (which marked its territory with a longhorn skull and fake Saguaro cactus). There were mango-papaya margaritas, cucumber margaritas, pickled beet margaritas and honey-ginger habanero margaritas. Aside from Lekka’s snow-cone-style version, they came in little cups – the kind salad dressing comes in with a to-go salad – festooned with rose petals, rimmed with chili salt, or in The Standard Pour’s case, garnished with watermelon radish and vegetable ash.

Austin Millspaugh
The Standard Pour crew knocks out pickled beet margaritas.

Attendees had a sought-after tool at their disposal: one wooden coin, to deposit into the “tip jar” of their favorite overall margarita, with prizes of $1,000, $500 and $250 awarded to the first-, second- and third-place drink makers.

My favorite of the day was the blood-orange margarita from Cassidy’s, in Fort Worth, a Texas two-step primped with Solerno blood orange liqueur and a chewy piece of candied blood orange sunbathing in the cup. The drink, followed by the sugary punch of the candied fruit, was a winner – and not just with me: It turned out to be the people’s choice as top margarita, joining previous champs Pie 314 of Lewisville, Whiskey Cake of Plano, and Dallas’ Asador, Iron Cactus, Savor Gastropub and Soleo.

The Renfield’s Corner’s team handing out berry-powered “Purple Jesus” margaritas.

Coming in second was the pineapple-jalapeno margarita from Frankie’s Downtown, while third place went to Rj Mexican Cuisine’s blueberry-basil translation. The people had spoken. The people were feeling pretty good. So even though we may never know who created the original margarita, it’s safe to say its legacy is alive and well.

Dallas Margarita Competition gives 30-plus bartenders a chance to show they’re worth their salt

The classic Margarita. Image courtesy of LetsGetTwisted.com

In Texas, no drink says summer is almost here better than a Margarita. And in Dallas, nothing puts an exclamation point on the thought like the 7th annual Dallas Margarita Competition, happening this Sunday in the city’s West End District.

Ah, the Margarita. The classic mix of tequila, orange liqueur and lime, rimmed with kosher salt, is among the most legendary and debated of cocktails, with more than a few origin stories to its credit. Rather than try to figure out which one to believe, the Dallas Margarita Competition offers you the opportunity to decide which of the 30-plus versions of the drink you’re going to try. Which will be the best? That’s for you to decide.

At the 2013 event, Armando Guillen and Brian McCullough of The Standard Pour battled the crush in Bishop Arts.

That’s right: At the Dallas Margarita Competition, which runs from 4 to 9 p.m., you are the judge. Your $40 ticket ($50 at the door) gets you samples of Margarita variations created by more than 30 DFW bartenders, along with a scoring card and a wooden chip with which to cast your ballot. (Don’t wait too late, though, or your vote won’t count at all!) The top three bartenders will win prizes of $1,000, $500 and $250, respectively.

Previous first-place winners of the previously named Margarita Meltdown have included Lewisville’s Pie 314, Plano’s Whiskey Cake, and Dallas’ Asador, Iron Cactus, Savor Gastropub and Soleo.

The event will include food and retail vendors, and a DJ. Tickets are available here, but first one to email me at typewriterninja@gmail.com with the year of the very first Margarita Meltdown wins a free pair!

 

Standard Pour bartender wins local cocktail battle, will represent DFW at national competition

Espolon Cocktail Fight 2016
Dallas’ Jorge Herrera takes on Fort Worth’s Amber Davidson in the final round of DFW’s Espolon competition.

For a lot of people, the idea of making a few drinks brings to mind mixing a little vodka with soda over ice, but for the craft bartenders who strutted their stuff before the judges earlier this week, it meant much, much more – firing up an original cocktail and then knocking out a dozen tequila classics, all within minutes. And with flair, to boot.

Espolon's annual contest for the DFW region was held at the Design District's DEC On Dragon.
Espolon’s annual contest for the DFW region was held at the Design District’s DEC On Dragon.

Jorge Herrera is on his way to New York City because he managed to make the whole thing look easy. A veteran of Plano’s Mexican Sugar who joined The Standard Pour in Uptown earlier this year, Herrera took top prize at Monday’s Espolón Cocktail Fight for the right to represent the DFW area at the tequila brand’s national finals in November.

Held at the DEC on Dragon, the event – part culinary competition, part WWF – was a raucous, “luchador-style” affair pitting Dallas drink slingers against their Fort Worth brethren.

Here, in photos, are some of the highlights.

In the first matchup, Devin “El Guapo” McCullough of The People’s Last Stand, at Mockingbird Station, took on Amber “Waves of Pain” Davidson of Fort Worth’s Bird Cafe. Contestants had two minutes to set up their stations and three minutes to prepare their original cocktails for the judges.

Espolon contest round 1
McCullough and Davidson, going mano a mano before the thunderous crowd. Both of their cocktails — McCullough’s coffee-inflected Milkman and Davidson’s black-salt-rimmed Pearls and Spice — earned them passage into the second round.

Next up was Jonathan “Manila Killa” Garcia, also of The People’s Last Stand, against Jermey “Big Jerm” Elliott of Citizen, in Uptown. Garcia appeared in a conical hat while Elliott fired up the crowd by stripping down to shorts and a tank top.

Espolon contest round 2
Elliott crafting his cocktail, A Mexican at Lumpinee, featuring curry powder and Thai basil/pineapple syrup, in the contest’s second matchup.

 

 

 

 

With competitors taking the stage with painted faces, or in skimpy or outlandish outfits, supporters embraced the costumed spirit of things and advantaged the nearby photo booth.

The crowds were pumped full of enthusiasm and tequila, especially the boisterous Fort Worth contingent.
The crowds were pumped full of enthusiasm and tequila, especially the boisterous Fort Worth contingent.

The third matchup pitted Cody Barboza, of Deep Ellum’s Armoury D.E., against Jason Pollard of The Usual, in Fort Worth. Both Barboza’s mescal-fueled El Rico and Pollard’s One Hour Break — which leaned savory with Averna and molé bitters — earned second-round status.

Cody Barboza, Armoury D.E.
Barboza’s El Rico cocktail, which paired Espolon reposado with mezcal, fruit and jalapeño with a chocolate/salt rim.

In the fourth duel, Brittany “B-Day” Day of Thompson’s, in Fort Worth, faced off against Geovanni “Geo” Alafita of Knife, near Mockingbird Station. Day’s Smoke In The Morning went smoky-sweet with mezcal, maple syrup and Allspice Dram while Alafita’s preciously presented Rosario combined tequila with mildly bitter Aperol, cilantro and jalapeño.

Espolon contest 2016
Clockwise, from upper left: Day, of Thompson’s; Alafita’s Rosario; Alafita pouring his drink; Day’s Smoke In The Morning, after a drink or two.

In addition to taste, presentation and how well the tequila shone through, contestants were judged on showmanship. In addition to yours truly, the panel included chef Nick Walker of The Mansion at Turtle Creek, Bonnie Wilson Coetzee of FrontBurner Restaurants and Frederick Wildman brand ambassador Austin Millspaugh.

Walker, Wilson Coetzee, Millspaugh
Three of the night’s judges: Walker, of The Mansion, FrontBurner’s Coetzee and Millspaugh, of Frederick Wildman distributors.

The fifth and final first-round match was easily the most entertaining as the typically understated Jorge “Don Juan” Herrera of The Standard Pour took the platform with a lovely lady on each arm in his duel against Sean “McDoozy” McDowell of Thompson’s. But Herrera put some shine on his show by completing his deceptively simple drink with plenty of time to spare, then lighting up a cigar and preening before the crowd as McDowell continued to race against the clock.

Herrera’s Carolina cocktail was lush with cigar-infused Grand Marnier, while McDowell’s tart Trade With Mexico bundled both Espolón blanco and reposado with tea and homemade ginger beer. Both advanced to the second round.

Espolon contest 2016
Clockwise from upper left, McDowell’s Trade with Mexico; the two rivals take the stage; Herrera’s Big Daddy strut; Herrera’s Carolina cocktail; the competitors in action.

In the second round, the top six contestants each had to crank out 10 El Diablos — a lesser known tequila classic featuring reposado tequila, créme de cassis, lime and ginger beer — within a few minutes’ time.

Round Two: McDowell, Pollard and Davidson of Fort Worth double-down on El Diablos against Dallas' Herrera, McCullough and Barboza as co-emcee Chase Streitz calls the action.
Round Two: McDowell, Pollard and Davidson of Fort Worth double-down on El Diablos against Dallas’ Herrera, McCullough and Barboza as co-emcee Chase Streitz calls the action.

Herrera’s and Davidson’s were dubbed mas macho by the judges and both advanced to the final round, where each had to craft a Margarita using Espolón blanco, a Paloma with Espolón reposado and an Old Fashioned with Espolón añejo — again, within a few minutes.

A taste of each drink, then the judges conferred, taking into account the entire night. It was Herrera’s performance that was judged best overall, which means he’ll be competing at Espolón’s national finals in early November.

Espolon contest 2016
Brian McCullough, co-founder of The Standard Pour, embraces Herrera as the bartender is named winner of Espolon’s DFW contest.

 

Brian McCullough, co-founder of The Standard Pour, said he had no doubt that the Uptown bar’s attention to efficiency on busy weekend nights helped prepare Herrera for the competition’s fast-paced demands.

Between that and Herrera’s previous training at FrontBurner, which owns Mexican Sugar, “he’s been working toward winning this ever since he started working here,” McCullough said.

To watch a normally subdued guy transform into the very picture of confidence made him proud.

“Seeing him do that was like seeing him come out of his shell,” McCullough said.

 

Barrels of fun: Campari competition shows tasty things come to those who wait

Mike Steele, Industry Alley
At Industry Alley, Mike Steele’s barrel-aged Sir Reginald, among the competition’s nine entries.

More than a month has passed since Dallas’ last two cocktail competitions, both coincidentally arranged for the same day in June. While a few ingredients may have been pre-prepared a day or three ahead, the bartenders at both the “Disaronno Mixing Star” contest (won by Smoke’s Mandy Meggs) and the subsequent Pisco Mercenaries’ “Pisco Punch Duel” (won by Rapscallion’s Andres Zevallos) pretty much shook or stirred their cocktails up in real time.

Last week, though, brought a different sort of beverage bout, one that deliciously demonstrated how patience and ingenuity can create liquid gold. The Campari Barrel-Aged Cocktail Competition, organized by local rep Chase Streitz, showed how barrel-aging smooths out liquor’s hard edges while adding beautiful depths of flavor; mixtures are conceived and left to age for weeks in a barrel, the wooden cocoon from which will hopefully emerge a beautiful butterfly of a drink.

Robbie Call, Madrina
At Madrina, Robbie Call pours his beer-enhanced Frenchie cocktail, the base of which was barrel-aged.

The rules were this: Contestants had up to six weeks to age their cocktail in a 5-liter barrel. Each was to be built on a base of Bulldog gin, a London Dry-style spirit featuring several influences not typically seen in gins – lotus leaf, poppy and the lychee-like dragon eye fruit. The final presentation could include no more than seven ingredients, one of which had to be the Italian bitter liqueur Campari or one of its products.

In all, nine bartenders fielded entries. Some concoctions had entered the barrel fully assembled and then reappeared, transformed; others, like Robbie Call’s Frenchie, went into the barrel in partial form and were enhanced with other ingredients before serving.

Call, the bar manager at Madrina, poured out his bright barrel-aged mix of gin, Aperol and herbal-sweet Dolin Genepy and shook it with lemon, simple and egg white; that was then strained into a half-glass of Duvel beer.

The result craftily utilized the egg white, which sat atop the cocktail and gave it the appearance of a frothy summer ale. “It makes a great foam,” said visiting judge Amanda Olig, of Denver’s Meadowlark Kitchen. “It looks like the head on a beer.”

Peter Novotny, Armoury D.E.
Novotny’s Sancho cocktail, at Armoury D.E.

Another notable was Peter Novotny’s Sancho, a play on the classic Martinez and a recent addition to the specials board at Deep Ellum’s Armoury. Featuring gin, orange bitters, roasted-black-pepper-infused cherry liqueur and dry vermouth infused with the cherry-vanilla influence of tonka beans, its unaged version was pleasantly sweet and worth drinking on its own. (One judge, in fact, preferred it over the aged one.)

The barrel-aged drink was boozy and winter-ready, illustrating how the process can take a drink from sunny-weather refresher to winter warmer.

All of the entries evidenced the undeniable influence of wood. These were vigorous barrels. “You’re not going to get rid of the taste of the wood,” said Dee Sweis, who tends bar at The People’s Last Stand. “That’s the whole point of barrel-aging.”

A few bartenders got a rein on those woodsy depths by pre-treating their barrels: For his Churchill Negroni, Michael Reith of Sissy’s Southern Kitchen in Knox-Henderson poured sweet Spanish sherry into his barrel and rotated it daily for a week before replacing it with his classic Negroni combination of gin, Campari and sweet vermouth.

Michael Reith, Sissy's Southern Kitchen
Reith rotated his barrel for a week with sweet sherry before setting his Negroni to age.

But Reith also elaborately pre-spiced his gin with goodies including clove, coriander, star anise and dried fruits, his overall goal being to evoke sherry and tobacco, two of Winston Churchill’s favorite ingredients. “Rather than actually using tobacco, I wanted to hit those notes,” he said.

The result was luscious and beautiful, and it took second in the judging. Parliament’s Drew Garison took third with his Summer in SoHo, a mix of pear and white-peppercorn-infused gin, apricot liqueur, Aperol and lavender bitters.

On the top prize, though, we all agreed on an unlikely source: Renfield’s Corner, the high-volume party den in Uptown where Rogher Jeri’s sultry Bulldog and Zen, playing off the gin’s Eastern and Western influences, was all at once thoughtfully presented, bold and well-conceived. He combined the spirit with dry vermouth, a touch of ginger liqueur and herbal Yellow Chartreuse, and a vinegary lemon-lavender shrub. Halfway through the aging process, he added a jalapeño oleo saccharum, a classic sugar oil typically extracted from citrus.

What made Jeri’s effort so intriguing is that in unaged form, there was nothing special about the drink. It was both blond and bland, a little cloudy in appearance, an ugly duckling loosed into the world. But it returned a swan: Tart and nicely balanced, with a handsome amber hue and a just-right singe of jalapeno, which can often be overdone. It was a startling metamorphosis.

Rogher Jeri, Renfield's Corner
Jeri’s remarkable Bulldog and Zen.

“It’s like a wasabi burn,” said judge Austin Millspaugh, local rep for liquor distributor Frederick Wildman and Sons, as he sipped. “It clears your nose and then dies off.”

“It travels through your palate and, just as it starts to heat up, it sweetens,” Streitz added.

To top it off, Jeri gave a nod to the gin’s signature ingredients by garnishing the drink with a lavender stem and a lotus flower sculpted from a jalapeno. It was exquisite. Or as judge Pezhmon Sabet, secretary of the the U.S. Bartender’s Guild’s North Texas chapter, said: “That’s a badass drink.”

Was it Churchill who said good things come to those who wait?

Ever tried pisco? Cocktail event Monday gives you a dozen ways to try

If February's Pisco Sour competition offers any clues, you're in for a treat Monday.
If February’s Pisco Sour competition offers any clues, you’re in for a treat Monday. 

The Pisco Mercenaries want your love. More to the point, they want you to learn to love pisco, the national spirit of Peru – so much so that they’ve put aside their differences in pursuit of that higher goal.

On Monday, you’ll have a chance to see what eight local bartenders can do with the light-colored brandy when the group holds its second pisco cocktail competition at Dallas’ Crowne Plaza Hotel.

The Pisco Mercenaries are four Peruvian-born gents: Neighborhood Services’ Ivan Rimach; Daniel Guillen and brother Armando, most recently of Parliament and The Standard Pour; and food and beverage consultant Pablo Valqui. They represent four pisco brands eyeing major inroads in the U.S., a market even the Peruvian government supports going after. But rather than fight each other for market share, the brands are joining forces to raise pisco’s profile as a whole.

Queirolo and Intipalka will be among the pisco brands represented at Monday's competition.
Queirolo and Intipalka will be among the pisco brands represented at Monday’s competition.

Through this ongoing series of competitions, they hope to demonstrate pisco’s versatility and earn it a place on bartenders’ shelves. “This is our way of introducing it to the U.S. market and showing there’s way more things you can do with it,” says pisco mercenary Armando Guillen, who is on his way to London after a stint as bar manager at Uptown’s Standard Pour.

The group held a Pisco Sour competition at the Westin Park Central in February. Monday’s contest, set for 6 p.m. at Dallas’ Crowne Plaza Hotel, will feature variations on the classic Pisco Punch. In addition to their cocktails, bartenders will be judged on presentation, use of Peruvian ingredients and the stories behind their concoctions.

The classic Pisco Punch came to life during the go-for-broke days of the Gold Rush in San Francisco, where pisco shipments arrived on South American cargo ships that regularly posted up in the Bay, as author Guillermo Toro-Liro has noted. That made pisco easier to get at the time than whiskey, which had to be brought in by wagon from the Eastern U.S.

Tim Newtown of Henry's Majestic pours his chirimoya-inflected drink at February's event.
Tim Newtown of Henry’s Majestic pours his chirimoya-inflected drink at February’s event.

No one knows for sure exactly what comprised Duncan Nicol’s recipe that rose to popularity at San Francisco’s Bank Exchange Saloon, but today it’s evolved as a tropical blend of pisco, pineapple, citrus and sweetener. A supposed secret ingredient, which may or may not have been cocaine, has been lost to the ages – but for that reason, it’s an openly malleable cocktail.

Monday’s competitors include Andres Zevallos of Rapscallion; Ricky Cleva of Henry’s Majestic; Chris Dempsey of the Four Seasons; Jorge Herrera of The Standard Pour; Ryan Kinkade of TBD; Justin Payne of The Theodore; Cody Riggs of The Mitchell; and Chad Yarbrough of Armoury D.E.

The winners of Monday’s contest – both a judges’ and a people’s choice – will win cash and the chance to compete in a fifth and final round planned for November. That winner will be on his or her way to Peru, which according to Pisco Porton rep Michael Turley boasts 300 distilleries and 471 registered brands – the most popular of them being Queirolo, the one you’ll find even at Peruvian gas stations.

If the February competition is any indication, you’ll be in for a treat: That event offered the chance to sample various piscos on their own or in mini-versions of the competing cocktails, and to crown a people’s choice winner.

Each competing bartender made mini versions of their drinks for attendees.
Each competing bartender made mini versions of their drinks for attendees.

Tim Newtown, of Henry’s Majestic, employed chirimoya, a Peruvian highlands fruit, in his cocktail, while Quill’s James Slater tipped his cap to Peru’s Japanese influences with additions of sencha tea and yuzu citrus.

Ida Claire’s Alexandrea Rivera dropped a hint of Malbec into her pisco drink, while Parliament’s Drew Garison accented his concoction with muddled grapes and a ginger-saffron marmalade.

In the end, though, it was Bolsa’s bar manager Spencer Shelton who the judges crowned winner. (Full disclosure: I was among the panel.) Shelton’s garden-fresh “Cease Fire,” made with mellow-earthy Cuatro Gallos quebranta pisco and a bit of the Italian bitter liqueur Cynar, included lemon, bell pepper, fennel, dill, Peruvian yellow chili pepper and Peruvian olive brine. Or as he described it: “Peruvian cuisine in a cocktail.”

Shelton Spencer, Bolsa
Spencer Shelton’s winning cocktail at February’s contest, the Cease Fire.

Unlike most, Shelton skipped the drink’s signature egg white, which provides lightness and a silky texture. That’s where the olive brine came in: “The brine adds viscosity and mouthfeel,” he explained. An olive branch garnish added the final touch, signifying the unity of the four pisco brands; he served it with tapenade and plantain chips.

Peruvian yellow pepper and olive brine? That brought a smile to pisco mercenary Rimach, who dreams of a day when pisco is a staple spirit behind the bar along with gin and whiskey and vodka and rum. The Pisco Mercenaries partnership, he hopes, is just the start.

“When you have more variety, it’s easier for people to understand and enjoy something,” Rimach says. “We’re trying to create a whole new category.”

With bottled cocktails, acclaimed bar man Rocco Milano finds his new venture is on the rocks

Among the OTR collection: The Aviation, Cosmopolitan and Mango Daiquiri
Shaken, stirred — or bottled? OTR’s Mango Daiquiri, Cosmopolitan and award-winning Aviation.

FROM A LOFTY outdoor suite at Frisco’s Toyota Stadium, the elusive Rocco Milano is taking in FC Dallas’ home opener against Philadelphia. He has a cocktail in hand – and the fact that the venue even sells them says a lot about how far craft-cocktail culture has come.

You remember Rocco. As Dallas’ craft-cocktail scene blossomed in the early 2010s, Milano was among its luminaries, emerging from the Mansion at Turtle Creek to preside over well-regarded bar programs at Private/Social and Barter in Uptown. Then, with Barter’s sudden closing, he vanished, leaving a trail of mystery. What is Rocco up to, people wondered? Has anyone heard from Rocco?

Toyota Stadium is the first major client for OTR, which hopes for many more.
Toyota Stadium is the first major client for OTR, which hopes for many more.

Everyone may be about to. Along with partners Patrick Halbert – owner of P/S and Barter, which operated successively in a space off McKinney Avenue – and Andrew Gill, Halbert’s cousin, Milano has been crafting a line of bottled cocktails, hoping to join a growing playing field.

Their venture, called On The Rocks, or OTR, has been building a buzz; FC Dallas is the team’s first major client, with four OTR cocktails now sold in the stadium’s suite-exclusive Jack Daniels Lounge. (Other, less potent OTR drinks are available on the concourse to general ticket holders.)

This week, On The Rocks scored 11 medals at the esteemed San Francisco World Spirits Competition – including two gold, four silver and five bronze. But OTR’s sights are set much higher, with the group sweet-talking several major airlines to get their drinks onboard national and international flights.

Several of OTR's bottled cocktails are now available at Toyota Stadium's Jack Daniels Lounge.
Several of OTR’s bottled cocktails are sold at the stadium’s Jack Daniels Lounge.

Here in the suite with Milano are partners Halbert and Gill, along with other OTR staffers and people like industry consultant Steve Ousley. “What they’re doing is really innovative,” Ousley says of OTR. “It’s like, how do we execute a crafted cocktail and bring it to consumers really quick? This is in a bottle, and that’s about as quick and convenient as we can deliver it.”

As the brand name implies, the beverages are meant to be served over ice. But with bottled cocktails a relatively new concept, kinks remain: As the match gets underway, an OTR team member arrives fresh from the lounge, where he’s just ordered the bottled Aviation. “They poured it wrong,” he tells Milano; the server poured the liquid straight into a glass, he says, with no ice.

Milano’s eyes widen. “It’s called On The Rocks!” he says, incredulously.

***

IMAGINE THIS: You’re on a plane from Dallas to New York. You’ve ordered a cocktail – not the standard one-and-one mixed drink, like a gin and tonic or a whiskey and coke – but an actual cocktail. Maybe it’s a Mai Tai, or a Cosmopolitan. The flight attendant shows up and cracks open a 100-milliliter bottle, drops a napkin on your tray and a cup with a scoop of ice. Then you’re handed the bottle, to dispense as you please.

“It’s just crack and pour,” Milano says. “That’s the beauty of OTR, brother.”

This is what Rocco Milano has been up to.

While a bottled cocktail can’t fully match the punch and zip of one freshly made, OTR’s concoctions taste remarkably like the real deal – a threshold the team has worked hard to meet. Though the airline dream is still just that, it’s one the OTR team hopes to make a reality, as early as this year, having been in talks, they say, with Hawaiian, Alaska and Virgin Airlines.

The OTR team: Milano, Halbert and Gill (photo courtesy of On The Rocks)
The OTR team: Milano, Halbert and Gill (photo courtesy of On The Rocks)

Airline cocktails are no rye-in-the-sky illusion, though it’s still relatively uncharted territory: In 2014, Virgin tapped Austin Cocktails’ low-cal “Vodka Cucumber Mojito;” more interestingly, Alaska Airlines teamed with Seattle-based Sun Liquor to let passengers make cocktails at their seats using Sun spirits and recipes (a squeeze of lime, a bit of vodka and a pour of ginger ale, and voila! You sort of have a Moscow Mule).

Bottled cocktails are further out of the gate, though quality varies widely. Acclaimed Chicago barman Charles Joly has been producing his Canada-based Crafthouse line – which also scored well in San Francisco – since 2013. There are others sprinkled around the U.S., and around the world. But no other brand in the category did as well in this year’s San Francisco competition as OTR, which won a third of all medals given and was the only U.S.-based company to take gold.

The OTR brand features three cocktail lines – a signature line with classics like the Margarita and Cosmo; a tropical line sporting rummy drinks old and new; and a craft line which “is where we get really weird and esoteric,” Milano says. That category includes the Smoking Pepper, which fans of Milano might recall from Private/Social as the drink actually served in a hollowed-out bell pepper; Milano has recreated a bottled version.

The team's Rye Old Fashioned, which Halbert describes as OTR's "crowd-pleaser"
The team’s Rye Old Fashioned, which Halbert describes as OTR’s “crowd-pleaser”

While their ingredients don’t necessarily mirror fresh cocktails (to account for items, like juices, with a short shelf life), OTR’s drinks are nonetheless all-natural, with no preservatives, additives or artificial flavors. All are either 20 or 35 percent alcohol, using real spirits procured from bulk purveyors, whether whiskey, rum or barrel-aged gin.

Take the Spiced Pear cocktail. “There’s some amazing spiced pear in there, and some nice Darjeeling tea,” Milano says. “It’s done with the barrel-aged London Dry gin, so you’re gonna get some cool wood notes, but it’s still gin. The acid is Meyer lemon, which just adds a beautiful pop to it, and then a little bit of allspice.”

The Rye Old Fashioned is a standout – “pretty much our crowd-pleaser,” Halbert says. There’s a Moscow Mule, and a Daiquiri; a Mai Tai and a Blackberry Bramble.

The bottle’s logo design is a nod to its ice intentions, with the lower half of “OTR” submerged in illustrated cubes.

“And it’s the same regardless of who pours it,” Milano says. “Everything you need is in this drink.”

**

IT WASN’T SUPPOSED to be this way. The three had originally planned to focus on a fledgling distillery operation once Barter had closed. But as Virgin Airlines made its debut at Love Field in late 2014, a handful of Virgin execs came to Barter to celebrate. One of them, Milano says, told him something to the effect of, “These drinks are so good, I wish we could have them on our planes.”

“And Pat was like, `Well, shit – let’s put them in a bottle,’” Milano says. Not knowing how serious the execs were, they didn’t get their hopes up. “People say a lot of things,” Milano says.

Beakers and pipettes and trial and error have fueled OTR's cocktail creations. Here, Halbert and Gill test a new mixture at OTR's offices.
Beakers and pipettes and trial and error have fueled OTR’s cocktail creations. Halbert and Gill test a new mixture at OTR’s offices in December.

Months later, he says, the Virgin guys called to check in. That led to more serious talks, then intros to other airlines and a crash course in bottled-cocktail science. By last year’s end they’d invested half a million into the venture, mostly on inventory and legal and consultant fees, and crafted close to 40 different cocktails.

At the time, they had 90,000 200-milliliter bottles sitting in a warehouse, with 300,000 half that size on the way. The bottles conform to federally approved sizes for alcohol sales; meanwhile, some cocktails had to contain particular ingredients to fit official government definitions. For example, according to the feds, a Margarita must include triple sec, and OTR’s Rye Old-Fashioned is described as such because the government’s definition of the classic drink calls for bourbon.

The group’s office, near Love Field, evokes a cohabitation of chemistry grad students who inherited their parents’ excess furniture. Remnants of Private/Social and Barter comprise the minimal décor or lie strewn throughout – the hanging wicker chairs, the randy sofa pillows, the curtain of metal string that once separated P/S’ bar from the dining area. “We obviously didn’t spend any money on the finish-out,” Halbert laughs.

On a typical day, the heavy-duty table at center is slathered with bottles, beakers, notebooks and vintage cocktail tomes. “We have graduated cylinders, pipettes, even scales that measure to 1/16 of a gram,” Milano says.

And the nearby fridge is filled not with beer and lunchmeats but scores of bottles spanning a range of concentrated flavors. “You can get flavors of anything,” Milano says. There’s butter, truffle, lemon zest, even something called cloud. Not all of it is good. They went through 60 flavors of lime before finding one they liked.

"Just crack and pour," Milano says. "That's the beauty of OTR, brother."
“Just crack and pour,” Milano says. “That’s the beauty of OTR, brother.”

Their bottled Margarita was the most challenging in terms of achieving the right balance of spirit, acidity and sweetness. It took a month to perfect. Whenever they thought they had it down, they’d run to Albertson’s, buy some limes and fire up a fresh drink for comparison’s sake.

“That was the standard,” Milano says. “I didn’t even have a juicer; I had an elbow. I wasn’t even gonna get pith off the lime, just boom – squeeze it in there. And if it didn’t compare to that, then we just started over.”

In the end, their bottled version turned out to be a mix of aged tequila, lime, orange and agave.

On the other hand, their Aviation took them all of 15 minutes. “That had everything to do with the violet extract,” Milano says. “But just like with a real Aviation, you can easily add too much and screw it up.”

Their experience with bars and restaurants has proved valuable. “We’re not guys in lab coats,” Milano says. “We know what a Margarita should taste like.”

Still, a guy in a lab coat comes in handy. To that end, OTR hired Illinois-based food science consultant Dave Wengerhof to assist them with the chemistry of it all. Their aim is to make the drinks taste freshly made even after sitting on a shelf for a year. They test their wares against heat and cold. “It’s not how it tastes when we make it,” Milano says. “It’s how it tastes when you drink it.”

Late last year, they took some of their bottled cocktails to Portland’s Clyde Common, base of renowned bartender Jeffrey Morgenthaler, and ordered the actual versions to see how they measured up. They were especially pleased with their Aviation, and along with Milano’s Smoking Pepper, the drink was among OTR’s two gold-medal winners this week.

Their 11-medal showing was not necessarily what they expected so early on. When the results were announced, “the room just erupted,” Milano says. And they’re just getting started.

For OTR, it seems, the sky really may be the limit.

Shaped by father’s legacy, Dallas bartender headed to New York to compete on the national stage

The Standard Pour
Christian Armando Guillen of Dallas’ Standard Pour, among a handful of U.S. bartenders competing in Wednesday’s Disaronno contest.

If you’ve ever seen bartender Christian Armando Guillen in action, you know how passionate he is about his craft – confident in manner, slightly intense with a burnish of flair. As lead barman at The Standard Pour in Uptown, he’s largely learned the ropes through observation and curiosity, with a particular talent for reining in sweeter flavors.

That has served him well, as he now has his first chance to compete on the national stage. Guillen, a 25-year-old native of Peru who came to Dallas 10 years ago (along with brother Daniel, another accomplished Dallas bartender), is headed to New York City today as the South Central regional winner of Disaronno’s Mixing Star International competition.

Guillen’s “Latino’s Legacy” cocktail was named the best submission among the region encompassing Texas, Oklahoma, Louisiana, Arkansas, Kansas and Missouri. He’ll go up against a half-dozen other regional champs for the chance to represent the U.S. in global competition — and to attend this summer’s Tales of the Cocktail festival in New Orleans.

Produced in Saronno, Italy (hence the name), Disaronno’s recipe is said to trace back to 1525, but it’s not an ingredient typically found on craft-cocktail menus. “It’s kind of the underdog of Italian liqueurs,” Guillen says.

The Mixing Star competition asks bartenders to create their version of the Disaronno Sour, a simple mix of Disaronno, simple syrup and lemon wildly popular in the 1970s (when simple and lemon would most likely have been some sort of sweet-and-sour mix). But the classic Amaretto Sour – which famed Portland mixologist Jeffrey Morgenthaler effectively fancies up with egg white and a bit of bourbon – has fallen by the wayside in today’s craft-cocktail renaissance, with bartenders generally shying away from sweeter liqueurs.

Some of that is reputation, since amaretto is known for its almond-sweet character. As a result, Disaronno is in the midst of a purposeful reinvention, attempting to shed its amaretto associations in hopes of reaching a more youthful audience. Sweet it is, though, with a syrupy texture: Britain’s Whiskey Exchange describes it as “showing marzipan or Battenburg cake flavors on the palate… This is definitely for anyone with a sweet tooth.”

However, Guillen is skilled at taming sweeter flavors and has found a way to harness Disaronno’s nutty properties toward good use. His winning drink merges Morgenthaler’s Amaretto Sour with the classic Godfather (basically Scotch and amaretto), outfitting a base of Cutty Sark Scotch whiskey with a healthy layer of Disaronno, lemon, orgeat, egg white, an apricot-vanilla-clove tincture and ornately applied Angostura bitters.

Christian Armando Guillen
In more ways than one, Guillen’s Latino’s Legacy lives up to its name.

Scotch is another ingredient fairly absent from cocktail menus, its smoky or peaty flavors often too strong for American drinkers. “That was a challenge on my part,” Guillen says. “I wanted to use something bartenders aren’t comfortable using.”

In his native Peru, his father always had a bottle of Scotch around the house that would appear at Christmas or birthday gatherings. Cutty Sark’s toffee and maple notes, he says, work well with the Disaronno, which in turn enhances the whiskey: The drink is sweet, but in an endearing and not saccharine way, with a pleasant texture and smooth, slightly nutty flavor.

As Guillen conceived his cocktail, his father was undergoing some major health issues in Peru that have weighed heavy on his son 3,000 miles away. That partly influenced the cocktail’s name: While it refers partly to the drink’s Italian influences, it also reflects Guillen’s Spanish European origins – and his father’s influence on his own life. “I am his heritage, his legacy,” he says. “Whatever I’m doing, I wouldn’t be here without him.”

Wednesday evening, Guillen will make three of his cocktails in 10 minutes for the New York judges at bar No. 8, presenting each with a very European board of Mascarpone cheese, Marcona almonds, prosciutto and orange blossom honey.

“I’m proud of what I’ve accomplished,” he says. “It’s been more vision and passion than ambition. Everything follows. You’re going to deliver if you’re passionate enough.”

Guillen left for New York City today. “What a better opportunity than making my debut representing the place that saw me become who I am now doing what I love doing the most, bartending,” he said of his first-ever visit to the Big Apple. “Not gonna lie, I’m a bit nervous (weird right?) on how things will turn out in this national competition. I am sure of one thing though, I will do everything in my power to bring that victory home!”

Disaronno Mixing Star contest
Guillen’s winning cocktail: The full presentation.